By Franz Liszt. Edited by Sauer. For piano. B|; E|; La Campanella,B; E; La Chasse,E; a; A|; A|; D|(Un Sospiro); Waldesrauschen,D|; Gnomenreigen,A. Published by C.F. Peters.

Composed by Franz Joseph Haydn (1732-1809). Edited by Christopher Hogwood. Arranged by John Peter Salomon. For flute, string quartet and optional piano. Full score and parts. Published by Edition HH Music Publishers

Edited by Peter Anton Ling. For baritone voice solo, piano. 144 pages. Published by Breitkopf and Haertel

Solo voices, SATB chorus, 2 Fl, 2 Ob, 2 Cor, 2 Vl, Va, Bc - Grade 3

SKU: CA.5075214

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Single Part, basso continuo. Duration 20 minutes. Carus Verlag #5075214. Published by Carus Verlag (CA.5075214).

ISBN 9790007248376. Key: B flat major. Latin.

Hasse’s much smaller-scale Requiem in B flat, which we are publishing for the first time, was presumably composed as early as the second half of the 1750s. Nothing is known about the occasion for which this beautiful work was composed, or even whether it was performed during the composer’s lifetime. Perhaps the Seven Years War, in which the electorate of Saxony was involved, prevented any performance. Several borrowings from it in his Requiem in C major and in the later Requiem in E flat major show that Hasse held the work in high regard.

Audio example:
Live recording from Dresden, Kreuzkirche, 20.11.2022

Carine Tinney, SopranoAnna-Maria Tietze, Mezzosoprano
Marie Bieber, Alto
Vocal Concert Dresden
Dresdner Instrumental-Concert
Conductor: Peter Kopp.

Solo voices, SATB chorus, 2 Fl, 2 Ob, 2 Cor, 2 Vl, Va, Bc - Grade 3

SKU: CA.5075213

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Single Part, viola. Duration 20 minutes. Carus Verlag #5075213. Published by Carus Verlag (CA.5075213).

ISBN 9790007248369. Key: B flat major. Latin.

Hasse’s much smaller-scale Requiem in B flat, which we are publishing for the first time, was presumably composed as early as the second half of the 1750s. Nothing is known about the occasion for which this beautiful work was composed, or even whether it was performed during the composer’s lifetime. Perhaps the Seven Years War, in which the electorate of Saxony was involved, prevented any performance. Several borrowings from it in his Requiem in C major and in the later Requiem in E flat major show that Hasse held the work in high regard.

Audio example:
Live recording from Dresden, Kreuzkirche, 20.11.2022

Carine Tinney, SopranoAnna-Maria Tietze, Mezzosoprano
Marie Bieber, Alto
Vocal Concert Dresden
Dresdner Instrumental-Concert
Conductor: Peter Kopp.

Solo voices, SATB chorus, 2 Fl, 2 Ob, 2 Cor, 2 Vl, Va, Bc - Grade 3

SKU: CA.5075203

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein, Wolfgang Hochstein. Gattungen vokal: Sacred vocal music. Vocal score. Duration 20 minutes. Carus Verlag #5075203. Published by Carus Verlag (CA.5075203).

ISBN 9790007248215. Key: B flat major. Latin.

Hasse’s much smaller-scale Requiem in B flat, which we are publishing for the first time, was presumably composed as early as the second half of the 1750s. Nothing is known about the occasion for which this beautiful work was composed, or even whether it was performed during the composer’s lifetime. Perhaps the Seven Years War, in which the electorate of Saxony was involved, prevented any performance. Several borrowings from it in his Requiem in C major and in the later Requiem in E flat major show that Hasse held the work in high regard.

Audio example:
Live recording from Dresden, Kreuzkirche, 20.11.2022

Carine Tinney, SopranoAnna-Maria Tietze, Mezzosoprano
Marie Bieber, Alto
Vocal Concert Dresden
Dresdner Instrumental-Concert
Conductor: Peter Kopp.

Solo voices, SATB chorus, 2 Fl, 2 Ob, 2 Cor, 2 Vl, Va, Bc - Grade 3

SKU: CA.5075209

Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Set of Orchestra Parts. Duration 20 minutes. Carus Verlag #5075209. Published by Carus Verlag (CA.5075209).

ISBN 9790007248338. Key: B flat major. Latin.

Hasse’s much smaller-scale Requiem in B flat, which we are publishing for the first time, was presumably composed as early as the second half of the 1750s. Nothing is known about the occasion for which this beautiful work was composed, or even whether it was performed during the composer’s lifetime. Perhaps the Seven Years War, in which the electorate of Saxony was involved, prevented any performance. Several borrowings from it in his Requiem in C major and in the later Requiem in E flat major show that Hasse held the work in high regard.

Audio example:
Live recording from Dresden, Kreuzkirche, 20.11.2022

Carine Tinney, SopranoAnna-Maria Tietze, Mezzosoprano
Marie Bieber, Alto
Vocal Concert Dresden
Dresdner Instrumental-Concert
Conductor: Peter Kopp.

Organ and voice(s)

SKU: BR.EB-8704

9 Sacred Songs. Composed by Peter Cornelius. Edited by Klaus Uwe Ludwig. Arranged by Klaus Uwe Ludwig. Solo instruments; Softcover. Edition Breitkopf. Romantic period. Score. 36 pages. Breitkopf and Haertel #EB 8704. Published by Breitkopf and Haertel (BR.EB-8704).

ISBN 9790004180679. 9 x 12 inches. German.

Here is an addition to every church musicians repertoire: Nine sacred songs by Peter Cornelius on original poems in which he paraphrases the Our Father in a very personal manner. The piano accompaniment is based on ancient liturgical melodies which Cornelius elaborated very imaginatively. By arranging the piano part for organ, Klaus Uwe Ludwig seems to have been inspired by an observation made by Max Hasse in his 1922 biography of Cornelius: The cycle will always resist an orchestral adaptation. The organ seems more accessible as an accompaniment.

Soprano voice solo, SATB choir, 2 violins, basso continuo, [viola]

SKU: CA.4041812

Composed by Nicolo Jommelli. Edited by Wolfgang Hochstein. Contemporary Choir Music. German title: Veni creator spiritus. Sacred vocal music, Hymns, Easter and Eastertide, Whitsun. Single Part, Violin 2. 8 pages. Duration 9 minutes. Carus Verlag #CV 40.418/12. Published by Carus Verlag (CA.4041812).

ISBN 9790007067175. Language: Latin.

After musical training in Naples Niccolo Jommelli began to make his name as an opera composer from the end of the 1730ies onwards. From 1750 until 1753 he was assistant director of music at St. Peter's, Rome, and responsible for the music at the Cappella Giulia - years which were decisive for Jommelli's sacred music. During those years he also composed the three-movement setting of the Whitsun hymn Veni Creator Spiritus for solo soprano, mixed-voice choir, string orchestra and continuo. It is marked by the maturity of the writing for the solo voice, modelled on the example of composers such as Johann Adolf Hasse, and by stylistic hallmarks of Jommelli's music, such as his relatively simple yet highly effective choral writing. Score and part available separately - see item CA.4041800.

Soprano voice solo, SATB choir, 2 violins, basso continuo, [viola]

SKU: CA.4041811

Composed by Nicolo Jommelli. Edited by Wolfgang Hochstein. Contemporary Choir Music. German title: Veni creator spiritus. Sacred vocal music, Hymns, Easter and Eastertide, Whitsun. Single Part, Violin 1. 8 pages. Duration 9 minutes. Carus Verlag #CV 40.418/11. Published by Carus Verlag (CA.4041811).

ISBN 9790007067168. Language: Latin.

After musical training in Naples Niccolo Jommelli began to make his name as an opera composer from the end of the 1730ies onwards. From 1750 until 1753 he was assistant director of music at St. Peter's, Rome, and responsible for the music at the Cappella Giulia - years which were decisive for Jommelli's sacred music. During those years he also composed the three-movement setting of the Whitsun hymn Veni Creator Spiritus for solo soprano, mixed-voice choir, string orchestra and continuo. It is marked by the maturity of the writing for the solo voice, modelled on the example of composers such as Johann Adolf Hasse, and by stylistic hallmarks of Jommelli's music, such as his relatively simple yet highly effective choral writing. Score and part available separately - see item CA.4041800.

Solo soprano voice, SATB choir, 2 violins, basso continuo, [viola]

SKU: CA.4041819

Composed by Niccolo Jommelli. Edited by Wolfgang Hochstein. Contemporary Choir Music. Complete orchestral parts. Sacred vocal music, Hymns, Easter and Eastertide, Whitsun. Set of Orchestra Parts. Duration 9 minutes. Carus Verlag #CV 40.418/19. Published by Carus Verlag (CA.4041819).

ISBN 9790007218447. Language: Latin.

After musical training in Naples Niccolo Jommelli began to make his name as an opera composer from the end of the 1730ies onwards. From 1750 until 1753 he was assistant director of music at St. Peter's, Rome, and responsible for the music at the Cappella Giulia - years which were decisive for Jommelli's sacred music. During those years he also composed the three-movement setting of the Whitsun hymn Veni Creator Spiritus for solo soprano, mixed-voice choir, string orchestra and continuo. It is marked by the maturity of the writing for the solo voice, modelled on the example of composers such as Johann Adolf Hasse, and by stylistic hallmarks of Jommelli's music, such as his relatively simple yet highly effective choral writing. Score and parts available separately - see item CA.4041800.

Chorus (with soloists) and piano (solos: S. A. 7T. Bar. 4B - choir: SAATTBB - picc.2.2.2.2 - 4.2.3.0 - timp.perc(2) - hp - str)

SKU: BR.EB-2066

Comic Opera in 2 Acts. Composed by Peter Cornelius. Edited by Max Hasse. Arranged by Waldemar von (KA) Baussnern. Choir; Softbound. Edition Breitkopf. Opera; Music theatre; Romantic. Piano/Vocal Score. 240 pages. Breitkopf and Haertel #EB 2066. Published by Breitkopf and Haertel (BR.EB-2066).

ISBN 9790004160770. 7.5 x 10.5 inches.

Text by the composer Translation: engl. (M. E. Browne) Place: Bagdad Characters: Der Kalif (baritone) - Baba Mustapha, ein Kadi (tenor) - Margiana, seine Tochter (soprano) - Bostana, eine Verwandte (alto) - Nureddin (tenor) - Abul Hassan Ali Ebn Bekar, Barbier (bass) - 1. Muezzin (bass) - 2. Muezzin (tenor) - 3. Muezzin (tenor) - Ein Sklave (tenor) - Vier Bewaffnete (2 Tenore, 2 Basse) Corneliuss opera got off to a bad start, to say the least: the scandal provoked at the first performance in Weimar in 1858 led to protests and ultimately to the resignation of Franz Liszt as court opera director. It was not until 1904 that the opera was played again in that city and proved that the scandal had not been caused by the work but by Liszts aesthetic views. The score was long considered as the ideal example of a musical comedy with a far too complicated plot. Today, however, many prominent commentators beg to differ: This is one of the sunniest scores ever written. Music in the spirit of Mozart and Mendelssohn: a highly delicate mixture of classical formal rigor and romantic irony, heightened with just a touch of exquisite sensuality that has just wafted in from the Orient. It is practically incomprehensible how Cornelius could have been regarded as a composer of the Wagner school for practically a century. With its intricate fusing of comedy, lyricism and sentimentality, it is precisely the opera that Schubert, Schumann, E.T.A. Hoffmann and Mendelssohn were unable to write. (Hans Zender).

Oboe Trio

SKU: IS.OT6577EM

Composed by Alex Christiaens. Woodwinds - Oboe. Metropolis Music Publishers #OT6577EM. Published by Metropolis Music Publishers (IS.OT6577EM).

ISBN 9790365065776.

Alex Christiaens was born in 1957and started courses on solfège, piano, music theory and music history at the conservatorium of Hasselt. After his secondary education (Latin-Greek), he was awarded a Master degree in translation and started to work for a Flemish bank. Since then, he has been living in Leuven. Music remained an important part of his life. After having finished the piano course at the conservatorium of Leuven, he continued his musical journey by completing the organ course with Peter Breugelmans, the harmony and composition course with Erika Budai and the clarinet course with Bart Van den Bosch. He regularly performed in public, not only as a soloist but also as the accompanist of singers, choirs and instrumentalists. Since many years, he has been active as an organist in Leuven and has been singing in the choir Tourdion under the leadership of Rik Ghesquière. He started composing as part of the harmony course. Most of his compositions are short works written for piano or solo instruments with accompaniment .

Flute Quartet

SKU: IS.FQ6575EM

Composed by Alex Christiaens. Woodwinds - Flute. Metropolis Music Publishers #FQ6575EM. Published by Metropolis Music Publishers (IS.FQ6575EM).

ISBN 9790365065752.

Alex Christiaens was born in 1957and started courses on solfège, piano, music theory and music history at the conservatorium of Hasselt. After his secondary education (Latin-Greek), he was awarded a Master degree in translation and started to work for a Flemish bank. Since then, he has been living in Leuven. Music remained an important part of his life. After having finished the piano course at the conservatorium of Leuven, he continued his musical journey by completing the organ course with Peter Breugelmans, the harmony and composition course with Erika Budai and the clarinet course with Bart Van den Bosch. He regularly performed in public, not only as a soloist but also as the accompanist of singers, choirs and instrumentalists. Since many years, he has been active as an organist in Leuven and has been singing in the choir Tourdion under the leadership of Rik Ghesquière. He started composing as part of the harmony course. Most of his compositions are short works written for piano or solo instruments with accompaniment .