(1. Uncle Bebop, 2. Rays of Light, 3. Latin Dance). By Gernot Wolfgang. Chamber Music (Strings). For viola and cello. Score and set of parts. Composed (2000). 40 pages. Published by Doblinger Music Publishers

Piano

SKU: HL.50514259

Composed by Seybold. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL1706A. Published by Alfred Lengnick & Co (HL.50514259).

The Vocal Library Soprano. Composed by Arthur Sullivan, William S. Gilbert. Arranged by Richard Walters. Vocal Collection. Play Along. Softcover Audio Online. 88 pages. Published by Hal Leonard

Composed by Charles Tomlinson Griffes (1884-1920). Edited by Albert Mendoza. Masterworks; Piano Solo. Alfred Masterwork Edition. Form: Suite. 20th Century; Masterwork; Recital. Book. 52 pages. Alfred Music #00- 46906. Published by Alfred Music

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

Chorus Parts. By Sir Arthur Seymour Sullivan, W.S. Gilbert. (SATB). Opera. Size 6.8x10.5 inches. 48 pages. Published by G. Schirmer, Inc.

By Stephen Duro (Arranger). For Piano. Classical. Sheet Music. 56 pages. Published by Chester Music.

(Arranged for Classical Guitar). By Mark Marrington. For Guitar (Classical). Solos. Parlor/Salon. Intermediate. Book. 24 pages. Published by Mel Bay Publications, Inc

SATB Choir

SKU: HL.14030476

Composed by E. Smith. Music Sales America. Classical. Choral Score. 4 pages. Music Sales #NOV401247. Published by Music Sales (HL.14030476).

Piano Accompaniment; Vocal (Vocal Score) - intermediate

SKU: HL.50565944

Lyric Drama in 5 Acts Vocal Score from Oeuvres completes. By David Grayson. By Claude Debussy. Editions Durand. Classical. Softcover. Composed 2019. Editions Durand #DD01650900. Published by Editions Durand (HL.50565944).

ISBN 9781540056214. UPC: 888680947637. 9.0x12.0x0.94 inches. French-English.

One of the goals of the present edition is to narrow the gap between the full score and the piano reduction, in respect of the philosophy of the Oeuvres completes to offer the composer's final version. As a particular aid to singers (and students), thematic material, especially when it involves the musical motives associated with the principal characters, was added, usually in small notes, when it had not figured in the composer's own reduction. Rehearsal pianists may elect to omit such additions. Moreover, the numerous editions and reprints of the vocal score allowed Debussy ample opportunity to revise the voice parts to his satisfaction and if he chose to do so, adopt readings from the full score. The main source of the voice parts is the 1907 French-English vocal score or its revision. The present musical text comes from Oeuvres completes de Claude Debussy, Series VI, volume 2 ter.

Composed by Leos Janacek (1854-1928). Edited by Bohumir Stedron. Czech title: Ot enaa. Classical. Singing score, Performance score. With Publication language: Czech/German. Editio Baerenreiter Praha #H03712. Published by Editio Baerenreiter Praha

SKU: BR.SON-401

Complete Works. Composed by Felix Bartholdy Mendelssohn. Edited by Christoph Hellmundt. Linen. Complete Works. Romantic period. Complete Works. 112 pages. Breitkopf and Haertel #SON 401. Published by Breitkopf and Haertel (BR.SON-401).

ISBN 9790004802205. 10 x 12.5 inches.

Mendelssohn composed the Piano Concerto in A minor at the age of 12. Though it clearly betrays the influence of classical models (Hummel, Dussek, etc.), it attains an individuality, especially in the central movement, which anticipates the expressive world of Romanticism.

Piano

SKU: PA.H07911

Fur Klavier. Composed by Luboš Fišer. Stapled. Performance score. With Text Language: Czech/German/English. Editio Baerenreiter Praha #H07911_00. Published by Editio Baerenreiter Praha (PA.H07911).

ISBN 9790260104457. 31 x 23.5 cm inches.

Lubos Fiser (1935-1999) was one of the most talented Czech composers of his generation. Born in Prague, he studied at the Prague Conservatoire from 1952-1956 and then at the Academy of Music. He was known to the public for his many film scores but it was his other compositions, many of them written under difficult political conditions, which mark him out as a composer of significance.

Fiser's eight piano sonatas have a special place in his oeuvre. Fiser subsequently eliminated his second sonata (1956) from his compositional repertoire. From the third sonata onwards (1960), subtitled Fantasia, the composer wrote a two-movement composition, in which he continued to incorporate as his fundamental musical device the confrontation of sharp contrasts in tempo and mood. Beginning with his fourth sonata (1962-1964), Fiser created a single-movement work in an expressive, formally focused composition which betrays a progression towards greater compactness of musical shape in a concise yet effective musical testimony. The fifth sonata was written in 1974, the sixth sonata in 1978. The seventh sonata from 1985 was dedicated to Frantisek Maxian, the eighth sonata was written in 1995.

Piano Sonata No.1 was written in 1955. Fiser worked on it during his last year at the Prague Conservatoire under the supervision of Emil Hlobil. The piece is one of Fiser's early works which still respect a traditional compositional approach. Unlike his major and late piano sonatas, this sonata has three movements, each representing the traditional Classical-Romantic form. The sonata was premiered by Fiser's fellow-student and friend Antonin Jemelik in Theatre D34 on 30 January 1956.

The new setting for this piece is based on the single edition to date (SNKLHU, 1957); only with regard to a few inconsistencies in the score was it necessary to consult the composer's manuscript (kept at the National Museum - Czech Museum of Music, acquisition number 297/2006).