Voice & Piano

SKU: ST.LS19

Composed by Anonymous, Nicholas Lanier, Richard Alison, Thomas Campion, Thomas Giles, Thomas Lupo, Thomas Morley, Thomas Robinson, and Tobias Hume. Edited by David Greer. Vocal music. To the Lute, Bandora, Cittern and Lyra Viol. Edited by David Greer. No Lute Tablature is printed. Vocal score. Stainer & Bell Ltd. #LS19. Published by Stainer & Bell Ltd. (ST.LS19).

ISBN 9790220215209.

CONTENTS

ALISON, Richard
O Lord, turn not away thy face (AATB or AAT)
When we sat in Babylon (AATB or AAT)

ANONYMOUS
But this, and then no more (C - C)
How can the tree but waste (B - B)
Sweet are the thoughts that savour of content (D - F)
Those eyes that set my fancy on a fire (A - B)

CAMPION, Thomas
More now with measur'd sound (Duet: D - E and G - A)
Now hath Flora robb'd her bow'rs (Duet: D - E and D - G)
Woo her and win her (F - E)

GILES, Thomas
Triumph now with joy and mirth (D - D)

HUME, Tobias
Cease, leaden slumber, dreaming (F sharp - F)
Fain would I change that note (D - G)
Soldier's Song: I sing the praise of honour'd wars (G - G)
Tobacco! Tobacco! Sing sweetly for tobacco! (D - F)
What greater grief (D - F)

LANIER, Nicholas
Bring away this sacred tree (D - F)

LUPO, Thomas
Shows and nightly revels (D - E flat)
Time that leads the fatal round (D - E)

MORLEY, Thomas
O grief! e'en on the bud (F - E flat)

ROBINSON, Thomas
Now, Cupid, look about thee (D - G).

By Thomas Morley. Arranged by Russell L. Robinson. For Choir. (TBB, a cappella). Choral Octavo. Choral Designs. Madrigal; Masterwork. Choral Octavo. 8 pages. Published by Alfred Publishing.

By Thomas Morley (1557-1602). Arranged by Russell L. Robinson. Choir Secular. SATB choir. Choral Octavo; Masterworks. Choral Designs. Madrigal; Masterwork. Choral Octavo. 8 pages

Arranged by Russell L. Robinson. For Choir. (SSA, a cappella). Choral Octavo. Choral Designs. Madrigal. Choral Octavo. 12 pages. Published by Alfred Publishing.

Guitar - intermediate

SKU: M7.VOGG-816

Composed by Gernot Roedder. This edition: Ring/Spiral binding. Sheet music with 2 CDs. 152 pages. Voggenreiter #VOGG 816. Published by Voggenreiter (M7.VOGG-816).

ISBN 9783802408168. German.

Für Gitarristen der Mittelstufe Über 60 der bekanntesten und wichtigsten Stücke für die Konzertgitarre (Solo und Duo) aus drei Jahrhunderten in traditioneller Notation - die unentbehrliche Stückesammlung, die in keinem gutsortierten Notenregal fehlen darf! Endlich alle Stücke, die man sich bisher in Einzelausgaben anschaffen oder aus Dutzenden von Sammlungen zusammenstellen musste, in einem einzigen Band! Von Aguado und Bach bis zu Sor und Tárrega, hier findet sich für jeden Gitarristengeschmack das Richtige. Alle Stücke spielfertig eingerichtet mit Fingersätzen und Lagenangaben. Die beiden aufwendig produzierten Begleit-CDs sind nicht nur ein idealer Begleiter beim Üben, sondern auch ein absoluter Hörgenuss für jeden Liebhaber klassischer Gitarrenmusik.

Choral TBB chorus

SKU: CF.CM9638

Composed by John Bennet. Arranged by Russell L. Robinson. Fold. Performance Score. 4 pages. Duration 2 minutes. Carl Fischer Music #CM9638. Published by Carl Fischer Music (CF.CM9638).

ISBN 9781491157107. UPC: 680160915668. 6.875 x 10.5 inches. Key: A minor. English, English. Original.

Robinson's TBB arrangement of this beloved Bennett madrigal, originally published for four voices in 1599, has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices. A wonderful concert or festival staple piece!.
Weep, O Mine Eyes is a classic madrigal from the Renaissance period (circa 1400-1650). Although John Bennet's exact birth and death dates are unknown, we know that he was English and composed madrigals (non-sacred a cappella pieces) in the late 16th - early 17th centuries. Although, Bennet was not as prolific as other madrigal writers of the time, such as Thomas Morley, Weep, O Mine Eyes has certainly stood the test of time. Originally published in a book of 17 madrigals for four voices in 1599, this arrangement for TBB voices has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices. The original flavor of Bennet's four-part setting has been preserved, including the counterpoint (independent voices) where each voice is of equal importance. In Renaissance style no parts should over sing; the beauty of the melodic lines and text should come through and over singing will take away from the beauty. The EE vowel is sometimes problematic in the word weep. I suggest that you produce the EE vowel with OO on the lips and EE inside the mouth for better blend and to avoid a horizontal spreading of the vowel. Enjoy this wonderful madrigal!.
Weep, O Mine Eyes is a classic madrigal from the Renaissance period (circa 1400-1650). Although John Bennet's exact birth and death dates are unknown, we know that he was English and composed madrigals (non-sacred a cappella pieces) in the late 16th - early 17th centuries. Although, Bennet was not as prolific as other madrigal writers of the time, such as Thomas Morley, Weep, O Mine Eyes has certainly stood the test of time.Originally published in a book of 17 madrigals for four voices in 1599, this arrangement for TBB voices has been changed from the original key of A minor to the key of D minor, making the ranges and texture more characteristic for TBB voices.The original flavor of Bennet's four-part setting has been preserved, including the counterpoint (independent voices) where each voice is of equal importance. In Renaissance style no parts should over sing; the beauty of the melodic lines and text should come through and over singing will take away from the beauty.The EE vowel is sometimes problematic in the word weep. I suggest that you produce the EE vowel with OO on the lips and EE inside the mouth for better blend and to avoid a horizontal spreading of the vowel.Enjoy this wonderful madrigal!

Composed by Various. Edited by Frederick M. Noad. Music Sales America. Classical, Renaissance. Softcover Audio Online. 120 pages. Music Sales #AM968066. Published by Music Sales

Guitar

SKU: BT.SCHBB4000672

Composed by Thomas Robinson. Arranged by Siegfried Behrend. Book Only. Bote & Bock #SCHBB4000672. Published by Bote & Bock (BT.SCHBB4000672).

Guitar. Robinson, T.

Choir Secular (Men's Choir)

SKU: AP.43293

Composed by Thomas Morley. Arranged by Russell L. Robinson. Masterworks; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Madrigal; Masterwork Arrangement; Secular. Choral Octavo. 8 pages. Alfred Music #00-43293. Published by Alfred Music (AP.43293).

UPC: 038081488356. English. Michael Grayton.

Introduce madrigal singing with this wonderful edition of the Thomas Morley classic. This new men's choir arrangement sounds full and effectively captures the character and spirit of early music. Suitable for large groups or small ensembles, this excellent teaching piece will be a staple of your choral library.

About Alfred Choral Designs

The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

SKU: PR.UE012762

Composed by Thomas Robinson. With Standard notation. Universal Edition #UE012762. Published by Universal Edition (PR.UE012762).

UPC: 680160509805.

By Thomas Morley, words by Michael Drayton. Arranged by Russell L. Robinson. For Choir. (TBB, a cappella). Choral Octavo. Madrigal. Choral Octavo. 12 pages. Published by Alfred Publishing.

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

By Thomas Tallis. Arranged by Russell L. Robinson. (3 Part Mixed A Cappella). Walton Choral. 8 pages. Published by Walton Music.