SKU: HL.49017577
ISBN 9790001152204. 9.0x12.0x0.1 inches. French.
These songs by Emile Naoumoff are squarely in the tradition of French lied composition such as by Gabriel Faure. Here, Naoumoff chose texts by late 19th-century French lyricists: Auguste Villiers de l'Isle-Adam, Emile Verhaeren, Charles Baudelaire and Rene-Francois Sully-Prudhomme.In their elegance and suppleness, the four songs sound typically French. As they are all easy to sing and have not been composed 'against' the voice, they are perfectly suited for both music lessons and concert programmes.Naoumoff was born in Sofia in 1962. At the age of eight, he began his career as a pianist and composer; he was a student of Nadia Boulanger for ten years until her death. At the age of ten, Naoumoff composed and performed his own piano concerto under the direction of Yehudi Menuhin. He then received numerous awards and prizes and gave performances as highly acclaimed pianist. Today, Naoumoff lives and works as an associate professor at the School of Music of the Indiana University at Bloomington. He gives master classes in the USA, Europe and Japan and is director of a music academy.
SKU: HL.48181507
UPC: 888680841584. 9x12 inches.
“French composer, Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer, conductor, teacher and organist. His compositions for a variety of instruments are exceptional, Andalucia for Flute and Piano being no exception. As reflected in Andalucia, which is named after the popular Spanish area of the same name, Büsser's compositional style was sophisticated, yet true to the 19th century French tradition. Elements of Andalucia include, chromaticism, exploitation of tonality, complex rhythms and semiquaver flourishes, amongst other aspects. For all advanced Flute players, Büsser's Andalucia is essential to a varied repertoire.&rdquo.
SKU: FJ.B1817
UPC: 241444421512. English.
Reviving the tradition of telling ghost stories during the holidays, this stellar arrangement combines holiday favorites (Jingle Bells, Deck the Hall, and We Wish You a Merry Christmas) with the famous Funeral Song (the worms crawl in, the worms crawl out) as well as ghoulish sound effects and a brief narrative introduction. Sure to be a truly unforgettable concert moment. Merry Christmas to all, and to all a good FRIGHT!
About FJH Developing Band
Slightly more advanced than beginning band. Clarinet 1 begins to play over the break. Rhythms and ranges are expanded to accommodate the end of first-year as well as second-year instruction. Grade 1.5
SKU: HL.49010840
ISBN 9783795798352. UPC: 073999663662. 9.0x12.0x0.075 inches.
Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder.Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper.Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
SKU: PE.EP4745
ISBN 9790014031510.
The three so-called War Sonatas Nos. 6-8 were composed in the years 1939-1944, while Prokofiev was evacuated from Moscow to Kazakhstan and the Caucasus. The reference to the siege of Leningrad was a prerequisite for the success of the compositions, which continue the tradition of Beethoven rather than conforming to the stylistic maxims of 'socialist realism' in force at the time.Sonata No. 7, best-known as 'Stalingrad', is the best known and most ornate of the three sonatas. Prokofiev received the Stalin Prize (second category) for this work in 1943. The work is suitable for advanced pianists.
SKU: PR.114417130
ISBN 9781491110409. UPC: 680160626687. 9x12 inches.
A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspired by the ancient Chinese poet Li Bai's poem Drinking Alone under the Moon with the Shadow. The premiere was given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned the work to celebrate its 25th Anniversary NYC Season. From the Program Note by Matthew Levy (The PRISM Quartet), Not Alone (2014) is an interdisciplinary work...but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspective solos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alone for a 2017 release on XAS Records titled Paradigm Lost. But we're excited for a wider community of saxophonists to embrace the work, and share it with their own audiences. Not Alone is published together with Happy Birthday to PRISM, a brief miniature that Chen Yi wrote for the quartet's 20th anniversary celebration in 2004. For advanced performers._________________________Text from the scanned back cover:NOT ALONE for Saxophone QuartetHAPPY BIRTHDAY TO PRISM for Saxophone QuartetNot Alone is a 14-minute saxophone quartet and dance score inspired by the ancient Chinese poet Li Bai’s “Drinking Alone under the Moon with the Shadow.†The expansively-textured sax quartet matches the exploratory and dramatic movements and gestures in the dance. NOT ALONE was commissioned by the Nai-Ni Chen Dance Company which premiered the work in collaboration with the PRISM Quartet. Also included in this publication is Chen Yi’s fascinating take on “Happy Birthday to You,†composed in celebration of Prism’s 25th anniversary season.A recipient of the New Music USA 2013 Live Music For Dance Award commissioning grant, Not Alone is inspiredby the ancient Chinese poet Li Bai’s poem “Drinking Alone under the Moon with the Shadow.†The premierewas given on April 26, 2014 by the PRISM Quartet with the Nai-Ni Chen Dance Company, which commissioned thework to celebrate its 25th Anniversary NYC Season. Program Note by composer Chen YiThe original inspiration for this work for both the choreographer and the composer came from the Tang Dynasty poem - Alone Under the Moon by Li Bai. The poem describes the poet being alone in a garden. The moon and his shadow became his companions that night. The choreographer brings this idea to modern life in an urban setting. She created a series of “mindscapes†which are the result of the exploration of the different mental and physical states of being alone.Through self-examination, the choreographer raises the question: are we ever really alone? Our physical being may be standing by itself, but what about our introspective self? When we are still, we let our thoughts pass by like flowing water. If we could engage with our shadows, what would it be like?Program Note by Matthew Levy, The PRISM QuartetThe PRISM Quartet has commissioned a great many composers since our founding days in 1984. Chen Yi is among ahandful of our very favorites, and one to whom we’ve returned time and time again. Her music is powerful, expansive,intimate, and draws connections between Eastern and Western, ancient and modern traditions in a voice all her own.Chen Yi has written or adapted four works for the PRISM Quartet. She penned a wonderful miniature called HappyBirth day to PRISM to celebrate the ensemble’s 20th anniversary back in 2004 (Dedication, Innova Recordings).We subsequently commissioned her to compose Septet (2008) for Erhu, Pipa, Percussion, and Saxophone Quartet(2008), premiered and recorded with the New York ensemble Music From China (Antiphony, Innova Recordings 2010).In 2015, the PRISM Quartet performed and recorded (XAS Records) a new version of her saxophone quartet concerto,BA YIN, with the University of Missouri-Kansas City Wind Ensemble under the baton of Steven Davis (originally writtenfor the Rascher Quartet and scored for saxophones and string orchestra.).Finally, Not Alone (2014) is an interdisciplinary work written for the Nai-Ni Chen Dance Company with the PRISMQuartet, but it stands alone in a chamber music setting. The work spans a stunning range of textures, from introspectivesolos for each of the four saxophones to majestic hyper-active gestures. The PRISM Quartet recorded Not Alonefor a 2017 release on XAS Records titled Paradigm Lost. But we’re excited for a wider community of saxophonists toembrace the work, and share it with their own audiences.In his liner notes for the recording, WNYC’s John Schaefer writes: “As with much of her music, Chen employs percussiveeffects and glissandi; in Chinese music these are not considered “extended techniques†or special effects, but animportant part of the performer’s arsenal. Here, they help create the twilit mood of the opening moments. The piecesoon becomes more dramatic, suggesting the arrival of the drinker’s companions (real or imagined) and his or herincreasingly garrulous outbursts. Passages of consonance and discord can easily be heard as companionable singingand bouts of drunken argument. The piece bustles along on a kind of restless energy, until, finally, that restlessnesssubsides, giving way to a gently humorous ending where a short falling phrase signals the drinker falling asleep.â€.
SKU: BR.EB-8996
Adolf Busch is primarily considered one of the most important German violinists of the 20th century. Equally successful as a soloist and chamber musician, he founded the world famous Busch Quartet. The fact, that he was also an extremely prolific a. Sonata; Late-romantic; Early modern. Score. 56 pages. Breitkopf and Haertel #EB 8996. Published by Breitkopf and Haertel (BR.EB-8996).
ISBN 9790004187333. 9 x 12 inches.
Up to today Adolf Busch's compositions have had only a marginal place in the world literature canon, though they have recently been rediscovered, newly published and recorded. His chief works consist of chamber music, lieder, and orchestral pieces, but he also wrote a quantity of interesting piano music (about enough to fill a CD) showing various stylistic characteristics. His sonata Op. 25, the most extensive masterpiece in this genre, has now been made available in the present edition, suitable for both professional performers and advanced amateur pianists. Breitkopf are to be congratulated for mining the vaults to bring us such lesser-known gems from the archives of the German romantic tradition. Busch's 'Sonata' reveals itself to be as enjoyable as it is formidable. (www.pianodao.com)Adolf Busch is primarily considered one of the most important German violinists of the 20th century. Equally successful as a soloist and chamber musician, he founded the world famous Busch Quartet. The fact, that he was also an extremely prolific and accomplished composer besides being a virtuoso is relatively little known.
SKU: CT.CP-113
English.
Serious essay, in the serious tradition of the form. Duration: 8 minutes.
SKU: HL.14022939
ISBN 9788759859162. English-German.
The first major piano work by consumate Scandanavian composers Carl Nielson. This accurate, critical edition of Symphonic Suite contains extensive notes on the method of revision and comments on the historial context of the work by Mina F. Miller. With it's heart rooted firmly in the Romantic era tradition, it is dynamic and has an advanced harmonic approach which became characteristic of Nielson's work.
SKU: CY.CC2845
Cornet solos are an important part of the American Brass tradition. The Southern Cross is one of Clarke's most well known Cornet solos and was written in 1911, dedicated to the Australians and first recorded by the composer with Orchestra the next year for Victor Records.During 1911, Clarke was the solo Cornetist of the Sousa Band while the band was on a world tour that included visits to South Africa, Tazmania and Australia from March through to August.Below is a photo of the Sousa band from their 1911 tour. Clarke is sitting in the front row 5th in from the right with his moustache and his Cornet on his lap. He assuredly composed this solo to perform on that tour. The Southern Cross is a constellation that is only seen from the southern hemisphere and features the five stars of the Cross from the 1901 design of the Australian flag.This 5-minute virtuosic arrangement by Geoffrey Bergler features not only the Cornet, but a bit of all the other four members of the Brass Quintet.Instrumentation is for:2 Trumpets in B-flat (Trumpet 1 solo, Trumpet 2 also plays Piccolo)Horn,TromboneTuba/Bass TromboneThe sound track below features Mr. Bergler from his student days as Cornet soloist
SKU: HL.49012983
ISBN 9790001123488. 8.25x11.75x0.09 inches.
These pieces are comparatively easy to play and * though part of the same tradition as Brahms' and Reger'scharacter pieces * far more manageable and less complicated.
SKU: GI.G-130946
ISBN 9781574633917. UPC: 888680023027.
The songs in this collection are drawn from the rich folk music traditions from around the world. Each folk song is arranged three ways: the folk song tune by itself, a two-mallet version using rolls and/or double stops, and a four mallet version. The collection is ideal for beginning, intermediate, or even advanced mallet players who are looking for four-mallet sight reading material. The songs can be performed individually or together in a group. Songs include: America the Beautiful · Danny Boy · Greensleeves · Loch Lomond · Scarborough Fair · Shenandoah · Were You There · and more.
SKU: PR.114414250
UPC: 680160607846.
Lowell Liebermann's 4th String Quartet was commissioned by the Canandaigua Lake Chamber Music Festival and the Wood Library, Canandaigua, NY, for the Orion Quartet in celebration of their 20th Anniversary. The quartet was premiered by the Orions at the Canandaigua Lake Chamber Music Festival in Rochester, NY on February 9th, 2008. To quote the writer Mark Greenberg: It's a remarkable piece. The mood is elegiacal and meditative, the melodic lines sinuous and searching, the harmonies rich and astonishingly beautiful. Liebermann works within the traditions of Western tonality, but that is a mansion with many rooms. Liebermann inhabits all of them as his expressive purposes require, and he doesn't mind knocking down a wall to create new harmonic spaces. The Fourth Quartet doesn't exactly fit the neoromantic niche into which Liebermann is sometimes placed. Much of the music, especially near the beginning, is a highly advanced and fluid chromatic expressionism with modernist tendencies. Sometimes this roiling cloudscape breaks open to allow a patch of near-classical harmony and almost-resolution. Near the midpoint the clouds lift in leaping modulations. Several chordal passages recall Russian Orthodox chant. Suddenly, when you've begun to think the somber, deliberate pace has gone on a bit too long, Liebermann introduces a kind of hobbled, stilted jazz idiom. The piece dies in pensive quiet.
SKU: LO.70-2380S
ISBN 9780787774844.
Angela Kraft Cross presents another stunning volume of her substantial works for organ. In keeping with her great intellectual curiosity, the pieces explore diverse inspirations. This volume contains a meditation inspired by the Pietà of Michelangelo, settings of the beloved plainchant “Ubi caritas” and the hymn “Ode to Joy,” an original prelude and fugue inspired by the writings of theologian Henri Nouwen, and an four-movement solo organ mass in the great French tradition. There is ample material here to enrich the recital repertoire, though many movements also make suitable voluntaries for church.
SKU: HL.49019054
ISBN 9790001147828.
On 11 August 2011 it is fifty years since the death of the composer Johanna Senfter from Oppenheim who actually was a trained violinist for she had studied with renowned violinists at the Hoch Conservatory in Frankfurt. No wonder that she dealt with the solo violin repertoire her whole life long. Concert works with orchestral accompaniment as well as chamber music works were the results of her compositional endeavours, and she attended to both the large and the small form. Apart from sonatas deeply rooted in the Romantic tradition, Johanna Senfter also wrote '5 Stucke' Op. 100 for violin with piano accompaniment. They are five miniatures which combine to form a kind of sonatina, while nevertheless being quite equal to its big sister, the sonata, as regards playing and compositional technique. A musically demanding, yet rewarding work by the Reger pupil.
SKU: MB.30091
ISBN 9781513466378. 8.75 x 11.75 inches.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
SKU: HL.49046141
ISBN 9790001167673. UPC: 841886033702. 0.324 inches.
After the Toccata for piano and string quintet from 1989, the quartet for oboe, violin, viola and piano from 2010 and the piano quintet from 2014, Olli Mustonen has now presented his first work contribution for the tradition-rich pure string quartet occupation. The four-movement quartet ties in with the historical lines of the genre since Classicism and Romanticism and transmits them into a contemporary musical language. Virtuously, the concluding sentence ends in an ecstatic Con fuoco all'Ungharese.
SKU: HL.49044199
ISBN 9790001193740. 9.0x11.75x0.286 inches.
These two chamber music works are one of the main focuses in the oeuvre of Ulvi Cemal Erkin. Lively and spirited, they combine Western European tradition with rhythmic and melodic elements from Turkish folk music. Both are perfectly suitable for music lessons and concert recitals, adding a new interesting colour to the common chamber music repertoire.Erkin (1906-1972) is one of the most important composers of Turkey. He studied piano and composition in France and later returned to his home country where he became professor in Ankara.
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