| Eric William Barnum, Percy Bysshe Shelley: Dreams of Thee Choral 3-part SAB Walton Music
By Eric William Barnum, Percy Bysshe Shelley. (SAB). Walton Choral. 16 pages. P...(+)
By Eric William Barnum, Percy Bysshe Shelley. (SAB). Walton Choral. 16 pages. Published by Walton Music.
$2.90 $2.755 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Two Shelley Songs Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362033390 The Fugitives. Composed...(+)
Choral SATB choir, piano SKU: PR.362033390 The Fugitives. Composed by Samuel Adler. Classical. Part. With Standard notation. Duration 2:45. Theodore Presser Company #362-03339. Published by Theodore Presser Company (PR.362033390). UPC: 680160059355. Two Shelley Songs were composed in 1981 on a commission from Ithaca College and published by Elkan-Vogel, Inc. in the Ithaca College Choral Series in 1982. The two poems by Shelley used here are To- and The Fugitives. Both of these pieces, published separately, are scored for mixed chorus with piano accompaniment. In order to perform them well, an excellent pianist is essential, for the accompaniment to the second poem The Fugitives is quite difficult, though quite pianistic. The style of the first poem is in a somewhat romantic idiom while the second contrasts it with rather wild harmonic writing utilizing large skips, clusters and other dissonant chordal devices. Great care is taken throughout to make these difficult sounding portions as easy as possible to perform by taking great care of the voice leadings. The two pieces should be done as a pair, but could conceivably be done separately. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| These Things Shall Never Die Choral 2-part SA, Piano [Octavo] Carl Fischer
Composed by David Farrell Smith, Shelley J. Smith. For SA choir, piano. Octavo. ...(+)
Composed by David Farrell Smith, Shelley J. Smith. For SA choir, piano. Octavo. 8 pages. Duration 3 minutes, 27 seconds. Published by Carl Fischer
$2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Rustling of Angels Piano, Voice [Vocal Score] Theodore Presser Co.
12 Songs for Voice and Piano. By Thomas Pasatieri. Text: Anonymous; Christina Ro...(+)
12 Songs for Voice and Piano. By Thomas Pasatieri. Text: Anonymous; Christina Rossetti; Coventry Patmore; Emily Bronte; Herman Melville; P.B. Shelley; Robert Burns; Robert Herrick; Thomas Love Peacock; Thomas Moore; William Shakespeare. For voice, piano. Piano/Vocal Score. 36 pages. Duration 30:00. Published by Theodore Presser Company.
$18.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Winter Lullaby Choral 2-part [Octavo] BriLee Music
Composed by David Farrell Smith / Shelley J. Smith. Octavo. 12 pages. Duration 3...(+)
Composed by David Farrell Smith / Shelley J. Smith. Octavo. 12 pages. Duration 3 minutes, 12 seconds. BriLee Music #BL00889. Published by BriLee Music (CF.BL889).
$2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ode to Shelley Choral SSAA SSAA A Cappella - Intermediate MorningStar Music Publishers
SSAA choir (a cappella) - Late Intermediate SKU: MN.70-900 Composed by Ma...(+)
SSAA choir (a cappella) - Late Intermediate SKU: MN.70-900 Composed by Marie Stultz. Multi-Movement/Large Choral Work. 21st Century. Octavo. MorningStar Music Publishers #70-900. Published by MorningStar Music Publishers (MN.70-900). UPC: 688670709005. Four poems by Percy Bysshe Shelley:The Invitation,Hymn of Pan, With Music Sweet as Love from To a Skylark, andMusic, When Soft Voices Die. Notable addition to repertoire for capable women's choirs. Added-note triads, and non-triadic constructions (such as sonorities built from seconds), create colorful harmonic base. Melodic writing basically lyrical. SSA a cappella. $2.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The King of Love My Shepherd Is Vocal Schirmer
High or Low Voice. By Harry Rowe Shelley. Vocal Ensemble. Size 9x12 inches. 12 p...(+)
High or Low Voice. By Harry Rowe Shelley. Vocal Ensemble. Size 9x12 inches. 12 pages. Published by G. Schirmer, Inc.
(1)$3.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hymn to Intellectual Beauty Carl Fischer
Chamber Music Piano, Voice SKU: CF.V2507 For Voice and Piano. Comp...(+)
Chamber Music Piano, Voice SKU: CF.V2507 For Voice and Piano. Composed by Frederic Sharaf. SWS. Performance Score. With Standard notation. 24 pages. Carl Fischer Music #V2507. Published by Carl Fischer Music (CF.V2507). ISBN 9781491149805. UPC: 680160907304. 9 x 12 inches. Text: Percy Bysshe Shelley. Percy Shelley. This vocal setting of Percy Bysshe Shelley's poem reflects Shelley's use of lyricism, meticulous attention to detail, metaphor, and assonance. Frederic Sharaf constructed Hymn to Intellectual Beauty as Program Music, with unresolved dissonant harmonies placed specifically to accent the meaning of the poetry. Fortspinnung - the development or spinning out of a musical motif - is the prevalent fabric of the piece. This piece is dedicated to Frederic Sharaf's aunt, Irene Sharaf. $18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Emendemus in melius Choral SSAATTBB [Score] Crescendo Music Publications
SSAATTBB choir SKU: C4.9790902260411 Composed by Brooke Shelley. Classica...(+)
SSAATTBB choir SKU: C4.9790902260411 Composed by Brooke Shelley. Classical. Score. Crescendo Music Publications #9790902260411. Published by Crescendo Music Publications (C4.9790902260411). ISBN 9790902260411. 8.27 x 11.7 inches. Shelley's setting of the Matins Responsory for Lent 1 was written for a group of singer-friends. It is based on Pierre de Manchicourt’s setting of the same text, and though taking its stylistic lead from Manchicourt, Shelley very cleverly infuses her own harmonic and rhythmic language into a new and brilliant creation. $7.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| There Was A Child Went Forth Every Day Theodore Presser Co.
Choral Children's choir, Piano SKU: PR.312419290 From Terra Nostra...(+)
Choral Children's choir, Piano SKU: PR.312419290 From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes, 35 seconds. Theodore Presser Company #312-41929. Published by Theodore Presser Company (PR.312419290). ISBN 9781491137932. UPC: 680160692620. Texts from The King James Bible, creation myths from India, North America, and Egypt; Edna St. Vincent Millay, Percy Bysshe Shelley, Walt Whitman, Lord Byron, Esther Iverem, William Wordsworth, Wendell Berry, Lord Alfred Tennyson, Charles Mackay, William . Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Toccata (“Atalanta”) Concert band [Score] - Easy Boosey and Hawkes
Score Only Concert Band (Score) - Grade 3 SKU: HL.48024060 Composed by Au...(+)
Score Only Concert Band (Score) - Grade 3 SKU: HL.48024060 Composed by Aurelio Bonelli. Arranged by Shelley Hanson. Windependence Apprentice Advanced. Softcover. 12 pages. Boosey & Hawkes #M051663620. Published by Boosey & Hawkes (HL.48024060). UPC: 888680680695. 9.0x12.0x0.059 inches. Aurelio Bonelli/trans. Shelley Hanson. “Woodwind and percussion players usually are unfamiliar with the antiphonal brass choir tradition. I made this modern, more easily readable version of Bonelli's classic 1600 Toccata for flexible wind ensemble with optional percussion, so that as few as 8 players up to full symphonic band could play in this style. I've used it as a dramatic concert opener, with the second, smaller group positioned behind the audience.†~ Shelley Hanson Recorded by the Eden Prairie (MN) High School Wind Ensemble - Dr. Elizabeth Jackson, conductor. $7.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Music When Soft Voices Die Carl Fischer
Choral Cello, Piano, alto voice, bass voice, soprano voice SKU: CF.CM9404 ...(+)
Choral Cello, Piano, alto voice, bass voice, soprano voice SKU: CF.CM9404 Composed by Shelley Smith David (D) Smith. Fold. Performance Score. With Standard notation. 8 pages. Duration 2 minutes, 28 seconds. Carl Fischer Music #CM9404. Published by Carl Fischer Music (CF.CM9404). ISBN 9780825898020. UPC: 798408098025. 6.875 x 10.5 inches. Text: Percy Bysshe Shelley. Percy Shelley. $2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Geoffrey Bush: Music When Soft Voices Die for SATB Chorus Music Sales
M usic, When Soft Voices Die is a major...(+)
Music, When Soft Voices Die is a major poem by Percy Bysshe Shelley, written in 1821 and first published in Posthumous Poems of Percy Bysshe Shelley in 1824 in London. The poem is one of the most anthologised, influential, and well-known of Shelley's works
$3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Believer Marching band [Score] - Easy Alfred Publishing
Marching Band - Grade 3 SKU: AP.47037S As Recorded by Imagine Dragons<...(+)
Marching Band - Grade 3 SKU: AP.47037S As Recorded by Imagine Dragons. By Aaron Accetta, David Rublin, Imagine Dragons, James Adam Shelley, Matthew Sanchez, Shep Goodman, and Zachary Barnett. By Aaron Accetta [Imagine Dragons], David Rublin, James Adam Shelley, Matthew Sanchez, Shep Goodman, and Zachary Barnett. Arranged by Victor Lopez. Marching Band; Performance Music Ensemble; Single Titles. Mega Sounds for Marching Band. Rock. Score. 12 pages. Alfred Music #00-47037S. Published by Alfred Music (AP.47037S). UPC: 038081541143. English. One of the biggest hits of 2017 was this driving rock-shuffle from Imagine Dragons. The song was all over the airwaves in commercials, movies, and TV shows. Its unique style and solid scoring by arranger Victor López make it a natural on or off the field. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Brisbane Responses Choral SATB Crescendo Music Publications
SATB choir SKU: C4.9790902261104 Composed by Brooke Shelley. Classical. O...(+)
SATB choir SKU: C4.9790902261104 Composed by Brooke Shelley. Classical. Octavo. Crescendo Music Publications #9790902261104. Published by Crescendo Music Publications (C4.9790902261104). ISBN 9790902261104. 8.27 x 11.7 inches. Commissioned for the choir of St John's Cathedral, Brisbane, Sydney composer Brooke Shelley has created beautiful and accessible settings of the Evensong canticles and responses that are sure to be taken up by church choirs the world over. $6.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Nativity Choral SSATBB [Score] Crescendo Music Publications
SSATBB choir SKU: C4.9790902260459 Composed by Brooke Shelley. Classical....(+)
SSATBB choir SKU: C4.9790902260459 Composed by Brooke Shelley. Classical. Score. Crescendo Music Publications #9790902260459. Published by Crescendo Music Publications (C4.9790902260459). ISBN 9790902260459. 8.27 x 11.7 inches. Australian poet James McAuley's visceral text is joined here in perfect marriage with Brooke Shelley's imaginative and shapely setting. The work was commissioned by St James’ Church, King Street, Sydney for the concert Gul Gul Dja Mardji: Long is the Journey, 9 December, 2017. $6.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| High Flight [Score] Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, alto voice, bass voice, soprano voice, tenor voice SKU: PR.31241902S From Terra Nostra. Composed by Stacy Garrop. Full score. Duration 3:15. Theodore Presser Company #312-41902S. Published by Theodore Presser Company (PR.31241902S). UPC: 680160690589. English. Commissioned by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately. Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World†by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child†praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!†Part I ends with “A Blade of Grass†in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall†sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,†William Ernest Henley’s “A Song of Speed,†and John Gillespie Magee, Jr.’s “High Flight,†each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,†Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge†concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness†speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming†gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us†warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace†speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?†and “There was a child went forth every dayâ€) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass†from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…â€My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $20.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Believer Marching band [Score and Parts] - Intermediate Alfred Publishing
As Recorded by Imagine Dragons. By Zachary Barnett, James Adam Shelley, Matthe...(+)
As Recorded by Imagine
Dragons. By Zachary Barnett,
James Adam Shelley, Matthew
Sanchez, David Rublin, Shep
Goodman, and Aaron Accetta
[Imagine Dragons]. By Zachary
Barnett, James Adam Shelley,
Matthew Sanchez, David
Rublin, Shep Goodman, and
Aaron Accetta. Arranged by
Victor Lopez. Marching Band;
Performance Music Ensemble;
Single Titles. Mega Sounds
for Marching Band. Rock.
Part(s); Score. 126 pages.
Alfred Music #00-47037.
Published by Alfred Music
$60.00 $57 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| On a faded violet Piano, Voice [Score] Noten Roehr
Voice and piano SKU: NR.80139 For voice and piano (en) Shelley, Percy ...(+)
Voice and piano SKU: NR.80139 For voice and piano (en) Shelley, Percy Bysshe, 1792-1922, text. Composed by Alfredo Carlo Piatti. Vocal music. Score. With Language: English. Noten Roehr #80139. Published by Noten Roehr (NR.80139). Text: Percy Bysshe Shelley. $13.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| On Thine Own Child Theodore Presser Co.
Choral Children's choir, Piano SKU: PR.312419260 From Terra Nostra...(+)
Choral Children's choir, Piano SKU: PR.312419260 From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2:45. Theodore Presser Company #312-41926. Published by Theodore Presser Company (PR.312419260). ISBN 9781491137901. UPC: 680160692590. Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Railways 1846 Choral TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270). ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay. Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Want of Peace Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Composed by Stacy Garrop. Performance Score. 12 pages. Duration 5:30. Theodore Presser Company #312-41928. Published by Theodore Presser Company (PR.312419280). ISBN 9781491137925. UPC: 680160692613. Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $2.70 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music, when soft voices die Choral SATB SATB, Piano Subito Music
SATB Chorus & Piano SKU: SU.90810300 For SATB Chorus & Piano. Comp...(+)
SATB Chorus & Piano SKU: SU.90810300 For SATB Chorus & Piano. Composed by Nancy Galbraith. Vocal/Choral, Secular Choral. Choral Octavo. Composed 2009. Duration 5'. Subito Music Corporation #90810300. Published by Subito Music Corporation (SU.90810300). Text: Percy Bysshe Shelley. SATB Chorus, Piano Duration: 5' Text: Percy Bysshe Shelley Composed: 2009 Published by: Subito Music Publishing
Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusic.com (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. $2.75 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| High Flight Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020). ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English. Commissioned by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately. Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World†by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child†praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!†Part I ends with “A Blade of Grass†in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall†sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,†William Ernest Henley’s “A Song of Speed,†and John Gillespie Magee, Jr.’s “High Flight,†each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,†Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge†concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness†speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming†gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us†warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace†speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?†and “There was a child went forth every dayâ€) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass†from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…â€My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Go Big or Go Home Orchestra [Score] - Easy Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.45842S Recorded by American Authors....(+)
Orchestra - Grade 2.5 SKU: AP.45842S Recorded by American Authors. Composed by Aaron Accetta, David Rublin, James Shelley, Jonnie Davis, Matthew Sanchez, Michael Goodman, and Zachary Barnett. Arranged by Victor Lopez. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Pop/Rock. Score. 12 pages. Duration 2:40. Alfred Music #00-45842S. Published by Alfred Music (AP.45842S). UPC: 038081524115. English. Zachary Barnett; James Shelley; Matthew Sanchez; David Rublin; Aaron Accetta; Jonnie Davis; Michael Goodman [American Authors]. Go big and get your audience excited with this bright and energetic sing-along hit arranged by Victor López. American Authors, an indie rock band based in Brooklyn, New York, wrote Go Big or Go Home---a Top 20 hit on Billboard charts and featured in promos for the 2016 NBA Playoff Finals. Given the catchy melody and vibrant rhythms, this song is the hair-raising anthem you have been looking for to complete your program. Great tune for a recruiting demonstration! (2:40). $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Best Day of My Life Marching band [Score] - Easy Alfred Publishing
Marching Band - Grade 3 SKU: AP.42124S As Recorded by American Authors...(+)
Marching Band - Grade 3 SKU: AP.42124S As Recorded by American Authors. By Aaron Accett, American Authors, David Rublin, James Shelley, Matthew Sanchez, Shep Goodman, and Zach Barnett. Arranged by Brian Scott. Marching Band; Performance Music Ensemble; Single Titles. Mega Sounds for Marching Band. Pop/Rock. Score. 8 pages. Duration 2:10. Alfred Music #00-42124S. Published by Alfred Music (AP.42124S). UPC: 038081482859. English. Shep Goodman; James Shelley; Zach Barnett; David Rublin; Matthew Sanchez; Aaron Accett [American Authors]. This catchy tune by American Authors is everywhere---TV, the movies, and in numerous commercials. The unique groove and solid scoring by Brian Scott really set this chart apart from the rest! (2:10). $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Nativity Choral SSAATTBB [Score] Crescendo Music Publications
SSAATTBB choir SKU: C4.9790902260466 Composed by Brooke Shelley. Classica...(+)
SSAATTBB choir SKU: C4.9790902260466 Composed by Brooke Shelley. Classical. Score. Crescendo Music Publications #9790902260466. Published by Crescendo Music Publications (C4.9790902260466). ISBN 9790902260466. 8.27 x 11.7 inches. Australian poet James McAuley's visceral text is joined here in perfect marriage with Brooke Shelley's imaginative and shapely setting. The work was commissioned by St James’ Church, King Street, Sydney for the concert Gul Gul Dja Mardji: Long is the Journey, 9 December, 2017. $6.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Evening Song (Abendlied) Concert band - Easy Boosey and Hawkes
Concert Band (Full Score) - Grade 3 SKU: HL.48023805 Score Only. C...(+)
Concert Band (Full Score) - Grade 3 SKU: HL.48023805 Score Only. Composed by Josef Gabriel Rheinberger. Arranged by Shelley Hanson. Windependence Apprentice Advanced. Festival. Softcover. 8 pages. Boosey & Hawkes #M051663507. Published by Boosey & Hawkes (HL.48023805). UPC: 888680626457. 9.0x12.0x0.038 inches. Written in 1873, Evening Song is one of the best-known choral works of Josef Rheinberger (1839-1901), German composer, organist and teacher. Displaying an exceptional lyric quality and utilizing a full range of dynamic contrast, Shelley Hanson's arrangement is specifically designed with flexible instrumentation to be performed in a variety of ways. This piece is equally effective whether performed by a traditional concert band or by a smaller chamber ensemble. Dur: 2:50. $7.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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