| Rise Again Songbook Lyrics and Chords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The First Book of Broadway Solos Part II - Baritone/Bass Baritone voice [Sheet music + Audio access] Hal Leonard
Baritone/Bass Edition. Edited by Joan Frey Boytim. Vocal Collection. Broadway. S...(+)
Baritone/Bass Edition. Edited by Joan Frey Boytim. Vocal Collection. Broadway. Softcover Audio Online. 102 pages. Published by Hal Leonard
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| Compatible Trios for Winds (Alto Saxophone / Baritone Saxophone) 3 Saxophones (trio) [Solo Part] Carl Fischer
(32 Trios That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(32 Trios That Can Be Played by Any Combination of Wind Instruments). By Larry Clark. Arranged by Larry Clark. For Alto / Baritone Saxophone. Compatible Trios for Winds. Part book. 48 pages. Published by Carl Fischer
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible Duets for Strings 2 Violas (duet) Carl Fischer
(31 Duets That Can Be Played by Any Combination of String Instruments). By Larry...(+)
(31 Duets That Can Be Played by Any Combination of String Instruments). By Larry Clark. Edited by Doris Gazda. Arranged by Larry Clark. For viola. Compatible Duets for Strings. Part book (softcover). 48 pages. Published by Carl Fischer
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Progressive Duets, Volume 2 - Alto Saxophone 2 Saxophones (duet) Carl Fischer
For Alto Saxophine in Eb. Composed by Johann Sebastian Bach (1685-1750), Muzio C...(+)
For Alto Saxophine in Eb. Composed by Johann Sebastian Bach (1685-1750), Muzio Clementi (1752-1832), Wolfgang Amadeus Mozart (1756-1791), Larry Clark, Jacques Fereol Mazas (1782-1849), Giuseppe Gariboldi, and Ernesto Kohler (1849-1907). SWS. Back To School. Softcover. With Standard notation. Carl Fischer Music #WF106. Published by Carl Fischer Music
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| Chops Trombone Carl Fischer
(The Ultimate Guide to Building Tone Technique and Flexibility). By Frank T. Wil...(+)
(The Ultimate Guide to Building Tone Technique and Flexibility). By Frank T. Williams. For trombone. Softcover book. 64 pages. Published by Carl Fischer
$16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Vahid Matejko's Klezmer Play-Alongs for Violin Violin [Sheet music + CD] Alfred Publishing
By Vahid Matejko. For Violin. Book; CD; Play-Along; Solo; String - Violin Studie...(+)
By Vahid Matejko. For Violin. Book; CD; Play-Along; Solo; String - Violin Studies or Collection. Folk; World. Published by Alfred Music Publishing
$18.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Vahid Matejko's Klezmer Play-Alongs for Clarinet Clarinet [Sheet music + CD] Alfred Publishing
By Vahid Matejko. For Clarinet. Book; CD; Play-Along; Solo; Woodwind - Clarinet ...(+)
By Vahid Matejko. For Clarinet. Book; CD; Play-Along; Solo; Woodwind - Clarinet Method or Collection. Folk; World. Published by Alfred Music Publishing
$14.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Collection Mini Series: Pop Hits - Piano Piano, Guitar (duet) [Sheet music + CD] Editions Musicales Francaises
Guitar and Piano SKU: HL.14021534 Music Sales America. Pop. Book with CD....(+)
Guitar and Piano SKU: HL.14021534 Music Sales America. Pop. Book with CD. Editions Musicales Francaises #EMF100072. Published by Editions Musicales Francaises (HL.14021534). English-French. Les titres de ce recueil sont issus des grands succes de la variete francaise et internationale. Tous les themes sont arranges de maniere a faire de chaque piece un oeuvre pianistique complete, doigtes et chiffrage harmonique a l'appui. Les professeurs trouveront aussi dans ce volume un repertoire plaisant et motivant a donner a leurs eleves. Afin de'apporter un cote ludique a recueil, les midi-files contenus dans le CD mixte (CD audio CD rom) offrent la possibilite d'ecouter les titres en MIDI au moyen de la carte son d'un ordinateur. De plus, avec un materiel approprie (sequenceur, editeur de partitions et autres), il est possible de changer les sons et les tempi, de jouer facilement des passages en boucles ainsi que toute autre possibilite offerte par les differents logiciels actuels. Nous vous souhaitons donc un excellent voyage au pays de Pops Hits et esperons vous apporter un reel plaisir pianistique. The titles in this collection are abstracts from the greatest French and International hits. All of the titles are arranged in a way to make each piece a complete pianistic work, fingered with support of chord symbol. Piano teachers will also find in this volume a pleasant and attractive repertory to make their students play with. The playful aspect is added to this anthology by way of the midi-files which accompany the mixte CD (CD audio and CD rom) offering the possibility to listen to the pieces in midi by using the sound card of a computer. In addition, it is possible to change the sounds and the tempi with appropriate equipment (e.g. sequencer, score editors and others). You acn also easily play in loop passages. Other options are offered by today's different software. We wish you an excellent journey into the Piano Pop Hits world and hope it will bring you true pianist pleasure. $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Grateful Tail Orchestra Subito Music
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercurio. Vocal/Choral, Opera. CD (Audio). Subito Music Corporation #91580100. Published by Subito Music Corporation (SU.91580100). A Grateful Tail - Movement by Movement Siriusly, Dog Star Sirius, the brightest star in the night sky, has been used by travelers and navigators for thousands of years as a guiding star and so it is here as the opening movement for the symphony. Sirius, the cornerstone to the constellation Canis Maggiore or Big Dog sits at the foot of Orion, the hunter, leading the way. Highly cinematic, the movement evokes both a musical and visual sense of the mythological and mysterious elements of Sirius and its Dog Godstar secrets. From the clarion call of the opening, Sirius theme, the sound is buoyant and frisky emulating the nature of doggy playtime. Puppy pleasures abound as a doggy four-step, my turn on the traditional American two-step dance, is introduced. The movement transforms into an actual orchestrated frolic of small, large and medium dog barks beginning with the winds (smaller dogs) and ultimately, the big dog, brass. The movement climaxes with the coda or, Dog Park, where the winds and the brass bark and play together over the, doggy ostinato four-step rhythm, culminating with the final call of the Sirius theme. Let Sleeping Dogs Lie, Peacefully It's all in a dog's day and life. Tranquility presides over this supremely gentle, intermezzo-like movement. After a day of play, every dog needs rest. Let Sleeping Dogs Lie, is a lyrical andante inspired by the profound serenity and beauty of a dog at rest. The Last Will and Testament of Silverdene Emblem O'Neill Based on a powerful piece of prose written by the American playwright, Eugene O'Neill this text was intended as a consolation piece for Carlotta, his wife, who had become grief-stricken over the loss of their beloved dog, the Dalmatian known as Blemie.Written for a singing actor who personifies the role of Blemie, a dog at the end of his life, the movement plays like a one act, musical drama as we follow Blemie through a wonderfully three-dimensional, emotional and psychological journey writing his Last Will and Testament, for those who have loved him. Wagging the Tail: Ossia Fido's Lament A life-affirming rumba/samba using Blemie's final words from O'Neill's text, this final movement employs the most unique American musical invention, the gospel choir. In order to make the dances come alive, this movement also calls upon the colors of a rhythm section. Creating the spirit of an Irish Funeral, the movement is a joyful and revival-like celebration of a dog's life as its spirit lives on forever in the hearts and minds of dog lovers everywhere. Remember Me, remember me! My spirit is wagging a grateful tail. Published by: Subito Music Publishing Release Date: July 9, 2013. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Smiling Dennis Subito Music
Bass Clarinet & 21 Strings SKU: SU.50600030 For Bass Clarinet & 21 Str...(+)
Bass Clarinet & 21 Strings SKU: SU.50600030 For Bass Clarinet & 21 Strings. Composed by Fred Cohen. Strings, String Ensemble. Study Score. Subito Music Corporation #50600030. Published by Subito Music Corporation (SU.50600030). Commissioned by the Colonial Symphony, Paul Hostetter, Music Director and Conductor First performed in 2006 Published by: Dunsinane Music Composer's Note: My inspiration for Smiling Dennis is the great bass clarinet virtuoso Dennis Smylie. I have had the pleasure of getting to know Dennis over the past several years owing to our mutual affiliation at Montclair State University. We would meet unintentionally in the halls and begin conversations regarding all manners of topics: from the colorful history of the bass clarinet—and bass clarinetists—to the furious appetite of the New Jersey groundhog. Dennis inevitably finds the humor in things—he revels in discovering the comic story that can often be found, just underneath the topic. When Maestro Hostetter asked me to compose a new piece during his initial season with the Colonial Symphony, and mentioned the possibility of a work related to humor, I immediately thought of the Dennis. When I spoke with Maestro Hostetter the following day, I had already conceived of the title (very unusual for me—I’m much more a musical/visual thinker than a verbal one) as well as the overall musical narrative. Smiling Dennis is a concerto in one movement for one bass clarinetist and twenty string players. Somewhat unusually, each performer has a unique musical assignment—that is, the string players are not aligned into their typical alliances of first violins, second violins and so forth. This permits a more complex string texture, allowing each performer to assert his or her individuality. Indeed, the notion of individuality is essential to this concerto, as it often is in concerti. For example, Smiling Dennis begins with the bass clarinet not quite obeying the conventions of tuning to the orchestra. Rather than simply take the A offered by the Concertmaster, the soloist playfully performs a gently descending series of notes. Offered another A, the soloist repeats this gesture (though with a different descending series). This exchange occurs four times. In the final one, members of the string orchestra join the soloist in the first significant statement of one of the central melodies. The bass clarinet completes this introductory section alone, playing all the way down to a low A, a third below the lowest note in the celli. Following the introduction, Smiling Dennis consists of six sections, somewhat along the lines of a dance suite: an energetic Allegro, a lyric Arioso, a forward Piú mosso, a light-hearted and syncopated dance, a even more energetic passage for strings alone, and finally a modified return to the introduction. In the return, the string ensemble is no longer at all oppositional to the soloist. Rather, in response to the soloist’s gentle cajoling and supportive commentary, the strings accompany—with pleasure, you might say—the quiet, individual playfulness of the bass clarinet. The work ends with a return to the soloist’s substratum A, accompanied quietly by the strings. $50.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Progressive Trios for Strings Viola [Sheet music] Carl Fischer
(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris...(+)
(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris Gazda. Arranged by Doris Gazda. For Viola. Book. 48 pages. Published by Carl Fischer
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Progressive Trios for Strings String Trio: violin, viola, cello [Sheet music] Carl Fischer
(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris...(+)
(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris Gazda. Arranged by Doris Gazda. For Violin. Book. 48 pages. Published by Carl Fischer
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Flutist's Handbook Carl Fischer
Chamber Music Flute(s) SKU: CF.WF230 The Art of Staying in Shape. ...(+)
Chamber Music Flute(s) SKU: CF.WF230 The Art of Staying in Shape. Composed by Robert Stallman. With Standard notation. 144 pages. Carl Fischer Music #WF230. Published by Carl Fischer Music (CF.WF230). ISBN 9781491153741. UPC: 680160911240. Ever since he was honored 50 years ago as a top prize-winning graduate of New England Conservatory and a Fulbright scholar at the Paris Conservatoire, flutist Robert Stallman has drawn accolades around the world as a performer and recording artist who “dazzles because of his penetrating artistry†(Sunday Times/London). Also known internationally for superior flute editions, including numerous transcriptions that have greatly expanded the repertoire, Stallman now offers flutists an appealing collection of original melodic warm-ups. With The Flutist’s Handbook, he shares his fresh approach to staying in shape and maintaining his reputation for “consummate virtuosity†(Repertoire/France). PrefaceOne morning many years ago I opened my flute case and suddenly found myself questioning the wisdom of having scales and long tones come first in my practice session. Of course, these are essential to daily practice, but I wondered if there might be a better way to begin the day—with something more melodic and engaging, something to really inspire me.The Flutist’s Handbook emerged from a stream of musical ideas I began to jot down during practice sessions after that “aha†moment. As I worked with them, I noticed a more spontaneous interest in practicing. In fact I even looked forward to starting my day this way. As a result, my work on scales, arpeggios and long tones followed with more enjoyment and focused attention.In creating many of the détaché warm-ups found in Part I, I was drawn to the musical sequences of J. S. Bach, particularly those developed in his keyboard works. Bach had discovered the most satisfying musical patterns on which to build his music, so here was a treasure trove of invigorating melodic material. I also borrowed apt détaché passages from C.P.E. Bach, Schubert, Dvořák and others.Part II includes more musical quodlibets and echos in a collection of fifteen short melodies designed to open and center the tone, while encouraging full breath support. These melodies also concentrate on developing our sostenuto, or true legato playing—the foundation of a beautiful sonority and natural vocal expression. Except for final cadence notes, these warm-ups should be practiced without vibrato, to create an even and seamless instrument, bottom to top.All of these warm-ups are to be played forte and piano in every major key, proceeding chromatically by rising half-steps. Tempo indications are given in the headings, as are optional rhythmic and articulation variants. Suggested breath marks are in parentheses.The Handbook opens with détaché warm-ups for a good reason. It is vital to begin our practice with tonguing, as a clean attack is essential to producing a beautiful tone. Also, in working on tonguing (single, double, triple and tremolando) we stimulate and strengthen the jaw muscles that support the embouchure (which must remain supple and flexible). As we fine-tune these muscles, we gain tonal center and clarity, qualities that may elude us at the beginning of our practice. Of course, we also need to wake up the air stream and deepen our breath support. Once the tongue is alive and the tone is centered, we are ready to work further on our sonority with the melodic warm-ups in Part II.This book is meant for professionals, students and amateur flutists alike. I offer it to all as a companion that invites more pleasure and vitality into our daily practice. It is my firm belief that by aligning ourselves with our love of music and its energizing patterns each day—from the very first moment we pick up the instrument—we will bring more ease and focus into our lifelong task of staying in shape. This in turn will support the heightened inspiration we want to take into rehearsals and performances. Enjoy!—Robert StallmanMarblehead, MassachusettsApril 20, 2018. $32.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Giovanni Giacomo Gastoldi : Sonatemi un Balletto Choral 3-part SAB, Piano [Octavo] Alfred Publishing
((Play a Dance for Me)). By Giovanni Giacomo Gastoldi. Edited by and arr., with ...(+)
((Play a Dance for Me)). By Giovanni Giacomo Gastoldi. Edited by and arr., with English words, by Patrick M. Liebergen. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo; Masterworks. Choral Designs. Baroque; Masterwork Arrangement; Renaissance. 12 p
$1.85 $1.7575 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonatemi un Balletto Choral 3-part TTB/TBB Alfred Publishing
((Play a Dance for Me)). By Giovanni Giacomo Gastoldi. Edited by and arr., with ...(+)
((Play a Dance for Me)). By Giovanni Giacomo Gastoldi. Edited by and arr., with English words, by Patrick M. Liebergen. Choir Secular. Men's Choir. Choral Octavo; Masterworks. Choral Designs. Baroque; Masterwork Arrangement; Renaissance. 12 pages. Publish
$1.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonatemi un Balletto Choral 3-part SSA, Piano Alfred Publishing
((Play a Dance for Me)). By Giovanni Giacomo Gastoldi. Edited by and arr., with ...(+)
((Play a Dance for Me)). By Giovanni Giacomo Gastoldi. Edited by and arr., with English words, by Patrick M. Liebergen. Choir Secular. Women's Choir. Choral Octavo; Masterworks. Choral Designs. Baroque; Masterwork Arrangement; Renaissance. 12 pages. Publi
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| Scottish Airs and Ballads for Autoharp Autoharp [Sheet music + Audio access] Mel Bay
Autoharp - Intermediate-Advanced SKU: MB.99065M Composed by Alex Usher. S...(+)
Autoharp - Intermediate-Advanced SKU: MB.99065M Composed by Alex Usher. Saddle-stitched, Solos. Scottish. Book and online audio. 40 pages. Mel Bay Publications, Inc #99065M. Published by Mel Bay Publications, Inc (MB.99065M). ISBN 9780786692934. 8.75 x 11.75 inches. A collection of 25 traditional melodies written in standard music notation as well as autoharp tablature. Accompaniment chords are indicated. The melody-playing techniques used are explained here in detail. A professional performance audio which provides more than an hour of listening pleasure to all of the tunes, including Wild Mountain Thyme, My Luv is Like a Red, Red Rose, White Cockade, Corn Rigs, Auld Lang Syne and more. Includes access to online audio. $17.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Venezuelan Treasures for the Piano, Vol. 3 Piano solo Clifton Edition
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara Rodriguez. Piano and keyboard music. Collection. Clifton Edition #C463. Published by Clifton Edition (ST.C463). ISBN 9790570814633. This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.
The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.
Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??EloÃsaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.
â??Eloisaâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.
â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.
The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.
Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music. $15.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Compatible Duets for Winds Carl Fischer
(31 Duets That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(31 Duets That Can Be Played by Any Combination of Wind Instruments). By Larry Clark. For Trombone, Euphonium Bc, Bassoon. Published by Carl Fischer
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible Duets for Winds 2 Tubas (duet) Carl Fischer
(31 Duets That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(31 Duets That Can Be Played by Any Combination of Wind Instruments). By Larry Clark. For Tuba. 48 pages. Published by Carl Fischer
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible Duets for Winds 2 Flutes (duet) Carl Fischer
(31 Duets That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(31 Duets That Can Be Played by Any Combination of Wind Instruments). By Larry Clark. For Flute, Oboe. 48 pages. Published by Carl Fischer
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible Duets for Strings Carl Fischer
(31 Duets That Can Be Played by Any Combination of String Instruments). By Larry...(+)
(31 Duets That Can Be Played by Any Combination of String Instruments). By Larry Clark. Arranged by Larry Clark. For bass. Part book (softcover). Published by Carl Fischer
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible Duets for Strings 2 Cellos (duet) Carl Fischer
(31 Duets That Can Be Played by Any Combination of String Instruments). By Larry...(+)
(31 Duets That Can Be Played by Any Combination of String Instruments). By Larry Clark. Arranged by Larry Clark. For cello. Part book (softcover). Published by Carl Fischer
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Beautiful Music for Two Violins, vol. II: 2nd position
2 Violins (duet) [Sheet music + CD] - Easy Music Minus One
For Violin. Classical (duets). Contains printed music score and a compact disc f...(+)
For Violin. Classical (duets). Contains printed music score and a compact disc featuring all the works in split-channel stereo, with the first violin on the right channel, the second violin on the left. By adjusting the balance, the soloist can remove either violin and play the other. Published by Music Minus One
(1)$14.99 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Compatible Trios for Winds (Trombone / Euphonium B.C. / Bassoon) Carl Fischer
(32 Trios That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(32 Trios That Can Be Played by Any Combination of Wind Instruments). By Larry Clark. Arranged by Larry Clark. For Trombone / Euphonium B.C. / Bassoon. Compatible Trios for Winds. Part book. 48 pages. Published by Carl Fischer
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