| Santa Maria dell' Anima: Musik für die Feste der deutschen Nationalkirche in Rom Barenreiter
Singing voice/instruments (singing voice, Instruments) SKU: BA.BA08349 (+)
Singing voice/instruments (singing voice, Instruments) SKU: BA.BA08349 Werke von Pietro Paolo Bencini und Nicollò Jommelli. Composed by Niccolò Jommelli and Pietro Paolo Bencini. Edited by Rainer Heyink. This edition: Edition of selected works, Urtext edition. Linen. Concentus Musicus 13. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA08349_00. Published by Baerenreiter Verlag (BA.BA08349). ISBN 9790006540877. 32.5 x 25 cm inches. Text Language: Latin. Preface: Rainer Heyink. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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| Alleluia. Ascendit Deus (Alleluia. God has gone up) [Octavo] Treble Clef Music Press
By Pietro Paolo Bencini; James H. Laster (editor). For SA choir (with organ). Sa...(+)
By Pietro Paolo Bencini; James H. Laster (editor). For SA choir (with organ). Sacred. Easy-Medium. Choral octavo. Text language: English. Published by Treble Clef Music Press
$1.70 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Alleluia. Ascendit Deus (Alleluia. God has gone up) Choral 2-part SA Treble Clef Music Press
SA, organ SKU: SU.80300210 For SA, organ. Composed by Pietro Paolo...(+)
SA, organ SKU: SU.80300210 For SA, organ. Composed by Pietro Paolo Bencini. Vocal/Choral, Sacred Choral. Accompanied by organ. Choral Octavo. Treble Clef Music Press #80300210. Published by Treble Clef Music Press (SU.80300210). Ed. by James H. Laster (b. 1934). This bouyant baroque setting of a Psalm text imitates the sound of the trumpet with melismas in both choral parts. (If your two-part treble choir enjoyed Purcell’s Sound the Trumpet, they will revel in this.) The basso continuo part has been realized, and may be doubled by cello or bassoon. SA & Organ; Latin. Easy-Medium. SA, organ Published by: Treble Clef Music Minimum order quantity: 8 copies. $1.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| La Cappella Giulia 1513-2013 Barenreiter
SKU: BA.BVK02137 Five Centuries of Sacred Muisc in San Pietro. Com...(+)
SKU: BA.BVK02137 Five Centuries of Sacred Muisc in San Pietro. Composed by Giancarlo Rostirolla. Hardback. Volume I + II. Book. Baerenreiter Verlag #BVK02137_00. Published by Baerenreiter Verlag (BA.BVK02137). ISBN 9783761821374. 24.5 x 17.5 cm inches. Text Language: Italian. One of the major institutions of sacred music, the Cappella Giulia at St. Peter's Basilica, can look back on a five-hundred-year history. Now Giancarlo Rostirolla brings this turbulent and spellbinding history to life using original documents from the Papal Library and the chapter archives of Saint Peter in the Vatican.
The Cappella Giulia was founded by Pope Julius II in 1513. Its chapel masters were the most important representatives of Roman vocal polyphony, above all Giovanni Animuccia and Giovanni Pierluigi da Palestrina, Francesco Soriano, Virgilio Mazzocchi, Orazio Benevoli, Paolo Lorenzani and Pietro Bencini. Also employed there were such opera composers as Domenico Scarlatti, Niccolò Jommelli and Nicola Zingarelli, the proponents of Italian Cecilianism up to Armando Renzi, and such renowned organists as Girolamo Frescobaldi.
In this documentary history, as comprehensive as it is exciting to read, Giancarlo Rostirolla pays tribute to the Cappella Giulia as a musical institution of extraordinary historical importance and the vehicle for half a millennium of sacred music. For decades the author, an internationally acclaimed authority on Rome's musical traditions, has immersed himself like few others in the church and chapel archives, libraries and music collections of the Eternal City.
– For the first time these two volumes explore the history of the Cappella Giulia with information on all the musicians known to have worked there, together with their biographies, lists of compositions and documents on the chapel's history.
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