| Gary Schocker : Three Dances for Two Saxes 2 Saxophones (duet) [Score and Parts] Theodore Presser Co.
Composed by Gary Schocker. Arranged by Yo Matsushita. For 2 saxophones. Cont...(+)
Composed by Gary Schocker.
Arranged by Yo Matsushita. For
2 saxophones. Contemporary.
Score and parts. Standard
notation. 36 pages. Duration 8
minutes, 30 seconds. Published
by Theodore Presser Company
$22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Merry Christmas to All (A Medley of Carols) Choral 2-part 2-part, Piano [Octavo] Alfred Publishing
Arranged by Jay Althouse. For Choir. (2-Part). Choral Octavo. Choral Designs. C...(+)
Arranged by Jay Althouse. For Choir. (2-Part). Choral Octavo. Choral Designs. Christmas. Choral Octavo. 16 pages. Published by Alfred Publishing.
$2.95 $2.8025 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Jazz Carols (It Came Upon a Midnight Clear, The Coventry Carol, and Angels We Have Heard on High) - 2 part Choral 2-part 2-part [Octavo] Alfred Publishing
Arranged by Donald Moore. For Choir. (2-Part). Choral Octavo. Novelty, Christmas...(+)
Arranged by Donald Moore. For Choir. (2-Part). Choral Octavo. Novelty, Christmas. Choral Octavo. 12 pages. Published by Alfred Publishing.
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Disney Favorites for Two 2 Saxophones (duet) - Easy Hal Leonard
Easy Instrumental Duets - Alto Sax Edition. Composed by Various. Easy Instrume...(+)
Easy Instrumental Duets - Alto
Sax Edition. Composed by
Various. Easy Instrumental
Duets. Disney, Duet, Movies.
Softcover. 48 pages. Published
by Hal Leonard
$10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sound Innovations for Concert Band, Book 2 Baritone Saxophone [Sheet music + CD + DVD] Alfred Publishing
(A Revolutionary Method for Early-Intermediate Musicians (E-Flat Baritone Saxoph...(+)
(A Revolutionary Method for Early-Intermediate Musicians (E-Flat Baritone Saxophone)). By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips. Concert Band. For E-Flat Baritone Saxophone. Band Method; Book; CD; DVD; Method/Instruction. Sound Innovations. Early Intermediate. 48 pages. Published by Alfred Music Publishing
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 15 Intermediate Classical Solos Alto Saxophone and Piano [Sheet music + CD] - Intermediate Anglo Music
Alto Saxophone and Piano - intermediate SKU: BT.AMP-383-400 Alto Saxop...(+)
Alto Saxophone and Piano - intermediate SKU: BT.AMP-383-400 Alto Saxophone and Piano. Arranged by Philip Sparke. Anglo Music Play-Along Series. Classical. Book with CD. Composed 2014. 16 pages. Anglo Music Press #AMP 383-400. Published by Anglo Music Press (BT.AMP-383-400). ISBN 9789043135818. 9x12 inches. English-German-French-Dutch. Part of the ANGLO MUSIC PLAY-ALONG Series, Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored to suitthe individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms. The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD. Philip Sparkeâ??s 15 Intermediate Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die ongeveer anderhalf octaaf kan spelen. Het boek is een vervolg op Sparkeâ??s 15 EasyClassical Solos en het sluit qua instrumentaal bereik en gebruikte toonsoorten aan bij het Expert Level van Hal Leonards Essential Elements ®, maar het kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, diespecifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen: van Handel tot Tsjaikovski en van Clementi tot Brahms.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd metpianobegeleiding en een cd met demo- en meespeeltracks. 15 INTERMEDIATE CLASSICAL SOLOS ist als Ergänzung zur bewährten ANGLO MUSIC PLAY-ALONG Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von eineinhalb Oktaven beherrschen. Es schlieÃ?t an Sparkes 15 EASY CLASSICAL SOLOS an undentspricht dem Niveau des Expert Levels der ESSENTIAL ELEMENTS Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden. Genau auf jedes Instrument zugeschnitten, ermöglichen die sorgfältig ausgewählten Melodien noch mehr Spielerfahrung mit klassischer Musik. Die Stücke umfassen verschiedene Stilrichtungen und Komponisten wie z.B. Händel, Tschaikowsky, Clementi undBrahms. Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen. 15 Intermediate Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave et demie. Il fait suite au recueil 15 Easy Classical Solos, et a été conçu pour être joué en corrélation avec la série Expert Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spécifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Hændel, Tcha kovski, Clémenti et Brahms.Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compactdisc, ces ouvrages représentent une source complémentaire inestimable toute méthode pédagogique. Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Intermediate Classical Solos is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkeâ??s 15 Easy Classical Solos.Specifically tailored to suit the individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music fromthe 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and ademo/play-along CD. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Disney Favorites for Two 2 Trumpets (duet) - Easy Hal Leonard
Easy Instrumental Duets - Trumpet Edition. Composed by Various. Easy Instrumen...(+)
Easy Instrumental Duets -
Trumpet Edition. Composed by
Various. Easy Instrumental
Duets. Disney, Duet, Movies.
Softcover. 48 pages. Published
by Hal Leonard
$10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Disney Favorites for Two 2 Clarinets (duet) - Easy Hal Leonard
Easy Instrumental Duets - Clarinet Edition. Composed by Various. Easy Instrume...(+)
Easy Instrumental Duets -
Clarinet Edition. Composed by
Various. Easy Instrumental
Duets. Disney, Duet, Movies.
Softcover. 48 pages. Published
by Hal Leonard
$10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Disney Favorites for Two 2 Flutes (duet) - Easy Hal Leonard
Easy Instrumental Duets - Flute Edition. Composed by Various. Easy Instrumenta...(+)
Easy Instrumental Duets -
Flute Edition. Composed by
Various. Easy Instrumental
Duets. Disney, Duet, Movies.
Softcover. 48 pages. Published
by Hal Leonard
$11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Play Alto Sax Today! - Level 2 Alto Saxophone [Sheet music + Audio access] - Beginner Hal Leonard
A Complete Guide to the Basics. Hal Leonard Play Today Instructional Series. Lea...(+)
A Complete Guide to the Basics. Hal Leonard Play Today Instructional Series. Learn To Play and Play Along. Instructional book (softcover) and online audio. With introductory text, instructional text, musical examples, standard notation, fingerings chart and glossary. 47 pages. Published by Hal Leonard
(2)$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fun Favorites for Alto Saxophone 3 Saxophones (trio) [Sheet music + Audio access] De Haske Publications
3 Alto Saxophones - easy SKU: BT.DHP-1094836-404 Arranged by Peter Kleine...(+)
3 Alto Saxophones - easy SKU: BT.DHP-1094836-404 Arranged by Peter Kleine Schaars. Trioflex. Book with Part and Audio-Online. Composed 2021. 28 pages. De Haske Publications #DHP 1094836-404. Published by De Haske Publications (BT.DHP-1094836-404). ISBN 9789043164993. English-German-French-Dutch. Trio Flex is a clever concept that offers you a range of possible options. As well as a demo version played by live instruments, the audio tracks available online contain two play-along tracks for each piece. One trackfeatures the combo only, and the other track features the combo plus the second and third parts of the trio. Peter Kleine Schaars has arranged ten well-known numbers for three wind instruments in various styles and genres. Playthe melody with the combo on the accompaniment track, or play the trio version with the other two recorded parts. That will sound great in itself. But you can also form a trio with two co-players, and have yourselves accompaniedby the combo accompaniment. No matter which variation you choose, get ready for a musical experience that will amaze your audience!
Trio-Flex is een uitgekiend concept dat verschillende mogelijkheden met zich meebrengt. De online beschikbare audiotracks bevatten naast een live ingespeelde demoversie van elk nummer twee begeleidingstracks. Op de enetrack hoor je alleen het combo en op de andere track hoor je het combo met daarbij de tweede en derde stem van het trio. Peter Kleine Schaars bewerkte tien bekende nummers voor drie spelers in diverse genres en stijlen. Speeldemelodie met het combo op de begeleidingstrack, of speel de trioversie met de tegenstemmen. Dat klinkt al geweldig. Maar je kunt ook met twee medespelers een trio vormen en je door het combo op de begeleidingstrack latenbegeleiden. Welke variant je ook kiest: bereid je voor op een muzikale belevenis die je publiek versteld zal doen staan!
Trio-Flex ist ein cleveres Konzept, das verschiedene Möglichkeiten bietet. Neben einer live eingespielten Demoversion umfassen die online verfügbaren Audiotracks zwei Mitspielversionen jedes Stückes. Eine wird nur von derCombo gespielt, die andere von der Combo zusammen mit der zweiten und dritten Stimme des Trios. Peter Kleine Schaars arrangierte zehn bekannte Titel für drei Klarinetten in verschiedenen Genres und Musikstilen. Die Melodie zurCombo-Begleitung gespielt oder die Trioversion mit den Gegenstimmen auf der Begleitaufnahme - das alleine klingt schon wunderbar. Am schönsten ist allerdings, wenn sich zwei Mitspieler finden und dann im Trio zur aufgenommenenCombo-Begleitung musiziert werden kann. Ganz egal, für welche Variante man sich entscheidet: Es wird eine musikalische Erfahrung, die jedes Publikum begeistert!
Trio Flex est un concept malin qui offre plusieurs possibilités de jeu. Chaque pièce est enregistrée dans trois versions : une version intégrale, jouée par un vrai combo, suivie de deux versions play-along quicorrespondent une version combo seul et une version combo avec les voix 2 et 3. Peter Kleine Schaars a arrangé dix morceaux orientés grand public, de styles et de genres variés, pour trois instruments vent. Il y a plusieursoptions de jeu : jouer la ligne mélodique avec l'accompagnement du combo seul, jouer la ligne mélodique avec la version combo voix 2 et 3 ou encore former un trio avec deux amis jouant du même instrument et swinguer avecles musiciens du combo. Quelle que soit l'option choisie, vous ferez sensation auprès du public!
Fun Favorites è una pubblicazione basata sul concetto di TRIO-FLEX: si può quindi fare musica con tre strumentisti, da soli con il combo, o da soli con il combo e le parti del trio. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Child of Song Choral 2-part 2-part [Octavo] Alfred Publishing
By Andy Beck and Derryl Herring. For Choir. (2-Part). Choral Octavo. Choral Oct...(+)
By Andy Beck and Derryl Herring. For Choir. (2-Part). Choral Octavo. Choral Octavo. 12 pages. Published by Alfred Publishing.
(3)$2.05 $1.9475 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Still Baritone Saxophone Carl Fischer
By Jason Eckardt (1971-). For Baritone Saxophone in Eb Solo. Performance score. ...(+)
By Jason Eckardt (1971-). For Baritone Saxophone in Eb Solo. Performance score. Standard notation. Published by Carl Fischer
$25.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Movie Songs for Two Alto Saxes 2 Saxophones (duet) - Easy Hal Leonard
Easy Instrumental Duets. Composed by Various. Arranged by Mark Phillips. Easy ...(+)
Easy Instrumental Duets.
Composed by Various. Arranged
by Mark Phillips. Easy
Instrumental Duets. Movies,
Duet. Softcover. 48 pages.
Published by Hal Leonard
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| One Silent Night - CD with Printable Parts Choral [CD-ROM] Lorenz Publishing Company
Composed by Pepper Choplin. Arranged by Larry Shackley. Choral, cantatas. Christ...(+)
Composed by Pepper Choplin. Arranged by Larry Shackley. Choral, cantatas. Christmas. CD with printable parts. Lorenz Publishing Company #30/3244L. Published by Lorenz Publishing Company
$249.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pieces Celebres Vol.2 (saxophone-alto & Piano) Alto Saxophone and Piano Leduc, Alphonse
SKU: HL.48183554 Leduc. Classical. Softcover. 12 pages. Alphonse Leduc #A...(+)
SKU: HL.48183554 Leduc. Classical. Softcover. 12 pages. Alphonse Leduc #AL25708. Published by Alphonse Leduc (HL.48183554). UPC: 888680870263. 9x12 inches. “Famous pieces for Eb Alto Saxophone and Piano ' Vol. 2 is the second volume of an anthology of famous pieces, transcribed and adapted by Marcel Mule. Part of the collection 'Classics for Saxophone', this volume features nine classical pieces: - Chanson de printemps, by Mendelssohn - Orphée ' Champs-Élysées scene, by Gluck - La reine de Golconde - Gavotte, by Monsigny - Grave, by Tartini - Ballet des petits riens, by Mozart - Petite valse, by Beethoven - Petite valse et tyrolienne, by Weber - Sérénade, by Schubert - Scènes d'enfants - Rêverie, by Schumann Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus, of breathing. He wrote different methods that focus on technique, articulation and tone productions such as 'Eighteen exercises or etudes', 'Daily exercises after Terschack' or '30 Great exercises and studies after Soussmann' (in two books), among others.&rdquo. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Short Scherz - Quintet for Saxophone Quartet and Trombone Saxophone Quartet: 4 saxophones [Score and Parts] - Advanced Cherry Classics
Saxophone Quartet and Trombone - Advanced SKU: CY.CC3180 Composed by Jim ...(+)
Saxophone Quartet and Trombone - Advanced SKU: CY.CC3180 Composed by Jim Pugh. Classical. Score and Parts. Cherry Classics #CC3180. Published by Cherry Classics (CY.CC3180). ISBN 9790530119082. 8.5 x 11 in inches. James Pugh has written a short work of chamber music in one movement called Short Scherz, Quintet for Saxophone Quartet and Trombone. This music is appropriate for very advanced performers and is about 2 1/2 minutes in length. The work begins with a bouncy melody (A Theme) that works it's way up through the instruments, comes to a climax and continues on into a languid melodic section (B Theme) and works its way by adding speed and dynamics to the conclusion (A Theme repeated). This work was written for and first performed in 1989 by George Marge and the American Saxophone Quartet with Mr. Pugh. $35.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Intermezzo Alto Saxophone and Piano Carl Fischer
Chamber Music Piano, alto Saxophone SKU: CF.W2401 L’Arlesienne ...(+)
Chamber Music Piano, alto Saxophone SKU: CF.W2401 L’Arlesienne Suite No. 2. Composed by Georges Bizet. Edited by Don Mccathren. Arranged by Harry Gee. Fold. Carl Fischer Educational Woodwind Series. Classical. Set of Score and Parts. With Standard notation. 8+1 pages. Carl Fischer Music #W2401. Published by Carl Fischer Music (CF.W2401). ISBN 9780825839238. UPC: 798408039233. 9 X 12 inches. Key: Eb major. Transcribed by Harry Gee. This edition of Georges Bizet's Intermezzo from L'Arlesienne Suite No. 2 was transcribed by Harry Gee for alto saxophone and piano and edited by Don McCathren. It includes a study guide which has been prepared to assist the student in mastering the solo correctly as well as improve saxophone technique. Don McCathren writes that this piece is intended primarily as a training piece but it is also well suited for a recital or contest piece. $8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazz Alto Sax Tunes (Alto Sax) Alto Saxophone [Sheet music + CD] - Easy ABRSM Publishing
Jazz Alto Sax Tunes. (Level/Grade 2). ABRSM Jazz. 24 pages. ABRSM (Associated Bo...(+)
Jazz Alto Sax Tunes. (Level/Grade 2). ABRSM Jazz. 24 pages. ABRSM (Associated Board of the Royal Schools of Music) #D3056. Published by ABRSM (Associated Board of the Royal Schools of Music)
$24.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| tellement froid que [Score] Carus Verlag
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bas...(+)
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bass flute and live electronics. Composed by Walter Feldmann. This edition: Paperbound. (r)TELLEMENT FROID QUE- (GEORGIQUES I). Full score. Composed 1995-96. 66 pages. Duration 20 minutes. Carus Verlag #CV 16.310/00. Published by Carus Verlag (CA.1631000). ISBN 9790007242800. Language: all languages. 1989. Stay in Aix-en-Provence, France, doing a language course. Reading, discussing and analyzing Les Georgiques; this pursuit is going to be the foundation of the multiple intellectual and literary levels of my composing. 2. THE WOODEN PLATFORM IS COVERED WITH FINE WHITE SAND (OR SALT), THE TWO SHELVES WITH BLACK CLOTH ... At the time I work on my first serious piece, still a far cry from the under-standing of writing music I have today. << tellement froid que >> (georgiques I) for bass flute, electronics and scene (1995-96), sections 1-7. << comme si le froid >> (georgiques II) for baritone saxophone, timpani and piano (1998), sections 18-24. << n'etait le froid >> (georgiques III) for orchestra (2000-2002), sections not yet decided. 3. THE INTERPRETER WILL BE DRESSED IN BLACK AND WHITE, MAINLY WHITE IF BLUISH LIGHT IS AT HAND ... The enormously rich vocabulary and the accuracy of expression - in temporal, spatial and material terms - is particularly impressive. To comprehend all of it, a reading on three different levels is called for: a first reading of one passage, then the acquisition of unknown vocabulary; thirdly a repeated - knowing - reading, which points out the utopia of precise expression: The text is treated in a rather problematic (cold: le froid?) manner: it's not the semantic content that is primarily dominant, but rather the outward appearance, the mise en page and the syntactic structure. 4. THE INTERPRETER ENTERS THE STAGE WITH ALL THE FLUTES (S)HE WILL PLAY DURING THE CONCERT AND DEPOSITS THEM - EXCEPT FOR THE BASS FLUTE - ON SHELF B; IF (S)HE ONLY PLAYS THIS PIECE, (S)HE SHOULD PUT THE PROGRAMME OF THE CONCERT THERE; IN ANY CASE THE INSTRUCTIONS IN BAR 195 MUST BE FOLLOWED ... In concrete terms the 10 centimetres of a line in the minuit edition correspond to 10 seconds of musical structure (which is three times as slow as the average reading speed). Only seven years later is the term / expression casse ferique changed into casse ferrique, and thus its secret is revealed, which almost becomes - due to its unreadability - the key to the planned musical cycle. The text is measured from section to section (big format: each section is marked with a continuous, ,,cold chord by the bass flute, played on tape recorder), from full stop to full stop (new entry of keynote material), from comma to comma (tripling of continuous resonances) etc. 5. DURING THE PERFORMANCE UP TO BAR 195, THE INTERPRETER WILL TRY - IN A KIND OF THEATRICAL ADAPTATION - TO EXPRESS HIS/HER OWN FEELING OF IRREPRESSIBLY GROWING FRUSTRATION; FROM BAR 195 ONWARDS (S)HE WILL DEFINITELY HAVE PUT UP WITH THE BASS FLUTE ... Brackets in the text bring about a reduction of sound (the differentiating micro tones are no longer used), the syntactical progression to subordinate clauses of the remotest degree has its immediate effect on dynamics (degree of volume). Then: the perception of a logical and yet erratic syntax, vastly progressive layers of subordinate clauses and brackets (lowering tone of voice?), a polyphony of ,,memoire, which leads to a maelstrom of attention, a tonally centric / concentrated (main material?) and progressive (subordinate and brackets-material?) reading, listening and proceeding. The different levels are constantly in touch - transferring the sensuous moment of scenes of bodily encounter (Tryptique) that are evoked again and again - in perpetual excitement of text and imagination, memory and remembering sensitivity. 6. THE BODY MOVEMENTS AND FIXATION (FIGE) , BOTH CLEARLY PERCEPTIBLE, WILL EVOKE AND SUPPORT THE SAME EMOTIONS ... The basic moods of the text will be reflected in the relationship (which is very important here) of the interpreter to the music; (s)he is somehow at the mercy of given (and not always transparent) structures on the one hand and the complexity of musical sensations on the other, which has to be defeated inspite of exhaustion. It's not only here that semantic agreement (besides the materialistic structure) of music and text can be felt: On top of that there's the existential helplessness in view of the mercilessly flowing polyphony of levels and events -- as a mirror of this there are the remembered scenes of the Flemish cold in the second chapter (Les Georgiques). The interpreters are confronted with unusual directions which correspond to the adjectives in the respective passages of the text: anachronique, engourdi, glace et acre, monotone et desert etc. The possibilities of interpretation are amplified, the ability to perceive and personal reaction is opened. The impression of this inexorability is multiplied in the extremest way by the fact that the particular layers can be found in Simon's complete works. It's a continuous work of art in which each novel turns into a chapter of a complex, cyclic whole; its title denoting only one main strand, as it were. A personal comment is made also as regards the clearly defined stage; the mise en scene points out the extra-musical elements and the correlation between text, human being and music. 7. THE INTERPRETER IS ASKED TO MOVE FREELY WITHIN A DEFINED SPOT WITHOUT LOOKING ARTIFICIAL; SOUNDS CAUSED BY THE FEET MOVING ON THE SAND ARE WELCOME DURING THE WHOLE PIECE ... And here the idea of a cycle is born, an attempt to transfer these nuances of memorized structures, this clarity and coldness, to transform the text into musical material. Walter Feldmann. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Blue Horizons - Intermediate Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, English Horn, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, Trumpet 1, Trumpet 2, Trumpet 3, alto Saxophone 1 and more. - Grade 5 SKU: CF.SPS85 Composed by Jeremy Martin. Folio. Sps. Set of Score and Parts. 4+28+28+14+14+4+14+14+7+24+28+28+8+4+8+8+14+8+9+12+12+8+8+8+8+12+12+9+12+8+16+4+3+2+6+6+6+7+44 pages. Duration 7 minutes, 8 seconds. Carl Fischer Music #SPS85. Published by Carl Fischer Music (CF.SPS85). ISBN 9781491156421. UPC: 680160914968. 9 x 12 inches. Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines. The original request for this work was a daunting task: I was asked to create an Air Force companion piece to Robert Jager's Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine's Hymn into his work - that is, to weave a musical tapestry of the Air Force's musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few Jager-isms into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived as a dedication to the Air Force's musical legacy, it is also a personal homage to my teacher and friend, Robert Jager. Performance Notes * If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute. * Oboe 1 and 2 parts should be covered before adding the English Horn part. * The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts. * The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out. * From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines. * There is a strong tendency to rush m. 121. * During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo. * In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice line from mm. 251-260.) * In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279. * If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy. Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines.The original request for this work was a daunting task: I was asked to create an Air Force “companion piece†to Robert Jager’s Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine’s Hymn into his work – that is, to weave amusical tapestry of the Air Force’s musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few “Jager-isms†into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived asa dedication to the Air Force’s musical legacy, it is also a personal homage to my teacher and friend, Robert Jager.Performance Notes• If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute.• Oboe 1 and 2 parts should be covered before adding the English Horn part.• The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts.• The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out.• From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines.• There is a strong tendency to rush m. 121.• During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo.• In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice linefrom mm. 251-260.)• In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279.• If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy. $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Soundpower's Greatest Hits - Bill Moffit - Alto Saxophone Individual Part Hal Leonard
Sound Power (Marching Band). Size 6.8x5.2 inches. 32 pages. Published by Hal Leo...(+)
Sound Power (Marching Band). Size 6.8x5.2 inches. 32 pages. Published by Hal Leonard.
$3.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Thirty Great Exercises or Studies - Book 2 Saxophone Leduc, Alphonse
Saxophone SKU: HL.48181087 For Saxophone. Composed by Marcel Mule....(+)
Saxophone SKU: HL.48181087 For Saxophone. Composed by Marcel Mule. Leduc. Classical. Softcover. 36 pages. Alphonse Leduc #AL20225. Published by Alphonse Leduc (HL.48181087). UPC: 888680948658. 9.0x12.0x0.135 inches. Thirty great exercises or studies after Soussmann - Book 2 is the second and final volume of this series, written by Marcel Mule. Inspired by Soussmann's exercise book and adapted to saxophone, these studies for intermediate players are divided with 15 studies in the first book and 15 in the second one. Written in G key with up to 7 sharps per exercise, these studies will develop the technical skills and the sonority of the saxophonist. With breathing indications, it will help the players to gain in endurance too. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on embouchure, the emission, the mastery of vibrato and thus, of breathing. He wrote different methods that focus on technique, articulation and tone productions such as Eighteen Exercises or Studies or Daily Exercises Aafter Terschack among others. $29.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Alle Jahre wieder - Altsaxofon - Beginner Edition Dux Verlag
1-2 alto saxophones - very easy to easy SKU: M7.DUX-6012-96 Sehr leich...(+)
1-2 alto saxophones - very easy to easy SKU: M7.DUX-6012-96 Sehr leichte bis leichte Weihnachtslieder für ein oder zwei Altsaxofone. Arranged by Uwe Sieblitz. Sheet music with Online material. Performance book. 40 pages. Edition Dux Verlag #DUX 6012-96. Published by Edition Dux Verlag (M7.DUX-6012-96). ISBN 9783868493573. 35 Christmas carols for the first years on the alto saxophone. Ideal for beginners, with the first carols kept within a range of five notes and the level of difficulty gradually increasing. A second part and chords are included so that the carols can also be played by a duo or trio. Audio download included: the files with interesting audio and playalong versions in keeping with the particular style can be downloaded with the code printed in the edition. The transposed 2nd part can be downloaded for free for those who would like to play with other instruments from the series 'Alle Jahre wieder'. The volume is also available without audio download (D 6011). A separate piano volume (D 6018) provides an accompaniment for the carols. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Moving Heaven and Earth Concert band [Score] - Intermediate Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-339-140 Concertante Variat...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-339-140 Concertante Variations on an Original Theme (after Gabriel Fauré). Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2012. 40 pages. Anglo Music Press #AMP 339-140. Published by Anglo Music Press (BT.AMP-339-140). 9x12 inches. English-German-French-Dutch. Moving Heaven and Earth was commissioned by the Clark County School District Commissioning Project, Las Vegas, NV, USA and is dedicated to Bunny Wasserman and her Make Music Matter, Las Vegas foundation, in appreciation of her tireless work in support of music education. It was premiered in January 2012, conducted by Col. John R. Bourgeois.The piece consists of a theme and 4 variations; although the theme is original it contains a phrase heavily influenced by a 14-bar passage from the Libera Me in Fauré’s Requiem. It is a sequence that the composer finds harmonically compelling and, although it is never quoted directly, it appears in altered form in thetheme and each of the variations. In the original, the passage is set to the words: Quando cæli movendi sunt et terra (When the heavens and the earth shall be moved) which gave inspiration for the title.After the initial statement of the theme, Variation 1 features the upper woodwinds who play a stirring melody and accompany the Fauré reference with florid arpeggios. Variation 2 spotlights the saxophones and lower woodwind in a rhythmic, modal waltz, whilst Variation 3 is a broad chorale for the brass and percussion. Variation 4 starts with a fugue, which introduces each section of the band in turn before the original theme appears on the brass while the woodwind continue the fugal figuration.
Moving Heaven and Earth is geschreven in opdracht van het Clark County School District Commissioning Project, Las Vegas, NV, USA. Het is opgedragen aan Bunny Wasserman en haar stichting Make Music Matter… Las Vegas, als blijk van waardering voor haar onvermoeibare inzet voor het muziekonderwijs. De première, uitgevoerd onder leiding van kolonel John R. Bourgeois, vond plaats in januari 2012.Het werk bestaat uit een thema en vier variaties; hoewel het een oorspronkelijk geschreven thema is, bevat het een frase die sterk is be nvloed door een passage van veertien maten uit het Libera Me van Faurés Requiem. Het gaat om een sequens die de componist harmonischzeer boeiend vindt, en die - hoewel nooit direct geciteerd - in aangepaste vorm in zowel het thema als de vier variaties naar voren komt. In het origineel is de muziek uit deze passage geschreven op de tekst Quando cæli movendi sunt et terra (Wanneer hemel en aarde bewogen worden). Daarop is de titel van deze compositie gebaseerd.Na de aanvankelijke invoering van het thema komt in Variatie 1 het hoge hout aan bod met een treffende melodie; en de verwijzing naar Fauré wordt begeleid door sierlijke arpeggio’s. Variatie 2 plaatst de saxofoons en het lage hout in de schijnwerpers met een ritmische, modale wals, terwijl Variatie 3 een weidse koraal voor het koper en slagwerk omvat.Variatie 4 begint met een fuga die elke sectie van het orkest introduceert, waarna het oorspronkelijke thema in het koper verschijnt terwijl het hout verdergaat met de fugatische versieringen.
Moving Heaven and Earth wurde vom Schulbezirksverband in Las Vegas, Nevada (USA) in Auftrag gegeben. Das Stück ist Bunny Wasserman und ihrer Stiftung Make Music Matter, Las Vegas gewidmet, in Anerkennung ihrer unermüdlichen Anstrengungen zugunsten der musikalischen Ausbildung. Die Uraufführung fand im Januar 2012 unter Leitung von Colonel John R. Bourgeois statt.Das Stück besteht aus einem Thema und vier Variationen. Obwohl es sich um ein originales Thema handelt, ist doch ein Abschnitt daraus stark von einer 14-taktigen Passage aus dem Libera Me in Faurés Requiem beeinflusst. Es ist eine Sequenz, die dem Komponisten harmonisch besonders reizvoll erschien, wennsie auch nirgends direkt zitiert wird, sondern in veränderter Form im Thema und in jeder Variation erscheint. Im Original ist diese Passage mit folgendem Text unterlegt: Quando cæli movendi sunt et terra (Wenn Himmel und Erde sich bewegen sollen). Diese Worte waren Inspiration für den Titel.Nach der einleitenden Vorstellung des Themas stellt Variation 1 die hohen Holzbläser in den Vordergrund, die eine bewegende Melodie spielen und die Anspielung auf Fauré mit schönen, lebhaften Arpeggien begleiten. Variation 2 richtet das Rampenlicht auf die Saxophone und die tiefen Holzbläser in einem rhythmischen, modalen Walzer, während Variation 3 ein breiter Choral für die Blechbläser und das Schlagzeug ist. Variation 4 beginnt mit einer Fuge, die nacheinander jedes Register des Blasorchesters präsentiert, bevor die Blechbläser das Originalthema spielen und die Holzbläser dazu mit der Umspielung der Fuge fortfahren.
Moving Heaven and Earth (Ébranler le ciel et la terre) est une oeuvre de commande du Clark County School District Commissioning Project de Las Vegas, États-Unis. Cette pièce est dédiée Bunny Wasserman et sa fondation Make Music Matter, Las Vegas, en reconnaissance de son travail sans rel che en faveur de l’éducation musicale. Elle a été créée en janvier 2012, sous la direction du colonel John R. Bourgeois.Cette oeuvre se compose d’un thème et de quatre variations ; bien que le thème soit original, il contient néanmoins un motif relativement influencé par un passage de 14 mesures du Libera Me du Requiem de Fauré. Cette séquence, dont l’harmonisation fascinePhilip Sparke, paraît sous une forme altérée dans le thème et chacune des variations. Dans l’oeuvre de Fauré, le thème mélodique colore les paroles : Quando cæli movendi sunt et terra (Quand le ciel et la terre seront ébranlés), qui ont d’ailleurs inspiré le titre de la présente composition.Après une exposition initiale du thème, la 1re variation fait appel au registre aigu des bois, qui énoncent une exaltante mélodie et enluminent l’allusion Fauré par des arpèges fleuris. La 2e variation met en valeur les saxophones et le registre grave des bois dans une valse modale rythmée, tandis que la 3e variation prend la forme d’un ample choral pour les cuivres et la percussion.La 4e variation installe une fugue qui présente, tour tour, chaque pupitre de l’orchestre avant le retour du thème d’origine interprété par les cuivres, tandis que les bois maintiennent brillement le motif de fugue. $52.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sound Innovations for Concert Band -- Ensemble Development Alto Saxophone [Part] Alfred Publishing
(E-Flat Alto Saxophone 2). By Peter Boonshaft and Chris Bernotas. Concert Band. ...(+)
(E-Flat Alto Saxophone 2). By Peter Boonshaft and Chris Bernotas. Concert Band. For E-Flat Alto Saxophone 2. Band Method; Book; Method/Instruction. Sound Innovations Series for Band. 56 pages. Published by Alfred Music Publishing
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Odd-Meter Etudes for Alto Sax Alto Saxophone [Sheet music + Audio access] - Intermediate/advanced Mel Bay
Composed by Russell Haight. Squareback saddle stitch. Book and online audio....(+)
Composed by Russell Haight.
Squareback saddle stitch.
Book and online audio. 80
pages. Mel Bay Publications,
Inc #30756M. Published by Mel
Bay Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
Next page 1 31 61 ... 301 |