| The Classical Book Vol. 1 - Easy Schott
Piano; Piano/Keyboard - easy to advanced SKU: HL.49003775 A Selection ...(+)
Piano; Piano/Keyboard - easy to advanced SKU: HL.49003775 A Selection of Popular Pieces from the Classic and Romantic Repertoire for Piano. Edited by Willy Rehberg. Arranged by Willy Rehberg. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 52 pages. Schott Music #ED2488. Published by Schott Music (HL.49003775). ISBN 9790001037815. UPC: 884088072964. 9.0x12.0x0.198 inches. $20.99 - See more - Buy online | | |
| Small Masterworks of the Classical Period Piano solo - Intermediate Schott
Piano - intermediate to advanced SKU: HL.49004652 Piano Solo. Edit...(+)
Piano - intermediate to advanced SKU: HL.49004652 Piano Solo. Edited by Paul Donath. Arranged by Paul Donath. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 24 pages. Schott Music #ED 4127. Published by Schott Music (HL.49004652). ISBN 9790001048798. UPC: 073999853704. 7.5x10.75x0.091 inches. $15.99 - See more - Buy online | | |
| The Classical Book Vol. 2 Piano solo - Easy Schott
Piano; Piano/Keyboard - easy to advanced SKU: HL.49003776 A Selection ...(+)
Piano; Piano/Keyboard - easy to advanced SKU: HL.49003776 A Selection of Popular Pieces from the Classic and Romantic Repertoire for Piano. Edited by Willy Rehberg. Arranged by Willy Rehberg. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 50 pages. Schott Music #ED 2489. Published by Schott Music (HL.49003776). ISBN 9790001037822. UPC: 884088072889. 9.0x12.0x0.185 inches. $20.99 - See more - Buy online | | |
| Masterwork Classics, Level 10 Piano solo [Sheet music + CD] - Advanced Alfred Publishing
(Level 10). By perf. Scott Price. Edited by Jane Magrath. For Piano. Graded Stan...(+)
(Level 10). By perf. Scott Price. Edited by Jane Magrath. For Piano. Graded Standard Repertoire; Masterworks; Piano Collection. Masterwork Classics. Masterwork. Advanced; Early Advanced; Late Intermediate. Book and CD. 72 pages. Published by Alfred Music Publishing
(1)$11.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Wedding Day Classics Piano solo - Intermediate Lillenas Publishing Co.
(Gospel Classics by Mosie Lister). Composed by Gaylen Bourland. For piano. S...(+)
(Gospel Classics by Mosie
Lister). Composed by Gaylen
Bourland. For piano. Sacred.
Moderately advanced. Published
by Lillenas Publishing Company
$26.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Great Concert Fantasy, Op. 52- Flute Classics By Marcel Moyse Flute Leduc, Alphonse
Composed by Jules Edouard Demerssema. Leduc. Classical. Softcover. Alphonse Le...(+)
Composed by Jules Edouard
Demerssema. Leduc. Classical.
Softcover. Alphonse Leduc
#AL19486. Published by
Alphonse Leduc
$25.80 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ultimate Classical Collection Piano solo [Sheet music] - Intermediate/advanced Hal Leonard
73 Selections from the All-Time Greatest Music. Piano Solo Songbook (Intermediat...(+)
73 Selections from the All-Time Greatest Music. Piano Solo Songbook (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 272 pages. Published by Hal Leonard.
(1)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Disney Songs for Classical Piano Piano solo [Sheet music] - Intermediate Hal Leonard
The Phillip Keveren Series. Arranged by Phillip Keveren. Piano Solo Songbook (In...(+)
The Phillip Keveren Series. Arranged by Phillip Keveren. Piano Solo Songbook (Intermediate to advanced piano arrangements with no lyrics). Softcover. 56 pages. Published by Hal Leonard.
(3)$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Definitive Classical Collection Piano solo [Sheet music] - Intermediate/advanced Hal Leonard
133 Selections by 43 Composers. Piano Solo Mixed Folio (Intermediate to advanced...(+)
133 Selections by 43 Composers. Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 480 pages. Published by Hal Leonard.
(1)$27.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Masterwork Classics, Level 9
Piano solo [Sheet music + CD] - Advanced Alfred Publishing
(Level 9). By perf. Scott Price. Edited by Jane Magrath. For Piano. Graded Stand...(+)
(Level 9). By perf. Scott Price. Edited by Jane Magrath. For Piano. Graded Standard Repertoire; Masterworks; Piano Collection. Masterwork Classics. Masterwork. Early Advanced; Late Intermediate. Book and CD. 64 pages. Published by Alfred Music Publishing
(1)$11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 30 Jazz Piano Classics Piano Trio: mixed chamber instrumentation - Advanced Alfred Publishing
(pending). For Piano. Book; Piano Collection. Jazz. Advanced. 100 pages. Publish...(+)
(pending). For Piano. Book; Piano Collection. Jazz. Advanced. 100 pages. Published by Alfred Music Publishing
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Volume 55 - Yesterdays Jerome Kern's Jazz Classics B Flat, E Flat, C and Bass clef Instruments [Sheet music + CD] - Intermediate/advanced Jamey Aebersold Jazz
By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet...(+)
By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet, violin, viola, piano, keyboard, organ, saxophone, trombone, trumpet, harmonica. Play-Along series with accompaniment CD. 11 essential standards by one of America's greatest composers, Jerome Kern. Play-Along Categories: Artists, Vocals, Standards. Level: intermediate, advanced. Book with CD. Published by Jamey Aebersold Jazz.
(1)$17.90 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Axen, M Contemporary Drum Compositions Rhythmic Studies Hands & Feet Drums Wilhelm Hansen
Drum Kit SKU: HL.14002373 Hands & Feet. Composed by Michael Axen. ...(+)
Drum Kit SKU: HL.14002373 Hands & Feet. Composed by Michael Axen. Music Sales America. Classical. Book [Softcover]. Composed 2002. 42 pages. Edition Wilhelm Hansen #WH30501. Published by Edition Wilhelm Hansen (HL.14002373). ISBN 9788759810637. English. This book is designed for the intermediate/advanced drummer to improve musical, technical control and reading ability, and presents several rhythmic styles, such as funk, jazz and Latin. I'm not trying to educate you on the 'correct' Cuban or Brazilian grooves, but have used this music as an inspiration for different phrashings and concepts. In the notes you can find book recommendations to explore the styles fully. Please feel free to use the material creatively, like repeating bars when you feel like it. You can also use the pieces for advanced sight reading, but I suggest that you take time to look carefully at the dynamics and stickings. All the stickings are basedon a right handed player (please reverse them if you are left handed). The basic concept is to have rhythmic compositions with basic classical notation and technique, that you can play on a drumset or on a practice pad with your feet stompin' at the floor. The first part is snare and bassdrum with hi-hat foot suggestions. Later in the book hi-hat (with stick) and snarerim are added. The advantage of these concepts is that playing through these etudes is very closely related to what is going on in modern music. Especially important for players in Jazz, Rock and Latin, but also very useful for a classical percussionist who needs solid music training. The last part of this book is a few pages of technique studies and rhythmic concepts that is related to the compositions. The purpose is not to include all basic strokes and principles (there are already many great books for that) but to show you some concepts that I have found useful and special through my years of playing and teaching. Michael Axen. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Focus [Complete Set] String Orchestra [Score and Parts] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications
$399.98 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Themes from Symphony No. 5 Concert band [Score] - Beginner G and M Brand Music Publishers
Concert band (1st Flute, 2nd Flute/Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd ...(+)
Concert band (1st Flute, 2nd Flute/Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Eb Alto Saxophone*, Bb Tenor Saxophone*, 1st F Horn, 2nd F Horn, 1st Bb Trumpet, 2nd Bb Trumpet, Trombone, Euphonium , (TC Baritone), Tuba, Timpani, Percussi) - grade 1.5 SKU: CN.S11169 2nd Movement. Composed by S. Johnson. Arranged by Stuart Johnson. Band Music. Score only. Duration 2:20. Published by G & M Brand Music Publishers (CN.S11169). Schubert's 5th Symphony is sunny, Viennese, scored originally for small classical orchestra and positively effervesces with ideas. Stuart Johnson has taken the theme from the 2nd movement - Andante con moto - and brought this gem within the reach of technically less advanced players without diminishing the musical quality.
Schubert's delightful 5th Symphony in Bb Major, written in 1816, is a miniature, perhaps consciously avoiding comparison with Beethoven's Fifth, written just 10 years earlier. Schubert's Great was to come later! The work is sunny, Viennese, scored originally for small classical orchestra and positively effervesces with ideas. Stuart Johnson has taken the theme from the 2nd movement - Andante con moto - and brought this gem within the reach of technically less advanced players without diminishing the musical quality. $7.50 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Themes from Symphony No. 5 Concert band [Score and Parts] - Beginner G and M Brand Music Publishers
Concert band (1st Flute, 2nd Flute/Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd ...(+)
Concert band (1st Flute, 2nd Flute/Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Eb Alto Saxophone*, Bb Tenor Saxophone*, 1st F Horn, 2nd F Horn, 1st Bb Trumpet, 2nd Bb Trumpet, Trombone, Euphonium , (TC Baritone), Tuba, Timpani, Percussi) - grade 1.5 SKU: CN.R10169 2nd Movement. Composed by S. Johnson. Arranged by Stuart Johnson. Band Music. Score and parts. Duration 2:20. Published by G & M Brand Music Publishers (CN.R10169). Schubert's 5th Symphony is sunny, Viennese, scored originally for small classical orchestra and positively effervesces with ideas. Stuart Johnson has taken the theme from the 2nd movement - Andante con moto - and brought this gem within the reach of technically less advanced players without diminishing the musical quality.
Schubert's delightful 5th Symphony in Bb Major, written in 1816, is a miniature, perhaps consciously avoiding comparison with Beethoven's Fifth, written just 10 years earlier. Schubert's Great was to come later! The work is sunny, Viennese, scored originally for small classical orchestra and positively effervesces with ideas. Stuart Johnson has taken the theme from the 2nd movement - Andante con moto - and brought this gem within the reach of technically less advanced players without diminishing the musical quality. $45.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Mélanges Volume 2 [Sheet music + CD] - Easy Heugel
Flute and Oboe - easy SKU: BT.ALHE32648 Oeuvres faciles pour flûte ...(+)
Flute and Oboe - easy SKU: BT.ALHE32648 Oeuvres faciles pour flûte [ou hautbois] et bande magnétique. Composed by Bousch Schwarz. Classical. Book with CD. Composed 1984. 32 pages. Heugel & Cie #ALHE32648. Published by Heugel & Cie (BT.ALHE32648). French. Mélanges was compiled by pedagogues at the Boulogne-Billancourt Conservatoire as a response to the increase of electro-acoustic music. The compilation provides flautists and oboists with anexcellent introduction to playing with electronic accompaniment. As collection of modern works, Mélanges addresses extended techniques in the solo Flute/Oboe line. These includeembouchure technique, whistle tones, special fingerings, harmonics, trills, articulation and making vocal sounds at the same time as sound on the instrument, amongst other elements. For all advanced flautists and oboists seekingtoexpand and vary the repertoire, in keeping with the advances of music, Mélanges is essential. $42.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Female Composers: 14 Pieces Vc/pf Cello, Piano - Intermediate Schott
Cello and piano (VC/PF) - intermediate to advanced SKU: HL.49008105 14...(+)
Cello and piano (VC/PF) - intermediate to advanced SKU: HL.49008105 14 Pieces. Edited by Barbara Heller and Eva Rieger. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 128 pages. Schott Music #ED 8628. Published by Schott Music (HL.49008105). ISBN 9790001115964. UPC: 196288077473. 9.0x12.0x0.355 inches. The fourth volume in this series of female composers is dedicated to works of the 19th and 20th century. The pieces by Violetta Dinescu, Caroline Ansink, Myriam Marbe and Lucie Robert-Diessel have been composed specially for this anthology. M. Wieck: Fantasy on Skandinavian Folksongs • L.A. le Beau: Romanc, Op. 24/1 • C. Faisst: Melody after an old Ballad • J. Senffter: Three pieces Op. 25 • L. Vellére: Nocturne • V. Shlonsky: Dialogue • M. Marbe: Prphet and Bird • B. Heller: Lalai • L. Robert-Diessel: Lamento • E. Firsova: Album leaf • V. Dinescu: Flesh across • C. Ansink: Water under the bridge. $43.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonata No. 6 Kharkiv , Op. 48 Guitar Classical guitar [Score] - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4244 Composed by Konstantin Bliokh. Sco...(+)
Guitar solo - Advanced SKU: DZ.DZ-4244 Composed by Konstantin Bliokh. Score. Les Productions d'OZ #DZ 4244. Published by Les Productions d'OZ (DZ.DZ-4244). ISBN 9782898521614. La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. � ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.
Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.
Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.
Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.
Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.
Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.
La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.
Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.
Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war. Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations. The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down. The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor. The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C. Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions. The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece. I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fairy Tales, Op. 132 [Märchenerzählungen] - Intermediate Schott
Score and Parts Chamber Ensemble; Piano Accompaniment (Score & Parts) - intermed...(+)
Score and Parts Chamber Ensemble; Piano Accompaniment (Score & Parts) - intermediate to advanced SKU: HL.49046031 For Viola, Clarinet, and Piano. Composed by Robert Schumann. Edited by Elisa Novara. This edition: Saddle stitching. Sheet music. Ensemble. Stucke nach Robert Schumann. Classical. Softcover. Op. 132. 44 pages. Schott Music #ED22751. Published by Schott Music (HL.49046031). ISBN 9790001165297. UPC: 841886031678. 9.0x12.0x0.213 inches. The Fairy-Tale Narratives (Märchenerzählungen) for B-flat Clarinet (ad libitum Violin), Viola and Piano, Op. 132, belong to the few Schumann works that were composed, revised and published in a short time: composed in Düsseldorf, at beginning of October 1853, the new composition was already offered for publication to the Breitkopf & Härtel publishing house on 3 November and printed in February1854. Composition and publication of the Märchenerzählungen were accompanied, though, by difficult times, the final days before the composer was admitted to the psychiatric clinic in Endenich. The work's reception lies in the shadow of the last creative period: The pieces were associated with his life's darker phases and were very little played. The Märchenerzählungen transmit Schumann's single work for this unusual piano trio with viola and clarinet. The only well-known earlier example in this setting at that time is Mozart's “Kegelstatt†Trio K 498 (composed in 1786). Schumann was certainly already acquainted with the work from his Leipzig years - it was played in one of the “quartet sessions†in 1829. This edition is based on a new edition of all Schumann works, Volume II / 3. $23.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Sprint String Orchestra [Score and Parts] - Intermediate Carl Fischer
(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestr...(+)
(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestra. Carl Fischer Concert String Orchestra Series. Classical. Medium Easy/Medium. Score and Parts. Standard notation. 16 pages. Published by Carl Fischer . Score and Parts. classical.
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Six Easy Pieces (based on Mozart's opera The Magic Flute, K. 620) 1 Piano, 4 hands Alfred Publishing
By Christian Gottlob Neefe [Wolfgang Amadeus Mozart]. Edited by Dmitry Rachmanov...(+)
By Christian Gottlob Neefe [Wolfgang Amadeus Mozart]. Edited by Dmitry Rachmanov. For Piano. Book; Duet or Duo; Masterworks; Piano Duet (1 Piano, 4 Hands). Alfred Masterwork Edition. Classical; Masterwork; Recital. Advanced. 52 pages. Published by Alfred Music
$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suite No. 1 Guitar Classical guitar [Score] - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308). ISBN 9782898522253. Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.
FRANCESCO BIRAGHI
Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture àlaquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'Ã
Âuvre m'a amené àtrouver des titres qui invitaient l'interprète àapprofondir l'inspiration esthétique de l'Ã
Âuvre. J'ai donc suggéré àGiorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu àquatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée àla Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue àla manière de Buxtehude (qui vivait àLübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né àHalle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait àMagdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'Ã
Âuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'Ã
Âil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des Ã
Âuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'àcelle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'Ã
Âuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'àla fin de la Chaconne de Magdebourg. Je souhaite àGiorgio et àë notre û Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.
FRANCESCO BIRAGHI. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sing-Along Songs – Strum Together Ukulele Hal Leonard
Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele SKU: HL.1091718 For...(+)
Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele SKU: HL.1091718 For Ukulele, Baritone Ukulele, Guitar, Banjo & Mandolin. Composed by Various. Arranged by Mark Phillips. Strum Together. Classic Rock, Folk, Pop. Softcover. 144 pages. Published by Hal Leonard (HL.1091718). ISBN 9781705176030. UPC: 196288099345. 9.0x12.0x0.361 inches. Learning to play a musical instrument is one of the most satisfying experiences a person can have. Being able to play along with other musicians makes that even more rewarding! The Strum Together series enables players of five different instruments – or any combination of them – to “strum together†on 70 fabulous songs. The music for each song displays the chord diagrams for five instruments: ukulele, baritone ukulele, guitar, mandolin and banjo. The chord diagrams indicate basic, commonly used finger positions. More advanced players can substitute alternate chord formations. This new collection includes 70 sing-along classics: ABC • All of Me • Bad Moon Rising • Bennie and the Jets • Cat's in the Cradle • Cecilia • Dancing Queen • Don't Stop • Don't Stop Believin' • From Me to You • Hey, Soul Sister • Hooked on a Feeling • I Will Wait • Iko Iko • Learning to Fly • Listen to the Music • Lollipop • Me and Bobby McGee • One Love • Shake It Off • Stayin' Alive • Sugar, Sugar • Summer of '69 • Teenage Dream • Thank God I'm a Country Boy • Waiting on the World to Change • Yellow Submarine • and more. $19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Professional Pianist -- Solos for Weddings Piano solo - Advanced Alfred Publishing
(50 Advanced Arrangements). Arranged by Dan Coates. For Piano. Book; Piano Colle...(+)
(50 Advanced Arrangements). Arranged by Dan Coates. For Piano. Book; Piano Collection; Piano Supplemental. The Professional Pianist. Masterwork Arrangement; Wedding. Advanced. 168 pages. Published by Alfred Music
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| L'Encouragement Op.34 2 Guitars (duet) Classical guitar Universal Edition
Composed by Fernando Sor (1778-1839). New Karl Scheit Guitar Edition. Score and ...(+)
Composed by Fernando Sor (1778-1839). New Karl Scheit Guitar Edition. Score and part(s). With Standard notation. 32 pages. Universal Edition #UE34491. Published by Universal Edition (PR.UE034491).
$23.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 24 Petites Etudes Melodiques Avec Variations (Facile) pour Flute Flute - Easy Leduc, Alphonse
[24 Little Melodic Sudies with Variations (Easy) for Flute]. Composed by Marce...(+)
[24 Little Melodic Sudies
with Variations (Easy) for
Flute]. Composed by Marcel
Mose. Leduc. Etude,
Classical. Softcover. 18
pages. Alphonse Leduc
#AL18025. Published by
Alphonse Leduc
$28.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pierrot, or Harlequin? Guitar Classical guitar [Score] - Advanced Doberman
Guitar - Advanced SKU: DY.DO-1555 Composed by Stephen Goss. Score. Les Ed...(+)
Guitar - Advanced SKU: DY.DO-1555 Composed by Stephen Goss. Score. Les Editions Doberman-Yppan #DO 1555. Published by Les Editions Doberman-Yppan (DY.DO-1555). ISBN 9782897963354. Pierrot, or Harlequin? (2023) is based on stock characters from the Italian commedia dellâarte tradition. Columbina has a choice of partner â Pierrot, or Harlequin? Or maybe she will select neither of them. In this set of triple variations, Pierrot and Harlequin compete for Columbina's attention and favour. Pierrot is deep, quiet, thoughtful, and loving, but sometimes melancholic. Harlequin is light-hearted, extrovert, and fun to be with, but somewhat shallow and brash. Columbina herself is coquettish, impulsive, and unpredictable. How will the story end between these imperfect characters? The performer gets to select one of three possible endings as the piece nears its conclusion. Pierrot, or Harlequin? was commissioned by the International Guitar Festival Homenaje 2023. The premiere was given by Giacomo Susani at Barco Teatro, Padova, Italy, on 10th November 2023.
Pierrot, or Harlequin? (2023) est basé sur des personnages de la tradition italienne de la commedia dellâarte. Columbina a le choix entre deux partenaires â Pierrot ou Harlequin? Ou peut-être ne choisira-t-elle aucun des deux. Dans cette série de variations en trio, Pierrot et Harlequin rivalisent pour l'attention et les faveurs de Columbina. Pierrot est profond, calme, réfléchi et aimant, mais parfois mélancolique. Harlequin est enjoué, extraverti, amusant à être avec, mais quelque peu superficiel et effronté. Columbina elle-même est coquette, impulsive et imprévisible. Comment se terminera l'histoire entre ces personnages imparfaits? Le performer a le choix entre trois fins possibles alors que la pièce approche de sa conclusion. Pierrot, or Harlequin? a été commandé par le Festival International de Guitare Homenaje 2023. La première a été donnée par Giacomo Susani au Barco Teatro, Padoue, Italie, le 10 novembre 2023. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pulso de la vida Guitar Classical guitar [Score] Doberman
Guitar - Advanced SKU: DY.DO-1551 Composed by Yorgos Nousis. Score. Les E...(+)
Guitar - Advanced SKU: DY.DO-1551 Composed by Yorgos Nousis. Score. Les Editions Doberman-Yppan #DO 1551. Published by Les Editions Doberman-Yppan (DY.DO-1551). ISBN 9782897963316. PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar. The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives. Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings. The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme. The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity. Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.
PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet àla guitare). Le caractère de la pièce passe de simple et méditatif àrythmique et plein de tension, reflétant les différentes étapes de notre vie. La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes. La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème. La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité. Enfin, la simplicité combinée àun sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice àtoute forme d'introspection. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 25 Etudes Melodiques Avec Variations pour Flute Flute Leduc, Alphonse
Composed by Marcel Mose. Leduc. Classical. CD. 24 pages. Alphonse Leduc #AL18...(+)
Composed by Marcel Mose.
Leduc. Classical. CD. 24
pages. Alphonse Leduc
#AL18026. Published by
Alphonse Leduc
$32.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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