SKU: MB.30115M
ISBN 9780786698929. 8.75 x 11.75 inches.
The best way to learn a musical instrument is to play it as much as possible, and the most enjoyable way is with other musicians in a band setting. Trading songs, interacting with other instrumentalists, and building an ensemble sound help you learn much faster than approaching a new instrument on your own. This play- along series of books and companion audio promotes a fun way of learning by providing you with a band to play along with. You can practice chords and rhythm, singing and lyrics, melodies, solos, licks, and back-up playing along with a real band. The companion audio includes Dix Bruce on the guitar, mandolin and vocals, Bill Evans on the banjo and vocals, Julie Cline on vocals, and Cindy Browne on the string bass. The songs are recorded just as they would be played at a jam session or performance, with introductions kickoffs , vocals and solos. By playing back-up/melody and singing along, you will have a lot of fun while you learn. Open solo spaces in the recordings allow you to play the chords and solos from the book, create your own improvised solos, or sing the lyrics while the band provides accompaniment. The book includes fifteen of the most popular bluegrass, old-time and gospel songs, recorded at slow and regular tempos in the audio. No matter what your ability level is on the guitar, you can enjoy playing along with the band. Includes access to online audio.
SKU: HL.234744
9.0x12.0x0.035 inches.
Composer's Note: The Lullaby from The Unicorns arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa. Both the East and West want to obtain them for research so they send out rival expeditions. The Western technique is to lure the unicorn with a young girl singing a lullaby. Both East and West capture unicorns but the mythical animals escape in the end. I never completed the opera but I made a six-movement suite from it called The Unicorns. There are three songs and three instrumental numbers and the first performance was given with Elisabeth Soderstrom and Solna Brass under Lars-Gunnar Bjorklund at Ekensbergskyrkan, Solna, Sweden on 31 October 1982. This version was recorded and my arrangement of the three songs for voice and piano was recorded by Marilyn Hill Smith. The career of the Lullaby continued with a version for clarinet and piano, which I premiered with Jack Brymer aboard the Sea Princess in the Mediterranean on 29 September 1986. The oboe version was for Sarah Francis, and Duke Dobing and I have recorded it for flute an piano. Lullaby can be played with a variety of solo instruments and is also available for piano left hand and piano solo.
SKU: AP.74-1848365858
ISBN 9781848365858. English.
The Rough Guide to Guitar is a one-stop shop for all your guitar-related needs---whether you're buying an instrument, playing, gigging, recording, or are a complete beginner. This book covers everything, from the basics and tips for experienced guitarists to home recording and successfully starting a band. Written by Dave Hunter, one of the world's leading guitar authors and contributor to Guitar Player and Vintage Guitar magazines, The Rough Guide to Guitar covers it all in a language that players of all levels and ages will understand. Whether you want to learn classic rock, indie, punk, or psychedelic music, this is the guide for you.
SKU: MB.30792M
ISBN 9781513462981. 8.75 x 11.75 inches.
The East Coast, from Florida up to Virginia, gave birth to a vibrant fingerstyle blues tradition, documented on recordings from the mid-1920s up into the 1970s and 1980s. In East Coast Fingerstyle Blues Guitar, author John Miller has selected some of the most interesting and exciting recorded performances from that period to present to you, with transcriptions of the performances in TAB and standard notation, lyrics to the songs provided, playing tips that will help you get the songs up and running as soon as possible, and links to the original recorded performances, so that your own playing can be informed by the playing of the masters.
A particular focus of the book is the repertoire of three of the strongest practitioners of East Coast Blues??Buddy Moss, Blind Willie McTell and Blind Boy Fuller. You??ll also find two songs each by Luke Jordan and William Moore, a Blind Blake tune and a host of songs from artists who qualify for the designation talent deserving of wider recognition: Peg Leg Howell, Carl Martin, Floyd Council, Virgil Childers, Sonny Jones, Gabriel Brown, Ralph Willis, Willie Trice and Henry Johnson, many of whose songs are being made available for the first time.
If you??re looking for fingerstyle guitar pieces with a great range of feeling, musical variety and depth of expression, you need look no further than East Coast Fingertyle Blues Guitar. It will give you the information and background you need for a total immersion in this exciting music. Includes access to online audio.
SKU: MB.30582M
ISBN 9780786698844. 8.75 x 11.75 inches.
The best way to learn an instrument is to play it as often as you can with other musicians. Trading songs and interacting with other instrumentalists and singers will foster learning at a faster pace and promote development of an ensemble sound. This play-along series encourages this kind of fun, collaborative approach to learning an instrument. Aspiring mandolinists can practice chords and rhythm, singing and lyrics, melodies, solos, licks and backup playing along with a real band. The online audio includes Dix Bruce on the guitar, mandolin and vocals, Bill Evans on the banjo and vocals, Julie Cline on vocals and Cindy Browne on the string bass. The recorded songs are performed with introductions kickoffs , vocals and solos-just how they would be at jam sessions and performances. Solo sections in the recordings allow you to play chords and solos from the book. Create your own improvised solos or sing the lyrics while the band provides accompaniment. The book includes fifteen of the most popular bluegrass, old-time and gospel songs, recorded at slow and regular tempos for players of any skill level. Includes mandolin tablature, chords, solos, backup parts and more. Great for beginning to intermediate players. Well jam ALL night long.
SKU: AP.1-ADV31007-1
English.
St. Louis Blues is a true big band classic that features solos for alto sax (reed 1), trombone, trumpet, and piano. Recorded by the legendary Thad Jones-Mel Lewis Jazz Orchestra and arranged for big band by Bob Brookmeyer.
SKU: PR.114417570
ISBN 9781491107867. UPC: 680160636013. 9x12 inches.
The famous set of dances by Norway's greatest composer were written for piano duet. Grieg later created a piano solo version, but refused to orchestrate the set. After some study of Grieg and his music, Michael Webster has arranged the four dances for Flute, Clarinet, and Piano in a faithful setting, using the piano duet version as a guide. This lively Grieg classic will be a welcome new addition to performance programs. For advanced performers._______________________________________Text from the scanned back cover:Born in 1944, MICHAEL WEBSTER made his New York recital debut at Town Hall in 1968 with his eminent father, Beveridge Webster, as pianist. In the same year, he won the Young Concert Artists International Competition and succeeded his teacher, Stanley Hasty, as Principal Clarinet in the Rochester Philharmonic, a position he held for twenty years. Webster has performed with the Chamber Music Society of Lincoln Center, the 92nd Street Y, with the Tokyo, Cleveland, Muir, Ying, Enso, and Dover String Quartets, and with the festivals of Marlboro, Santa Fe, Norfolk, Chamber Music Northwest, Angel Fire, Steamboat Springs, Park City, Sitka, Kapalua, Bowdoin, Orcas Island, Skaneateles, La Musica di Asolo, Stratford, Victoria, and Domaine Forget.As soloist he has appeared with many orchestras, including the Philadelphia Orchestra under Aaron Copland and the Boston Pops under John Williams. His travels have taken him as performer and teacher to most of the 50 states, as well as Canada, Mexico,Puerto Rico, Central and South America, Europe, Japan, China, Australia, and New Zealand. Webster was Acting Principal Clarinet of the San Francisco Symphony, and has served on the clarinet and/or conducting faculties of New England Conservatory, Boston University, University of Michigan, and the Eastman School, from which he earned his three degrees. Currently he is Professor of Music at Rice University??s Shepherd School of Music and Artistic Director of the Houston Youth Symphony, which has won multiple first prizes in national performance competitions.With his wife, flutist Leone Buyse, and pianist Robert Moeling, he plays in the Webster Trio, which has recorded his arrangements on Tour de France and World Wide Webster for Crystal Records. Otherarrangements were recorded for Nami and Camerata Tokyo in Japan with pianist Chizuko Sawa. Webster has also recorded for Albany, Arabesque, Beaumont, Bridge, Centaur, CRI, and New World. He has played at many ClarinetFests for the International Clarinet Association and written a column entitled ??TeachingClarinet? in The Clarinet Magazine since 1998. Michael Webster is a Buffet artist-clinician, performing on Buffet clarinets exclusively. NORWEGIAN DANCES (Grieg)Michael Webster??s transcriptions for Flute, Clarinet, and Piano have created the core literature for this instrumental genre. Working directly from Grieg??s original piano four-hands version of the charmingly familiar Norwegian Dances, Webster has given flutists and clarinetists another addition to the ensemble??s repertoire.
SKU: HL.49014910
ISBN 9790220130472. 12.5x17.25x1.143 inches.
The score and performing material of Jesus' Blood Never Failed Me Yet published by Schott comprises everything that is sanctioned for performance or recording. The use of an obligato voice, improvised or otherwise is expressly forbidden and cannot be authorised except by the composer. The recording by the composer on Point Music, in which Tom Waits' voice is added during the later stages of the performance, is unique. His voice was used only for this specific occasion, growing out of the personal relationship between Tom Waits and the composer and does not represent in anyway a precedent for others.
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