| Easy Instrumental Solos For Special Occasions and Celebrations Tenor Saxophone [Sheet music + CD] - Intermediate Alfred Publishing
(Tenor Sax). For Tenor Sax. Book; CD; Instrumental Series; Play-Along. Easy I...(+)
(Tenor Sax). For Tenor Sax.
Book; CD; Instrumental
Series; Play-Along. Easy
Instrumental Solos. Grade 2;
Grade 3. 48 pages. Published
by Alfred Music
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Violin 2 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(wit...(+)
Violin 2 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va)) SKU: BR.OB-5329-16 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Classical. Part. Composed 1780. 12 pages. Duration 20'. Breitkopf and Haertel #OB 5329-16. Published by Breitkopf and Haertel (BR.OB-5329-16). ISBN 9790004333549. 10 x 12.5 inches. According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Violin 2 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) ...(+)
Violin 2 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-16 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-16. Published by Breitkopf and Haertel (BR.OB-32034-16). ISBN 9790004350904. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| God Shall Arise Breitkopf & Härtel
Violin 2 (solos: SSAB - choir: SSATB - 0.0.0.0 - 0.2.3.0 - timp - str - bc) S...(+)
Violin 2 (solos: SSAB - choir: SSATB - 0.0.0.0 - 0.2.3.0 - timp - str - bc) SKU: BR.OB-32093-16 Cantata for Easter – Urtext. Composed by Johann Kuhnau. Edited by David Erler. Chorus. Orchester-Bibliothek (Orchestral Library). Baroque/Cantata. Indvidual part. Duration 10'. Breitkopf and Haertel #OB 32093-16. Published by Breitkopf and Haertel (BR.OB-32093-16). ISBN 9790004351840. 10 x 12.5 inches. The cantata Es steh Gott auf is intended for Easter. The editor was able to identify a poem by Christian Weise (1642–1708), which has received little attention to date, as the source text. Kuhnau was in close contact with Weise in Zittau, so the cantata could have been written in direct chronological connection with the printing of the original text in 1682. However, the earliest date of performance noted on the title page of the cantata is only 1703 in Grimma, thus already in his time as Thomaskantor (from 1701). On the other hand, no further church music contributions are documented from this early period of his tenure, and such a large gap to the origin of the text seems unlikely. The cantata is well suited for use in church services because of its short length and not-too-large instrumentation. Through the transmission in the form of a set of parts, the participation of ripieno singers, which can be taken over by a choir, is also proven. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Organ (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU...(+)
Organ (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-11 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-11. Published by Breitkopf and Haertel (BR.OB-32034-11). ISBN 9790004350881. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $13.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa solemnis in C K. 337 Breitkopf & Härtel
Violin 1 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(wit...(+)
Violin 1 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va)) SKU: BR.OB-5329-15 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Classical. Part. Composed 1780. 12 pages. Duration 20'. Breitkopf and Haertel #OB 5329-15. Published by Breitkopf and Haertel (BR.OB-5329-15). ISBN 9790004333532. 10 x 12.5 inches. According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Violin 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) ...(+)
Violin 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-15 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-15. Published by Breitkopf and Haertel (BR.OB-32034-15). ISBN 9790004350898. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| God Shall Arise Breitkopf & Härtel
Violin 1 (solos: SSAB - choir: SSATB - 0.0.0.0 - 0.2.3.0 - timp - str - bc) S...(+)
Violin 1 (solos: SSAB - choir: SSATB - 0.0.0.0 - 0.2.3.0 - timp - str - bc) SKU: BR.OB-32093-15 Cantata for Easter – Urtext. Composed by Johann Kuhnau. Edited by David Erler. Chorus. Orchester-Bibliothek (Orchestral Library). Baroque/Cantata. Indvidual part. Duration 10'. Breitkopf and Haertel #OB 32093-15. Published by Breitkopf and Haertel (BR.OB-32093-15). ISBN 9790004351833. 10 x 12.5 inches. The cantata Es steh Gott auf is intended for Easter. The editor was able to identify a poem by Christian Weise (1642–1708), which has received little attention to date, as the source text. Kuhnau was in close contact with Weise in Zittau, so the cantata could have been written in direct chronological connection with the printing of the original text in 1682. However, the earliest date of performance noted on the title page of the cantata is only 1703 in Grimma, thus already in his time as Thomaskantor (from 1701). On the other hand, no further church music contributions are documented from this early period of his tenure, and such a large gap to the origin of the text seems unlikely. The cantata is well suited for use in church services because of its short length and not-too-large instrumentation. Through the transmission in the form of a set of parts, the participation of ripieno singers, which can be taken over by a choir, is also proven. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Viola 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) S...(+)
Viola 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-19 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-19. Published by Breitkopf and Haertel (BR.OB-32034-19). ISBN 9790004350911. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 corn...(+)
Chorus (with soloists) and orchestra (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.PB-32034 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Full score. Duration 9'. Breitkopf and Haertel #PB 32034. Published by Breitkopf and Haertel (BR.PB-32034). ISBN 9790004215678. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $33.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Viola 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) S...(+)
Viola 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-20 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-20. Published by Breitkopf and Haertel (BR.OB-32034-20). ISBN 9790004350928. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Basso (cello/double bass) (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib...(+)
Basso (cello/double bass) (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-26 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-26. Published by Breitkopf and Haertel (BR.OB-32034-26). ISBN 9790004350935. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Chorus and piano (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str -...(+)
Chorus and piano (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.EB-32034 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. Duration 9'. Breitkopf and Haertel #EB 32034. Published by Breitkopf and Haertel (BR.EB-32034). ISBN 9790004186398. 7.5 x 10.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
(solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.O...(+)
(solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-54 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-54. Published by Breitkopf and Haertel (BR.OB-32034-54). ISBN 9790004350966. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
(solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.O...(+)
(solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-53 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-53. Published by Breitkopf and Haertel (BR.OB-32034-53). ISBN 9790004350959. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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