SKU: GI.G-6111

English. Text Source: Words inspired from Exodus, Isaiah, Ezekiel and Revelation. Text by Timothy Valentine. Scripture: (inspired from Exodus, Isaiah, Ezekiel, Revelation).

Inspired by several Old Testament texts, as well as Revelation, Timothy Valentine, SJ, has composed a song that will appeal to those who want a more contemporary feel to their worship. Parts for trumpets, trombone, and tenor sax are available separately. .

SKU: HL.48185404

UPC: 888680838355. 9.0x12.0 inches.

for alto saxophone solo with transcription of orchestral accompaniment for saxophone ensemble (sopranino, 2 sopranos, 3 altos, 3 tenors, 2 baritones and 1 bass).

SKU: CN.S11092

SKU: CN.S11268

Time Present, Past and Future.... the melodic themes of this dance travel from the 5/4 meter of the present day, to the 3/4 waltzes of the past, to the 6/8 accented phrases of the future. Players will recognize the themes as they explore the variations and new meters to each dance.

Dances of Time was commissioned by the National School Band Association and first performed on 10 June 2000 at the Adrian Boult Hall, Birmingham Conservatoire, University of Central England, by the Aldridge School Wind Band , conducted by the composer. Time Present, Past and Future.... the melodic themes of this dance travel from the 5/4 meter of the present day, to the 3/4 waltzes of the past, to the 6/8 accented phrases of the future. Players will recognize the themes as they explore the variations and new meters to each dance.

SKU: CN.R10135

Perhaps the most famous of all Irish folksongs is given a simple but haunting treatment by Stuart Johnson, featuring the lower register of the flutes.

SKU: CN.S11270

Edward Michaelson's version of Mozart's finest works, written to celebrate two hundred and fifty years since the master's birth in 1756. The tuneful candles on the cake include the 40th symphony, Voi Che Sapete from Figaro, Eine Kleine Nachtmusic, the Magic Flute, and the Rondo from the 3rd Horn Concerto. Another witty desecration of music masterpieces from Michaelson.

SKU: CN.R10268

Time Present, Past and Future.... the melodic themes of this dance travel from the 5/4 meter of the present day, to the 3/4 waltzes of the past, to the 6/8 accented phrases of the future. Players will recognize the themes as they explore the variations and new meters to each dance.

Dances of Time was commissioned by the National School Band Association and first performed on 10 June 2000 at the Adrian Boult Hall, Birmingham Conservatoire, University of Central England, by the Aldridge School Wind Band , conducted by the composer. Time Present, Past and Future.... the melodic themes of this dance travel from the 5/4 meter of the present day, to the 3/4 waltzes of the past, to the 6/8 accented phrases of the future. Players will recognize the themes as they explore the variations and new meters to each dance.

SKU: CN.R10270

Edward Michaelson's version of Mozart's finest works, written to celebrate two hundred and fifty years since the master's birth in 1756. The tuneful candles on the cake include the 40th symphony, Voi Che Sapete from Figaro, Eine Kleine Nachtmusic, the Magic Flute, and the Rondo from the 3rd Horn Concerto. Another witty desecration of music masterpieces from Michaelson.

SKU: CN.S11266

A short, melting example of why the music of Jules Massenet was so respected and admired in his native France during his lifetime. The Last Sleep of the Virgin is from the oratorio La Viege and was originally for string orchestra. This masterful arrangement will provide a delightful moment of quiet beauty on your program.

Nestling within the pages of La Viege, an Oratorio written in 1880 but with no evidence of a full performance, is to be found The Last Sleep of the Virgin, a short melting example of why the music of Jules Massenet (1842-1912) was so highly respected and admired in his native France during his lifetime. Massenet composed more than 40 operas, including Herodiade, Manon, Le Cid, and Thais, and his influence on French music was monumental. The Last Sleep of the Virgin was originally scored for string orchestra. This arrangement for woodwind and brass offers the opportunity for this gentle music to be heard in a different hue, whilst keeping its inherent beauty for the satisfaction of those performing it and sharing the experience as listeners.