SKU: HL.14001207
ISBN 9780853602750. 9.0x12.0x0.084 inches.
The gap between starting to learn an instrument and playing ‘real’ music is a very great deterrent to many players. Consequently, Afternoons And Afterwards tries to tackle this problem for the Piano, with songs that are playable even by musicians with limited technical ability. The composer, John McCabe has written 7 cheerful songs, representing fun free-time activities.
Titles include: Swans at Stratford, On the beach, Champagne Waltz, Sports car, A game of darts, Forlane and The Artful Dodger. These can be performed separately, in pairs or alltogether as a suite. Total duration is 10 minutes 45 seconds.
SKU: HL.50605372
ISBN 9781705181164. UPC: 196288107262. 9.0x12.0x0.137 inches.
This horn trio was written to occasion and reflect the desperation some feel in the current era of national and world news, with thehope that such a musical expression might possibly make listeners feel less alone. The heavy, plodding rhythms of the first movement are supplanted by a hectic second movement, followed by a slow movement that contains a short moment of respite toward its end before the resolute march of the finale.
SKU: HL.14010145
SKU: HL.14009703
SKU: HL.14009934
SKU: HL.14009935
SKU: CA.3100613
ISBN 9790007041755. Key: C minor / g minor. Language: German/English.
Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.
SKU: CA.3100614
ISBN 9790007041762. Key: C minor / g minor. Language: German/English.
SKU: CA.3100609
ISBN 9790007041724. Key: C minor / g minor. Language: German/English.
Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.
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