Composed by Mark Siebert. For organ. Preludes on the common Sequences. Eastertide, General. Published by CanticaNOVA Publications

For Unison Chorus, A Cappella, with Optional Soloist. Edited by Daniel Dorff. Mixed choir. For Unison Chorus, Voice Solo. Chant. Part. 7 pages. Published by Theodore Presser Company

Orchestra narrator, SABar vocal soli, SATB choir, piccolo, 2 flutes, oboe, english horn, clarinet, bass clarinet, bassoon, contra-bassoon, 4 horns, 2 trumpets, 3 trombones, harp, timpani, marimba, celesta, synthesizer (sampler), computer, percussion (3 players), 2

SKU: CA.2810307

Oratorio. Composed by Gonzalo Grau. This edition: Paperbound. Contemporary Choir Music. German title: Aqua. Oratorio. Oratorios. Study score. Composed 2010. Duration 62 minutes. Carus Verlag #CV 28.103/07. Published by Carus Verlag (CA.2810307).

ISBN 9790007135836. Language: Spanish. Text: Palacios, Maria Fernanda. Text: Maria Fernanda Palacios.

Gonzalo Grau's oratorio Aqua, commissioned by the International Bachakademie Stuttgart, is concerned with the important global theme of water. It is precisely in central Europe that this precious commodity is frequently and thoughtlessly wasted, while in other parts of the world it is so scarce. Moreover, water shows two sides, which Grau makes audible in his oratorio: It gives, but it can also take life - in some places rain brings luck, while in others it brings destruction. Worldwide water is a theme, it means different things in different cultures - this, for example, is reflected in the music of Indian and African cultures. Gonzalo Grau's compositional style is marked by a variety of influences: For me a Gregorian chant is just as beautiful as a Cuban Santeria song. Indian ornamentation and baroque articulation can both appear in the same piece, says the composer. Special sound effects make Aqua a multi-cultural oratorio in which man and the environment is the central theme. Score available separately - see item CA.2810300.

SKU: FZ.5931

Serie IX - Renaissance France. Edited by Olivier Trachier. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5931).

ISBN 9790230659314. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in four books. Anonymes (1-2) - Guillaume GUERSON - Nicolas WOLLICK. Table of contents: Guerson Guillaume: Utillissime musicales regule - c. 1500. Anonyme: L'art de la science et praticque de plaine musique - c. 1505-1512. Wollick Nicolas: Enchiridion musices - 1509. Anonyme: Utilissimum gregoriane psalmodie enchiridion - c. 1530. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Albert 1er Royal Library of Brussels (Belgium). - National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the French Renaissance.

Keyboard

SKU: GI.G-003384

Sacred. GIA Publications #003384. Published by GIA Publications (GI.G-003384).

These psalm refrains and Gospel acclamations are crafted to be singable and expressive. For each Sunday and Holy Day, a carefully selected musical refrain is paired with a Gregorian or modern psalm tone with the verse text set under the notation in large print. Through-composed verse settings for a number of the psalms are included, and many refrains have choral harmony. The CD-set contains recordings of all the responsorial psalms and Gospel Acclamations for Sundays, feasts, and solemnities, as well as common seasonal psalms, psalms for funerals, and other music. These psalm settings and acclamations coordinate with WLP’s worship resources but will find a welcome home in any parish setting.

SKU: GI.G-003386

Sacred. GIA Publications #003386. Published by GIA Publications (GI.G-003386).

These psalm refrains and Gospel acclamations are crafted to be singable and expressive. For each Sunday and Holy Day, a carefully selected musical refrain is paired with a Gregorian or modern psalm tone with the verse text set under the notation in large print. Through-composed verse settings for a number of the psalms are included, and many refrains have choral harmony. The CD-set contains recordings of all the responsorial psalms and Gospel Acclamations for Sundays, feasts, and solemnities, as well as common seasonal psalms, psalms for funerals, and other music. These psalm settings and acclamations coordinate with WLP’s worship resources but will find a welcome home in any parish setting.

Organ

SKU: FZ.50529

Vocal Ensemble Ad Limina. Composed by Gaspard Corrette. Edited by Regis Allard. Book and CD. Published by Anne Fuzeau Productions - France (FZ.50529).

12.5 x 14 cm inches.

Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Regis Allard, historical organ of Saint Michel de Bolbec (Calvados). Mass in the 8th tone for organ - Gaspard Corrette. Processional of the Royal Abbey of Chelles - Guillaume Gabriel Nivers. Romano-Monasticum Gradual - Guillaume Gabriel Nivers. Divine Office for use by the Ursuline Ladies of Dijon - Charles Derey. Improvised verses on the organ, Regis Alard.
Alternating with Nivers's 'musical plainchant', Corrette's Mass sounds like a homage of the organ to itself, as it gracefully takes on the role of preacher of the Divine Cult.
Regis Allard was trained by Andre Isoir and Michel Chapuis (for several years he had private lessons with the latter) as well as at the Schola Cantorum in Paris, where he graduated. He devotes himself exclusively to the interpretation of early music and participates in numerous events centred on historic instruments in France, Spain, Holland and northern Germany. He was a prize winner in the International Competition of French Music in Toulouse. His first disk, with pieces by Heinrich Scheidemann on the Arp Schnitger organ in the Stade church in northern Germany, received a Choc from Le Monde de la Musique. His latest recording, J. S. Bach's Art of the Fugue under the Hortus label performed on the new instrument of the church Saint Louis en l'isle in Paris, received critical praise.
Ad Limina This group of women cantors, all trained in the Conservatory, themselves music teachers, choir directors, soloists, come from either side of the French-Swiss border, whence the name Ad Limina, which means 'at the border'.
This ensemble pursues a novel exploration of the paths of religious music, from the baroque period to our day, with emphasis on Gregorian plainchant and European music from the 19th century to contemporary creation.

Composed by Mark Siebert. For organ. Chant hymns are the basis of these creative preludes. General. Published by CanticaNOVA Publications

Organ

SKU: M7.DOHR-20488

Composed by Vincent d'Indy. Edited by Otto Depenheuer. Sheet music. Score. 24 pages. MDS (Music Distribution Services) #DOHR 20488. Published by MDS (Music Distribution Services) (M7.DOHR-20488).

ISBN 9790202044889.

Auf die Entwicklung der französischen Musik gegen Ende des 19. Jahrhundert übte Vincent d'Indy ähnlich großen Einfluss aus wie sein Zeitgenosse Charles-Marie Widor: kompositorisch in fast allen musikalischen Genres präsent, hat er ein ebenso umfassendes wie bedeutendes symphonisches ouvre hinterlassen, in dem freilich das Orgelwerk des zeitweiligen Organisten (in Saint-Leu-la-Forêt) und Mitbegründers der Schola Cantorum bemerkenswert überschaubar bleibt.Alle genuin für die Orgel komponierten Werke eignet ihnen ein ausgesprochen kontemplativer, religiös inspirierter und nobler Gestus, dem jeder exaltierte Selbstdarstellungsgestus fremd ist. Strenge und filigrane Satztechnik stehen ganz im Dienst der musikalischen Aussage. Prélude et petit Canon op. 38 entstand 1893. Das Thema prägt zusammen mit seinem Kontrapunkt sowohl das Prélude wie den Kanon, erscheint in der Reprise in der Umkehrung, bevor die aparte Komposition mit dem Kanon endet. Die Vêpres du Commun des Saints op. 51 komponierte d'Indy 1899; sie erschienen erstmals 1907 im Eigenverlag der Schola Cantorum. Die Bearbeitung der gregorianischen Vorlagen erfreute sich seinerzeit großer Beliebtheit. Die Petite Chanson grégorienne op. 60 zeugt einmal mehr von der lebenslangen Verbundenheit d'Indys zur gregorianischen Musik. Diese aparte Miniatur erschien in der Originalbesetzung für Klavier zu vier Händen im Album pour Enfants petits et grands. Receuil de Pièces de piano, à 2 et 4 ms, composée par un group des musiciens de la Schola Cantorum (1904/1905). Das Prélude op. 66 erschien erstmals 1911 in einer Fassung für Orgel oder Harmonium im ersten Band der von Joseph Joubert (1878-1963) herausgegebenen Les Maîtres contemporains de l'Orgue Die Orgelfassung erschien 1913 bei Durand (Paris). (Otto Depenheuer).

SATB choir with divisi, organ, handbells, oboe and brass quartet - Medium

SKU: PL.0529

Composed by Brian William Luckner. Cathedral. Choral, Christmas. Octavo. Paraclete Press #0529. Published by Paraclete Press (PL.0529).

* Introit for Christmas Eve or for a service of Advent Lessons and Carols * familiar Latin antiphon interspersed with English verses * seamlessly interwoven vocal and instrumental lines * glorious ending

Brian Luckner's anthem, Dominus dixit ad me (SSATB, handbells, oboe, brass quartet, organ... is plucked straight out of the Gregorain chant repertory, and manages to do it in a somewhat less diaphanous manner than some other chant-based pieces have done. The Introit for Chirstmas Midnight Mass is here qouted in toto, cast in a fluid but rhythmic framework. Starting rather mysteriously at the outset, oboe and handbells are effectively brought into the fabric of the piece. This work carefully submits to the antiphon/psalm verse/antiphon Introit form and is thus entirely liturgical by intent. At the return of the antiphon, the score becomes much more expansive, and only the outline of the chant is suggested. The oboe wisely doubles the first soprano part, as it ascends to two high B-flats. In my mind's ear, I hear a very capable choir singing this piece, preparatory to the opening hymn/carol. While it captures the very quiet side of the mystery of Verbum caro factus est, it nicely prepares us for the joys of festive clangor that are sure to follow. Cue up Hymn 87, please! - Monte Mason AAM Journal October 18, 2005.

SKU: GI.006834

Sacred. GIA Publications #006834. Published by GIA Publications (GI.006834).

UPC: 641151033563.

These attractive and useful Ceremonial Folders feature the exquisite  two-tone stamped cross design with gold foil found on WLP’s Series One Ceremonial Binders. Each fabric-lined folder holds one or two single sheets of 8½ x 11 paper that you can easily tuck into the grosgrain  ribbon corner holders. Ideal for use by lectors (with intercessions placed on one side and parish announcements placed on the other), by priests and deacons, and by cantors (to hold the psalm). Consider having brides and grooms use at weddings to hold their vows, or use as a presentation folder for special awards or appreciation certificates. .

SKU: GI.006833

Sacred. GIA Publications #006833. Published by GIA Publications (GI.006833).

UPC: 641151033563.

These attractive and useful Ceremonial Folders feature the exquisite  two-tone stamped cross design with gold foil found on WLP’s Series One Ceremonial Binders. Each fabric-lined folder holds one or two single sheets of 8½ x 11 paper that you can easily tuck into the grosgrain  ribbon corner holders. Ideal for use by lectors (with intercessions placed on one side and parish announcements placed on the other), by priests and deacons, and by cantors (to hold the psalm). Consider having brides and grooms use at weddings to hold their vows, or use as a presentation folder for special awards or appreciation certificates. .