Offertorium in stilo a cappella, mixed Choir with basso continuo, Hob. XXIIIa Nr. 1. By Franz Joseph Haydn. Various Sacred. For choir (a cappella) and basso continuo. Extra cello/contrabass part. 02 pages. Published by Doblinger (Austrian import). (45-00300-C/K)

F!r Klavier zu zwei H0nden (Orgel manualiter) eingerichtet. By Franz Joseph Haydn. Edited by Schmid, Ernst Fritz. For Piano/ Organ. Playing Score (paperbound). Hob.XIX:1-32. Published by Edition Nagel (German import).

Orchestra SATB vocal soli, SATB choir, 3 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 2 horns, 3 trombones, timpani, 2 violins, viola, cello, double bass, harpsichord - Grade 3

SKU: CA.5199009

Oratorium. Composed by Franz Joseph Haydn. Edited by Wolfgang Gersthofer. This edition: urtext. 1x 51.990/21 flute 1, 1x 51.990/22 flute 2, 1x 51.990/23 flute 3, 1x 51.990/24 oboe 1, 1x 51.990/25 oboe 2, 1x 51.990/26 clarinet 1, 1x 51.990/27 clarinet 2, 1x 51.990/28 bassoon 1, 1x 51.990/29 bassoon 2, 1x 51.990/30 double bassoon, 1x 51.990/31 horn 1,. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. German title: Die Schopfung 18. Innovative practice aids, Sacred vocal music, Oratorios, Praise and thanks. Set of Orchestra Parts. Composed 1798. Hob. XXI:2. 250 pages. Duration 105 minutes. Carus Verlag #CV 51.990/09. Published by Carus Verlag (CA.5199009).

ISBN 9790007225452. Language: German/English. Text: von Swieten, Gottfried. Text: Baron von Swieten.

The primary source on which the new Carus Urtext edition is based is the first edition of the score from 1800. Contrary to normal custom, Haydn published the score himself in order to avoid unauthorized publications and to present an optimally designed edition from an authentic hand. With this original document, which has been compared with additional relevant sources, Carus now offers a musical text based on the latest musicological findings. The critical report provides all of the important data concerning the edition in a compact form suitable for practical use [practical performance]. A detailed foreword offers insight into the genesis of the work, its construction and reception and illuminates compositional and theological and spiritual-historical aspects. In addition to the score, with singing texts in two languages (G. van Swieten's original German and English text), in the interest of legibility, vocal and choral scores will be offered in two separate editions (German or English). This work is now available in carus music, the choir app. Score and parts available separately - see item CA.5199000.

SATB vocal soli, SATB choir, 2 english horn, 2 horns, 2 violins, cello/contrabass, organ solo, [2 clarinos/trumpets, timpani]

SKU: CA.4060309

Missa in honorem Beatissimae Virginis Mariae. Composed by Franz Joseph Haydn. Edited by Christoph Grosspietsch. This edition: urtext. 1x 40.603/21 English horn 1, 1x 40.603/22 English horn 2, 1x 40.603/31 horn 1, 1x 40.603/32 horn 2, 1x 40.603/33 clarino 1, 1x 40.603/34 clarino 2, 1x 40.603/41 timpani. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE ORGELSOLOMESSE IN ES XXII:4. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Hob. XXII:4. 64 pages. Duration 40 minutes. Carus Verlag #CV 40.603/09. Published by Carus Verlag (CA.4060309).

ISBN 9790007219338. Key: E flat major. Language: Latin.

Haydn's so-called Great Organ Solo Mass in E flat major is among those works by Joseph Haydn which early in its history enjoyed widespread dissemination. The E flat major Mass, with an unusual scoring including two English horns in the orchestra, was composed around 1770 during the first years of Haydn's tenure as Music Director for the Court of Esterhazy. Despite the readily playable, effective part for organ, employed prominently as a solo instrument in the piece, the Missa in honorem Beatissimae Virginis Mariae, which was composed for a Feast to the Blessed Virgin Mary, is seldom performed today. The new critical edition hopes to stimulate new interest in this work. Score and parts available separately - see item CA.4060300.

SATB vocal soli, SATB choir, 2 english horn, 2 horns, 2 violins, cello/contrabass, organ solo, [2 clarinos/trumpets, timpani]

SKU: CA.4060319

Missa in honorem Beatissimae Virginis Mariae. Composed by Franz Joseph Haydn. Edited by Christoph Grosspietsch. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE ORGELSOLOMESSE IN ES XXII:4. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Hob. XXII:4. Duration 40 minutes. Carus Verlag #CV 40.603/19. Published by Carus Verlag (CA.4060319).

ISBN 9790007133207. Key: E flat major. Language: Latin.

Haydn's so-called Great Organ Solo Mass in E flat major is among those works by Joseph Haydn which early in its history enjoyed widespread dissemination. The E flat major Mass, with an unusual scoring including two English horns in the orchestra, was composed around 1770 during the first years of Haydn's tenure as Music Director for the Court of Esterhazy. Despite the readily playable, effective part for organ, employed prominently as a solo instrument in the piece, the Missa in honorem Beatissimae Virginis Mariae, which was composed for a Feast to the Blessed Virgin Mary, is seldom performed today. The new critical edition hopes to stimulate new interest in this work. Score and parts available separately - see item CA.4060300.

SATB choir, 2 oboes, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5199313

Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. O Jesu, Te Invocamus. Hymnus/Motetto. Sacred vocal music, Motets. Single Part, Cello/Double Bass. Composed 1768. Hob. XXIVa:6/8b. 4 pages. Duration 7 minutes. Carus Verlag #CV 51.993/13. Published by Carus Verlag (CA.5199313).

ISBN 9790007225612. Language: Latin/German.

The motet O Jesu, te invocamus arose through an adaptation of the text of the final chorus of Joseph Haydn's Applausus, a festive cantata composed in 1768. For church music performances, the Latin text O Jesu, te invocamus was closely attached to the primary text and often only single words were replaced. The German alternative text Allmachtiger, Preis dir und Ehre, for which there was neither a biblical nor a liturgical basis, was added to the Latin text. Score and part available separately - see item CA.5199300.