SKU: HL.50603740

ISBN 9781705134122. UPC: 840126958195. 9.0x12.0x0.126 inches.

Nicolò Paganini's trios for strings and guitar make up a small but significant group of pieces consisting of five works of different lengths, formal structure and difficulty: the Serenata in F major M.S. 115, the Terzetto in A minor M.S. 116, the Serenata in C major M.S. 17, the Terzetto concertante in D major M.S. 114, and the Terzetto in D major M.S. 69. Within this group, the Terzetto M.S. 116 and the Serenata M.S. 116 make up a small diptych for two violins and guitar that can be traced back to Paganini's juvenile period (1796-1804). In addition to using the same musical formation, the two pieces also share some compositional features, regarding general formal characteristics as well as the order and the number of movements. Despite their simplicity, the two compositions still have features typical of Paganini's writing from this period such as their spontaneous cantabilità, the freshness of their musical ideas, pleasant (if perhaps a little naive), and the well-defined sense of form that comes out in these small compositions.

SKU: CF.CPS262

ISBN 9781491161401. UPC: 680160919994.

Carl Strommen, an alumnus of the Bellmore-Merrick CHSD, composed A Walk in the Park for Walter Avenllaneda's John F. Kennedy High School Band. This composition features dynamic brass and sweeping & energetic woodwind lines. Adhere to natural phrases for which the music of Carl Strommen is known, especially in the beginning and end of the piece, to achieve the full sustained chords that are written. Make sure to bring out the three- note motif as it is orchestrated throughout the piece even in the beginning. The fast sections should be vibrant, energetic and with exaggerated dynamics that follow the line shapes. The Waltz in the middle requires a complete change of style and adds a wonderful contrast to the energy of the piece. The transition out of the Waltz into the new tempo will take some time but is well worth the effort to pull it off. The energy returns until we get a wonderful dramatic and bold ending.
Carl Strommen, an alumnus of the Bellmore-Merrick CHSD, composed A Walk in the Park for Walter Avenllaneda’s John F. Kennedy High School Band.  This composition features dynamic brass and sweeping & energetic woodwind lines. Adhere to natural phrases for which the music of Carl Strommen is known, especially in the beginning and end of the piece, to achieve the full sustained chords that are written. Make sure to bring out the three- note motif as it is orchestrated throughout the piece even in the beginning. The fast sections should be vibrant, energetic and with exaggerated dynamics that follow the line shapes. The Waltz in the middle requires a complete change of style and adds a wonderful contrast to the energy of the piece. The transition out of the Waltz into the new tempo will take some time but is well worth the effort to pull it off. The energy returns until we get a wonderful dramatic and bold ending.

SKU: AP.47396S

UPC: 038081545929. English.

With a rhythmic drive and punctuated melodic components flowing freely throughout the ensemble, this high-energy concert opener or closer reinforces shaping phrases while using a contemporary harmonic palate and driving rhythms. Bound to be a favorite of students and audiences alike. This is a real crowd-pleaser! (3:00).

SKU: CA.967810

ISBN 9790007241360. Language: Latin.

Matsushita's Ave Maria is a very intimate short unaccompanied piece of true inward devotion. An experienced composer, Matsushita has chosen a tonal musical language for this homophonic piece. His enchanting modulations, well-placed and precisely-judged, are particularly effective without overloading the simple character of the work. All the parts are written in comfortable registers throughout and without divisi, so that the piece can easily be performed by all choirs. In short: a jewel! Score available separately - see item CA.967800.

SKU: CF.PPS53F

ISBN 9781491152652. UPC: 680160910151.

Illyria is a region in southern Europe, and the name has been used in books and music throughout history, including Shakespearean plays. Composer Sean O'Loughlin takes beginning students on a musical journey, starting with broad melodic statements by the brass, bold full ensemble statements, a contrasting lyrical section, and concluding with a relentless finish. Journey to Illyria is a sophisticated musical presentation that is still playable by the youngest of students.
The title Journey to Illyria comes out of a recent internet search that came up with a similarly titled book by an author named Sean O'Loughlin (no relation). I'm always fascinated by how connected and small this world can seem. After some further research, I found that Illyria is also a name that appears in some fantasy fiction books and even on the TV show Angel. All of this gets wrapped into the music for this piece.It begins with a broad melodic statement by the brass. It develops further at m. 9 and then transitions to a full statement at m. 25 with plenty of imitation between upper and lower voices. A contrasting slower section follows at m. 39, which should bring out the haunting, rich sound of the ensemble. The fast section returns at m. 46 with progressively building imitation to bring back the opening gesture at m. 58. The music then is relentless to the rousing end.

SKU: XC.RCB2007

UPC: 812598033854. 9 x 12 inches.

The Cycle is a sonic interpretation of social anxiety. Chromatic themes are used to create a manic texture while rhythmic intensity and frenetic melodies throughout give this work a tense, anxious feeling. Composer Peter Scianio writes The Cycle was written to offer a sonic interpretation of this disorder with the hope that, through greater understanding, an open dialogue can be made available to youth and adults who deal with this everyday..

SKU: CL.011-3730-01

This exciting new work for concert band is a set of three delightful dances. Opening with a bold fanfare statement, the first dance reveals the melodic material that is the basis for all three movements. The title of this movement, Double Dance, is derived from the second statement of the melody, appearing in doubled rhythmic values. The second movement, Round Dance, the melody is written as a three part round. You could not have a Round Dance without a Square Dance, which is the title of final movement. Lots of fun percussion instruments add interesting timbres throughout. This interesting and clever composition is perfect for contest and festival.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

SKU: FJ.B1772S

English.

This fantastic arrangement is the perfect way to introduce Renaissance music to young musicians. An excellent choice for providing contrast within your concert program, this lively dance has wonderful technical, musical, and stylistic teaching opportunities throughout.

About FJH Beginning Band

Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.

SKU: CL.012-3985-75

A beautiful and poignant lyrical work, this new composition by Robert W. Smith is a welcome addition to the concert band repertoire. Featuring small instrumental choirs and soloists throughout, Dreams includes a beautiful melody moving amid lush harmonies leading to a soaring full ensemble. All solos are cross-cued allowing the piece to be programmed by a wide variety of bands. Appropriate for concert and festival performance, Dreams will be a welcome addition to any program.