Flute and Harp

SKU: HL.14040643

Composed by Tiet Ton That. Music Sales America. Book [Softcover]. Editions Musicales Transatlantiques #ETR001385. Published by Editions Musicales Transatlantiques (HL.14040643).

French.

Composed by Arnold Cooke. For Flute and Harp. Standard notation. Emerson Edition #554-01213. Published by Emerson Edition

Composed by Daniel Dorff. Premiered by Joan Sparks, flute, and Anne Sullivan, harp. Contemporary. Score and part(s). With Standard notation. Composed 2015. 44 pages. Duration 16 minutes. Theodore Presser Company #114-41769. Published by Theodore Presser Company (PR.114417690).

Composed by Bruce Adolphe. For Flute, Harp (Parts). LKM Music. 32 pages. Lauren Keiser Music Publishing #S622501. Published by Lauren Keiser Music Publishing

Flute and Harp

SKU: M7.BRP-1479

Composed by Louis Andriessen. Sheet music. Score and parts. MDS (Music Distribution Services) #BRP 1479. Published by MDS (Music Distribution Services) (M7.BRP-1479).

(Flute)

SKU: HL.50499875

Composed by Adrian Shaposhnikov. Woodwind Solo. Softcover. Hal Leonard #SIK6411. Published by Hal Leonard (HL.50499875).

8.25x11.75x0.132 inches.

Flute & Harp

SKU: SU.21010220

For Flute & Harp. Composed by Edward T. Cone. Woodwinds, Flute/Piccolo. Score & Parts. Subito Music Corporation #21010220. Published by Subito Music Corporation (SU.21010220).

Facsimile Manuscript EditionFlute & Harp Duration: 12’ Composed: 1996 Published by: Estate of Edward T. Cone.

Chamber Music Flute, Harp

SKU: PR.164001780

For Flute and Harp. Composed by Dan Welcher. Classical. Set of Score and Parts. With Standard notation. Composed Apr-86. Duration 7 minutes. Theodore Presser Company #164-00178. Published by Theodore Presser Company (PR.164001780).

UPC: 680160037056.

The American imagist poet Amy Lowell (1874-1925) provided both the title and the substance for this brief descriptive work in her poem Night Clouds. I had been commissioned by the flute/harp duo Chaski to write a piece that had a different sound than most flute and harp pieces. The image of these elusive beasts cavorting through the night, before the appearance of the tiger sun, seemed to me perfectly suited for the flute and harp and would give me the chance to write a work for that combination that did NOT have overtones of nymphs and shepherds. I wanted to make much use of the harp's more violent sounds (beating the strings and the soundboard, for instance) as well as its unusual and idiomatic effects, such as pedal glissandi. For the flute, there are jet-whistle effects, extremes of register, pitch-bending and other decidedly non-pastoral gestures. The work was composed in 1986.   --Dan Welcher.