By Karl Hoyer. Edited by Martin Weyer. For Organ. Playing Score. Op. 57. Published by Baerenreiter-Ausgaben (German import).

Chorus a cappella

SKU: BR.CHB-5366

Composed by Kurt Thomas. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Early modern; Music post-1945. Sheet Music. Composed 1925. Breitkopf and Haertel #CHB 5366. Published by Breitkopf and Haertel (BR.CHB-5366).

ISBN 9790004412961. 7.5 x 10.5 inches. Latin.

Kurt Thomas' Mass in a op. 1 for Soloists and two mixed choirs a cappella was composed in 1925 at the end of his music studies in Leipzig. It is dedicated to his patron, Thomaskantor (choirmaster of St. Thomas) Karl Straube, in highest gratitude and reverence. It was published in the same year as his first printed work by Breitkopf & Hartel, founding a long-term collaboration which later enabled the publication of the Small Sacred Choral Music op. 25 (CHB 5344) and the conducting tutorial Lehrbuch der Chorleitung (BV 271). In 1927, it was awarded with the Beethoven-Preis of the Prussian Academy of Arts. The work is set for double choir throughout, partly also giving way to eight-part passages and shorter sections in which the choir sings in turn with the four solo voices. The Venetian polychorality is also used as a stylistic device, emphasizing the model character of baroque choral music.

By Johann Sebastian Bach (1685-1750). Arranged by Karl Straube. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Original Works, Transcriptions, Liturgical, Choral. Baroque Period; Sacred/Hymns, German, Christmas/Hannukah. Large Vocal Score. Text Language: Latin. Composed 1723/1731. 52 pages. Duration 35 minutes. Published by Serenissima

Composed by George Frideric Handel (1685-1759), edited by Karl Straube, Max Seiffert. For baritone voice solo, SSATB choir and piano accompaniment. Format: vocal score. With choral notation and piano reduction. Baroque. Text language German. 88 pages. 7.5x10.5 inches. Published by C.F. Peters.

Chorus a cappella

SKU: BR.CHB-5366-02

Composed by Kurt Thomas. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Early modern; Music post-1945. Choral score. Composed 1925. 52 pages. Breitkopf and Haertel #ChB 5366-02. Published by Breitkopf and Haertel (BR.CHB-5366-02).

ISBN 9790004412961. 7.5 x 10.5 inches. Latin.

Kurt Thomas' Mass in a op. 1 for Soloists and two mixed choirs a cappella was composed in 1925 at the end of his music studies in Leipzig. It is dedicated to his patron, Thomaskantor (choirmaster of St. Thomas) Karl Straube, in highest gratitude and reverence. It was published in the same year as his first printed work by Breitkopf & Hartel, founding a long-term collaboration which later enabled the publication of the Small Sacred Choral Music op. 25 (ChB 5344) and the conducting tutorial Lehrbuch der Chorleitung (BV 271). In 1927, it was awarded with the Beethoven-Preis of the Prussian Academy of Arts. The work is set for double choir throughout, partly also giving way to eight-part passages and shorter sections in which the choir sings in turn with the four solo voices. The Venetian polychorality is also used as a stylistic device, emphasizing the model character of baroque choral music.

(LN)

SKU: HL.49020856

Aufsatze und Vortrage 1918 bis 1954. Composed by Jean-Pierre Rampal. This edition: Hardback/Hard Cover. Book. Edition Schott. 276 pages. Schott Music #ATL 6199. Published by Schott Music (HL.49020856).

ISBN 9783254001993. German.

Das kunstlerische Wirken des Komponisten und Dirigenten Wilhelm Furtwangler war ein Leben lang begleitet von dem Bemuhen, sich daruber auch theoretisch Rechenschaft zu geben. Zahlreiche Aufzeichnungen belegen das. So spannt sich ein weiter Bogen uber diese Aufsatze und Vortrage aus den Jahren 1918 bis 1954. Der Reichtum der Themen, die Allgemeingultigkeit der Problemstellung, die Gedanken und Auffassungen sind aus der Schule des Lebens selbst, aus der unmittelbaren Erfahrung von Werk und Publikum erwachsen. Furtwangler setzt sich in diesen Arbeiten mit grundsatzlichen Fragen, so u.a. der Werktreue, der Programmgestaltung, der kunstlerischen Verantwortung, der modernen Musik, auseinander und entwickelt seine Gedanken uber Bach, Beethoven, Brahms, Bruckner, Wagner, Hindemith, Strawinsky und andere Komponisten.