| Scenes from the American West Concert band [Score] - Easy FJH
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1745S Score Only. C...(+)
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1745S Score Only. Composed by Jack Wilds. Concert Band. FJH Young Band. Multicultural; Patriotic. Score. Duration 4:00. The FJH Music Company Inc #98-B1745S. Published by The FJH Music Company Inc (FJ.B1745S). English. Commissioned to commemorate the 100th anniversary of America's National Park Service, this suite is a musical portrait of three cherished natural areas. The first movement is a short fantasia based on the folk song Rocky Mountain. The second movement portrays wonder at the sheer size and scope of the Redwood forest. The last movement is a fast, energetic portrayal of ancient pictographs found at Big Bend National Park. About FJH Young Band Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5 $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Scenes from the American West Concert band - Easy FJH
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1745 Composed by Jack Wild...(+)
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1745 Composed by Jack Wilds. Concert Band. FJH Young Band. Multicultural; Patriotic. Score and Part(s). Duration 4:00. The FJH Music Company Inc #98-B1745. Published by The FJH Music Company Inc (FJ.B1745). UPC: 241444391136. English. Commissioned to commemorate the 100th anniversary of America's National Park Service, this suite is a musical portrait of three cherished natural areas. The first movement is a short fantasia based on the folk song Rocky Mountain. The second movement portrays wonder at the sheer size and scope of the Redwood forest. The last movement is a fast, energetic portrayal of ancient pictographs found at Big Bend National Park. About FJH Young Band Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5 $60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| There is Sweet Music Here Carl Fischer
Choral TBB choir, piano SKU: CF.CM9594 Composed by Greg Gilpin. Fold. Per...(+)
Choral TBB choir, piano SKU: CF.CM9594 Composed by Greg Gilpin. Fold. Performance Score. 8 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #CM9594. Published by Carl Fischer Music (CF.CM9594). ISBN 9781491154168. UPC: 680160912667. 6.875 x 10.5 inches. Key: Bb major. English. Alfred Tennyson. Alfred, Lord Tennyson (1809-1892). The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 710, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 1417 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 2225, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 3336. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 3738 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures. The text of Alfred, Lord Tennyson'sA There is Sweet Music HereA is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7a10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14a17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22a25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33a36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37a38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures. The text of Alfred, Lord Tennyson'sA There is Sweet Music HereA is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7a10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14a17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22a25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33a36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37a38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures. The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7-10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14-17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22-25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33-36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37-38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures. The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7-10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14-17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22-25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33-36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37-38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures. The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words.The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7–10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14–17 as well as those that contain three-part singing.The piano establishes a consistent undulating tempo in mm. 22–25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes.Maintain a consistent tempo when singing the eighth notes in mm. 33–36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37–38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment.Linger with quiet, full and supported singing during the last three measures. $2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ar y Mynydd Prydferth Cymreig. Solo Cornet [Score] Stainer and Bell
Cornet SKU: ST.H494 Composed by Benjamin Frank Vaughan. Wind & brass musi...(+)
Cornet SKU: ST.H494 Composed by Benjamin Frank Vaughan. Wind & brass music. Standard: Intermediate. Three movements for Solo Cornet in B flat. Score. Stainer & Bell Ltd. #H494. Published by Stainer & Bell Ltd. (ST.H494). ISBN 9790220222894. Ar Ben y Bryn (On Top of the Hill); Yr Ogof (The Cave); Y Ddraig Goch (The Red Dragon) [PDF Sample] Ar y Mynydd Prydferth Cymreig (On the Beautiful Welsh Mountain) is a colourful, programmatic piece in three short movements, depicting scenes of Welsh mountains, valleys, caves and a hero, armed only with his trusty cornet, who encounters a legendary red dragon. This work was highly commended by the judges in the first Stainer & Bell Award for Brass Composition, held at the Royal Welsh College of Music & Drama in Cardiff in May 2010. $7.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| No. 42 (In the Alps - an Animated Concert) Schott
Chamber Ensemble; Soprano (Study Score) SKU: HL.49046449 (In the Alps ...(+)
Chamber Ensemble; Soprano (Study Score) SKU: HL.49046449 (In the Alps - an Animated Concert) Study Score. Composed by Richard Ayres. Study Score. Classical. Softcover. 192 pages. Duration 2700 seconds. Schott Music #ED13705. Published by Schott Music (HL.49046449). ISBN 9781540095688. UPC: 841886023383. No.42 (In the Alps) could perhaps best be described as a melodrama. It combines many of the subjects that fascinate me: the relationship of text narrative and musical narrative, the history of opera, early cinema, the theatrical practices of the nineteenthcentury, along with the folk and popular music of the Alpine region. A girl (the soprano), stranded on top of an un-climbable mountain peak as a young baby, is taught to sing by the mountain animals. Young Bobli lives in the village far below the un-climbable peak. He was born mute and communicates with the world by playing the trumpet. Bobli hears the soprano's song drifting down into the valley. The soprano listens to Bobli's trumpet tunes blown up to her by the wind. They are both enchanted. The three acts are separated by interludes describing how three animals experience time passing in relation to a musical tempo. Like any self respecting melodrama the text and music combine to depict or imply a wide ranging theatrical adventure, in this piece starting at the Creation (or the big bang), a lonely existence, scenes of rustic village life, some carpentry, many mountain goats, unrequited love, and ending in a quest destined to fail. In a live performance the text [provided with the performance material] isto be projected on a screen behind the musicians in the style of silent movie intertitles. Richard Ayres. $60.00 - See more - Buy online | | |
| Popocatepetl - Intermediate Carl Fischer
Band Agogo Bells, Bass Clarinet, Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2,...(+)
Band Agogo Bells, Bass Clarinet, Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 4 SKU: CF.SPS96 Composed by Joe Riposo. Set of Score and Parts. Carl Fischer Music #SPS96. Published by Carl Fischer Music (CF.SPS96). ISBN 9781491163795. UPC: 680160922581. Popcatepetl, “Smoke Mountain†in Aztec, is a dormant volcano which the Mexican people affectionately call “POPO.†This dormant volcano in Mexico is on the boundary between the states of Mexico and Pueblo.In 1921 Popocatepetl belched smoke and gas for several months. Since then is has occasionally emitted the smoke and sulfurous vapors that earned its Aztec name.This suite is my musical impression of the Aztec volcano. The piece is divided into three scenes.The first scene, Prologue, is the first impression formed when you first come upon the volcano. The emotions range from fear to excitement to respect for nature. This scene should be played with spirit and every rhythmically.The second scene, Ballad. represents my feelings after the initial emotions have faded. One is quickly relaxed by the beauty of the volcano and its surroundings. This scene is scored in a dance-band style with lush sounding harmonics. This section of the composition should be played very slowly and with a relaxed feeling.The third scene, Introduction and Samba, is the emotion of joy utilizing Latin rhythms. This scene takes advantage of all of the color and rhythms associated with Mexico. Samba opens with a fanfare which is the main theme on which the whole scene is developed. This section should be played very crisply and rhythmically.Particular attention should be paid to all of the dynamic expressions even though the scoring will in most cases achieve dynamic changes. $120.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Woodwind Quartet No. 4 Theodore Presser Co.
Chamber Music Bassoon, Clarinet, Flute, Oboe SKU: PR.144405670 Three I...(+)
Chamber Music Bassoon, Clarinet, Flute, Oboe SKU: PR.144405670 Three Images. Composed by Robert Martin. Premiere: Manhattan, NY; Music at the Mercantile series. Contemporary. Set of Score and Parts. With Standard notation. Composed Autumn 1980. 20+8+8+8+8 pages. Duration 12 minutes, 45 seconds. Theodore Presser Company #144-40567. Published by Theodore Presser Company (PR.144405670). UPC: 680160609796. Having been awarded a Fulbright Scholarship in 1979, Martin was able to travel to Vienna, and eventually onward to the Middle East. In Three Images, he musically describes three personally powerful scenes from his travels: Vienna, the River Jordan, and the Dead Sea. The fourth quartet was completed in 1980. For advanced performers. Duration: 12'45. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Woodwind Quartet No. 4 [Score] Theodore Presser Co.
Woodwind quartet Bassoon, Clarinet, Flute, Oboe SKU: PR.14440567S Thre...(+)
Woodwind quartet Bassoon, Clarinet, Flute, Oboe SKU: PR.14440567S Three Images. Composed by Robert Martin. Premiere: Manhattan, NY; Music at the Mercantile series. Contemporary. Full score. With Standard notation. Composed Autumn 1980. Duration 12 minutes, 45 seconds. Theodore Presser Company #144-40567S. Published by Theodore Presser Company (PR.14440567S). UPC: 680160609819. Having been awarded a Fulbright Scholarship in 1979, Martin was able to travel to Vienna, and eventually onward to the Middle East. In Three Images, he musically describes three personally powerful scenes from his travels: Vienna, the River Jordan, and the Dead Sea. The fourth quartet was completed in 1980. For advanced performers. Duration: 12'45. $19.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Eugen Onegin Op. 24 Deutscher Verlag für Musik
Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB -...(+)
Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB - picc.2.2.2.2. - 4.2.3.0. - timp - hp - str) SKU: BR.DV-6081 Lyrical Opera in 3 Acts. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Manfred Koerth / Wo Ebermann. Arranged by M. Koerth and W. Ebermann. Choir; Softbound. Deutscher Verlag. Opera; Music theatre; Romantic. Piano/Vocal Score. 300 pages. Deutscher Verlag fur Musik #DV 6081. Published by Deutscher Verlag fur Musik (BR.DV-6081). ISBN 9790200460032. 9.5 x 12 inches. Duration: full evening
Translation: German (W. Ebermann/M. Koerth), Engl. (D. Llyod-Jones), French (M. Delines) Place and time: Partly on the estate, partly in Petersburg, in 20ies of the 19th Century
Characters: Larina, Owner of the Estate (mezzo-soprano) - Tatiana (soprano) and Olga (alto), her Daughters - Filipjewna, Wet Nurse (mezzo-soprano/alto) - Eugen Onegin (baritone) - Lenskij (tenor) - Prince Gremin (bass) - A Commander (bass) - Saretzkij (bass) - Triquet, a French Man (tenor) - Guillot, a Valet (silent part) - Country Folk, Ball Guests, Squire, Officers (chorus) - Waltz, mazurka, polonaise and Russian dance (Ballet )
There is an interesting parallel between the subject of the opera and Tchaikovsky's life during the year he wrote the work (1877): in each case, a letter provokes fateful developments in the lives of the protagonists. In the opera, Tatyana's love letter to Eugene sets off the tragedy, whereas in real life, the love letter of a pupil led the composer into a marriage, which lasted all of ... three months. Tchaikovsky took this doomed decision without love, solely because the circumstances want it and because I cannot act differently. Certain allusions made, for example, in a letter of January 1878 to Taneyev suggest that the composer's personal situation also flowed into the work: I did not want anything to do with the so-called 'grand opera.' I am looking for an intimate but powerful drama which is built on the conflict of circumstances which I myself have seen and experienced, a conflict which truly moves me. Partly for this reason the composer decided to call the work not an opera but lyrical scenes.Eugene Onegin, conceived by Tchaikovsky for limited resources and a small stage, is the most frequently performed Russian opera today along with Mussorgsky's Boris Godunov, which represents a completely contrary aesthetic stance.
Tschaikowskys letzte Oper - auf ein Libretto seines Bruders Modest nach der Dramenvorlage des danischen Schriftstellers Henrik Hertz - lebt von den poetischen Momenten und den symbolbeladenen Charakterportrats der Hauptfiguren: Die junge blinde Jolanthe wird von ihrem Vater aus Sorge um ihren Makel und zum Schutz ihrer Jungfraulichkeit und vor den Widrigkeiten der Welt in einen paradiesischen Garten gesperrt. Er befielt zu ihrem Schutz sie um ihre Blindheit unwissend zu lassen. Ein Arzt warnt sehen werde sie nur konnen wenn sie es selbst wolle gleich welche Angste aus der vollstandigen Erkenntnis der Welt erwachsen. Als der junge Vaudemont in ihre Abgeschiedenheit einbricht und sich beide ineinander verlieben befreit er sie von ihrer Unwissenheit erklart was Farbe und Licht bedeuten. Erst die Liebe zu ihm macht sie sehend.
Die dunkle Welt der Jolanthe zeichnet Tschaikowsky zu Beginn musikalisch durch eine Introduktion ausschliesslich fur Blaser. Erst mit dem Eintritt in die unbekannte Welt der Liebe und des Sehens verwendet Tschaikowsky einen warmen Streicherklang. Gerade dadurch stiess die Oper wohl bei Zeitgenossen auf Verstorung. Tschaikowskys ,,Jolanthe nimmt in seinem Opernschaffen eine Sonderstellung ein: neben dem glucklichen Ende einer Apotheose des Lichts und der Liebe mit einem religios gepragten Schlusschoral ist es eines der wenigen Buhnenwerke Tschaikowskys ohne Bezug zur russischen Geschichte. Der ausgepragte Lyrismus des Werks verweist stattdessen auf Tschaikowskys Nahe zur franzosischen Kultur die im 19. Jahrhundert einen starken Einfluss auf Russland hatte. Die Oper wurde 1892 am Mariinsky-Theater in Sankt Petersburg als Auftragswerk zusammen mit seinem Ballett ,,Der Nussknacker uraufgefuhrt.
Neben der Produktion des Munchner Rundfunkorchesters wurde ,,Jolanthe szenisch erfolgreich bei den Festspielen Baden-Baden mit Anna Netrebko und Piotr Beczala als Liebespaar rehabilitiert. Ausserhalb Deutschlands lief die Opernraritat in Toulouse Tokyo San Sebastian und Monte Carlo. Zuletzt erneut die ,,Suddeutsche Zeitung: ,,Jolanthe ist eine Opernausgrabung die ,,wirklich zu Unrecht vergessen ist. Tchaikovsky's last opera - on a libretto by the composer's brother Modest based on the drama by the Danish author Henrik Hertz - derives its life-blood from its poetic moments and the symbol-laden portraits of the leading characters: the blind young Yolanta is kept prisoner in a paradisiacal garden by her father who fears for her purity and her virginity and seeks to protect her from the adversities of the world. To do so he orders everyone to keep her ignorant of the fact that she is blind. A doctor warns that she will only be able to see when she is ready to do so herself no matter what fears might result from a complete experience of the world. When the young Vaudemont breaks into her secluded world and the two fall in love he frees her from her ignorance and explains the significance of color and light. It is through her love for him that she is finally able to see. At the beginning of the work Tchaikovsky depicts Yolanta's dark world with an introduction scored exclusively for winds. It is not until her discovery of the unknown world of love and sight that Tchaikovsky uses a warm string sound. This is what many of the composer's contemporaries found disturbing about the opera.
Tchaikovsky's Yolanta occupies a special place in the composer's operatic oeuvre: for one it has a happy ending an apotheosis of light and love with a religiously stamped closing chorale; for another it is one of Tchaikovsky's few stage works without any reference to Russian history. Instead the work's pronounced lyricism points to the composer's closeness to French culture. which exerted a strong influence on Russia in the 19th century.
The opera was given its world premiere at the Mariinsky Theater in St. Petersburg in 1892. It had been commissioned along with the ballet The Nutcracker. Next to the production by the Munchner Rundfunkorchester Yolanta was also successfully rehabilitated in a recent staged production at the Baden-Baden Festival with Anna Netrebko and Piotr Beczala as the lovers. Outside of Germany the operatic rarity was performed in Toulouse Tokyo San Sebastian and Monte Carlo.
In closing another quote from the Suddeutsche Zeitung: 'Yolanta' is an operatic rediscovery of a work that was truly 'wrongly forgotten'. $76.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Complete Works (JSW) Orchestra Breitkopf & Härtel
Orchestra SKU: BR.SON-625 Scenes historiques op.25, op.66. Compose...(+)
Orchestra SKU: BR.SON-625 Scenes historiques op.25, op.66. Composed by Jean Sibelius. Edited by Kari Kilpelainen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 228 pages. Breitkopf and Haertel #SON 625. Published by Breitkopf and Haertel (BR.SON-625). ISBN 9790004803271. 10 x 12.5 inches. In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244. $310.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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