| Bock's Best - Volume 4 Piano solo - Intermediate Fred Bock Music Company
By Fred Bock. Fred Bock Publications. Size 8.5x11 inches. 148 pages. Published b...(+)
By Fred Bock. Fred Bock Publications. Size 8.5x11 inches. 148 pages. Published by Fred Bock Music Company
(3)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Organist's Upper Hand Organ [Sheet music] - Intermediate Jackman Music Corporation
By C. Marianne Johnson Fisher, William H. Monk, Joseph J. Daynes, George Careles...(+)
By C. Marianne Johnson Fisher, William H. Monk, Joseph J. Daynes, George Careless, Ebenezer Beesley, Hans G. Nageli, Robert Lowry, Giocomo Meyerbeer, John B. Dykes, Lowell Mason, Freeman Lewis, William B. Bradbury, John J. Mcclellan, Frank W. Asper,. Arranged by Darwin Wolford. For Organ Book. Level: Medium. Published by Jackman Music Corporation.
$11.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Appalachian Fiddle Music Violin Mel Bay
Fiddle - Beginning; Intermediate; Advanced SKU: MB.30091 Featuring 43 ...(+)
Fiddle - Beginning; Intermediate; Advanced SKU: MB.30091 Featuring 43 Fiddlers and 188 of Their Tunes. Perfect binding. Folk. Book. 212 pages. Mel Bay Publications, Inc #30091. Published by Mel Bay Publications, Inc (MB.30091). ISBN 9781513466378. 8.75 x 11.75 inches. Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together. $24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Big Blue Book of Intermediate Piano Solos - Volume 2 Piano, Vocal and Guitar [Sheet music] - Intermediate Word Music
Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords...(+)
Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 136 pages. Published by Word Music.
$39.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ada Richter : My Own Hymn Book Piano solo [Solo Part] Theodore Presser Co. | | |
| Connections Trumpet Carl Fischer
Chorales and Exercises to Emphasize the Art of Legato Playing for the Middle=. B...(+)
Chorales and Exercises to Emphasize the Art of Legato Playing for the Middle=. By Antonin Dvorak; Charles F. Gounod; Frederic Chopin; Gustav T. Von Holst; Johann Pachelbel; Johann Sebastian Bach; John B. Dykes; John Wyeth; Joseph Brackett; Larry Clark; Ludwig Van Beethoven; Sean O'loughlin. For Trumpet. Classical. Part. 16 pages. Published by Carl Fischer.
$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Short Preludes and Postludes on Well-known Hymn Tunes (36) Volume 1 Organ Peters | | |
| Thy Name We Praise Piano solo [Sheet music] Carl Fischer
12 Favorite Hymns. By Charles C. Converse; Conrad Kocher; Franklin Sheppard; Geo...(+)
12 Favorite Hymns. By Charles C. Converse; Conrad Kocher; Franklin Sheppard; George J. Elvey; John B. Dykes; John Wyeth. Arranged by Albin C Whitworth. Solo piano. For Piano. Classical. Soft Cover. 32 pages. Published by Carl Fischer.
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lead, Kindly Light Choral SATB SATB, Piano - Intermediate/advanced Hinshaw Music Inc.
By Dan Forrest. For SATB choir (Accompaniment: Piano). Dan Forrest Series. Main ...(+)
By Dan Forrest. For SATB choir (Accompaniment: Piano). Dan Forrest Series. Main Key: D Flat Major. Sacred, Concert. Medium Advanced Adult. Duration 7 minutes 30 seconds. Published by Hinshaw Music Inc.
$3.75 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lead Kindly Light Choral SATB SATB [Octavo] - Intermediate Jackman Music Corporation
By John B. Dykes / Arr. De Azevedo. Arranged by Lex De Azevedo. Text: John Henry...(+)
By John B. Dykes / Arr. De Azevedo. Arranged by Lex De Azevedo. Text: John Henry Newman. For SATB Choir. Duration 5:00. Published by Jackman Music Corporation. Level: Medium.
(1)$1.60 $1.52 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Connections Trumpet Carl Fischer
Chorales and Exercises to Emphasize the Art of Legato Playing for the Middle- Le...(+)
Chorales and Exercises to Emphasize the Art of Legato Playing for the Middle- Level Band. By Antonin Dvorak; Charles F. Gounod; Frederic Chopin; Gustav T. Von Holst; Johann Pachelbel; Johann Sebastian Bach; John B. Dykes; John Wyeth; Joseph Brackett; Larry Clark; Ludwig Van Beethoven; Sean O'loughlin. For Trumpet (in BB). Classical. Part. 16 pages. Published by Carl Fischer. (JB64)
$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lead Kindly Light Choral 2-part [Octavo] Jackman Music Corporation
By John B. Dykes / Arr. Naylor. Arranged by David R. Naylor. Text: John Henry Ne...(+)
By John B. Dykes / Arr. Naylor. Arranged by David R. Naylor. Text: John Henry Newman. For 2 Part Choir. Choral. Level: Medium / Medium-Difficult (accompaniment). Duration 3:30. Published by Jackman Music Corporation.
$1.30 $1.235 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Hymn Favorites Clarinet and Piano [Sheet music + CD] Carl Fischer
Clarinet in B-Flat (with CD Play-Along). By George J. Elvey; George Warren; Henr...(+)
Clarinet in B-Flat (with CD Play-Along). By George J. Elvey; George Warren; Henri F. Hemy; James G. Walton; John B. Dykes; Ludwig Van Beethoven; Martin Luther; Samuel Sebastian Wesley; William Walker. Arranged by David Feldstein; Larry Clark. For Clarinet. E-Solos: A Series for Solo Instruments with CD Play-along and Piano Accompaniment. Score and Audio CD. 16 pages. Published by Carl Fischer.
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Flute 1, Flute 2, Oboe 1, Oboe 2, Piccolo, alto Saxophone, soprano Saxophone, tenor Saxophone SKU: PR.165001000 Hymns for Wind Ensemble. Composed by Dan Welcher. Folio. Set of Score and Parts. 4+24+24+16+8+4+4+24+12+12+8+4+4+4+4+8+8+8+8+4+4+4+4+8+8+8+8+8+8+8+8+4+16+4+8+4+8+8+4+4+4+48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100. Published by Theodore Presser Company (PR.165001000). ISBN 9781491129241. UPC: 680160669776. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For the Mystic Harmony [Score] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more. SKU: PR.16500100F Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F). ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Thou Art Holy - TTBB Choral TTBB TTBB, Piano [Octavo] Beckenhorst Press
Arranged by Craig Courtney. For TTBB choir, piano, optional string quartet. Sacr...(+)
Arranged by Craig Courtney. For TTBB choir, piano, optional string quartet. Sacred. Octavo. Published by Beckenhorst Press
$2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Trilude I Jackman Music Corporation
By Orson Pratt Huish / John B. Dykes / Melchior Teschner. Arranged by Arranged b...(+)
By Orson Pratt Huish / John B. Dykes / Melchior Teschner. Arranged by Arranged by Robert Cundick / Edited by Richard Elliott. For Organ Solo. Medium. Published by Jackman Music Corporation
$3.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Connections Flute Carl Fischer
Chorales and Exercises to Emphasize the Art of Legato Playing for the Middle-Lev...(+)
Chorales and Exercises to Emphasize the Art of Legato Playing for the Middle-Level Band: Flute. By American Folk; Antonin Dvorak; Charles F. Gounod; English Folk; Frederic Chopin; Gustav T. Von Holst; Irish Folk Song; Johann Sebastian Bach; John B. Dykes; Joseph Brackett; Ludwig Van Beethoven; Sean O'loughlin; Southern Harmony. Text: Larry Clark; Sean O'Loughlin. For Flute. Student Book. 16 pages. Published by Carl Fischer.
$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Holy, Holy, Holy! Choral SATB SATB, Piano [Octavo] Hope Publishing Company
By John B. Dykes / Reginald Heber. Arranged by Joel Raney. For SATB choir. Scrip...(+)
By John B. Dykes / Reginald Heber. Arranged by Joel Raney. For SATB choir. Scripture References: Isaiah 6:3 -- Revelation 4:8-11 -- Ezekiel 10:20. Hymntune, Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company
$3.25 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Variants on Hymntunes for Congregational Singing - Organ Organ Fred Bock Music Company
Arr. Fred Bock. By Fred Bock. Fred Bock Publications. Size 9x12 inches. Publishe...(+)
Arr. Fred Bock. By Fred Bock. Fred Bock Publications. Size 9x12 inches. Published by Fred Bock Music Company.
$12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hymns in Baroque and Classic Style - Piano Piano solo Fred Bock Music Company
By Vernon Charter. Fred Bock Music Company. Size 9x12 inches. Published by Fred ...(+)
By Vernon Charter. Fred Bock Music Company. Size 9x12 inches. Published by Fred Bock Music Company.
$9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Short Preludes and Postludes on Well-known Hymn Tunes (36) Volume 2 Organ Peters | | |
| Holy, Holy, Holy! Flute, Handbell, Handchime, Organ, Percussion, Timpani [Set of Parts] Hope Publishing Company
By John B. Dykes / Reginald Heber. Arranged by Joel Raney. For Flute, Handbells,...(+)
By John B. Dykes / Reginald Heber. Arranged by Joel Raney. For Flute, Handbells, Handchimes, Organ, Timpani. Scripture References: Isaiah 6:3 -- Revelation 4:8-11 -- Ezekiel 10:20. Hymntune, Sacred. Instrumental Parts
$34.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Holy, Holy, Holy - Brass and Timpani Score and Parts [Brass score and parts] SoundForth
By John B Dykes. Arranged by Dan Forrest. For timpani. Brass score and parts. Pu...(+)
By John B Dykes. Arranged by Dan Forrest. For timpani. Brass score and parts. Published by SoundForth
$39.95 - See more - Buy online | | |
| Beautiful Savior / Lead Kindly yLight Violin and Piano - Advanced Shawnee Press
By Crusader's Hymn / John B. Dykes. Arranged by Kay Ward. For violin solo and pi...(+)
By Crusader's Hymn / John B. Dykes. Arranged by Kay Ward. For violin solo and piano. Sacred. Advanced
$3.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Hymn Favorites Trumpet [Sheet music + CD] - Easy Carl Fischer
By George J. Elvey; Henri F. Hemy; John B. Dykes; Ludwig Van Beethoven; Lyra Dav...(+)
By George J. Elvey; Henri F. Hemy; John B. Dykes; Ludwig Van Beethoven; Lyra Davidica; Martin Luther; Samuel Sebastian Wesley. Arranged by Larry Clark. For Trumpet. E-Solos - a Series for Solo Instruments With CD Play Along and Piano Accompaniment. Classical. Score and Audio CD. 16 pages. Published by Carl Fischer.
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Organ Transcriptions of Four Favorite Mormon Hymns, No. 4 Organ Lorenz Publishing Company
By Roy Darley. For organ. Hymn-based collection. Level: 3-staff. Sacred Organ. P...(+)
By Roy Darley. For organ. Hymn-based collection. Level: 3-staff. Sacred Organ. Published by Lorenz Publishing Company.
$18.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Hymn Favorites Flute - Easy Carl Fischer
Flute. By George J. Elvey; George Warren; Henri F. Hemy; John B. Dykes; Larry Cl...(+)
Flute. By George J. Elvey; George Warren; Henri F. Hemy; John B. Dykes; Larry Clark; Ludwig Van Beethoven; Lyra Davidica; Martin Luther; Samuel Sebastian Wesley. Arranged by Larry Clark. For Flute. E-Solos - a Series for Solo Instruments With CD Play Along and Piano Accompaniment. Classical. Level: easy. Solo part. 16 pages. Published by Carl Fischer.
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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