| Folk Hymns for Handbells Sacred Music Press (+)
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Fanfare On Northfield
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Amazing Grace
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All Is Well
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Complainer
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Davis
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Foundation
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Golden Hill
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I Will Arise
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Lovingkindness
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Poor Wayfaring Stranger
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Tender Thought
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Holy Manna
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| Oh, How I Miss You Tonight Piano solo Music Sales
By Joe Burke ; Benny Davis. For Piano. Sheet Music. 6 pages. Published by Music ...(+)
By Joe Burke ; Benny Davis. For Piano. Sheet Music. 6 pages. Published by Music Sales.
$3.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Oh How I Miss You Tonight Piano, Voice Bourne Music Co.
Solo voice and piano SKU: BC.96191 Composed by Davis; Burke; Fischer. Voc...(+)
Solo voice and piano SKU: BC.96191 Composed by Davis; Burke; Fischer. Vocal Music. Published by Bourne Music (BC.96191). $4.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Blackhawk Bass Trombone [Sheet music + CD] - Intermediate Hip-Bone Music
By Michael Davis. By Michael Davis. Bass trombone solo with CD accompaniment. Fo...(+)
By Michael Davis. By Michael Davis. Bass trombone solo with CD accompaniment. For bass trombone solo with CD accompaniment. Intermediate
$24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Mission Red Trombone [Sheet music + CD] - Intermediate Hip-Bone Music
By Michael Davis. By Michael Davis. Trombone solo with CD accompaniment. For tro...(+)
By Michael Davis. By Michael Davis. Trombone solo with CD accompaniment. For trombone solo with CD accompaniment. Intermediate. Published by Hip-Bone Music
$24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Eagles Landing 2 Trombones (duet) [Accompaniment CD] - Intermediate Hip-Bone Music
By Michael Davis. Composed by Michael Davis. Tenor trombone and bass trombone wi...(+)
By Michael Davis. Composed by Michael Davis. Tenor trombone and bass trombone with CD accompaniment. For tenor trombone and bass trombone with CD accompaniment. Adds wonderful contrast to the standard concert/recital. Published by Hip-Bone Music. (52)
Level: intermediate.
$24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Missa in incerto tempore (The Davison Mass) Choral SATB Zimbel Press
SATB Chorus, Men's Chorus, & Two Organs (Opt. One Organ) SKU: SU.80101419 ...(+)
SATB Chorus, Men's Chorus, & Two Organs (Opt. One Organ) SKU: SU.80101419 For SATB Chorus, Men's Chorus, & Two Organs (Opt. One Organ). Composed by Carson Cooman. Vocal/Choral, Sacred Choral. Accompanied by organ, Men’s Chorus. Choral Octavo. Zimbel Press #80101419. Published by Zimbel Press (SU.80101419). Missa in incerto tempore (The Davison Mass) (2018) was commissioned by the Harvard Glee Club. It was premiered by the Harvard Glee Club, Cambridge, Massachusetts (Andrew Clark, Director of Choral Activities) and the All Saints' Choir of Men and Boys (Ashmont Boy Choir), Dorchester, Massachusetts; (Andrew Sheranian, Organist and Master of Choristers). The Latin title, meaning Mass in uncertain times, refers to the centuries of comfort, inspiration, and spiritual enrichment that the mass (and the musical settings for its celebration) has provided to many individuals through difficulty and uncertainty. I cannot deny that the times in which this piece was composed are the most nationally and internationally uncertain of my own life to date. That fact had a definite impact on the tone and emotional character of the piece. However, there is a universality as well, since one could readily feel that all times have a sense of uncertainty, especially since we never know exactly what the future holds. The first three movements have somewhat enigmatic endings. The end of the Agnus Dei tries to temper (but not erase) that uncertainty with a degree of optimism and fervor in a passionate plea of Dona nobis pacem. Instrumentation: SATB Chorus, Men's Chorus, and Two Organs (Opt. One Organ) Duration: 20' Composed: 2018 Published by: Zimbel Press. $4.75 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Small, Dancing Light: A Choral Service for Advent (Choral Score) Choral SATB MorningStar Music Publishers
Composed by Taylor Scott Davis. Multi-Movement/Large Choral Work. Christmas, ...(+)
Composed by Taylor Scott
Davis. Multi-Movement/Large
Choral Work. Christmas,
Advent, 21st Century. Choral
score. MorningStar Music
Publishers #70-015. Published
by MorningStar Music
Publishers
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Assumpta Est Maria - Motet (Davison) SSATTB Choral SSATTB Chester
By Giovanni Palestrina. For SSATTB Choir. Sacred, Renaissance. Sheet Music. Publ...(+)
By Giovanni Palestrina. For SSATTB Choir. Sacred, Renaissance. Sheet Music. Published by Chester Music.
$9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violin [Sheet music] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazz Mosaic Musical Awakening [Book + CD] Alfred Publishing
(Jazz Activities for the Early Childhood Classroom). By Louise Rogers and Susan ...(+)
(Jazz Activities for the Early Childhood Classroom). By Louise Rogers and Susan Milligan. Book; CD; Classroom/Pre-School; General Music and Classroom Publications; Other Classroom. Jazz. 52 pages. Published by Alfred Music Publishing
$22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Carolan: The Life Times And Music Of An Irish Harper Harp [Sheet music] Ossian Publications
By Turlough O Carolan ; Donal O'sullivan. For Harp. Irish, Folk, Celtic. 380 pag...(+)
By Turlough O Carolan ; Donal O'sullivan. For Harp. Irish, Folk, Celtic. 380 pages. Published by Ossian Publications.
$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| I Will Arise and Stand! - SAB Choral 3-part SAB, Piano - Easy Jackman Music Corporation
SAB chorus and piano - Easy SKU: JK.00457 Composed by Christine H. Davis....(+)
SAB chorus and piano - Easy SKU: JK.00457 Composed by Christine H. Davis. Choral SAB, Piano Choir, Jesus Christ - Savior, Missionary Work, Youth. Christian, Inspirational. Jackman Music Corporation #00457. Published by Jackman Music Corporation (JK.00457). Doctrine and Covenants 115:5. Youth anthem for mixed chorus (SAB) and piano, based on the scripture, Arise and shine forth, that thy light may be a standard for the nations (Doctrine and Covenants 115:5). Soprano high note: E. Composer: Christine H. Davis Lyricist: Britton Davis Difficulty: Easy Performance Time: 3:12 Reference: Doctrine and Covenants 115:5. $1.60 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, te...(+)
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, tenor voice SKU: CF.CM9743IN Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. Set of Score and Parts. 44+32+2 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743IN. Published by Carl Fischer Music (CF.CM9743IN). ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun! $50.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Children, Go Where I Send Thee Carl Fischer
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. 20 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743. Published by Carl Fischer Music (CF.CM9743). ISBN 9781491161562. UPC: 680160920211. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun! $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Celtic Guitar Encyclopedia - Fingerstyle Guitar Edition Guitar notes and tablatures [Sheet music] - Intermediate Mel Bay
By Glenn Weiser. For Guitar (Fingerpicking). Solos. Encyclopedia. Celtic/Irish. ...(+)
By Glenn Weiser. For Guitar (Fingerpicking). Solos. Encyclopedia. Celtic/Irish. Level: Intermediate. Book. Size 8.75x11.75. 192 pages. Published by Mel Bay Publications, Inc.
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O'Carolan Harp Tunes for Mountain Dulcimer Dulcimer [Sheet music] - Intermediate Mel Bay
by Shelley Stevens. For mountain dulcimer. Celtic/Irish. Level: Intermediate. Bo...(+)
by Shelley Stevens. For mountain dulcimer. Celtic/Irish. Level: Intermediate. Book. Solos. Size 8.75x11.75. 40 pages. Published by Mel Bay Pub., Inc.
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Misa Mesa y Musa Volume II GIA Publications
SKU: GI.G-012702 Composed by Ken Davis. Sacred. GIA Publications #012702....(+)
SKU: GI.G-012702 Composed by Ken Davis. Sacred. GIA Publications #012702. Published by GIA Publications (GI.G-012702). English. Compiled and edited by Kenneth G. Davis, O.F.M. Conv. Building on the foundation of Volume 1, this English-language book presents essays by a variety of noted Hispanic authors and liturgists and a realistic look at the challenge and complexity of worship in Hispanic/Latino communities. Designed for non-Hispanics working in diverse, worshipping communities, it reminds us that as we gather to celebrate our faith, we must also be conscious of those missing from, or not truly welcomed, at the table. $14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| On the Beaten Path Drums [Sheet music + CD] Alfred Publishing
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich ...(+)
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich Lackowski. For Drum Set. Percussion - Drum Set Method or Collection. Instructional Book and Examples CD. 244 pages. Published by Alfred Publishing.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Learn Blues Guitar With 6 Great Masters (DVD and Booklet) Guitar [DVD] - Intermediate Hotlicks Videos
By Ronnie Earl / Buddy Guy. For Guitar. Hot Licks. Blues. Level: Intermediate. D...(+)
By Ronnie Earl / Buddy Guy. For Guitar. Hot Licks. Blues. Level: Intermediate. DVD (Region 0), Instrumental Tutor. Text language: English / French / German / Italian / Spanish. 12 pages. Published by Hotlicks Videos.
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bass Standards Double Bass Hal Leonard
Classic Jazz Masters Series. Guitar Collection. Size 9x12 inches. 112 pages. Pub...(+)
Classic Jazz Masters Series. Guitar Collection. Size 9x12 inches. 112 pages. Published by Hal Leonard.
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Children, Go Where I Send Thee Carl Fischer
Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2 SKU: ...(+)
Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2 SKU: CF.CM9742 Composed by Traditional African American Spiritual. Arranged by Kevin Phillip Johnson. 16 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9742. Published by Carl Fischer Music (CF.CM9742). ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun! $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Not Alone Theodore Presser Co.
Chamber Music Saxophone Quartet SKU: PR.114417130 & Happy Birthday to ...(+)
Chamber Music Saxophone Quartet SKU: PR.114417130 & Happy Birthday to Prism. Composed by Chen Yi. Sws each. Contemporary. Set of Score and Parts. With Standard notation. Composed 2014. 24+12+12+12+8 pages. Duration 14 minutes. Theodore Presser Company #114-41713. Published by Theodore Presser Company (PR.114417130). ISBN 9781491110409. UPC: 680160626687. 9x12 inches. A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspired by the ancient Chinese poet Li Bai's poem Drinking Alone under the Moon with the Shadow. The premiere was given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned the work to celebrate its 25th Anniversary NYC Season. From the Program Note by Matthew Levy (The PRISM Quartet), Not Alone (2014) is an interdisciplinary work...but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspective solos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alone for a 2017 release on XAS Records titled Paradigm Lost. But we're excited for a wider community of saxophonists to embrace the work, and share it with their own audiences. Not Alone is published together with Happy Birthday to PRISM, a brief miniature that Chen Yi wrote for the quartet's 20th anniversary celebration in 2004. For advanced performers._________________________Text from the scanned back cover:NOT ALONE for Saxophone QuartetHAPPY BIRTHDAY TO PRISM for Saxophone QuartetNot Alone is a 14-minute saxophone quartet and dance score inspired by the ancient Chinese poet Li Bai’s “Drinking Alone under the Moon with the Shadow.†The expansively-textured sax quartet matches the exploratory and dramatic movements and gestures in the dance. NOT ALONE was commissioned by the Nai-Ni Chen Dance Company which premiered the work in collaboration with the PRISM Quartet. Also included in this publication is Chen Yi’s fascinating take on “Happy Birthday to You,†composed in celebration of Prism’s 25th anniversary season. A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspiredby the ancient Chinese poet Li Bai’s poem “Drinking Alone under the Moon with the Shadow.†The premierewas given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned thework to celebrate its 25th Anniversary NYC Season. Program Note by composer Chen YiThe original inspiration for this work for both the choreographer and the composer came from the Tang Dynasty poem - Alone Under the Moon by Li Bai. The poem describes the poet being alone in a garden. The moon and his shadow became his companions that night. The choreographer brings this idea to modern life in an urban setting. She created a series of “mindscapes†which are the result of the exploration of the different mental and physical states of being alone.Through self-examination, the choreographer raises the question: are we ever really alone? Our physical being may be standing by itself, but what about our introspective self? When we are still, we let our thoughts pass by like flowing water. If we could engage with our shadows, what would it be like?Program Note by Matthew Levy, The PRISM QuartetThe PRISM Quartet has commissioned a great many composers since our founding days in 1984. Chen Yi is among ahandful of our very favorites, and one to whom we’ve returned time and time again. Her music is powerful, expansive,intimate, and draws connections between Eastern and Western, ancient and modern traditions in a voice all her own.Chen Yi has written or adapted four works for the PRISM Quartet. She penned a wonderful miniature called HappyBirth day to PRISM to celebrate the ensemble’s 20th anniversary back in 2004 (Dedication, Innova Recordings).We subsequently commissioned her to compose Septet (2008) for Erhu, Pipa, Percussion, and Saxophone Quartet(2008), premiered and recorded with the New York ensemble Music From China (Antiphony, Innova Recordings 2010).In 2015, the PRISM Quartet performed and recorded (XAS Records) a new version of her saxophone quartet concerto,BA YIN, with the University of Missouri-Kansas City Wind Ensemble under the baton of Steven Davis (originally writtenfor the Rascher Quartet and scored for saxophones and string orchestra.).Finally, Not Alone (2014) is an interdisciplinary work written for the Nai-Ni Chen Dance Company with the PRISMQuartet, but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspectivesolos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alonefor a 2017 release on XAS Records titled Paradigm Lost. But we’re excited for a wider community of saxophonists toembrace the work, and share it with their own audiences.In his liner notes for the recording, WNYC’s John Schaefer writes: “As with much of her music, Chen employs percussiveeffects and glissandi; in Chinese music these are not considered “extended techniques†or special effects, but animportant part of the performer’s arsenal. Here, they help create the twilit mood of the opening moments. The piecesoon becomes more dramatic, suggesting the arrival of the drinker’s companions (real or imagined) and his or herincreasingly garrulous outbursts. Passages of consonance and discord can easily be heard as companionable singingand bouts of drunken argument. The piece bustles along on a kind of restless energy, until, finally, that restlessnesssubsides, giving way to a gently humorous ending where a short falling phrase signals the drinker falling asleep.â€. $39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Irish Reel Book Guitar [Sheet music + CD] - Easy AMA Verlag
By Patrick Steinbach. For Acoustic Instruments. Solos. AMA Verlag. Celtic/Irish....(+)
By Patrick Steinbach. For Acoustic Instruments. Solos. AMA Verlag. Celtic/Irish. Level: Beginning-Intermediate. Book/CD Set. Size 9.x11.75. 180 pages. Published by AMA Verlag. ISBN 3899220234.
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Silly Ditties Choral SATTBB, keyboard - Intermediate Walton Music
SATTBB choir, piano accompaniment, clarinet - Intermediate SKU: GI.WW1423 ...(+)
SATTBB choir, piano accompaniment, clarinet - Intermediate SKU: GI.WW1423 Composed by Norman Luboff. Arranged by Dan Davison. Walton Choral. Music Education. Octavo. 16 pages. Walton Music #WW1423. Published by Walton Music (GI.WW1423). UPC: 884088351595. English. Text by Oscar Wilde. For mature high school and beyond, this is a set of four short whimsical chorals by Norman Luboff, framed by new clarinet and piano accompaniment. Great closer before intermission or as an encore. Can be performed together as a set or separately. $2.05 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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