| Psalmus Brevis (version reducida) Editorial de Musica Boileau
Choir, 2 Pianos, 2 Percussions SKU: BO.B.3096 Composed by Manuel Oltra. I...(+)
Choir, 2 Pianos, 2 Percussions SKU: BO.B.3096 Composed by Manuel Oltra. Instrumental Sets. Published by Editorial de Musica Boileau (BO.B.3096). English comments: This is a symphonic-choral work based on the Latin text of Psalm 96 and written without a set plan, as the music merely aims to express the nature and purpose of the word. Its structure is therefore very free, similar to that of some medieval madrigalists. The small choir does not necessarily have to be separate from the large choir. It can be a part of it (half or a third). The use of a piano instead of a harp and the lack of violins in the orchestra seems quite fitting to the nature of the piece. However, this is not so unusual. Composed in 1967, it was first performed at the Palau de la Musica Catalana on 5 November 1971. There is also a version for choir, two pianos and two percussionists, which, due to its simplified number of musicians, has become more widely known.
Comentarios del Espanol: Obra sinfonico-coral basada en el texto latin del salmo 96 y escrita sin un plan determinado, ya que la musica solo pretende expresar el caracter y la intencion de la palabra. Su estructura es, por lo tanto, muy libre, parecida a la de algunos madrigalistas medievales. El Coro pequeno no tiene por que estar necesariamente separado del grande. Puede ser una parte (la mitad o un tercio) de este. El hecho de usar un piano en vez del arpa y de ser una orquesta sin violines parece bastante adecuado al caracter de la obra. Sin embargo, no es algo insolito. Compuesta en 1967, se estreno en el Palau de la Musica Catalana el dia 5 de noviembre de 1971. Existe tambien una version para Coro, dos pianos y dos percusionistas que, por la simplificacion en el numero de interpretes, ha facilitado su divulgacion. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Psalmus Brevis Editorial de Musica Boileau
Mixed choir and orchestra SKU: BO.B.3095 Composed by Manuel Oltra. Instru...(+)
Mixed choir and orchestra SKU: BO.B.3095 Composed by Manuel Oltra. Instrumental Sets. Duration 10:10. Published by Editorial de Musica Boileau (BO.B.3095). English comments: This is a symphonic-choral work based on the Latin text of Psalm 96 and written without a set plan, as the music merely aims to express the nature and purpose of the word. Its structure is therefore very free, similar to that of some medieval madrigalists. The small choir does not necessarily have to be separate from the large choir. It can be a part of it (half or a third). The use of a piano instead of a harp and the lack of violins in the orchestra seems quite fitting to the nature of the piece. However, this is not so unusual. Composed in 1967, it was first performed at the Palau de la Musica Catalana on 5 November 1971. There is also a version for choir, two pianos and two percussionists, which, due to its simplified number of musicians, has become more widely known.
Comentarios del Espanol: Obra sinfonico-coral basada en el texto latin del salmo 96 y escrita sin un plan determinado, ya que la musica solo pretende expresar el caracter y la intencion de la palabra. Su estructura es, por lo tanto, muy libre, parecida a la de algunos madrigalistas medievales. El Coro pequeno no tiene por que estar necesariamente separado del grande. Puede ser una parte (la mitad o un tercio) de este. El hecho de usar un piano en vez del arpa y de ser una orquesta sin violines parece bastante adecuado al caracter de la obra. Sin embargo, no es algo insolito. Compuesta en 1967, se estreno en el Palau de la Musica Catalana el dia 5 de noviembre de 1971. Existe tambien una version para Coro, dos pianos y dos percusionistas que, por la simplificacion en el numero de interpretes, ha facilitado su divulgacion. $38.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Imbroglio Modes Leduc, Alphonse
SKU: HL.48181994 Composed by Jacques Chailley. Leduc. Classical. Softcove...(+)
SKU: HL.48181994 Composed by Jacques Chailley. Leduc. Classical. Softcover. Alphonse Leduc #AL22783. Published by Alphonse Leduc (HL.48181994). French composer and musicologist, Jacques Chailley (1910-1999) studied at the Paris Conservatoire. He was passionate about reviving medieval music and this inspired his detailed study book of modes, The Imbroglio Modes. Chailley''s saw him teach musical history, harmony and the notation and sight reading of medieval music, as well as publish many books on the subject. Chailley''s The Imbroglio Modes begins by explaining what a mode is before addressing the different modes, intervals, chords, medieval tones and modern tones, among other aspects. For all ancient music enthusiasts, Chailley''s The Imbroglio Modes provides brilliant detail and expertise to ensure complete understanding of all modes.. $41.30 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Celtic MDS (Music Distribution Services) (+)
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Celtic Overture
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Mystery Theme
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Celtic Cross
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The Foggy Dew
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Irish Rose
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Dulaman (Woman)
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Suil a Ruin (Go My Love)
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The Maid That Sold Her Barley
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The Water Is Wide
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Scottish Waltz
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Gaelic Canarios
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Medieval March to the Battlefield
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The Spirit of the Old Druid
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The Jug Of Punch
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Ring Of Fire
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| Les Mabinogion et autres contes medievaux du Pays de Galles 2 Guitars (duet) [Score] Lemoine, Henry
2 guitars SKU: LM.29169 And other Medieval Tales. Composed by Marc...(+)
2 guitars SKU: LM.29169 And other Medieval Tales. Composed by Marc Le Gars. Classical. Score. 26 pages. Editions Henry Lemoine #29169. Published by Editions Henry Lemoine (LM.29169). ISBN 9790230991698. Pwyll, prince de Dyfed - Arawn, roi d'Annwyn - La disgrace de Branwen - Bendigeit Vran, fils de Llyr - Manawydan et Rhyannon - Mat, fils de Mathonwy - Goewin, fille de Pebin - Gwyddyon, le druide - Llud et Llevelys - Kuhlch et Olwen - Le songe de Rhonabwy - Owein et la Dame de la Fontaine - Le reve de Macsen Wledig. $28.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Joust! Choral CD [CD] Hal Leonard
(A Mighty Medieval Musical). By John Jacobson and Roger Emerson. PREV CD. Expres...(+)
(A Mighty Medieval Musical). By John Jacobson and Roger Emerson. PREV CD. Expressive Art (Choral). CD only
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Joust! Children choir Hal Leonard
(A Mighty Medieval Musical). By John Jacobson and Roger Emerson. PREV PAK. Expre...(+)
(A Mighty Medieval Musical). By John Jacobson and Roger Emerson. PREV PAK. Expressive Art (Choral)
$18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Missa Brevis Op. 5a For Satb And 8 Wind Instruments, Organ Score Choral SATB - Intermediate Schott
Mixed choir and 8 wind instruments (0 * 2 (auch Engl. Hr.) * 0 * 2 - 0 * 2 * 2 (...(+)
Mixed choir and 8 wind instruments (0 * 2 (auch Engl. Hr.) * 0 * 2 - 0 * 2 * 2 (evtl. Tuba) * 0) - intermediate SKU: HL.49019720 For mixed choir (SATB) and 8 wind instruments. Composed by Bertold Hummel. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. Composed 1951. Op. 5 a. 32 pages. Duration 18'. Schott Music #ED21285-01. Published by Schott Music (HL.49019720). ISBN 9790001180375. 9.25x12.0x0.269 inches. Latin. Missa brevis for mixed choir and eight wind instruments Op. 5 was created in 1951 and premiered at the Donaueschingen Festival of Contemporary Music the following year. The Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) was composed using a modal technique drawing on medieval examples. The use of wind instruments adds to the rich sound of the choir, thus expanding the sound spectrum in an interesting way. The piece is suitable for both liturgy and concert. Hummel wrote a music which is easy to play by all performers and delights the listeners immediately. $14.99 - See more - Buy online | | |
| Missa Brevis Op. 5a Satb And 8 Wind Instruments, Score Choral SATB - Intermediate Schott
Mixed choir and 8 wind instruments (0 * 2 (auch Engl. Hr.) * 0 * 2 - 0 * 2 * 2 (...(+)
Mixed choir and 8 wind instruments (0 * 2 (auch Engl. Hr.) * 0 * 2 - 0 * 2 * 2 (evtl. Tuba) * 0) - intermediate SKU: HL.49019719 For mixed choir (SATB) and 8 wind instruments. Composed by Bertold Hummel. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. Composed 1951. Op. 5a. 60 pages. Duration 18'. Schott Music #ED 21285. Published by Schott Music (HL.49019719). ISBN 9790001180368. 9.25x12.0x0.249 inches. Latin. Missa brevis for mixed choir and eight wind instruments Op. 5 was created in 1951 and premiered at the Donaueschingen Festival of Contemporary Music the following year. The Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) was composed using a modal technique drawing on medieval examples. The use of wind instruments adds to the rich sound of the choir, thus expanding the sound spectrum in an interesting way. The piece is suitable for both liturgy and concert. Hummel wrote a music which is easy to play by all performers and delights the listeners immediately. $44.00 - See more - Buy online | | |
| Piano Basics (English Edition) Piano solo Voggenreiter
Piano SKU: M7.VOGG-808 Composed by Tom Peters. Sheet music with CD. 64 pa...(+)
Piano SKU: M7.VOGG-808 Composed by Tom Peters. Sheet music with CD. 64 pages. Voggenreiter #VOGG 808. Published by Voggenreiter (M7.VOGG-808). ISBN 9783802408083. English. From the basics of music notation, the correct playing position and simple pieces covering a fifth, to mastery of the complete octave and a refined playing technique: This book covers everything the beginning pianist should know. To prevent piano playing from ever becoming boring, it covers a wide range of musical styles from Classical music to Jazz.Other topics include music theory and the acoustic basics of piano tone, thus laying a solid foundation for future studies in piano playing.The included CD makes practicing easy and fun! $17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Recorder Music Through the Centuries Recorder Mel Bay
Composed by Franz Zeidler. Recorder, Music Styles & Regions, Baroque, Cl...(+)
Composed by Franz Zeidler.
Recorder, Music Styles &
Regions, Baroque, Classical,
Early Music / Renaissance,
Featured Products, Solos,
Duets and Ensembles. Method
Book. 84 pages. Published by
Mel Bay Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Brief Story of Peter Abelard Soprano Saxophone and Piano Chester
(Soprano Saxophone and Piano). By James Whitbourn. For Piano, Soprano Saxophone....(+)
(Soprano Saxophone and Piano). By James Whitbourn. For Piano, Soprano Saxophone. Music Sales America. Softcover. Chester Music #CH78969. Published by Chester Music
$15.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pipings for Flute and Organ Flute, Organ (duet) [Sheet music + CD] Augsburg Fortress
By Various. For flute and organ. Sacred. Spiral-bound collection and listening C...(+)
By Various. For flute and organ. Sacred. Spiral-bound collection and listening CD. 152 pages. Published by Augsburg Fortress
$40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Odilia Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-140 Pop Overture f...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-140 Pop Overture for Band. Composed by Jacob De Haan. Concert and Contest Collection CBHA. Original Light Music. Score Only. Composed 2013. 18 pages. De Haske Publications #DHP 1135395-140. Published by De Haske Publications (BT.DHP-1135395-140). 9x12 inches. English-German-French-Dutch. Odilia is an up-tempo and joyful ode to Baume-les-Dames, a village in the department of Doubs in Franche-Comté, Eastern France.The title is derived from the legend of Odilia of Alsace (venerated as Saint Odilia, or Odile), the daughter of the Duke of Alsace. She was born blind, and literally saw the light at the age of twelve at the convent of Baume-les-Dames. From this miraculous occurrence, she was dubbed Odilia — child of light.Jacob de Haan was inspired by medieval dance music for the opening of this composition. In the slow movement that follows, a lyrical minor theme builds to a dramatic climax, which is followed by a calm passage featuring the repeatedlyrical theme. Finally, the medieval motif returns, this time presented in a festive gospel version.
Odilia is een ode aan Baume-les-Dames, een dorp in het Franse departement Doubs (in de regio Franche-Comté). De titel verwijst naar de legende van Odilia, de dochter van de hertog van Elzas. Ze werd blind geboren, maar op twaalfjarige leeftijd zag ze in het nonnenklooster van Baume-les-Dames letterlijk het licht. Na dit mirakel werd ze Odilia, kind van het licht, genoemd. Middeleeuwse dansmuziek vormde de inspiratiebron voor Jacob de Haan. We horen het zowel aan het begin als het einde, terwijl in het langzame middendeel een lyrisch thema in mineur zich ontwikkelt tot een dramatisch hoogtepunt. Feestelijk en sfeervol!
Odilia ist eine schnelle und fröhliche Ode an das französische Dorf Baume-les-Dames. Die Einleitung der Komposition ist mittelalterlicher Tanzmusik inspiriert. Der nachfolgende langsame Satz in lyrischem Moll steigert sich zu einem dramatischen Höhepunkt, gefolgt von einer ruhigen Passage, die das lyrische Thema wieder aufnimmt. Schließlich kehrt das mittelalterliche Motiv aus der Einleitung wieder, diesmal in einer festlichen Gospelversion.
Odilia est une joyeuse et allègre ode Baume-les-Dames, un village situé dans le département du Doubs, dans l’est de la France. Jacob de Haan s’est inspiré de la musique de danse médiévale pour la première partie de cette composition. Dans le mouvement lent qui suit, un thème lyrique en mineur s’amplifie pour atteindre un passage en apogée, lui-même suivi d’un motif tranquille où réapparaît le thème lyrique. Enfin, la ligne médiévale revient, cette fois sous la forme d’un gospel festif.
Odilia è una veloce e gioiosa ode a Baume-les-Dames, una cittadina francese che ha ispirato la musica medioevale danzante che il compositore propone nell’introduzione del brano. Il movimento che segue è caratterizzato da un modo minore lirico che si sviluppa in una drammatica apoteosi, seguita da un passaggio calmo che riprende il tema lirico. Il motivo medioevale è nuovamente proposto, questa volta in una festosa versione gospel. $42.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Odilia Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-010 Pop Overture f...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-010 Pop Overture for Band. Composed by Jacob De Haan. Concert and Contest Collection CBHA. Original Light Music. Set (Score & Parts). Composed 2013. De Haske Publications #DHP 1135395-010. Published by De Haske Publications (BT.DHP-1135395-010). 9x12 inches. English-German-French-Dutch. Odilia is an up-tempo and joyful ode to Baume-les-Dames, a village in the department of Doubs in Franche-Comté, Eastern France.The title is derived from the legend of Odilia of Alsace (venerated as Saint Odilia, or Odile), the daughter of the Duke of Alsace. She was born blind, and literally saw the light at the age of twelve at the convent of Baume-les-Dames. From this miraculous occurrence, she was dubbed Odilia — child of light.Jacob de Haan was inspired by medieval dance music for the opening of this composition. In the slow movement that follows, a lyrical minor theme builds to a dramatic climax, which is followed by a calm passage featuring the repeatedlyrical theme. Finally, the medieval motif returns, this time presented in a festive gospel version.
Odilia is een ode aan Baume-les-Dames, een dorp in het Franse departement Doubs (in de regio Franche-Comté). De titel verwijst naar de legende van Odilia, de dochter van de hertog van Elzas. Ze werd blind geboren, maar op twaalfjarige leeftijd zag ze in het nonnenklooster van Baume-les-Dames letterlijk het licht. Na dit mirakel werd ze Odilia, kind van het licht, genoemd. Middeleeuwse dansmuziek vormde de inspiratiebron voor Jacob de Haan. We horen het zowel aan het begin als het einde, terwijl in het langzame middendeel een lyrisch thema in mineur zich ontwikkelt tot een dramatisch hoogtepunt. Feestelijk en sfeervol!
Odilia ist eine schnelle und fröhliche Ode an das französische Dorf Baume-les-Dames. Die Einleitung der Komposition ist mittelalterlicher Tanzmusik inspiriert. Der nachfolgende langsame Satz in lyrischem Moll steigert sich zu einem dramatischen Höhepunkt, gefolgt von einer ruhigen Passage, die das lyrische Thema wieder aufnimmt. Schließlich kehrt das mittelalterliche Motiv aus der Einleitung wieder, diesmal in einer festlichen Gospelversion.
Odilia est une joyeuse et allègre ode Baume-les-Dames, un village situé dans le département du Doubs, dans l’est de la France. Jacob de Haan s’est inspiré de la musique de danse médiévale pour la première partie de cette composition. Dans le mouvement lent qui suit, un thème lyrique en mineur s’amplifie pour atteindre un passage en apogée, lui-même suivi d’un motif tranquille où réapparaît le thème lyrique. Enfin, la ligne médiévale revient, cette fois sous la forme d’un gospel festif.
Odilia è una veloce e gioiosa ode a Baume-les-Dames, una cittadina francese che ha ispirato la musica medioevale danzante che il compositore propone nell’introduzione del brano. Il movimento che segue è caratterizzato da un modo minore lirico che si sviluppa in una drammatica apoteosi, seguita da un passaggio calmo che riprende il tema lirico. Il motivo medioevale è nuovamente proposto, questa volta in una festosa versione gospel. $176.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Meditation and Ritual - Easy Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2 SKU: CF.YAS68 Composed by Bill Calhoun. FS - SWS. Young String Orchestra. Set of Score and Parts. With Standard notation. 8+5+2+5+8+2+5+8 pages. Carl Fischer Music #YAS68. Published by Carl Fischer Music (CF.YAS68). ISBN 9780825869464. UPC: 798408069469. 8.5 X 11 inches. Key: A minor. This original composition from Bill Calhoun has a dark and rich texture in the tradition of medieval music. Meditation and Ritual has a seriousness to it that students will gravitate toward, and is an excellent choice for contest or festival performance. Meditation and Ritual is composed in the key of A minor and represents two contrasting styles. The first (“Meditationâ€) is a thought-provoking chorale. Each voice gains prominence through its lyrical quarter-note movement. The use of suspensions to create tension and release are prevalent throughout, which along with its dynamic shading help to create interest within thistender section. “Meditation†reaches its climax at m. 16 before ending with the warmth and emotion in which it began.After a very brief pause “Ritual†begins. Its medieval-sounding theme is characterized by the contrast between short and long (or slurred) articulations and is important to bring to your students’ attention in performance. The dance-like theme is portrayed in both the upper andlower voices and takes some interesting turns harmonically. After reaching a dramatic climax at m. 42, it quickly moves into a return to its opening character. After a brief and quieter move harmonically to C major, it forcefully returns to its original key. A short diminuendo takes the piece into a building flourish of eighth notes in the violins and violas, accompanied by descending quarter notes in the cellos and basses before coming to its dynamic conclusion. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stabat Mater Op. 53 PWM (Polskie Wydawnictwo Muzyczne)
Vocal, Mixed Choir and Orchestra SKU: BT.PWM5447 For Soprano, Alto, Ba...(+)
Vocal, Mixed Choir and Orchestra SKU: BT.PWM5447 For Soprano, Alto, Baritone, Mixed Choir and Orchestra. Composed by Karol Szymanowski. Classical. Book Only. Composed 2000. 68 pages. Polskie Wydawnictwo Muzyczne #PWM5447. Published by Polskie Wydawnictwo Muzyczne (BT.PWM5447). ''Stabat Mater'' by Karol Szymanowski for solo voices, chorus and orchestra, Op. 53, is one of the most famous and, at the same time, most personal works of the composer, making its appeal to the audience through the depth of its expression and sheer artistry. The first sketches of the work were made in the spring of 1925, while work on the full score occupied the composer from 20 January to 2 March 1926. Józef Jankowskis Polish translation of the medieval sequence formed the basis of the composition. This text, which was simple in a folk-like way, devoid of pathos but full of religious zeal, harmonized perfectly from the poetic point of view with the composers creative design. In an interview for the monthly Muzyka Szymanowski stated: ''in its Polish vestments that eternal, naive hymn was filled for me with its own immediate expressive content; it became something painted in colours which were recognisable and comprehensible as distinct from the black and white of the archaic original'' (''A Footnote to Stabat Mater'', Muzyka 1926, Nos. 11/12). In the score, the Latin text is given beside the Polish text, making it possible for the work to be performed more easily by foreign performers. In this work, the universal tradition of the Christian church was fused with the Polish religious tradition. The composer creates the religious folk-like climate primarily through the character of the melodies which are akin to to the plainchant melodies to the text of Stabat Mater (the sequence, and especially the hymn) and their paraphrases in Polish religious songs (e.g. Sta a Matka Bole ciwa [The Dolorous Mother was standing]) as well as motifs from Polish Lenten songs and Gorzkie ale (Bitter Laments). Szymanowski did not introduce them as quotations, but intersperses the melodic lines, which are more fully developed and frequently highly chromatic, with diatonic phrases, based on modal scales. They appear in all the movements of the work determining its cohesion. In dividing the twenty-stanza text into separate segments, Szymanowski created a six- movement cantata. He took care to distinguish between the emotional shades of the various movements, varying his selection of solo voices (soprano, contralto, baritone), the voices of the chorus (female or mixed) and the orchestral forces. In the first and third movements the lyrical idiom prevails; the first movement, portraying the Mother of God at the foot of the cross, has a narrative character, whereas the third is a kind of prayer from a man who sympathizes with, and who wishes to be associated with Mater Dolorosas pain. In these movements only the female voices are used (soprano, contralto and female chorus), while the orchestra is employed in a chamber style, sometimes drawing on solo accompanying parts (e.g. the beginning of the third movement). The fourth movement, which continues the mood of prayerful contemplation, is designed for soprano and contralto solo as well as unaccompanied chorus. On the other hand, the second and fifth movements, involving the participation of solo baritone and the full chorus and orchestra, are similar with regard to forces and their dramatic character, which is austere in expression, harsh in tone, and markedly dissonant. Here grand climaxes appear with powerful orchestral tutti. The sixth movement crowns the whole. The lyrical, soft melody of the solo soprano at the beginning is gradually strengthened by the addition of the female chorus and the solo contralto, and in the final section, the solo baritone as well as the tutti of chorus and orchestra. The conclusion, subdued and full of concentration, suggests the introvert character of the experience as opposed to its dramatic pathos. Stabat Mater by Szymanowski is part of a long tradition of compositions based on the text of the medieval sequence - ranging from polyphonic works by Josquin des Prés and Palestrina to the romantic Stabat by Giuseppe Verdi and Anton n Dvo ák. And it was perhaps because of his consciousness of this tradition that Szymanowski used stylizing devices in the spirit of early music. The archaization manifests itself not only in the character of the melodies and their modal framework, but also in the harmonies (with their predominance of triads, open fourths and fifths chords and doubled thirds), the simple rhythms as well as the texture of the choruses (esp. the fourth movement). The composer does not, however, imitate the style of any specific historical epoch, but combines resources taken from early music with modern tonal and harmonic techniques. Archaization in Stabat Mater serves, moreover, a symbolic function; in evoking the many-centuries old tradition of church music, it emphasizes the universal nature of the idea contained in the text of the sequence, while the re-reading of the text by the composer gives the work its individual features. [Zofia Helman, translated by Ewa Cholewka]. $28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Angel Band Gentry Publications
Preview Pack Choral (Preview Pak) SKU: HL.347323 Composed by Tim Sharp an...(+)
Preview Pack Choral (Preview Pak) SKU: HL.347323 Composed by Tim Sharp and Timothy Michael Powell. Fred Bock Publications. Appalachian, Christmas Secular, Folk. Softcover. Gentry Publications #JG0743. Published by Gentry Publications (HL.347323). UPC: 840126926941. 8.5x11.0x0.039 inches. Timothy Michael Powell/Tim Sharp. This work grew out of the co-creator's love for the tunes and texts coming out of the Appalachian Mountains and the shape-note and early Moravian singing tradition. In the words of Tim Sharp, We took the image of bands of angels singing and playing at the Nativity as reported in the second chapter of Luke's gospel, transported that image to Appalachia, and Angel Band is the result. Containing 8 carols (mostly familiar), a processional and recessional, Angel Band is a fusion of ideas ranging from medieval tunes to contemporary bluegrass. $19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Music Medals Silver - Mixed-Brass (Ensemble Pieces) Flugelhorn, Euphonium, Baritone Horn, Trombone, Cornet, Tuba, B-Flat Trumpet ABRSM Publishing
By Various. For 2-4 Trumpet / Horn / Trombone / Tuba / Cornet / Flugelhorn / Eup...(+)
By Various. For 2-4 Trumpet / Horn / Trombone / Tuba / Cornet / Flugelhorn / Euphonium / Baritone horn. Music Medals Silver Mixed-Brass Ensemble Pieces. Education. Silver
$14.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Via Crucis-1/4 1 Piano, 4 hands EMB (Editio Musica Budapest)
Piano Duet SKU: HL.50511310 The 14 Stations of the Cross. Composed...(+)
Piano Duet SKU: HL.50511310 The 14 Stations of the Cross. Composed by Franz Liszt. Romantic. EMB. Book Only. 45 pages. Editio Musica Budapest #Z12942. Published by Editio Musica Budapest (HL.50511310). ISBN 9790080129425. UPC: 073999169195. 9.0x12.0x0.284 inches. Hungarian, English, German, French. Ferenc Liszt; Imre Mezo. Via Crucis is one of the most outstanding religious masterpieces from Liszt-s late creative period, and it depicts the story of the fourteen stations of Jesus' suffering. The work was not released during the composer-s lifetime due to its unusual and daring new sonorities. Based on his own dating, Liszt completed the composing process on February 26, 1879 in Budapest. The piece was originally written as fifteen short movements for solo vocalists, choir, and organ or harmonium, and its text was compiled by Liszt's partner, Carolyne von Sayn-Wittgenstein, using biblical excerpts, two medieval Latin hymns and two German Lutheran chorales.This volume, edited by Imre Mezo, contains German, English and Hungarian prefaces, as well as critical notes in English, which reveal valuable details about the history of the work. $29.45 - See more - Buy online | | |
| Magnificat Antiphonen, 7, Chor Choral SATB SATB [Part] Universal Edition
7 Magnificat-Antiphonen by Arvo Part (1935-). For SATB Choir. Choral part(s). St...(+)
7 Magnificat-Antiphonen by Arvo Part (1935-). For SATB Choir. Choral part(s). Standard notation. Published by Universal Edition
$15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lyrical Landscapes, Books 1-3 Piano solo - Easy Alfred Publishing
Expressive Piano Pieces in a Variety of Styles. Composed by Mike Springer...(+)
Expressive Piano Pieces in a Variety of Styles. Composed by Mike Springer. Piano Supplemental; Promotional Packet. Lyrical Landscapes. Recital. Book. Alfred Music #00-106942. Published by Alfred Music (AP.106942).
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| Lyrical Landscapes, Book 2 Piano solo - Intermediate Alfred Publishing
11 Expressive Piano Pieces in a Variety of Styles. Composed by Mike Springer. ...(+)
11 Expressive Piano Pieces in
a Variety of Styles. Composed
by Mike Springer. Book; Piano
Collection; Piano
Supplemental. Lyrical
Landscapes. Recital. 24
pages. Published by Alfred
Music
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| Great French Composers for Folk Harp Harp [Sheet music] - Intermediate Mel Bay
By Sunita Staneslow. For Harp (Folk/Celtic). Solos. French. Level: Intermediate....(+)
By Sunita Staneslow. For Harp (Folk/Celtic). Solos. French. Level: Intermediate. Book. 32 pages. Published by Mel Bay Publications, Inc.
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| Jesus Reassures His Mother Choral SATB University Of York Music Press
SATB Choir SKU: BT.MUSM570200641 Composed by Anne Boyd. Classical. Vocal ...(+)
SATB Choir SKU: BT.MUSM570200641 Composed by Anne Boyd. Classical. Vocal Score. 64 pages. University of York Music Press #MUSM570200641. Published by University of York Music Press (BT.MUSM570200641). English. Jesus Reassures His Mother is a setting of medieval lyric poetry written anonymously in the 14th century. The poet recounts a vision of the young Mary rocking the infant Christ to sleep. The child requests his mother to sing a lullaby but, alas, knowing her child’s fate she is too sad to sing. Jesus tells her that all mothers worry about their children’s futures and insists that she should sing nevertheless. Mary recounts the visit of Gabriel and the events of Christ’s birth but reflects how sad it is to have delivered a child to such a fate. Jesus reassures his mother that he will be with his father in heaven where Mary will come to join Him at the end of time, there to livein eternal bliss. At this point Mary is persuaded by and echoes her child’s reassuring words, and she is joined in this by the choir (now representing us all). The vision fades away in the voice of the narrator whose loneliness and longing return. We learn that it is Christmas Day. This setting grows from the visionary mystical world inhabited by Julian of Norwich whose Revelations of Divine Love provided the inspiration for a work Anne Boyd composed in 1994. The medium has been expanded from the Song Company’s six solo voices used in the Revelations to the double motet choir of the Sydney Philharmonia who commissioned this work for their 75th anniversary. The parts of the infant Jesus, Mary, the Narrator and the angel Gabriel are taken by choir soloists: soprano, alto, tenor and bass. The work is situated in the context of Boyd ’s personal musical aesthetic which she describes as the intersection of Christian Love with Buddhist silence. $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Three Choruses from the play Czar Feodor Ioannovich Choral SATB SATB divisi Musica Russica
By Georgi Vasilievich Sviridov. For chorus. (SATB (DIV), SOLI). Russian Title: ...(+)
By Georgi Vasilievich Sviridov. For chorus. (SATB (DIV), SOLI). Russian Title: Tri hora iz tragedii A. K. Tolstogo "Tsar' Feodor Ivanovich". Published by Musica Russica. (CMR 001)
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