SKU: HL.4493082
UPC: 196288182122.
Unleash awe-inspiring beauty of â??Theme from Jurassic Parkâ? with this enchanting string orchestra arrangement by Robert Longfield. John Williams' iconic score comes to life, allowing your orchestra to recreate the majestic wonder of prehistoric times. Elevate your performance with luch harmonies and captivating melodies that transport audiences to the heart of Jurassic Park. Perfect for young orchestras seeking a timeless cinematic experience, this arrangement promises to captivate and inspire, making your performance a Jurassic journey like never before.
SKU: HL.50488608
UPC: 073999886085. 8.25x11.75x0.215 inches.
Contents: Theme from Concerto, Op. 10, No. 4 (Vivaldi) * Theme from Divertimento No. 5 (Bononcini) * Theme from Essercizi Musici (Telemann) * Theme from Flute Sonata in B Flat (Marcello) * Theme from Flute Sonata in G (Locatelli) * Theme from Flute Sonata in G (Marcello) * Theme from Flute Sonata in F (Handel) * Theme from Flute Sonata in G (Platti) * Theme from Recorder Sonata in F (Telemann) * Theme from Sonata, Op. 4, No. 9 (Loeillet) * Themes from Concerto, Op. 10, No. 5 (Vivaldi) * Themes from Divertimento No. 2 in D (Bononcini) * Themes from Flute Sonata in G (Handel) * Themes from Flute Sonata in C (Bach) * Themes from Flute Suite in B Minor (Bach) * Themes from Sonata, Op. 1, No. 2 (Loeillet) * Themes from Sonata, Op. 27 (Boismortier).
SKU: WD.080689874420
UPC: 080689874420.
Themes are an important part of our lives. They give us connectivity and consistency. They provide focus. They offer common ground with like-minded people. Good themes are recurring themes...especially in regard to redeeming love!
SKU: WD.080689713026
UPC: 080689713026.
SKU: WD.080689810725
UPC: 080689810725.
SKU: WD.080689443770
UPC: 080689443770.
SKU: WD.080689533099
UPC: 080689533099.
SKU: WD.080689444777
UPC: 080689444777.
SKU: WD.080689916120
UPC: 080689916120.
SKU: HL.48183547
UPC: 888680870232. 6.0x9.5x0.126 inches.
Favorite Classical Themes - Book 1 is the first book of a series for Soprano Recorder. It features twenty famous themes, regrouped and arranged for the instrument by Rose-Marie Janzen. Using a range not too high, this book can be used by any young player or teacher and features tunes more or less difficult that correspond to different level of difficulty. It includes: 1. Te Deum, extract, by Marc-Antoine Charpentier 2. Les Saisons, ?Printemps? (Spring), by Antonio Vivaldi 3. Tambourin, extract, by Jean-Philippe Rameau 4. L?harmonieux forgeron, theme and variation, by George-Frederic Handel 5. Passion selon Saint Matthieu, choral, by J. S. Bach 6. ?Jesus que ma joie demeure?, ritournelle, by J. S. Bach 7. Quatuor ?L?empereur?, theme of the 2nd movement, by Joseph Haydn 8. Une petite musique de nuit, minuet theme, by Mozart 9. La chasse du jeune Henri, extract, by E. N. Mehul 10. Concerto de Violon, Rondo theme, by Beethoven 11. Neuvieme Symphonie, Hymne a la joie, by Beethoven 12. La truite by Schubert 13. Marche Nuptiale, extract, by Felix Mendelssohn-Bartholdy 14. Le gai laboureur by Schumann 15. Faust, ?Paresseuse fille??, by Charles Gounod 16. Berceuse by Johannes Brahms 17. L?Arlesienne, ?Marche des Rois?, by Georges Bizet 18. Carmen, ?Avec la garde montante?, by Georges Bizet 19. Symphonie ?du nouveau monde?, Largo theme, by Antonin Dvorak 20. Le lac des cygnes, Lake theme, by Tchaikovsky .
SKU: HL.14005413
ISBN 9780711929784. UPC: 884088491079. 8.25x11.75x0.087 inches.
Some of the most memorable themes from the best-loved TV dramas have been written by Geoffrey Burgon. This book contains arrangements for piano of the best-known of Burgon's themes including Theme From Bleak House and Aslan's Theme from The Chronicles of Narnia.
SKU: SU.80101410
Fantasy-Variations on Two Themes (2017) for organ was written for Heinrich Christensen in celebration of his significant 2017 birthday. The musical material for the work comprises two different themes. The first is a short melody by the Danish composer Carl Nielsen (1865-1931). (It was a sketch originally intended for inclusion in, but ultimately left out of, Nielsen's late organ work 29 Little Preludes.) This theme represents Heinrich's native Denmark. The second theme is the American folk-gospel hymn Angel Band. This theme represents Heinrich's adopted American homeland. It serves also as a remembrance of our dear mutual friend Harry Lyn Huff (1952-2016), for whom the tune was a particular favorite. Both these themes are developed freely in a set of alternating fantasy-variations. The opening variation begins with a dramatic pedal solo before quoting both themes. The second variation is a lyric setting based on the Nielsen melody. The third is a jubilant hornpipe on Angel Band. The fourth is an aria on a transformation of the Nielsen melody. The fifth is a gigue-toccata on Angel Band. The sixth is an atmospheric contemplation: lush chords in the manuals move slowly and hint at Angel Band while the Nielsen melody is heard for the first time in its complete original form on a high pedal stop. The seventh and final variation begins with a brief evocation of the harmonies of the late Daniel Pinkham (a mentor to both Heinrich and me) before going on to return dramatically and jubilantly to the opening music, bringing together both themes again in a bold conclusion. Instrumentation: Organ Duration: 15' Composed: 2017 Published by: Zimbel Press.
SKU: M7.DOHR-6655834
ISBN 9783936655834.
Mit Bachs 'Die Kunst der Fuge' habe ich mich seit vielen Jahren beschäftigt, weniger intensiv allerdings mit Fragen zum Fragment der Schlußfuge, zumal mit deren Vervollständigung - eine solche hätte ich früher kategorisch abgelehnt! [...] Erst die Ergänzung eines Kölner Klavierkollegen weckte in mir ein weitergehendes Interesse an dieser Problematik, vor allem der Umstand, daß er das Fragment nur mit den drei von Bach noch exponierten Themen vervollständigte und das Hauptthema des Werkes außen vor ließ. Seine Argumente: Das 1. Thema sei bereits eine Variante des Hauptthemas, und mit diesem und seiner gesonderten Exposition vor der Vereinigung aller vier Themen würde die Fuge viel zu lang. Daß es sich den drei anderen Themen nahtlos einfügt, halte er für Zufall (damit steht er nicht allein). Also ging ich daran, die gängigen Kombinationen der vier Themen zu erproben, zunächst nur, um ihren vierfachen Kontrapunkt zu demonstrieren. Damit aber war der Grundstein für eine Vervollständigung gelegt ... Nach insgesamt über dreijähriger Arbeit kann ich numehr nicht nur die Ergänzung selbst, sondern auch eine Studie zum Fragment und den damit verknüpften Problemen vorlegen. Meine Absicht kann kaum darin bestehen, mich mit Bach messen zu wollen.Vielmehr sollen Studie und Vervollständigung dazu dienen, Erkenntnisse über Bach im allgemeinen und 'Die Kunst der Fuge' sowie das Fragment im besonderen zugewinnen. (Thomas Daniel, aus dem Vorwort).
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