SKU: CY.CC2580

Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition.

St. Stephen's Cathedral, also known as Stephansdom, is one of Vienna's most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna's skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them

I. Groundbreaking
The first movement depicts the troubles that St. Stephen's Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen's was first constructed in 1137, during the Romanesque era. However, the church faced many issues—from being destroyed by the Babenberg Empire to being decimated by a fire—before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord.


II. Steffl
Steffl, the nickname for Stephansdom's soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom's north tower is the tallest structure in Vienna, and distinctly stands out within Vienna's skyline.


III. 1945
As World War II was coming to a close in 1945, Stephansdom's roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom's great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945.


IV. Anton Pilgrim
Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen's Cathedral in the Gothic style. One of his most famous projects was the St. Stephen's organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese's love for Anton Pilgrim, as well as Stephansdom, one of Vienna's most iconic sights.

This work of 12 minutes in length is appropriate for advanced performers.

SKU: CY.CC2849

* The Prelude in E-flat, subtitled “St. Anne” gets its nickname from the similarity of its fugue theme and a hymn tune by William Croft, however, scholars feel there is no realistic connection, as Croft's work was only known in the British Isles.
* Originally written for organ in 1736, this great music is the crowning achievement of a large volume of works for that instrument.
* Mr. Sauer's 11-minute arrangement of this monumental Bach Prelude is brilliantly worked out to the last detail for an 8-part Trombone choir of advanced performers.

SKU: CY.CC2538

In dulci jubilo is an ancient traditional Christmas carol that first appeared around 1400 in Germany. Lisa Albrecht's beautiful arrangement for Trombone quartet is based on the 1837 setting by Robert Pearsall, the one of the favored by many choirs and their organists. The melody was so popular that many composers have tried their hand at arranging it including Buxtehude, Bach, Liszt and Dello Joio.

This arrangement of about 3 minutes can be performed by intermediate to advanced players. Trombone I is in tenor clef and the rest of the parts are in bass clef and can be performed by intermediate level players.

SKU: CY.CC3109

ISBN 9790530110867. 8.5 x 11 in inches.

Tantum ergo (Let us raise) WAB 43 was originally set for SATB choir with Organ, composed in 1845 and is the second of Bruckner's eight settings of this hymn. This short work has been beautifully arranged for 4-part trombone ensemble by Ralph Sauer. For moderately advanced performers.