Composed by George Job Elvey (1816-1893). Arranged by Robert J. Powell. For SATB choir (with trumpet and organ accompaniment). Main Key: D Major. Sacred. Difficulty: Medium (Jr. High/High School) or Easy (Adult). Octavo. 12 pages. Duration 3 minutes 56 seconds. Published by Hinshaw Music Inc.

(Serie II - France 1800-1860). Edited by Michel Giboureau. For Bassoon. Facsimiles. Methodes and Traites. Grade 0. 200 pages. Published by Anne Fuzeau Productions - France

Orchestra ST voice soli, 2 oboes, 2 bassoons, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.7005819

Composed by Franz Schubert. Edited by Werner Bodendorff. This edition: urtext. Stuttgart Urtext Edition: Schubert. Auguste Iam Coelestium (Duett). Sacred vocal music. Set of Orchestra Parts. Composed 1816. D 488. Duration 8 minutes. Carus Verlag #CV 70.058/19. Published by Carus Verlag (CA.7005819).

ISBN 9790007145583. Key: G major. Language: Latin.

Score and parts available separately - see item CA.7005800.

By Ludwig van Beethoven (1770-1827). For 2 Oboes, 2 Clarinets, 2 Horns, 2 Bassoons and Double Bassoon (Wien 1816). Score. 132 pages

(Serie II - France 1800-1860). Edited by Michel Giboureau. For Oboe. Facsimiles. Methodes and Traites. Grade 0. 904 pages

For Guitar (Classical). Chamber. Bill's Music Shelf. American. Beginning-Intermediate. Book. 32 pages. Published by Mel Bay Publications, Inc

(Serie II - France 1800-1860). Edited by Jean Philippe Vasseur, Ulrich Druner. For Viola. Facsimiles. Methodes and Traites. Grade 0. 472 pages. Published by Anne Fuzeau Productions - France

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006509

Composed by Franz Schubert. Edited by Stefan Schuck. 1x 70.065/21 flute 1, 1x 70.065/22 flute 2, 1x 70.065/23 oboe 1, 1x 70.065/24 oboe 2, 1x 70.065/25 bassoon 1, 1x 70.065/26 bassoon 2, 1x 70.065/27 double bassoon, 1x 70.065/31 horn 1, 1x 70.065/32 horn 2, 1x 70.065/33 trombone 1, 1x 70.065/34 trombone 2, . Stuttgart Urtext Edition: Schubert. Harmony parts. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. D 383. Duration 37 minutes. Carus Verlag #CV 70.065/09. Published by Carus Verlag (CA.7006509).

ISBN 9790007244729. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and parts available separately - see item CA.7006500.

Composed by Carl Maria von Weber (1786-1826). Arranged by Dalton Ringey. For bass clarinet and piano. Classical; romantic period. Solo part and piano reduction. 15 pages (score); 4 pages (part). Published by Alea Publishing

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006503

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Vocal score. D 383. 64 pages. Duration 37 minutes. Carus Verlag #CV 70.065/03. Published by Carus Verlag (CA.7006503).

ISBN 9790007166007. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score available separately - see item CA.7006500.

Orchestra Version 1: SATB voices, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo; Version 2: SATB voices, 2 violins, viola, organ obligato, basso continuo

SKU: CA.4066411

Composed by Johann Nepomuk Hummel. Edited by Mario Aschauer. This edition: urtext. Stuttgart Urtext Edition. Missa In B. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 20 pages. Duration 35 minutes. Carus Verlag #CV 40.664/11. Published by Carus Verlag (CA.4066411).

ISBN 9790007219833. Key: B flat major. Language: Latin.

The House of Esterhazy commissioned what are probably some of the most important masses to be written at the turn of the 18th to the 19th century: Joseph Haydn's last, six great masses, Beethoven's Mass in C major and the masses of Johann Nepomuk Hummel. The resonance in the contemporary musical press upon the publication of the B flat major Mass of 1816/17, Hummel's first Esterhazy mass, was exceptionally positive. In addition to the rather simply constructed wind parts, which can also be played by the organ, the work places greater demands on the strings and choir (without soloists) to master an effect-laden, expressive diversity ranging from pastoral simplicity and martial trumpet calls to artistically wrought fugues which is rarely encountered. The present new edition offers the first scholarly-critical edition of the work in a reliable musical text, including performance material. Score and part available separately - see item CA.4066400.

Virtuoso and Entertaing Pieces for Violin and Piano. Composed by Various. Edited by Wolfgang Birtel. String. Softcover. Schott Music #ED23308. Published by Schott Music

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, Cfg, 2 Cor, 3 Trb, 2 Vl, Va, Vc, Cb

SKU: CA.7006513

Composed by Franz Schubert. Edited by Stefan Schuck. Stuttgart Urtext Edition: Schubert. Viola. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola. D 383. 16 pages. Duration 37 minutes. Carus Verlag #CV 70.065/13. Published by Carus Verlag (CA.7006513).

ISBN 9790007244705. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.