| Rites for the Afterlife Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxophone, soprano Saxophone SKU: PR.114419980 Composed by Stacy Garrop. Sws. Set of Score and Parts. 32+16+16+16+16+16 pages. Duration 16 minutes. Theodore Presser Company #114-41998. Published by Theodore Presser Company (PR.114419980). UPC: 680160681723. 9 x 12 inches. The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G. $53.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rites for the Afterlife [Score] Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxophone, soprano Saxophone SKU: PR.11441998S Composed by Stacy Garrop. Sws. Full score. 32 pages. Duration 16 minutes. Theodore Presser Company #114-41998S. Published by Theodore Presser Company (PR.11441998S). UPC: 680160681730. 9 x 12 inches. The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G. $29.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Runner's Song Shawnee Press
Choral (orchestration on CD-rom) SKU: HL.35028116 Composed by Joseph M. M...(+)
Choral (orchestration on CD-rom) SKU: HL.35028116 Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Memorial, Pentecost. CD-ROM, Full Score and Parts. Published by Shawnee Press (HL.35028116). UPC: 884088610579. 5x5 inches. Uses: Pentecost, General, Memorial
Scripture: II Timothy 4:7-8; Philippians 1:6; Isaiah 40:31
This commissioned anthem was written in memory of a runner who made an impact on the community of faith in which he participated. The composer wrote words that were specific to this work but also represented a larger truth to all believers. Finding Scriptures that enabled this perspective, he crafted an anthem that tonally paints the effect of running the good race and even soaring with victory. $60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| River Runner Trombone and Piano Theodore Presser Co.
Three movement sonata for trombone and piano. Composed by Stephen Lias (1966-)...(+)
Three movement sonata for
trombone and piano. Composed
by Stephen Lias (1966-).
Theodore Presser Company
#494-03150. Published by
Theodore Presser Company
$21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Roadrunner Rally String Orchestra [Score and Parts] - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS10 Composed by Doris ...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS10 Composed by Doris Gazda. Edited by Amy Rosen. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 16+4+16+10+10+4+10+12 pages. Carl Fischer Music #YAS10. Published by Carl Fischer Music (CF.YAS10). ISBN 9780825848261. UPC: 798408048266. 8.5 X 11 inches. Key: D major. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody ofA Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course,A Roadrunner Rally ends with a loudly emphasized honking noise, theA beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody ofA Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course,A Roadrunner Rally ends with a loudly emphasized honking noise, theA beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner. When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners.The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner. $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Best of Contemporary Christian
Fake Book [Fake Book] - Intermediate Hal Leonard
Over 400 Songs. Fake Book (Includes melody line and chords). Size 9x12 inches. 5...(+)
Over 400 Songs. Fake Book (Includes melody line and chords). Size 9x12 inches. 583 pages. Published by Hal Leonard.
(4)$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Text, Musik, Szene - Das Musiktheater Von Carl Orff Schott
SKU: HL.49044677 German Text. Composed by Carl Orff. Edited by Tho...(+)
SKU: HL.49044677 German Text. Composed by Carl Orff. Edited by Thomas Roesch. This edition: Hardback/Hard Cover. Book. Edition Schott. >>Text, Musik, Szene - Das Musiktheater von Carl Orff<< lautet der Titel eines Symposiums, das 2007 anlasslich des 25. Todesjahres Carl Orffs vom Orff-Zentrum Munchen in Zusammenarbeit mit dem Musikwissenschaftlichen Seminar der Freien Universitat Berlin. Classical Reference, German Edition. Hardcover. 324 pages. Schott Music #ED20654. Published by Schott Music (HL.49044677). ISBN 9783795706722. 7.0x9.75x0.827 inches. German. Uber die Carmina Burana hinaus sind die Buhnenwerke von Carl Orff - darunter die gewichtigen Opern nach antiken Stoffen und das endzeitliche De temporum fine comoedia - nach wie vor zu entdecken. Interdisziplinar beleuchtet werden Entstehungs- und Wirkungsgeschichte, Asthetik, Satztechnik, Dramaturgie, Inszenierungsstile und Instrumententarium bis hin zur Kommerzialisierung von Orffs Musik in der Werbung. $54.00 - See more - Buy online | | |
| The Blues Fake Book
Fake Book [Fake Book] Hal Leonard
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, chord names and leadsheet notation. Series: Hal Leonard Fake Books. 407 pages. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Looney Tunes Songbook Piano, Vocal and Guitar [Sheet music] Alfred Publishing
(Merrie Melodies and Themes from Warner Brothers Cartoons (Piano/Vocal/Guitar))....(+)
(Merrie Melodies and Themes from Warner Brothers Cartoons (Piano/Vocal/Guitar)). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords. Children; TV. 108 pages. Published by Alfred Music Publishing
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Runner (SATB) Choral SATB SATB, Piano - Easy Walton Music
SATB choir, piano accompaniment - Early intermediate SKU: GI.WW1636 Compo...(+)
SATB choir, piano accompaniment - Early intermediate SKU: GI.WW1636 Composed by Joshua Rist. Andrew Crane Choral Series. Classical. Octavo. 16 pages. Walton Music #WW1636. Published by Walton Music (GI.WW1636). UPC: 785147005162. English. Text by Roger Weaver. A beautiful, driving piano accompaniment sets the stage for the journey of a runner - the air filling his lungs and the ground pushing back with its slow spin. The ethereal voices paint a wondrous picture. A lovely work, not difficult, and perfect for high school singers and above. Andrew Crane Choral Series. $3.10 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Runner (SSAA) - Easy Walton Music
SSAA choir, divisi, piano accompaniment - Early intermediate SKU: GI.WW1812(+)
SSAA choir, divisi, piano accompaniment - Early intermediate SKU: GI.WW1812 Composed by Joshua Rist. School, Concert. Andrew Crane Choral Series. Classical. Octavo. 16 pages. Walton Music #WW1812. Published by Walton Music (GI.WW1812). UPC: 785147025863. English. Text by Roger Weaver. A beautiful, driving piano accompaniment sets the stage for the journey of a runner - the air filling her lungs and the ground pushing back with its slow spin. The ethereal voices paint a wondrous picture. A lovely work, not difficult, and perfect for high school singers and above. Andrew Crane Choral Series. $3.10 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Runner's Song Choral SATB SATB Shawnee Press By Joseph M. Martin.
SATB. Harold Flammer. 16
pages. Published by
Shawnee Press
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Runner's Song Choral CD [CD] Shawnee Press
By Joseph M. Martin. For Choral (Studiotrax CD). Harold Flammer. CD only. Publis...(+)
By Joseph M. Martin. For Choral (Studiotrax CD). Harold Flammer. CD only. Published by Shawnee Press
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Modern Man I Sing Choral SATB SATB A Cappella [Vocal Score] Oxford University Press
Composed by Bob Chilcott. Vocal score. 28 pages. Duration 7'. Published by Oxfor...(+)
Composed by Bob Chilcott. Vocal score. 28 pages. Duration 7'. Published by Oxford University Press (OU.9780193359772).
$16.25 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Ventures: Pipeline - 25 Surfin' Hits For Solo Guitar Guitar notes and tablatures [Sheet music] - Intermediate Creative Concepts
Performed by The Ventures. For guitar. Format: guitar tablature songbook. With g...(+)
Performed by The Ventures. For guitar. Format: guitar tablature songbook. With guitar tablature, standard notation, chord names, introductory text and black and white photos. Surf Rock. 128 pages. 9x12 inches. Published by Creative Concepts.
(3)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jukka Viitasarri : Dance of the Epiphytes Concert band [Score and Parts] - Intermediate BRS Music
Composed by Jukka Viitasarri. For concert band. Grade 4. Score and parts. ...(+)
Composed by Jukka
Viitasarri. For concert
band. Grade 4. Score and
parts. Duration 7 minutes,
25 seconds. Published by BRS
Music
$80.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Menuet Sur Le Nom D'haydn Piano solo - Advanced Wiener Urtext
By Maurice Ravel (1875-1937). Edited by Theo Hirsbrunner and Jochen Reutter. For...(+)
By Maurice Ravel (1875-1937). Edited by Theo Hirsbrunner and Jochen Reutter. For Piano. ADVANCED. Published by Wiener Urtext/Vienna Urtext
$11.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Six Cameos Bassoon [Part] - Intermediate/advanced Howard J. Buss Publications
Composed by Roger Vogel (1947-). Edited by Howard J. Buss. These musical cameos ...(+)
Composed by Roger Vogel (1947-). Edited by Howard J. Buss. These musical cameos reflect the characters of 6 people: the movements are entitled Sailor, Dreamer, Dancer, Curmudgeon, Blues Bassoonist, and Runner. 21st Century. Solo part. Composed 2011. Duration 15'. Published by Howard J. Buss Publications (B7.B931).
$8.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The New Real Book - C Edition
C Instruments [Fake Book] - Intermediate Sher Music Company
For C instrument. Format: fakebook (spiral bound). With melody, chord names, int...(+)
For C instrument. Format: fakebook (spiral bound). With melody, chord names, introductory text and black and white photos. Jazz and Pop. 438 pages. 9x12 inches. Published by Sher Music Company.
(1)$47.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| David L. Brunner : The Music Sings in Them Choral SATB SATB, Organ Boosey and Hawkes
(CME Conductor's Choice). By David L. Brunner. For Choral, Organ Accompaniment (...(+)
(CME Conductor's Choice). By David L. Brunner. For Choral, Organ Accompaniment (SATB). Conductor's Choice. 16 pages. Boosey and Hawkes #M051480043. Published by Boosey and Hawkes
$2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Schumann, Robert: Album for the Young op. 68 Piano solo [Sheet music] G. Henle
By Robert Schumann. Edited by W. Boetticher. Piano (Harpsichord), 2-hands. Pages...(+)
By Robert Schumann. Edited by W. Boetticher. Piano (Harpsichord), 2-hands. Pages: 59. Urtext edition-paper bound. Published by G. Henle.
(2)$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Brothers of the Singing Void Choral TTBB TTBB, Piano Boosey and Hawkes
(CME In Low Voice). By David L. Brunner. For Choral (TTBB). Choral Music Experie...(+)
(CME In Low Voice). By David L. Brunner. For Choral (TTBB). Choral Music Experience In Low Voice. 20 pages. Boosey and Hawkes #M051480067. Published by Boosey and Hawkes
$2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| William Bolcom: Theatrical Songs Medium voice, Piano [Sheet music] Edward B. Marks Music Company
(Medium/Low Voice). By William Bolcom. For Medium/Low Voice, Piano Accompaniment...(+)
(Medium/Low Voice). By William Bolcom. For Medium/Low Voice, Piano Accompaniment. E.B. Marks. Softcover. 176 pages. Published by Edward B. Marks Music
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Big Book of Motown
Piano, Vocal and Guitar [Sheet music] - Intermediate Hal Leonard
Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords...(+)
Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Published by Hal Leonard.
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| William Bolcom: Theatrical Songs High voice, Piano Edward B. Marks Music Company
(High Voice). By William Bolcom. For High Voice, Piano Accompaniment. E.B. Marks...(+)
(High Voice). By William Bolcom. For High Voice, Piano Accompaniment. E.B. Marks. 192 pages. Published by Edward B. Marks Music
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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