SKU: KN.5600

UPC: 822795056006.

Issued in 1966, the enduring popularity of this novelty number for young bands can best be explained by its appealing simplicity and practical flexibility. All that's needed is at least one low instrument to cover the bass part (trombone, baritone, tenor sax, tuba, bass clarinet) and any combination of higher instruments for the treble part. Musically it's a 12-bar blues featuring a staccato walking bass line for low winds punctuated by a rhythmic, repeated-pitch pattern for upper winds. Beginners who can play just two notes can even play along, and the final chorus offers some dramatic options by having the band stand the first time through, then playing it one more time! as an encore after applause. Duration 2:00.

SKU: CF.BE10

ISBN 9780825891168. UPC: 798408091163. Score. 8.5x11, Pts. 9x12 inches. Key: G major.

As If is Paul Lansky at the genesis of his computer music powers. Here he explores the relationship between pre-recorded and live performers, forcing a re-examination of the concepts of both composition and performance. Lansky worked with an early IBM computer (1981) for As If, a far cry from the powerful computers and complex algorithms he would later create. Duration: 19'37.
Commissioned by the Princeton-Columbia Electronic Music Center for SpeculumMusicae in 1981.The first movement, In Preparation, is a study in tuning and intonation and isbased on the open strings in perfectly tuned fifths, with the violin’s D stringtuned 294 hertz. The first moments of the piece provide opportunity to tuneto the tape part. (This tuning probably differs imperceptibly from a temperedtuning since the E string of the violin is only 1/33 of a semitone sharper then ina tempered system and the C strings of the viola and ‘cello 1/33 of a semitoneflatter.) Most subsequent pitches in the movement are either the open stringsor major and minor thirds above and below the open strings. The minor thirdswill be slightly sharp with respect to equal tempered tuning about 15 cents or1/6 of a semitone and the major thirds will be slightly flat about 14 cents, or oneseventh of a semitone. Listen to the tape part as a guide. All harmonics in thismovement are to be played as natural harmonics and open strings are to be usedwhenever possible.In the second movement, At a Distance, the tape part largely doubles selectedpitches in the string parts and should be thought of as a backdrop rather thencounterpart. In this and the remaining movements equal tempered tuning is usedthough it will probably not be necessary to retune the instruments for this reasonalone.The third movement, In Practice, is a study in modes of performance particularlywith respect to rhythmic rigidity and flexibility. While the tape part may seemto bend and sway a great deal, the string parts are to be played with as muchrhythmic precision as possible. At many points it may be necessary to delay oranticipate beats in order to coincide with the arrival of beats in the tape part,though in general the quarter equals 120 is accurate.In the fourth movement, In Distinction, different kinds of musical conceptions arecounter-pointed and counter-posed. Here the beat is quite accurate although thenotation of the synthetic saxophone part is only approximate.All the tape parts are based on computer reprocessed violin except for parts ofthe fourth movement in which synthetic saxophone is used. The tape part wassynthesized on the IBM 3033 and 3081 computers at Princeton University andconverted at the Winham Laboratory. The violin source was performed by CyrusStevens.

SKU: CA.2711513

ISBN 9790007200701. Language: Latin.

To commemorate the 150th anniversary of the death of Anton Diabelli we are publishing the two additional movements of his first Country Mass, the remainder of which is already available. These two movements, suitable for use during any period of the Church year, are further cause to perform at church services and in concerts the Mass in E flat major, which despite its simplicity can be impressive in effect. The flexibility in the size of the orchestra intended by the composer makes this work ideal for churches whatever their instrumental resources are. Score and part available separately - see item CA.2711500.

SKU: PE.ASTASP01

ISBN 9781883026196. UPC: 038081410753. English.

A guide to the Rolland approach to teaching, written by Paul Rolland. Rolland was a remarkable violinist, and he left a unique legacy for the string playing and teaching world. Here he discusses principles of movement in playing, rhythm training, holding the bow, left hand and finger placements, shifting, and developing flexibility. This first-hand account of his method is now considered a standard teaching resource for string teachers. This remarkable violinist has left a unique legacy for the string playing and teaching world. 228 pages.

SKU: HL.48181719

UPC: 888680846091. 9x12 inches.

“Twelve Flute Studies by Marcel Bitsch is a set of studies for upper intermediate / advanced players. Edited by Jean-Pierre Rampal, this set is dedicated to Gaston Crunelle. Each study in this book covers between one and 3 pages and focuses on a special aspect of practice: 1. For evenness of the fingers 2. For flexibility of the lips 3. For Staccato 4. For rhythm 5. For freedom of phrasing 6. For ornaments 7. For double tonguing 8. For speed 9. For triple tonguing 10. For tone quality 11. For intervals 12. Theme with variations These Twelve Flute Studies will really help serious players to master all the necessary techniques to get into more advanced levels. Marcel Bitsch is a French composer who wrote several orchestral works, some chamber works, and numerous pieces for wind instruments.&rdquo.

SKU: CF.MXE93

ISBN 9781491145081. UPC: 680160902583. 9x12 inches.

Leontovich and Wilhousky's extremely popular Carol of the Bells is now available in Carl Fischer Music's Compatible Series. Arranged by Larry Clark, string and wind players alike can now play this timeless classic together in any configuration. Perfect for use in a school setting, the flexibility of this series will make it easy to program your holiday ensemble events and give students a chance to experiment with different instrument combinations.

SKU: LO.99-2649L

UPC: 000308124255.

In this dramatic and powerful work, Ruth Elaine Schram imagines the responses of other witnesses at Calvary, creating short dramatic monologues for each: the contemptuous soldier; the crucified thief's sympathetic sibling; the scornful priest; the anguished shepherd; the grieving mother of Christ; and the heartbroken disciple, searching for answers. Her remarkable score conveys Christ's words deftly and passionately, and the music is both tuneful and easily prepared. Appropriate for choirs of all sizes, it offers a small orchestra accompaniment for larger choirs and an intimate instrumental reduction to accompany smaller choirs. This selection offers additional flexibility with two options for the conclusion. For Lent and Holy Week, performances can end contemplatively with the congregation singing the beloved folk hymn What Wondrous Love Is This, while an alternate triumphant chorus of Alleluias is perfect for Easter worship.