| String Quartet No. 12 in F Major, Op. 96 (American) for Wind Quintet Woodwind Quintet Southern Music Ltd
(The New York Woodwind Quintet Library Series). Composed by Antonin Dvorak (1841...(+)
(The New York Woodwind Quintet Library Series). Composed by Antonin Dvorak (1841-1904). Edited by Charles Neidich. Arranged by George Barrere and Samuel Baron. For Woodwind Quintet (Score and Parts). Southern Music. Southern Music Company #SU781. Published by Southern Music Company
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| Beautiful Music for Two String Instruments, Book IV 2 Cellos (duet) [Sheet music] Alfred Publishing
By Samuel Applebaum. For 2 Cellos. String Orchestra Method/Supplement. Book. 32 ...(+)
By Samuel Applebaum. For 2 Cellos. String Orchestra Method/Supplement. Book. 32 pages. Published by Alfred Publishing.
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Beautiful Music for Two String Instruments, Book IV
2 Violins (duet) [Sheet music] Alfred Publishing
By Samuel Applebaum. For 2 Violins. String Orchestra Method/Supplement. Book. 32...(+)
By Samuel Applebaum. For 2 Violins. String Orchestra Method/Supplement. Book. 32 pages. Published by Alfred Publishing.
(1)$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Beautiful Music for Two String Instruments, Book III
2 Violins (duet) [Sheet music] Alfred Publishing
By Samuel Applebaum. For 2 Violins. String Orchestra Method/Supplement. Book. 32...(+)
By Samuel Applebaum. For 2 Violins. String Orchestra Method/Supplement. Book. 32 pages. Published by Alfred Publishing.
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| Beautiful Music For Two String Instruments, Book 2 (Two Violas) 2 Violas (duet) [Sheet music] Belwin
Arranged by Samuel Applebaum. Collection for 2 violas. With standard duet notati...(+)
Arranged by Samuel Applebaum. Collection for 2 violas. With standard duet notation, bowings and fingerings. 31 pages. Published by Belwin.
(1)$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Beautiful Music for Two String Instruments, Book I 2 Cellos (duet) [Sheet music] Alfred Publishing
By Samuel Applebaum. For 2 Cellos. String Orchestra Method/Supplement. Book. 32 ...(+)
By Samuel Applebaum. For 2 Cellos. String Orchestra Method/Supplement. Book. 32 pages. Published by Alfred Publishing.
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Two Shelley Songs Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362033390 The Fugitives. Composed...(+)
Choral SATB choir, piano SKU: PR.362033390 The Fugitives. Composed by Samuel Adler. Classical. Part. With Standard notation. Duration 2:45. Theodore Presser Company #362-03339. Published by Theodore Presser Company (PR.362033390). UPC: 680160059355. Two Shelley Songs were composed in 1981 on a commission from Ithaca College and published by Elkan-Vogel, Inc. in the Ithaca College Choral Series in 1982. The two poems by Shelley used here are To- and The Fugitives. Both of these pieces, published separately, are scored for mixed chorus with piano accompaniment. In order to perform them well, an excellent pianist is essential, for the accompaniment to the second poem The Fugitives is quite difficult, though quite pianistic. The style of the first poem is in a somewhat romantic idiom while the second contrasts it with rather wild harmonic writing utilizing large skips, clusters and other dissonant chordal devices. Great care is taken throughout to make these difficult sounding portions as easy as possible to perform by taking great care of the voice leadings. The two pieces should be done as a pair, but could conceivably be done separately. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata For Harpsichord Harp Theodore Presser Co.
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical. Softcover. With Standard notation. Duration 14 minutes. Theodore Presser Company #110-40672. Published by Theodore Presser Company (PR.110406720). UPC: 680160001316. I have always been fond of writing works for specific people or organizations. It has been my good fortune during most of my creative career to be asked to compose for many extraordinary performers. The Sonata for Harpsichord Solo is such a case in point: it was written in 1982 for Barbara Harbach, a superb performer, close friend, and collaborator on many musical projects. The Sonata was premiered on March 2, 1984, in a recital given by Dr. Harbach at Nazareth College in Rochester, New York. During my formative years as a composer, one seldom heard of the harpsichord as a modern instrument, though while I attended undergraduate school at Boston University, some of us banded together to construct a small harpsichord from one of the first do-it-yourself kits which began to appear in the late '40s. It was also during this time that I heard the Sonatina for Violin and Harpsichord by my teacher Walter Piston and consequently specified that the accompanying instrument for my second violin sonata could either be a piano or a harpsichord. It was not until recently, however, that my interest in the harpsichord as a solo instrument for new music was aroused. This was because of the emergence of so many young virtuosi, such as Barbara Harbach, who are interested in the performance of new music besides the great harpsichord music of the Classical, Baroque, and pre-Baroque eras. The keyboard music of Domenico Scarlatti has always intrigued and fascinated me. The brevity, excitement, and clarity of this sparkling music is charming as well as exhilarating. It is this type of Baroque sonata that inspired the conception and form of my harpsichord sonata. The entire work is loosely based on the musical translation of Barabara Harbach's name, especially the conflict of the B (B-flat) and H (B-natural in German notation). This secondo rub or dissonance especially pervades the first movement, which is in a modified sonata form, pitting jagged and tense melodic elements against most lyrical and smooth lines. This second movement is a song-like melody accompanied by rolled chords which may be played on the lute stop of the instrument if this sonata is performed on a two-manual harpsichord. The final movement is an ever-driving joyous toccata which brings the work to an exciting close with a coda made up of accelerating repeated chords. --Samuel Adler. $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Moonlight Shadows String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS1 Composed by Sean O'...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS1 Composed by Sean O'Loughlin. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 8+8+5+2+5+5+2+8 pages. Carl Fischer Music #YAS1. Published by Carl Fischer Music (CF.YAS1). ISBN 9780825840630. UPC: 798408040635. 8.5 X 11 inches. Key: G major. Moonlight Shadows is a passionate and colorful piece for strings that explores the expressive power of the string orchestra. Sean O'Loughlin uses a lush harmonic palette and variety of texture (including a short pizzicato section), to create an important and soulful addition to the repertoire for younger string ensembles. Duration: 2'30. Moonlight Shadows is a work for string orchestra that reflects my great love for the music of Samuel Barber. His compositions from the 1930s and 1940s were characterized by plush harmonies, flowing melodies and engaging suspensions. These elements are what I focused on in the composition of Moonlight Shadows.The material represents my mood and feelings when I look at a big, bright moon. The shadows it casts create an eerie feeling, while at the same time providing a deep, rich tapestry for the earth at night.The harmony features many major seventh-chords with half-step suspensions. These suspensions function as common tones to the next chord and create the tension of the piece. They also move, in order to provide resolution to the piece which allows the listener to rest. With this in mind, these suspensions should be brought out during performance.Moonlight Shadows is an emotional piece that allows the young musician the opportunity to play with much expression. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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