| Domenico Scarlatti: 30 Sonatas Guitar Classical guitar Mel Bay
For Guitar (Classical). Solos/Studies. Intermediate-Advanced. Book. 100 pages. P...(+)
For Guitar (Classical). Solos/Studies. Intermediate-Advanced. Book. 100 pages. Published by Mel Bay Publications, Inc
$22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 9 Sonatas by Domenico Scarlatti Guitar Classical guitar Columbia
Vol. I. By Domenico Scarlatti. Arranged by Carlos Barbosa-Lima. For guitar. Publ...(+)
Vol. I. By Domenico Scarlatti. Arranged by Carlos Barbosa-Lima. For guitar. Published by Columbia.
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Four Sonatas Guitar Classical guitar [Score] - Intermediate Doberman
By Dom. Scarlatti. Arranged by David Russell. For Solo guitar. Level: grade 3-4....(+)
By Dom. Scarlatti. Arranged by David Russell. For Solo guitar. Level: grade 3-4. Score. 16 pages. Published by Les Editions Doberman-Yppan (Canadian import). (DO 340)
$15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Five Sonatas Guitar Classical guitar [Score] - Intermediate Doberman
By Dom. Scarlatti. Arranged by David Russell. For Solo guitar. Level: grade 3-4....(+)
By Dom. Scarlatti. Arranged by David Russell. For Solo guitar. Level: grade 3-4. Score. 24 pages. Published by Les Editions Doberman-Yppan (Canadian import). (DO 326)
$15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 6 Sonatas and Ouverture from Glueck No.10 op. 11 Violin, Guitar (duet) Classical guitar Chanterelle
Facsimile. Composed by Pierre Porro. Performance score. With Standard notati...(+)
Facsimile. Composed by Pierre
Porro. Performance score.
With Standard notation. 40
pages. Chanterelle #ZECH 302.
Published by Chanterelle
$22.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata XXIV (Dresden nr.4) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6765EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6765EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6765EM. Published by Metropolis Music Publishers (IS.G6765EM). ISBN 9790365067657. This sonata (WeissSW No. 4, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIV comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIV comes from Weissâ??s late â??productiveâ?? period, after 1730. The Sonata has six movements: Prelude, Ouverture (including allegro and largo), Courante, Bourée, Menuet and Gavotte. There is another copy of this Sonata, known as Parte (or Partita) no. 11, in a London Manuscript (British Library Ms. Add. 30387). The London Manuscript seems to be incomplete. It does not include a Menuet and a Gavotte. The Sonata in this Edition is based on the Dresden Manuscript. However, both the Prelude and the Bourée are coming from the London copy. The Dresden Prelude is regarded as spurious, and the London Bourée is more lively and in balance with the other movements. In a few passages of the Ouverture and the Courante I have made some adaptions on the basis of the London manuscript, to create the best of the two versions. In the Ouverture I have omitted the repeat indications. There are two Menuets in the Dresden Sonata. One has been crossed in the original manuscript with the accompanying note: ist nicht von Mr Weis. The other one has been added later, probably by the compiler of the volumes. The original London Prelude of this particular Sonata is composed in a â??simplifiedâ?? style; a common practice for adding preludes to lute sonatas in the 18th century. I have added the original example to my transcribed version. Perhaps it invites others to make their own arrangement. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata XXVII (Dresden nr.50) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6760EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6760EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6760EM. Published by Metropolis Music Publishers (IS.G6760EM). ISBN 9790365067602. This sonata (WeissSW No. 50, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXVII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXVII is a large and mature piece, composed in Weissâ??s late period, around 1730. The Sonata has six movements: Introduzzione (an opening movement in Italian style with elements of an Allemande and Prelude), Courante, Bourrée, Sarabande, Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata XXIX (Dresden nr.25) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6763EM. Published by Metropolis Music Publishers (IS.G6763EM). ISBN 9790365067633. This sonata (WeissSW No. 25, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIX comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIX comes from Weissâ??s middle â??productiveâ?? period, around 1720. The Sonata has seven movements: Prelude, Allemande (andante), Passepied, Bourée, Sarabande, Menuet, and it ends with a Gigue. There is another copy of this Sonata, known as Suite XIX, in a London Manuscript (British Library Ms. Add. 30387). The London version does not include a Prelude, and the Sarabande is completely different. The other movements are similar to those in the Dresden Manuscript. The Sonata in this Edition is based on the Dresden Manuscript. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden and London manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. The Prelude in this particular Sonata cannot be regarded as integral. It has been added later, either by the compiler of the volumes or perhaps by Weiss himself. Originally, the Sonata is written in G minor, a key not often used by Weiss, but considered appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata X (London nr.15) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6767EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6767EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6767EM. Published by Metropolis Music Publishers (IS.G6767EM). ISBN 9790365067671. This sonata (WeissSW No. 15, London) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata X comes from Weissâ??s middle â??productiveâ?? period, thought to have taken place between 1719 and 1725. The original tablature manuscript is in the British Library (London Ms. Add. 30387). The Sonata has six movements: Allemande, Courante, Paisane, Sarabande, Menuet, and it ends with a Gigue. There is a another copy of this Sonata in the Warszawa Biblioteka Uniwersytecka Poland (in its entirety), and a copy in the Sächsisches Landesbibliothek in Dresden (Suite XXVI), which contains three concordant movements: Allemande, Courante, and the Gigue. The Dresden manuscript displays some differences from the London manuscript. This Edition has taken those differences into account in certain details. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata XVII (London nr.23) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6764EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6764EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6764EM. Published by Metropolis Music Publishers (IS.G6764EM). ISBN 9790365067640. This sonata (WeissSW No. 23, London) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XVII comes from Weissâ??s middle â??productiveâ?? period, thought to have taken place between 1719 and 1725. The original tablature manuscript is in the British Library (London Ms. Add. 30387). It is the only London Sonata with a title: Divertimento à solo. The Sonata has ten separate movements: Prelude (PrÇ£lude), Entrée, Bourée I and II, Gavotte I and II, Sarabande, Menuet I and II, and Saltarella. The Entrée is nothing more than an Allemande. The Saltarella resembles the Scottish Gigue. The pairs of the middle â??dancesâ?? are intended to be played side by side, as one coherent movement in which the second part complements the musical notion of the first part. There are concordant copies of the first parts of the Bourée, Gavotte and Menuet in the Sächsisches Landesbibliothek in Dresden (Suite XXVI). Bourée I can also be found in the Bayerische Staatsbibliothek in München, although it is quite different from the London version. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classical Guitar Solos - Favorite Sonatinas Guitar - Intermediate Mel Bay
Guitar - Intermediate SKU: MB.30989 Saddle-stitched, Solos. Sonatinas. Bo...(+)
Guitar - Intermediate SKU: MB.30989 Saddle-stitched, Solos. Sonatinas. Book. 152 pages. Mel Bay Publications, Inc #30989. Published by Mel Bay Publications, Inc (MB.30989). ISBN 9781513466705. 8.75x11.75 inches. In this book, guitarist and music historian David Grimes presents 20 â??small sonatasâ? or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students.Â
In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a restâ?? exposing and overcoming yet another shortcoming in the education of many guitarists. Â
Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirateâ?? plus three more composers in a similar veinâ?? promoting confident, enjoyable sight-reading by guitarists of all levels. . $22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Great Instrumental Works of J. S. Bach-Transcribed for Solo Electric Bass Bass guitar [Sheet music] - Intermediate Mel Bay
Electric bass guitar - Intermediate SKU: MB.97745 Transcribed for Solo...(+)
Electric bass guitar - Intermediate SKU: MB.97745 Transcribed for Solo Electric Bass. Composed by Johann Sebastian Bach. Edited by Bennet Cohen. Saddle-stitched, Solos, Perfect binding, Classical. Baroque. Book. 56 pages. Mel Bay Publications, Inc #97745. Published by Mel Bay Publications, Inc (MB.97745). ISBN 9780786607730. UPC: 796279036719. 8.75 x 11.75 inches. Transcribed by Bennet Cohen. While many electric bassists study the Bach cello suites at some point, few attempt the sonatas and partitas for unaccompanied violin BWV 1001-1006 . Composed around 1720, the sonatas and partitas display rich polyphonic writing, unlike the simpler monophonic cello suites. This collection features a challenging but rewarding transcription of the complete A minor Violin Sonata BWV 1002 , which fits particularly well on the bass. Also included are the well-known gavotte en rondeau from the E major violin partita BWV1006 and the complete A minor partita for solo flute BWV 1013 , transposed here to D minor. Finally, an arrangement of the familiar chorale Jesu, Joy of Mans Desiring from BWV 147 takes advantage of the basss natural and artificial harmonics. Performance notes are included. Written in notation and tablature for the 4-string electric bass. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata VI BWV 530 [Score] Breitkopf & Härtel
Guitars solo (original scoring: org) SKU: BR.EB-8225 Composed by Johann S...(+)
Guitars solo (original scoring: org) SKU: BR.EB-8225 Composed by Johann Sebastian Bach. Edited by Ansgar Krause. Arranged by Ansgar Krause. Solo instruments; Softcover. Edition Breitkopf. Sonata; Baroque. Score. 24 pages. Breitkopf and Haertel #EB 8225. Published by Breitkopf and Haertel (BR.EB-8225). ISBN 9790004175620. 9 x 12 inches. This Trio Sonata has been drawn from the collection of six sonatas a 2 Clav. et Ped. BWV 525 - 530, which are generally considered as organ works. The work is not only well suited for a guitar transcription because of its charming concertante elements, but also because of the many harmonic and chordal figures that are so idiomatic to the guitar. (...) My aim in this arrangement was to produce a guitar piece in which the individual parts are, as much as possible, autonomous and of equal value. (...) Krefeld, Fall 1989 Ansgar Krause. $18.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Purgatory Sonatas, After Dante [Score] Subito Music
Three Chamber Ensembles SKU: SU.29130350 For Three Chamber Ensembles(+)
Three Chamber Ensembles SKU: SU.29130350 For Three Chamber Ensembles. Composed by Christopher Fulkerson. Chamber Music, Mixed Ensemble. Score. Subito Music Corporation #29130350. Published by Subito Music Corporation (SU.29130350). CF 21 (Full Score only, - Complete In One Volume) 1. Oh Vane Shades (Oh ombre vane) for two Clar., Viola, and Guitar. (CF 23) 2. The Throng That There Remained (La turba che rimase li) for Viola, Harp, and Percussion. (CF 24) 3. But Through That Glimpse (Ma per quel poco) Written at the Request of Oliver Knussen For Ob/EH, Clar., Bsn., Horn, Harp, Violin, Viola, & ContrabassThree Chamber Ensembles Duration: 29’ Composed: 1988 Published by: Christopher Fulkerson. $65.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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