|
| Miserere For Ssaattbb Edited By Sulyok Imre
Choral SATB, Flute, Oboe, Bassoon - Intermediate
Hal Leonard
Mixed Voices (SATB, SATB) - Grade 4 SKU: HL.50600377 (Part of Psalm 50...(+)
Mixed Voices (SATB, SATB) - Grade 4 SKU: HL.50600377 (Part of Psalm 50) for double choir. Composed by Zoltan Kodaly. EMB. Choral Works. Octavo. 24 pages. Duration 300 seconds. Hal Leonard #Z14166. Published by Hal Leonard (HL.50600377). ISBN 9790080141663. 7.5x10.75x0.085 inches. Latin. Zoltan Kodaly; Imre Sulyok. Zoltan Kodaly-s complete choral works for mixed voices were published in a new, extended, edition in 2018 (Z. 6725 and Z. 6725A). This volume containing 51 compositions has been edited by the renowned conductor Peter Erdei, one of the most devoted interpreters of Kodaly-s choral works. The new edition takes into consideration the manuscript sources for the compositions housed in the Kodaly Archives in Budapest. The publication features new, easily-legible music scores edited on uniform principles. For better readability, the new edition is printed in a slightly larger format than previous editions.The present publication is an offprint from the renewed edition of Kodaly-s complete choral works for mixed voices. It has the same format as the volume, and has been printed on excellent-quality pale-yellow paper.(Hungaroton HCD 32364). $7.45 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| By the rivers of Babylon
Choral SATB [Score]
Barenreiter
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309 Composed by Camille Saint...(+)
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309 Composed by Camille Saint-Saens. Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Score. Baerenreiter Verlag #BA11309. Published by Baerenreiter Verlag (BA.BA11309). ISBN 9790006577705. 27 x 19 cm inches. Text Language: English. It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.
It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.
In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.
Saint-Saëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.
The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Szep Konyorges
Choral SATB - Easy
EMB (Editio Musica Budapest)
Choral (SATB) - Grade 3 SKU: HL.50511804 SATB chorus. Composed by ...(+)
Choral (SATB) - Grade 3 SKU: HL.50511804 SATB chorus. Composed by Zoltan Kodaly. EMB. Classical, Hungarian. Octavo. 12 pages. Duration 3 min. Editio Musica Budapest #Z14599. Published by Editio Musica Budapest (HL.50511804). ISBN 9790080145999. Octavo (19 x27 cm) inches. Hungarian. Zoltan Kodaly; Balint Balassi. Zoltan Kodaly-s complete choral works for mixed voices were published in a new, extended, edition in 2018 (Z. 6725 and Z. 6725A). This volume containing 51 compositions has been edited by the renowned conductor Peter Erdei, one of the most devoted interpreters of Kodaly-s choral works. The new edition takes into consideration the manuscript sources for the compositions housed in the Kodaly Archives in Budapest. The publication features new, easily-legible music scores edited on uniform principles. For better readability, the new edition is printed in a slightly larger format than previous editions.The present publication is an offprint from the renewed edition of Kodaly-s complete choral works for mixed voices. It has the same format as the volume, and has been printed on excellent-quality pale-yellow paper. $3.25 - See more - Buy online | | | |
| ejesztendÅ‘t köszöntÅ‘
Choral SATB
EMB (Editio Musica Budapest)
SATB Choir SKU: BT.EMBZ15121 A Christmas Carol (Hungarian folksong)(+)
SATB Choir SKU: BT.EMBZ15121 A Christmas Carol (Hungarian folksong). Composed by Zoltan Kodaly. Hymns & Chorals. Book Only. Composed 2019. 12 pages. Editio Musica Budapest #EMBZ15121. Published by Editio Musica Budapest (BT.EMBZ15121). English-Hungarian. The piece was written originally for equal voice choir in 1929. A mixed-choir adaptation was made in 1961 at the request of Oxford University Press. This appeared in print in the same year with an English text under the title A Christmas Carol in a collection of Christmas songs, as well as in a separate print. The musical material of the mixed-choir version largely follows the original. There is one essential difference in verse 5, beginning at bar 35 ( Babe all holy ) where the tenor solo appears with a delightful eight-bar countermelody not found in the original. Since this version only appeared in Kodály s lifetime with an English text, this has been retained, but we havealso provided the original Hungarian text upon which the equal voice version is based. Zoltán Kodály s complete choral works for mixed voices were published in a new, extended, edition in 2018 (Z. 6725 and Z. 6725A). This volume containing 51 compositions has been edited by the renowned conductor Péter Erdei, one of the most devoted interpreters of Kodály s choral works. The new edition takes into consideration the manuscript sources for the compositions housed in the Kodály Archives in Budapest. The publication features new, easily-legible music scores edited on uniform principles. For better readability, the new edition is printed in a slightly larger format than previous editions.The present publication is an offprint from the renewed edition of Kodály s complete choral works for mixed voices. It has the same format as the volume, and has been printed on excellent-quality pale-yellow paper. $2.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Greetings on St. Johns Day
Choral SATB - Easy
EMB (Editio Musica Budapest)
Choral (SATB) - Grade 2 SKU: HL.50487078 For mixed boys'choir. Com...(+)
Choral (SATB) - Grade 2 SKU: HL.50487078 For mixed boys'choir. Composed by Zoltan Kodaly. EMB. Classical. Part. Duration 1 min. Editio Musica Budapest #Z12221. Published by Editio Musica Budapest (HL.50487078). ISBN 9790080122211. Octavo (19 x27 cm) inches. Hungarian. Zoltan Kodaly; Janos Arany. Zoltan Kodaly-s complete choral works for mixed voices were published in a new, extended, edition in 2018 (Z. 6725 and Z. 6725A). This volume containing 51 compositions has been edited by the renowned conductor Peter Erdei, one of the most devoted interpreters of Kodaly-s choral works. The new edition takes into consideration the manuscript sources for the compositions housed in the Kodaly Archives in Budapest. The publication features new, easily-legible music scores edited on uniform principles. For better readability, the new edition is printed in a slightly larger format than previous editions.The present publication is an offprint from the renewed edition of Kodaly-s complete choral works for mixed voices. It has the same format as the volume, and has been printed on excellent-quality pale-yellow paper. $1.95 - See more - Buy online | | | |
| Osud (Fate)
Choral SATB - Intermediate/advanced
Barenreiter
4 soprano voice solos/alto voice solo/2 tenor voice solos/baritone voice solo/ba...(+)
4 soprano voice solos/alto voice solo/2 tenor voice solos/baritone voice solo/bass voice solo/SATB choir/piccolo/3 flutes/2 oboes/english horn/2 clarinets/bass clarinet/2 bassoons/contrabassoon/4 horns/3 trumpets/4 trombones/tuba/timpani/triangle/bass dru (solo voices, SATB Choir, Fl-picc, 3Fl, 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, 4Hn, 3Trp, 4trombone, Tb, timpani, Tri, Tr-Gr, Tam, Be, Xyl, Gl, harp, Org, piano, 2 Violin, Viola, Cello, Double Bass, (2 Va-dam), Kindertrompete, Tr-Kl) - Level 4 SKU: BA.BA09562-01 Three novel-like scenes. Composed by Leos Janacek. Edited by Jirà Zahrádka. This edition: complete edition, urtext edition. Linen. Complete edition, Score. Baerenreiter Verlag #BA09562_01. Published by Baerenreiter Verlag (BA.BA09562-01). ISBN 9790260107380. 34 x 27.5 cm inches. Text Language: Czech, English, German. Preface: Zahrádka, JirÃ. Text: BartoÅ¡ová, Fedora. Janacek's operaOsudis an extraordinary example of the creative boldness of the composer and presents demanding dramaturgical challenges.
This new critical edition is based on a thorough comparison of all surviving sources. The principle source is a copyist's copy of authorised by Janacek in which all revisions are marked. Further sources include a manuscript copy of the vocal score together with the orchestral parts and various copies of the libretto. The score of this new edition will be published as part of theComplete Critical Edition of the Works of Leos Janacek.
* First critical edition of this opera
* Foreword on the genesis of the work and its reception by Jiri Zahradka (Cz/Eng/Ger)
* New idiomatic piano reduction by Rasmus Baumann
* Singable German translation
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Almira, Konigin von Kastilien HWV 1
Choral SATB
Barenreiter
Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass ...(+)
Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 recorder-Alto, 2 Oboe, bassoon, 3 Trumpets, timpani, 3 Violins, Viola, Cello, Bassi(Vc, double bass, bassoon, harpisc.)) SKU: BA.BA04050 Opera in three acts. Composed by George Frideric Handel. Edited by Dorothea Schröder. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 1. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV 1. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA04050_00. Published by Baerenreiter Verlag (BA.BA04050). ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian. “Almiraâ€, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.
The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia.
The vocal score to “Almira†by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato†from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Editionâ€.
Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträgeâ€.
Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition†volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar†(no. 71).
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Amarus
Choral SATB
Barenreiter
Solo voices, choir, orchestra (Tenor Voice Solo, BarSolo, SATB Choir, Fl-Picc, 2...(+)
Solo voices, choir, orchestra (Tenor Voice Solo, BarSolo, SATB Choir, Fl-Picc, 2 Fl, 2 Ob, EnglHn, 2 clarinet, 2 clarinet-a, clarinet-B-b, 2 bassoon, bassoon-Co, 4Hn, 2 Trp, 3trombone, Tb, timpani, 2 percussion, harp, v-solo, Va-Solo, vc-solo, Str) SKU: BA.BA06851 Kantáta pro sóla, SmÃseny sbor a orchestr - Kantate für Soli, gemischten Chor und Orchester (1897). Composed by Leos Janacek. Edited by LeoÅ¡ Faltus, Marie Kucerová, and MiloÅ¡ Å tedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek B/1. Complete edition, Score. Composed 1897. Duration 28 minutes, 4 seconds. Baerenreiter Verlag #BA06851_00. Published by Baerenreiter Verlag (BA.BA06851). ISBN 9790006496723. 34.3 x 27.3 cm inches. Over the years Janácek’s uvre has increasingly received the recognition it so richly merits and performances of his works are becoming more and more frequent. This development is, however, offset by a manuscript tradition so disorderly that some of Janácek’s works continue, as before, to be played in versions which are heavily adapted, corrupt or otherwise contrary to the composer’s intentions. Thus, a critical edition of Janácek’s music is indispensable for scholars and performers alike.
This edition presents an authentic printed text based on all available sources for each work. In addition to the musical text, each volume also contains a critical report (Czech/German), a rendition of deleted or rejected versions, and a comprehensive appendix of facsimiles.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Requiem c-Moll -Missa pro defunctis- [Score] - Intermediate
Barenreiter
Mixed choir-SATB, orchestra (Mixed choir (SATB), Orchestra) - Level 3 SKU: BA...(+)
Mixed choir-SATB, orchestra (Mixed choir (SATB), Orchestra) - Level 3 SKU: BA.BA08961 Missa pro defunctis. Composed by Luigi Cherubini. Edited by Hans Schellevis. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Baerenreiter Verlag #BA08961_00. Published by Baerenreiter Verlag (BA.BA08961). ISBN 9790006559237. 31 x 24.3 cm inches. Key: C minor. Text Language: Latin. Preface: Schellevis, Hans. Cherubini owes his fame as a church composer primarily to the “Requiem in C minor†of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.
This Urtext edition takes into account not only the autograph score with “spartitino†(additional instruments written in by hand) but also the first edition and a copyist’s manuscript.
Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Missa solemnis, op. 123
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra [Score]
Barenreiter
Solo voices, SATB chorus,orchestra (Soprano solo, Alto solo, Tenor solo, Bass so...(+)
Solo voices, SATB chorus,orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra) SKU: BA.BA09038 Composed by Ludwig van Beethoven. Edited by Barry Cooper. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 123. Baerenreiter Verlag #BA09038_00. Published by Baerenreiter Verlag (BA.BA09038). ISBN 9790006563838. 31 x 24.3 cm inches. Text Language: Latin. Preface: Barry Cooper. Beethoven described his grandly conceived â??Missa solemnisâ? as â??my greatest workâ? and sold manuscript copies to some of the subscribers even before it had appeared in print.
This Urtext edition takes into account all the sources including the old and the new complete editions whose relationship is clearly explained in a stemma. In several passages the renowned Beethoven specialist Barry Cooper has arrived at variant readings, such as in the â??Sanctusâ?, where the choir enters instead of the soloists, rather than coming in at â??Pleni sunt coeliâ?. No less worthy of mention is the addition of the soloists to the choir in most of the â??Credoâ?. These matters and many other editorial decisions are documented in the detailed Critical Commentary (Eng).
The appendix contains Beethovenâ??s arrangement of the Gregorian chant â??Tantum ergoâ? for the first time. This was composed at the same time as the â??Missa solemnisâ? and most probably stands in a close relation to it.
This edition is designed for everyone seeking a combination of a reliable musical text and well-founded editorial suggestions for a successful performance of this masterpiece.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | |
|
