SKU: PL.PPM02158M

This large new work, composed by Samuel Adler, exploits both the lyrical and rhythmic qualities of the organ. Written for organ duet (two players at one console), this allows for a large, fascinating variety of textures and timbres. A meditative supplication, with much imitation and flowing eighth notes is followed by a jazzy, multi-metered celebration. Seemingly endless variations of rhythm create tremendous excitement and a piece that will be loved by performers and audiences alike.

SKU: NR.108057

Hexeneinmaleinzzzzz, Das Kanarhinozeros, Spissi spassi Casperladi, Schlicki schlucki Casperluki, Das Maikäferkel, Der Dromedackel, Büffelmann und Adlerkönig, Der Schmettling, Schckänguruh, Flipper der Berhardiner des Meeres, Zauberzeichen und Büffelbild, Rätsel, Der südliche Kugelfisch, Urgrossmutters Spieldose, Die Prinzessin auf dem Baum, Das blaue Pferd, Das Wanzebra, Die Raupe, Fliegender Stern, Der Kamelefant, Der Zaubermann, Der kleine Wolf, Die Ameidechse, Die Ankunft des Königs, Der Geistertanz, Der Katel Mel und das Nachtgespenst, Die Nashornisse, Der Forellensittich, In der Pause, Die eiserne Zwillingsschlange, Der Fledermolch, Die Papageis, Die Feuersalamantilopen, Jo Jo und der Springball, Das Blindschleichhörnchen, Nachtgesang, Der Nachtigaul, Der Giraffenpinscher, Gefährliches Abenteuer.

SKU: P2.90085

Edges of Consciousness is Jack Adler McKean's contemporary-style work for solo tuba. Adler-McKean says, This work is written for tuba in F with at least five valves, but can also be performed on a five-valve or four-valve compensating Eb tuba, provided the piece is transposed down one whole step... For more information on the techniques in this piece, consult the tuba works of Luigi Nono, Mauricio Kagel, Vinko Globokar, Krzysztof Penderecki and William Kraft..

SKU: P2.80082

Arranger Jack Adler-McKean says, This concerto originally forms part of L'Estro Armonico ('Harmonic Inspiration'), a collection of concerti grossi written by Vivaldi in 1711 described by many as amongst the most important and influential instrumental works of the period. This is perhaps why it is one of several concerti that Bach chose to arrange for the harpsichord, and also why it is now just as famous as his own original concerti for the instrument. The work came to the attention of the brass playing world after an arangement was made for German Brass by their expert piccolo trumpet player Matthias Hofs. Whilst not being directly based on his transcription, this arrangement certainly retains a virtuosic character. Technical and stylistic challenges create a demanding piece of music, but the end product will be highly impressive; a Baroque masterpiece that will undoubtedly entertain players and audiences alike..

SKU: BT.AMP-058-140

This is a great opportunity to incorporate a modern concerto into your band's repertoire, which will provide a fresh and appealing concert item for your upcoming season. The work follows the standard 3-movement concerto form witha syncopated, rag-like opening movement contrasting with a slower, beautifully English-sounding second movement. The third movement is based on a bebop style to show off the jazzier qualities of the clarinet. This substantial workis suitable for a Grade 4 standard band.

Mozart schreef zijn bekende klarinetconcert voor de virtuoos Anton Stadler, met wie hij bevriend was. Stadler was verantwoordelijk voor veel technische verbeteringen aan zowel de klarinet als de bassethoorn, hij voegde extra kleppentoe aan beide instrumenten, waardoor het bereik van de klarinet in de laagte werd uitgebreid. Mozart schreef dit concerto voor een klarinet met een lager bereik in vergelijking tot het moderne instrument. Ondanks de beperkingenvan de klarinet van nu komt het origineel in deze bewerking prima tot zijn recht. opname op cd: The Magic of Mozart (DHR 11-011-3)

Ein Konzert in drei Sätzen, das den vielfältigen Facetten des Instrumentes Rechnung trägt. Der Eröffnungssatz ähnelt im Stil fast einem Rag. Der langsamere zweite Satz erforscht zunächst das Chalumeau-Register der Klarinette in einem Thema, das später vom Orchester aufgenommen wird, während der Solist einen filigranen Diskant entwickelt. Dieser leitet direkt zum dritten Satz über, dessen Stil an Be-Bop erinnert und die jazzigere Seite der Klarinette in den Vordergrund treten lässt. Modern und vielseitig!

SKU: GI.G-10606

ISBN 9781622776177.

This advanced orchestral conducting resource features concise discussions of advanced technical and interpretive issues for 44 major orchestral works that all conductors will perform during their careers. The brief discussions that precede each score cover the full range of issues encountered in real conducting situations, and the accompanying online videos show Maestro Itkin demonstrating the techniques for each excerpt. All music examples have been faithfully reproduced from original scores, and Maestro Itkin has also arranged each excerpt for string quintet, ideal for the conducting class setting. With nearly a thousand performances to his credit, acclaimed conductor David Itkin shares the knowledge he has acquired over his decades in the profession. The Conductor’s Craft is for both up-and-coming conductors and seasoned professionals alike, equally beneficial for personal study or for use in a classroom or ensemble setting.   This volume is a real breakthrough aid for anyone studying or teaching conducting at any level. Written by David Itkin, a most distinguished and experienced conductor and teacher, it concentrates on all the vital techniques in the teaching of the craft. The accompanying video recordings also make this volume unique. This addition to the material for teaching conducting is truly revolutionary, and the selection of examples gets successfully to the point of each subject discussed. —Samuel Adler     Composer, conductor, author     Professor Emeritus, The Juilliard School, Eastman School of Music The Conductor’s Craft outlines a detailed plan and method for executing conductor training in advanced conducting studios. Itkin’s book is also an excellent reference for any teacher who instructs advanced students in a collegiate orchestral conducting program, as well as for up-and-coming professionals who are studying for a career in the field. Perhaps most important, an individual conductor can manage their own self-study with Maestro Itkin’s clear statements and explanations of the technical issues presented with each excerpt. This book gives individual conductor’s freedom to explore choices and alternatives to fix tricky passages in the provided musical examples. I love the book and will be using it in my studio. —Julius P. Williams     Artistic director and conductor, Berklee Contemporary Symphony Orchestra     President of the International Conductors Guild How refreshing to review a conducting book that deals with specificity of gesture as it relates to the music rather than mere concepts. Bravo to Maestro David Itkin for holding the aspiring conductor to task on issues of score study, execution, and style! —Mark Gibson     Director of Orchestral Studies, College-Conservatory of Music, University of Cincinnati     Author of The Beat Stops Here.

SKU: GI.G-10602

ISBN 9781622776139.

This advanced orchestral conducting resource features concise discussions of advanced technical and interpretive issues for 44 major orchestral works that all conductors will perform during their careers. The brief discussions that precede each score cover the full range of issues encountered in real conducting situations, and the accompanying online videos show Maestro Itkin demonstrating the techniques for each excerpt. All music examples have been faithfully reproduced from original scores, and Maestro Itkin has also arranged each excerpt for string quintet, ideal for the conducting class setting. With nearly a thousand performances to his credit, acclaimed conductor David Itkin shares the knowledge he has acquired over his decades in the profession. The Conductor’s Craft is for both up-and-coming conductors and seasoned professionals alike, equally beneficial for personal study or for use in a classroom or ensemble setting. This volume is a real breakthrough aid for anyone studying or teaching conducting at any level. Written by David Itkin, a most distinguished and experienced conductor and teacher, it concentrates on all the vital techniques in the teaching of the craft. The accompanying video recordings also make this volume unique. This addition to the material for teaching conducting is truly revolutionary, and the selection of examples gets successfully to the point of each subject discussed. —Samuel Adler     Composer, conductor, author     Professor Emeritus, The Juilliard School, Eastman School of Music The Conductor’s Craft outlines a detailed plan and method for executing conductor training in advanced conducting studios. Itkin’s book is also an excellent reference for any teacher who instructs advanced students in a collegiate orchestral conducting program, as well as for up-and-coming professionals who are studying for a career in the field. Perhaps most important, an individual conductor can manage their own self-study with Maestro Itkin’s clear statements and explanations of the technical issues presented with each excerpt. This book gives individual conductor’s freedom to explore choices and alternatives to fix tricky passages in the provided musical examples. I love the book and will be using it in my studio. —Julius P. Williams     Artistic director and conductor, Berklee Contemporary Symphony Orchestra     President of the International Conductors Guild How refreshing to review a conducting book that deals with specificity of gesture as it relates to the music rather than mere concepts. Bravo to Maestro David Itkin for holding the aspiring conductor to task on issues of score study, execution, and style! —Mark Gibson     Director of Orchestral Studies, College-Conservatory of Music, University of Cincinnati     Author of The Beat Stops Here.

SKU: GI.G-10607

ISBN 9781622776184.

This advanced orchestral conducting resource features concise discussions of advanced technical and interpretive issues for 44 major orchestral works that all conductors will perform during their careers. The brief discussions that precede each score cover the full range of issues encountered in real conducting situations, and the accompanying online videos show Maestro Itkin demonstrating the techniques for each excerpt. All music examples have been faithfully reproduced from original scores, and Maestro Itkin has also arranged each excerpt for string quintet, ideal for the conducting class setting. With nearly a thousand performances to his credit, acclaimed conductor David Itkin shares the knowledge he has acquired over his decades in the profession. The Conductor’s Craft is for both up-and-coming conductors and seasoned professionals alike, equally beneficial for personal study or for use in a classroom or ensemble setting.   This volume is a real breakthrough aid for anyone studying or teaching conducting at any level. Written by David Itkin, a most distinguished and experienced conductor and teacher, it concentrates on all the vital techniques in the teaching of the craft. The accompanying video recordings also make this volume unique. This addition to the material for teaching conducting is truly revolutionary, and the selection of examples gets successfully to the point of each subject discussed. —Samuel Adler     Composer, conductor, author     Professor Emeritus, The Juilliard School, Eastman School of Music The Conductor’s Craft outlines a detailed plan and method for executing conductor training in advanced conducting studios. Itkin’s book is also an excellent reference for any teacher who instructs advanced students in a collegiate orchestral conducting program, as well as for up-and-coming professionals who are studying for a career in the field. Perhaps most important, an individual conductor can manage their own self-study with Maestro Itkin’s clear statements and explanations of the technical issues presented with each excerpt. This book gives individual conductor’s freedom to explore choices and alternatives to fix tricky passages in the provided musical examples. I love the book and will be using it in my studio. —Julius P. Williams     Artistic director and conductor, Berklee Contemporary Symphony Orchestra     President of the International Conductors Guild How refreshing to review a conducting book that deals with specificity of gesture as it relates to the music rather than mere concepts. Bravo to Maestro David Itkin for holding the aspiring conductor to task on issues of score study, execution, and style! —Mark Gibson     Director of Orchestral Studies, College-Conservatory of Music, University of Cincinnati     Author of The Beat Stops Here.

SKU: GI.G-10602B

ISBN 9781622776405.

This bundle includes the Quintet Score (G-10602) and all Quintet Parts (G-10603, G-10604, G-10605, G-10606, and G-10607). The main text (G-10601) is not included in this bundle. This advanced orchestral conducting resource features concise discussions of advanced technical and interpretive issues for 44 major orchestral works that all conductors will perform during their careers. The brief discussions that precede each score cover the full range of issues encountered in real conducting situations, and the accompanying online videos show Maestro Itkin demonstrating the techniques for each excerpt. All music examples have been faithfully reproduced from original scores, and Maestro Itkin has also arranged each excerpt for string quintet, ideal for the conducting class setting. With nearly a thousand performances to his credit, acclaimed conductor David Itkin shares the knowledge he has acquired over his decades in the profession. The Conductor’s Craft is for both up-and-coming conductors and seasoned professionals alike, equally beneficial for personal study or for use in a classroom or ensemble setting.   This volume is a real breakthrough aid for anyone studying or teaching conducting at any level. Written by David Itkin, a most distinguished and experienced conductor and teacher, it concentrates on all the vital techniques in the teaching of the craft. The accompanying video recordings also make this volume unique. This addition to the material for teaching conducting is truly revolutionary, and the selection of examples gets successfully to the point of each subject discussed. —Samuel Adler     Composer, conductor, author     Professor Emeritus, The Juilliard School, Eastman School of Music The Conductor’s Craft outlines a detailed plan and method for executing conductor training in advanced conducting studios. Itkin’s book is also an excellent reference for any teacher who instructs advanced students in a collegiate orchestral conducting program, as well as for up-and-coming professionals who are studying for a career in the field. Perhaps most important, an individual conductor can manage their own self-study with Maestro Itkin’s clear statements and explanations of the technical issues presented with each excerpt. This book gives individual conductor’s freedom to explore choices and alternatives to fix tricky passages in the provided musical examples. I love the book and will be using it in my studio. —Julius P. Williams     Artistic director and conductor, Berklee Contemporary Symphony Orchestra     President of the International Conductors Guild How refreshing to review a conducting book that deals with specificity of gesture as it relates to the music rather than mere concepts. Bravo to Maestro David Itkin for holding the aspiring conductor to task on issues of score study, execution, and style! —Mark Gibson     Director of Orchestral Studies, College-Conservatory of Music, University of Cincinnati     Author of The Beat Stops Here.

SKU: HL.253337

UPC: 888680719098. 5.0x5.0x0.121 inches.

From the Broadway musical The Pajama Game this is a production number to top all production numbers. With original choreography by Bob Fosse, your show choir will love creating the dance sequence.

SKU: HL.264368

UPC: 888680730505. 5.0x5.0x0.131 inches.

The Pajama Game was a hit in both the Broadway theatre and the movie theatre. This Act 2 production number still brings the house down in revivals and new productions, and it will do the same in your concert.

SKU: PR.114408750

UPC: 680160013289. 8.5 x 11 inches.

This work was commissioned by the Friends of the Phoenix Public Library for the dedication of the new Music Room and made possible in part through the funds from the Arizona Commission on the Arts, and Meet the Composer-Arizona. Diary of a Journey was composed between July and September 1995 for the group Arpeggio. During the early summer of 1995, my wife and I took a vacation to Prague and Budapest. It was the first trip for both of us to these former Iron Curtain capitals. The train ride through the beautiful country-side, the dilapidated small villages and towns, the magnificent architecture and the feeling of grandeur in the two major cities left an indelible impression on me. I longed to write some kind of an essay about it. Diary of a Journey is the result of some of these thoughts, which were sketched (musically) as we visited each place. There are four 'snapshots' or movements which do not portray a specific scene, but rather try to capture the impressions I gathered from the people we observed and met, and the many awe-inspiring experiences we had. Throughout the journey, I felt that people were clinging to a tenacious hope for a better future, no matter how long it will take to realize it. In the first movement each player portrays a struggle against all odds, and with great energy and even wit tries to overcome the obstacles, ending on one serene high note as a resting point after all the conflict. The second 'snapshot' tries to capture the deep faith of a newly regained religiosity. It is chant-like, and uses as its basic melodic material a famous Czech hymn, penned by the great religious reformer John Huss. This movement is played very freely, without bar-lines and with the hymn shining through the fervent chanting. The third movement is a kind of 'demonic' scherzo. Fast and furious, the three instruments vie with one another in a true perpetual motion frenzy, which is at times relieved by short, more pastoral melodic fragments. A rather wild ending should leave everyone breathless. Finally, in the fourth 'snapshot' the instruments play a bit more as a team, meaning that is that there is more melody with accompaniment, and more imitative music giving the impression of a group effort. The energy is still at a high level but long lyrical lines abound, accompanied and interrupted at times by undulating fast notes still depicting the struggle against the blight which any visitor notices all around these countries, yet also showing the determination of the people to conquer adversity. --Samuel Adler.