| Avenue Q (Karaoke CD) Karaoke CD [Karaoke CD] Stage Stars Records
By Various Artists. Composed by Robert Lopez And Jeff Marx. 2 discs. Broadway. K...(+)
By Various Artists. Composed by Robert Lopez And Jeff Marx. 2 discs. Broadway. Karaoke CD. Composed 2007. Published by Stage Stars Records.
$29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Avenue Q - The Musical [Sheet music] Applause Books
(The Complete Book and Lyrics of the Broadway Musical). By Jeff Marx and Robert ...(+)
(The Complete Book and Lyrics of the Broadway Musical). By Jeff Marx and Robert Lopez. Applause Books. Softcover. 160 pages. Published by Applause Books
$18.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Quincy Jones Legacy Series: Q on Producing Reportage [DVD] Hal Leonard
(The Soul and Science of Mastering Music and Work). Book. Hardcover with DVD. 32...(+)
(The Soul and Science of Mastering Music and Work). Book. Hardcover with DVD. 320 pages. Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Magic Bassoon, S.7 Opera [Vocal Score] Theodore Presser Co.
(A Tragicommodity In One Act). Composed by P.D.Q. Bach. Arranged by Prof. Peter ...(+)
(A Tragicommodity In One Act). Composed by P.D.Q. Bach. Arranged by Prof. Peter Schickele. For Vocal Ensemble. Opera. Vocal score. 60 pages. Theodore Presser Company #411-41138. Published by Theodore Presser Company
$52.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Q [Score] University Of York Music Press
Soprano Saxophone, Violin, Viola, Cello, Organ SKU: BT.MUSM570206506 Comp...(+)
Soprano Saxophone, Violin, Viola, Cello, Organ SKU: BT.MUSM570206506 Composed by Jonty Harrison. Score Only. 30 pages. University of York Music Press #MUSM570206506. Published by University of York Music Press (BT.MUSM570206506). English. First performance: by Meridian Ensemble conducted by the composer, Bourne, Lincs, 1978. $18.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Q & A for MLT GIA Publications
SKU: GI.G-10496 General Music Perspectives on Music Learning Theory(+)
SKU: GI.G-10496 General Music Perspectives on Music Learning Theory. Composed by Heather Shouldice, Jennifer Bailey, and Jill Reese. Music Learning Theory (MLT). Music Education. 214 pages. GIA Publications #10496. Published by GIA Publications (GI.G-10496). ISBN 9781622776061. Imagine a conversation among leaders who are passionate about their general music teaching, who have found incredible power in Music Learning Theory (MLT), who exchange ideas about how to be successful in the classroom, and who are eager to share what they’ve learned with one another. This is the magic of Q & A for MLT. Drawing from their expertise, experience, and unique perspectives, authors Jill Reese, Heather Shouldice, and Jennifer Bailey—along with a series of guest contributors—provide practical suggestions for managing the challenges and choices in a Music Learning Theory-based classroom, sometimes agreeing and other times highlighting differing perspectives that encourage the reader to consider what best fits their understanding and context. The book addresses key topics, including: An overview of Music Learning Theory Suggestions for classroom activities Developing the teacher's own musical skills and content knowledge Blending MLT with the Kodaly and Orff approaches Measuring music aptitude and assessing student growth Long-term and short-term planning Adapting MLT for diverse populations (students with disabilities, visual impairments, and English Language Learners) How to use MLT in various contexts (the preshool classroom, urban settings, elementary choir, and middle school general music) Through a conversational blend of research, scholarship, stories from the classroom, and humor, this book gives educators a reliable source for finding answers to real-life questions and suggestions for navigating the specifics of successfully applying MLT in the classroom. Jill Reese is Associate Professor of Music Education at the State University of New York at Fredonia. Dr. Reese is also the author of Navigating Music Learning Theory: A Guide for General Music Teachers. Heather N. Shouldice is Associate Professor of Music Education at Eastern Michigan University. Dr. Shouldice is also the author of Weaving It All Together: A Practical Guide to Applying Gordon’s Music Learning Theory in the Elementary General Music Program and the host of a podcast about Music Learning Theory called “Everyday Musicality.†Jennifer M. Bailey is an elementary vocal music teacher in Farmington Public Schools with over 25 years of experience using Music Learning Theory in the classroom. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Avenue Q - The Musical
Piano, Vocal and Guitar [Sheet music] - Intermediate Hal Leonard
Piano/Vocal Selections. Piano/Vocal/Chords Vocal Selections (Arrangements for pi...(+)
Piano/Vocal Selections. Piano/Vocal/Chords Vocal Selections (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 159 pages. Published by Hal Leonard.
(11)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Tippin' on the Q.T. Jazz Ensemble - Intermediate Alfred Publishing
By Buck Clayton. Jazz Ensemble. Jazz Ensemble; Part(s); Score. Essentially Ellin...(+)
By Buck Clayton. Jazz Ensemble. Jazz Ensemble; Part(s); Score. Essentially Ellington: Jazz at Lincoln Center Library. Jazz. Grade 4. 64 pages. Published by Alfred Music
$50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Abecedaire Piano solo [Score] - Easy Lemoine, Henry
Piano - Level 2 SKU: LM.23846 Composed by Henriette Puig-Roget. Method, s...(+)
Piano - Level 2 SKU: LM.23846 Composed by Henriette Puig-Roget. Method, studies. Score. Editions Henry Lemoine #23846. Published by Editions Henry Lemoine (LM.23846). ISBN 9790230938464. A...comme Apprendre - B...comme Berger - C...comme Carillon - D...comme Danser - E...comme Ecouter - F...comme Frere et soeur - G...comme Galoper - H...comme Horizons - I...comme Imiter - J...comme Jardiner - K...comme Kilometres - L...comme Loisirs - M...comme Marionnettes - N... comme Naviguer - O...comme Obstine - P...comme Prier - Q...comme Quatre par quatre - R... comme Rever - S...Saute-mouton - T...comme Trois et deux font cinq - U...comme Uniforme - V...comme Valser - W...comme Western - X...comme Xylophone - Y...comme Y es-tu, loup ? - Z...comme Zig-Zag. $28.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Avenue Q Piano, Vocal and Guitar - Intermediate Hal Leonard
Vocal Line with Piano Accompaniment. By Robert Lopez, Jeff Marx. Piano/Vocal/Cho...(+)
Vocal Line with Piano Accompaniment. By Robert Lopez, Jeff Marx. Piano/Vocal/Chords Vocal Selections (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 96 pages. Published by Hal Leonard.
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| SlimPAR Pro Q USB Hal Leonard
SKU: HL.457337 Chauvet Lighting. Lighting. Duration 195 seconds. Hal Leon...(+)
SKU: HL.457337 Chauvet Lighting. Lighting. Duration 195 seconds. Hal Leonard #SLIMPARPROQUSB. Published by Hal Leonard (HL.457337). UPC: 781462214791. 11.75x13.25x5.5 inches. SlimPAR Pro Q USB is a high-powered quad-color (RGBA), low-profile washlight with D-Fi USB compatibility for wireless control. Dynamic and natural-looking amber LEDs provide expanded color mixing capabilities. Added light spill control is possible because the fixture is compatible with most 7.5″ barn doors. Easily control static colors and automated programs with the optional IRC-6 remote and increase standalone versatility with multiple user-configurable settings. $329.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Tippin' on the Q.T. Jazz Ensemble [Score] - Intermediate Alfred Publishing
By Buck Clayton. Jazz Ensemble. Jazz Ensemble; Score. Essentially Ellington: Jaz...(+)
By Buck Clayton. Jazz Ensemble. Jazz Ensemble; Score. Essentially Ellington: Jazz at Lincoln Center Library. Jazz. Grade 4. Published by Alfred Music Publishing
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Avenue Q (Karaoke CD) Karaoke CD [Karaoke CDG] Pocket Songs | | |
| Jazz Cello/Bass Wizard Junior, Book 2 Cello [Sheet music + CD] - Intermediate Mel Bay
By Martin Norgaard. For Cello. Method. Jazz Wizard. Jazz. Level: Intermediate. B...(+)
By Martin Norgaard. For Cello. Method. Jazz Wizard. Jazz. Level: Intermediate. Book/CD Set. Size 8.75x11.75. 64 pages. Published by Mel Bay Publications, Inc.
$17.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760). UPC: 680160636532. 9 x 12 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L). UPC: 680160636549. 11 x 17 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Throw the Yule Log On, Uncle John Choral SATB SATB [Octavo] Theodore Presser Co.
From A Consort of Choral Christmas Carols. By PDQ Bach. Arranged by Peter Schick...(+)
From A Consort of Choral Christmas Carols. By PDQ Bach. Arranged by Peter Schickele. Text by Peter Schickele. For SATB. S. 359. Duration 2:30. Published by Theodore Presser Company.
(2)$3.00 $2.85 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Teaching Instrumental Music Meredith Music
Developing the Complete Band Program. By Shelley Jagow. Meredith Music. Book onl...(+)
Developing the Complete Band Program. By Shelley Jagow. Meredith Music. Book only. 304 pages. Published by Meredith Music.
$39.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| There's a Fine, Fine Line Choral 3-part SAB Hal Leonard
Choral (SAB Choir) SKU: HL.113070 (from Avenue Q). By Avenue Q. By...(+)
Choral (SAB Choir) SKU: HL.113070 (from Avenue Q). By Avenue Q. By Jeff Marx and Robert Lopez. Arranged by Alan Billingsley. Broadway Choral. Broadway. Octavo. 12 pages. Published by Hal Leonard (HL.113070). UPC: 884088866655. 6.75x10.5 inches. From the Tony award-winning musical Avenue Q, this sweet and whimsical song takes an ironic look at love and friendship through somewhat skeptical eyes. An excellent contemporary change of pace for a Broadway concert set, it's perfect for featuring one or more soloists. $1.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Grand Tetons Concert band [Score] - Easy Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS263F Composed by Carl Strommen. Cp...(+)
Band Concert Band - Grade 3 SKU: CF.CPS263F Composed by Carl Strommen. Cps. Full score. 32 pages. Duration 4 minutes, 38 seconds. Carl Fischer Music #CPS263F. Published by Carl Fischer Music (CF.CPS263F). ISBN 9781491161739. UPC: 680160920426. Notes The Teton Range is part of the Rocky Mountain chain just east of the Idaho border and south of Yellowstone National Park. The name of this majestic range has its roots in the Shoshone teewinet, meaning many pinnacles. Performance Suggestions: The opening measures of The Grand Tetons should be played broadly and majestically. At m. 14, the tempo is indicated at q = 132 and is introduced by a light snare drum figure. The low brass figures at m.18 are to be played softly and broadly in contrast to the lighter and slightly louder high woodwinds. This entire section builds to a climax at m.44. Note the dynamic contrasts in the mixed meter section after m. 53. at 67, the trombone and horn figures should be evident but not overbearing against the lightly played trumpet solo. The 2 measure mixed meter (6/8) (3/4) theme introduced at m.88 should be performed by exaggerating the dotted 8th-16th rhythm, thereby creating a slight swing and dance-like feeling. At m.109, the 8th notes become even and the theme more strident and energetic, with the ritard returning Tetons to the opening theme at m.129. Notes The Teton Range is part of the Rocky Mountain chain just east of the Idaho border and south of Yellowstone National Park. The name of this majestic range has its roots in the Shoshone teewinet, meaning many pinnacles. Performance Suggestions: The opening measures of The Grand Tetons should be played broadly and majestically. At m. 14, the tempo is indicated at q = 132 and is introduced by a light snare drum figure. The low brass figures at m.18 are to be played softly and broadly in contrast to the lighter and slightly louder high woodwinds. This entire section builds to a climax at m.44. Note the dynamic contrasts in the mixed meter section after m. 53. at 67, the trombone and horn figures should be evident but not overbearing against the lightly played trumpet solo. The 2 measure mixed meter (6/8) (3/4) theme introduced at m.88 should be performed by exaggerating the dotted 8th-16th rhythm, thereby creating a slight swing and dance-like feeling. At m.109, the 8th notes become even and the theme more strident and energetic, with the ritard returning Tetons to the opening theme at m.129. Notes The Teton Range is part of the Rocky Mountain chain just east of the Idaho border and south of Yellowstone National Park. The name of this majestic range has its roots in the Shoshone “teewinet,†meaning “many pinnacles.â€Â Performance Suggestions: The opening measures of The Grand Tetons should be played broadly and majestically. At m. 14, the tempo is indicated at q = 132 and is introduced by a light snare drum figure. The low brass figures at m.18 are to be played softly and broadly in contrast to the lighter and slightly louder high woodwinds. This entire section builds to a climax at m.44. Note the dynamic contrasts in the mixed meter section after m. 53. at 67, the trombone and horn figures should be evident but not overbearing against the lightly played trumpet solo. The 2 measure mixed meter (6/8) (3/4) theme introduced at m.88 should be performed by exaggerating the dotted 8th-16th rhythm, thereby creating a slight “swing†and dance-like feeling. At m.109, the 8th notes become even and the theme more strident and energetic, with the ritard returning Tetons to the opening theme at m.129. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Grand Tetons Concert band - Easy Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS263 Composed by Carl Strommen. Cps...(+)
Band Concert Band - Grade 3 SKU: CF.CPS263 Composed by Carl Strommen. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+4+4+4+4+8+8+8+4+4+4+4+6+6+6+6+4+8+1+1+4+5+32 pages. Duration 4 minutes, 38 seconds. Carl Fischer Music #CPS263. Published by Carl Fischer Music (CF.CPS263). ISBN 9781491161524. UPC: 680160920150. Notes The Teton Range is part of the Rocky Mountain chain just east of the Idaho border and south of Yellowstone National Park. The name of this majestic range has its roots in the Shoshone teewinet, meaning many pinnacles. Performance Suggestions: The opening measures of The Grand Tetons should be played broadly and majestically. At m. 14, the tempo is indicated at q = 132 and is introduced by a light snare drum figure. The low brass figures at m.18 are to be played softly and broadly in contrast to the lighter and slightly louder high woodwinds. This entire section builds to a climax at m.44. Note the dynamic contrasts in the mixed meter section after m. 53. at 67, the trombone and horn figures should be evident but not overbearing against the lightly played trumpet solo. The 2 measure mixed meter (6/8) (3/4) theme introduced at m.88 should be performed by exaggerating the dotted 8th-16th rhythm, thereby creating a slight swing and dance-like feeling. At m.109, the 8th notes become even and the theme more strident and energetic, with the ritard returning Tetons to the opening theme at m.129. Notes The Teton Range is part of the Rocky Mountain chain just east of the Idaho border and south of Yellowstone National Park. The name of this majestic range has its roots in the Shoshone teewinet, meaning many pinnacles. Performance Suggestions: The opening measures of The Grand Tetons should be played broadly and majestically. At m. 14, the tempo is indicated at q = 132 and is introduced by a light snare drum figure. The low brass figures at m.18 are to be played softly and broadly in contrast to the lighter and slightly louder high woodwinds. This entire section builds to a climax at m.44. Note the dynamic contrasts in the mixed meter section after m. 53. at 67, the trombone and horn figures should be evident but not overbearing against the lightly played trumpet solo. The 2 measure mixed meter (6/8) (3/4) theme introduced at m.88 should be performed by exaggerating the dotted 8th-16th rhythm, thereby creating a slight swing and dance-like feeling. At m.109, the 8th notes become even and the theme more strident and energetic, with the ritard returning Tetons to the opening theme at m.129. Notes The Teton Range is part of the Rocky Mountain chain just east of the Idaho border and south of Yellowstone National Park. The name of this majestic range has its roots in the Shoshone “teewinet,†meaning “many pinnacles.â€Â Performance Suggestions: The opening measures of The Grand Tetons should be played broadly and majestically. At m. 14, the tempo is indicated at q = 132 and is introduced by a light snare drum figure. The low brass figures at m.18 are to be played softly and broadly in contrast to the lighter and slightly louder high woodwinds. This entire section builds to a climax at m.44. Note the dynamic contrasts in the mixed meter section after m. 53. at 67, the trombone and horn figures should be evident but not overbearing against the lightly played trumpet solo. The 2 measure mixed meter (6/8) (3/4) theme introduced at m.88 should be performed by exaggerating the dotted 8th-16th rhythm, thereby creating a slight “swing†and dance-like feeling. At m.109, the 8th notes become even and the theme more strident and energetic, with the ritard returning Tetons to the opening theme at m.129. $85.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| There's a Fine, Fine Line Choral Hal Leonard
(from Avenue Q). By Avenue Q. By Jeff Marx, Robert Lopez. Arranged by Ala...(+)
(from Avenue Q). By Avenue Q. By Jeff Marx, Robert Lopez. Arranged by Alan Billingsley. Broadway Choral. Broadway. Octavo. 12 pages. Published by Hal Leonard (HL.113071).
$2.65 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Onyx 12 12-Channel Premium Analog USB Mixer Hal Leonard
SKU: HL.1105200 Mackie. Live Sound. Hal Leonard #2051991-00. Published by...(+)
SKU: HL.1105200 Mackie. Live Sound. Hal Leonard #2051991-00. Published by Hal Leonard (HL.1105200). UPC: 663961058895. 18.5x17.0x7.5 inches. Give your project studio or mobile rig the analog mixer it deserves. The Mackie Onyx12 is a premium 12-channel USB mixer optimized for multitrack recording and live sound. Experience impeccable sound quality, a flexible FX engine and seamless workflow for your home recording or live shows. Level-up your rig with a versatile 12-channel mixer designed by engineers who know that great sound lives in the details. Every element of the Mackie Onyx12 is geared towards recording at a professional level, from our award-winning Onyx preamps to the Perkins “British Style†EQs inspired by classic desks from the '60s and '70s. Record ultra-clean, transparent sound with incredible accuracy. Our award-winning Onyx Mic Preamps are designed for maximum studio-quality performance. Create podcasts, live stream gameplay, or produce the next hit. No matter what you do, we want to make sure you sound great. The Mackie Onyx12 features an enhanced 3-Band “British Style†EQ based on the same circuit used on classic mixing consoles from the '60s and '70s. This version designed by Mackie has greater filter control, minimum phase shift and allows you to pinpoint specific frequency ranges. To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology inspired by the hallowed “British†desks of the '60s and '70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a±mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (±15 dB) without excessively narrowing the “Q†or bandwidth of the filters. It's what we call a win-win. Tired of fumbling with your gear? We got you covered. Carry and transport your Mackie Onyx12 mixer effortlessly with our QuickGrip side handles. Whether you're moving gear around your home studio or heading to rehearsal, the rugged design of our steel chassis and sealed rotary will protect your investment wherever you go. $649.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| There's a Fine, Fine Line Choral SATB Hal Leonard
((from Avenue Q)). By Avenue Q. By Jeff Marx and Robert Lopez. Arranged by Alan ...(+)
((from Avenue Q)). By Avenue Q. By Jeff Marx and Robert Lopez. Arranged by Alan Billingsley. For Choral (SATB). Broadway Choral. 12 pages. Published by Hal Leonard
$1.95 $1.8525 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For Lena And Lenny Jazz Ensemble [Score and Parts] - Intermediate Alfred Publishing
By Q Jones. Edited by Pete Barenbregge. Arranged by Q Jones/s Nestico. Jazz ense...(+)
By Q Jones. Edited by Pete Barenbregge. Arranged by Q Jones/s Nestico. Jazz ensemble. Level: grade 4. 78 pages. Published by Alfred Publishing.
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lovely Appear/Go Forth with Faith - SATB Choral SATB Jackman Music Corporation
SATB chorus - Medium / medium acc. SKU: JK.01306 Composed by Charles Fran...(+)
SATB chorus - Medium / medium acc. SKU: JK.01306 Composed by Charles Francois Gounod and Lyall J. Gardner. Arranged by Alexander Schreiner and Jane Q. Strong. Choral SATB, Difficulty Medium, Piano Choir, Faith, Jesus Christ - Savior, Missionary Work, Restoration, Service. Christian, Inspirational. Duration 5:00. Jackman Music Corporation #01306. Published by Jackman Music Corporation (JK.01306). Doctrine and Covenants 42:6, Matthew 24:14. Choral arrangement for mixed chorus (SATB), combining Gounod's Lovely Appear, which emphasizes missionary work, with the hymn Go Forth with Faith, with a beautiful soprano descant. Composer: Charles Francois Gounod and Lyall J. Gardner Arranger: Jane Q. Strong and Alexander Schreiner Lyricist: Isaiah 52:7 and Ruth M. Gardner Difficulty: Medium / medium acc. Performance time: 5:00 Reference: Doctrine and Covenants 42:6, Matthew 24:14.
$1.30 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Onyx 16 16-Channel Premium Analog USB Mixer Hal Leonard
SKU: HL.1105201 Mackie. Live Sound. Hal Leonard #2051992-00. Published by...(+)
SKU: HL.1105201 Mackie. Live Sound. Hal Leonard #2051992-00. Published by Hal Leonard (HL.1105201). UPC: 663961058901. 7.5x16.75x16.75 inches. Give your project studio or mobile rig the analog mixer it deserves. The Mackie Onyx16 is a premium 16-channel USB mixer optimized for multitrack recording and live sound. Experience impeccable sound quality, a flexible FX engine and seamless workflow for your home recording or live shows. Level-up your rig with a versatile 16-channel mixer designed by engineers who know that great sound lives in the details. Every element of the Mackie Onyx12 is geared towards recording at a professional level, from our award-winning Onyx preamps to the Perkins âBritish Styleâ EQs inspired by classic desks from the '60s and '70s. Record ultra-clean, transparent sound with incredible accuracy. Our award-winning Onyx Mic Preamps are designed for maximum studio-quality performance. Create podcasts, live stream gameplay, or produce the next hit. No matter what you do, we want to make sure you sound great. The Mackie Onyx12 features an enhanced 3-Band âBritish Styleâ EQ based on the same circuit used on classic mixing consoles from the '60s and '70s. This version designed by Mackie has greater filter control, minimum phase shift and allows you to pinpoint specific frequency ranges. To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology inspired by the hallowed âBritishâ desks of the '60s and '70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a±mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (±15 dB) without excessively narrowing the âQâ or bandwidth of the filters. It's what we call a win-win. Tired of fumbling with your gear? We got you covered. Carry and transport your Mackie Onyx12 mixer effortlessly with our QuickGrip side handles. Whether you're moving gear around your home studio or heading to rehearsal, the rugged design of our steel chassis and sealed rotary will protect your investment wherever you go. $749.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Onyx 24 24-Channel Premium Analog USB Mixer Hal Leonard
SKU: HL.1105202 Mackie. Live Sound. Hal Leonard #2051993-00. Published by...(+)
SKU: HL.1105202 Mackie. Live Sound. Hal Leonard #2051993-00. Published by Hal Leonard (HL.1105202). Give your project studio or mobile rig the analog mixer it deserves. The Mackie Onyx24 is a premium 24-channel USB mixer optimized for multitrack recording and live sound. Experience impeccable sound quality, a flexible FX engine and seamless workflow for your home recording or live shows. Level-up your rig with a versatile 24-channel mixer designed by engineers who know that great sound lives in the details. Every element of the Mackie Onyx12 is geared towards recording at a professional level, from our award-winning Onyx preamps to the Perkins “British Style†EQs inspired by classic desks from the '60s and '70s. Record ultra-clean, transparent sound with incredible accuracy. Our award-winning Onyx Mic Preamps are designed for maximum studio-quality performance. Create podcasts, live stream gameplay, or produce the next hit. No matter what you do, we want to make sure you sound great. The Mackie Onyx12 features an enhanced 3-Band “British Style†EQ based on the same circuit used on classic mixing consoles from the '60s and '70s. This version designed by Mackie has greater filter control, minimum phase shift and allows you to pinpoint specific frequency ranges. To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology inspired by the hallowed “British†desks of the '60s and '70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a±mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (±15 dB) without excessively narrowing the “Q†or bandwidth of the filters. It's what we call a win-win. Tired of fumbling with your gear? We got you covered. Carry and transport your Mackie Onyx12 mixer effortlessly with our QuickGrip side handles. Whether you're moving gear around your home studio or heading to rehearsal, the rugged design of our steel chassis and sealed rotary will protect your investment wherever you go. $949.99 - See more - Buy online | | |
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