SKU: EC.5920_PIANO
Available Editions: SATB Christmas Trilogy: 1. I Saw Three Ships, 4391 Christmas Trilogy: 1. I Saw Three Ships, Full Score, 5915_SATB Christmas Trilogy: 1. I Saw Three Ships, Instrumental Parts, 5916 Christmas Trilogy: 1. I Saw Three Ships, Individual Instrument Parts, 5917 Christmas Trilogy: 2. What Child Is This?, 4393 Christmas Trilogy: 2. What Child Is This?, Full Score, 5918_SATB Christmas Trilogy: 2. What Child Is This?, Instrumental Parts, 5919 Christmas Trilogy: 2. What Child Is This?, Individual Instrument Parts, 5920 Christmas Trilogy: 3. God Rest Ye Merry, Gentlemen, 4059 Christmas Trilogy: 3. God Rest Ye Merry, Gentlemen, Full Score, 5912_SATB Christmas Trilogy: 3. God Rest Ye Merry, Gentlemen, Instrumental Parts, 5913 Christmas Trilogy: 3. God Rest Ye Merry, Gentlemen, Individual Instrument Parts, 5914 TTBB Christmas Trilogy: 1. I Saw Three Ships, 4392 Christmas Trilogy: 1. I Saw Three Ships, Full Score, 5915_TTBB Christmas Trilogy: 1. I Saw Three Ships, Instrumental Parts, 5916 Christmas Trilogy: 1. I Saw Three Ships, Individual Instrument Parts, 5917 Christmas Trilogy: 2. What Child Is This?, 4394 Christmas Trilogy: 2. What Child Is This?, Full Score, 5918_TTBB Christmas Trilogy: 2. What Child Is This?, Instrumental Parts, 5919 Christmas Trilogy: 2. What Child Is This?, Individual Instrument Parts, 5920 Christmas Trilogy: 3. God Rest Ye Merry, Gentlemen, 4060 Christmas Trilogy: 3. God Rest Ye Merry, Gentlemen, Full Score Full Score, 5912_TTBB Christmas Trilogy: 3. God Rest Ye Merry, Gentlemen, Instrumental Parts, 5913 Christmas Trilogy: 3. God Rest Ye Merry, Gentlemen, Individual Instrument Parts, 5914.
SKU: CF.CM9617
ISBN 9781491156735. UPC: 680160915279. 6.875 x 10.5 inches. Key: F major. English.
Christmas Carol Trilogy is a perfect opening or closing piece for the holiday concert. This arrangement incorporates three of the most famous traditional carols: O Come, All Ye Faithful, What Child is This? and Joy to the World. Michael J. Miller has written a band arrangement based on this choral arrangement (YPS223). Miller's arrangement can either serve as a band accompaniment or as a stand-alone band arrangement. Choral and band directors can now have a piece for holiday concerts where both can play and sing together!.Christmas Carol Trilogy was arranged because it is often difficult to find a medley of standard Christmas/Holiday carols to use as an opening or closing piece for the holiday concert. Choral and band directors can now have a piece to close a holiday concert where both can play and sing together! It was a joy to arrange a choral arrangement that incorporates three of the most famous traditional carols: O Come, All Ye Faithful, What Child is This? and Joy to the World. I am so pleased that Michael J. Miller wrote a band arrangement based on this choral arrangement (YPS223). Miller's arrangement can either serve as a band accompaniment or as a stand-alone band arrangement. I hope you enjoy singing Christmas Carol Trilogy as much as I enjoyed writing it! Russell Robinson, Arranger.Christmas Carol Trilogy was arranged because it is often difficult to find a medley of standard Christmas/Holiday carols to use as an opening or closing piece for the holiday concert. Choral and band directors can now have a piece to close a holiday concert where both can play and sing together!It was a joy to arrange a choral arrangement that incorporates three of the most famous traditional carols: O Come, All Ye Faithful, What Child is This? and Joy to the World.I am so pleased that Michael J. Miller wrote a band arrangement based on this choral arrangement (YPS223). Miller’s arrangement can either serve as a band accompaniment or as a stand-alone band arrangement.I hope you enjoy singing Christmas Carol Trilogy as much as I enjoyed writing it!Russell Robinson, Arranger.
SKU: CL.011-4889-00
A Haunted Trilogy is guaranteed to become a favorite for student and audience alike. Set as a trilogy of three short movements, your band can play one for a quick novelty piece, or all three as a divertimento or program music. March of the Gremlins opens the suite with an eerie march. Tarantella For Trolls continues the spooky musical fun with a slightly twisted little dance. Goblin’s Gavotte closes our haunted suite with an ominous romp. It’s mischievously impish, looming, conniving, and a great learning piece for chromatics in three different styles. Boo!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CF.YPS223
ISBN 9781491156643. UPC: 680160915187. 9 x 12 inches.
Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson's vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic (To be used if band alone) Large Chorus (1 dynamic lower) Small Chorus (2 dynamics lower) mf f ff mp mf f p mp mf Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.) Option 1 (Woodwind Sextet) Flute (Oboe) Clarinet 1 Clarinet 2 Alto Saxophone Tenor Saxophone (Bassoon) Baritone Saxophone (Bass Clarinet) Option 2 (Brass Quintet) Trumpet 1 Trumpet 2 Horn Trombone (Baritone) Tuba (Baritone Saxophone) A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson’s vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic(To be used if band alone)Large Chorus(1 dynamic lower)Small Chorus(2 dynamics lower)mffffmpmff pmpmf  Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.)Option 1 (Woodwind Sextet)Flute (Oboe)Clarinet 1Clarinet 2Alto SaxophoneTenor Saxophone (Bassoon)Baritone Saxophone (Bass Clarinet)Option 2 (Brass Quintet)Trumpet 1Trumpet 2HornTrombone (Baritone)Tuba (Baritone Saxophone)A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.
SKU: CL.011-4889-01
SKU: HL.14029884
8.25x11.75x0.09 inches.
The Goddess Trilogy was inspired by the Welsh medieval legend of the goddess Cerridwen who was both destroyer and creator, a shape-changing being who appeared various as a white sow, a screaming black hag and a giver of the 'inspired arts'. Shapeshifter is a fast-moving work combining rondo structure with free variations. It relates to the opening work of the trilogy through the short Horn solo in the final bars.Contemporary British composer John McCabe has been a prolific composer since his earliest years and an active pianist, recording extensively and performing across the globe. His compositions tend toward the largescale works - there are seven symphonies so far -but has composed for every size and type of ensemble. He is particularly well known for his concerti.
SKU: CF.YPS223F
ISBN 9781491156650. UPC: 680160915194. 9 x 12 inches.
Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson's vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic (To be used if band alone) Large Chorus (1 dynamic lower) Small Chorus (2 dynamics lower) F f ff P F f p P F Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.) Option 1 (Woodwind Sextet) Flute (Oboe) Clarinet 1 Clarinet 2 Alto Saxophone Tenor Saxophone (Bassoon) Baritone Saxophone (Bass Clarinet) Option 2 (Brass Quintet) Trumpet 1 Trumpet 2 Horn Trombone (Baritone) Tuba (Baritone Saxophone) A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson’s vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic(To be used if band alone)Large Chorus(1 dynamic lower)Small Chorus(2 dynamics lower)FfffPFf pPF  Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.)Option 1 (Woodwind Sextet)Flute (Oboe)Clarinet 1Clarinet 2Alto SaxophoneTenor Saxophone (Bassoon)Baritone Saxophone (Bass Clarinet)Option 2 (Brass Quintet)Trumpet 1Trumpet 2HornTrombone (Baritone)Tuba (Baritone Saxophone)A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments.
SKU: HL.48024647
ISBN 9781784544065. UPC: 888680949112. 8.25x11.75 inches.
Aldeburgh Trilogy consists of the separate works Bubo bubo (2002), Counter Phrases (2002-03) and Red House (2013).Bubo bubo was composed as a tribute to Oliver Knussen on his 50th birthday and is based on two quotes from his works. As Knussen is known to have had a special passion for owls, and his house was filled with statues and images of these birds, Lindberg chose to name his piece after the biggest owl there is - Bubo bubo, the Eurasian (or European) eagle-owl.Counter Phrases was composed as a ballet for Ictus Ensemble, Rosas Dance Company and Anne Teresa de Keersmaeker (choreographer).Red House was commissioned by the Royal Philharmonic Society and the Britten-Pears Foundation to celebrate the centenary of Britten's birth and the bicentenary of the Society. The Red House at Aldeburgh was Britten's home; the name of the piece was chosen to honour Britten and the memorable times Lindberg and colleagues spent at this landmark when leading BPF masterclasses.
SKU: CL.012-2517-01
A superb concert or contest number featuring unique combinations of mixed meter and syncopated rhythms that combine for interesting and engaging effects. The sections of the trilogy are all contrasting developments based on the original folk-like melody. Quality programing!
About Heritage of the March
Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: P2.60009
Lauranod Trilogy is a collection of tunes written for various ensembles while I was living in Lausanne Switzerland. The name Lauranod is actually a permutation of the name Lausanne in that it is the word that my cell phone would always try to autospell for me while text messaging. PCO Fanfare was originally written for a mixed low brass ensemble and premiered in the foyer of the conservatory building. Originally conceived as kind of a joke of sorts, the opening fanfare figure contains a mini-quote from the traditional Irish song The Rattlin' Bog. The piece quickly assumed a life of its own and wandered in its own direction. Chorale & Fugue began its life as a simple exercise in writing a four-part fugue. The beginning chorale section was added later. After its first inception as a four-part piece, it was expanded to a brass octet and then reduced to the brass quintet version here. Rue du Midi was originally written for Ensemble STUBA (Swiss Tuba Und Baritone Association) in 2001 and received its premiere in Ermatingen, Switzerland. A raucous piece with lots of energy, it is named after the street next to the conservatory where a few favorite hangouts were located.
SKU: GI.G-317043
UPC: 073999170436.
This work is already becoming a standard for recitals, juries and just for enjoyable playing. Trilogy is a beautiful work that is always well received.
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