SKU: PR.114414830
UPC: 680160598366. 9 x 12 inches.
Written in 1972, while Ewazen was pursuing undergraduate studies at Eastman, the Sonata No. 1 for Cello and Piano is his first foray into the 20th-century American tonal music that he first embraced at that time. Composed for a classmate and proficient cellist, Julie Charland, the Sonata is in three movements, the second of which is quite demanding of virtuosity. (Manuscript).
SKU: HL.49003480
ISBN 9790001034197. UPC: 073999353662. 9.0x12.0x0.013 inches.
Flute, trumpet or clarinet and strings (high, medium, low).
SKU: HP.2919P
UPC: 763628229191.
Contemporary classic by Chris Tomlin, Jesse Reeves, Matt Maher, & Louie Giglio This lovely contemporary Easter hymn has been masterfully crafted. The text has been appropriately set for handbells through the use of chimes, LV, and other various techniques. Utilizing optional handchimes and synth can further add to the ambiance of the piece.
SKU: VD.ED27563
ISBN 9790202015636. 11.69 x 8.26 inches.
SKU: HL.48187915
UPC: 888680836054. 9.0x12.0x0.418 inches.
“for 2 violins, cello and organ (or harpsichord)â€.
SKU: HP.C5108O
UPC: 763628451080.
Medley of two familiar hymn tunes by Stuart K. Hine and Jack Hayford In this blending of two well-loved pieces from two different eras, Joel Raney interweaves the themes between voices and piano, creating the illusion that the two pieces were meant to be heard simultaneously. The medley begins lyrically and builds to a powerful presentation of the final stanza of How Great Thou Art. For SATB or SAB choir and piano, with optional four-hand piano accompaniment.
SKU: HP.2350
UPC: 763628123505.
The optional tambourine and oboe enhance this vibrant setting of the ancient Easter hymn, Christ the Lord Is Risen Again. The oboe part may be played on recorder or flute. Ringers should be careful to not make the thumb damps too short and dry. Only a slight separation is required. Optional instrument parts are available separately (2350P).
SKU: AP.47006
UPC: 038081536552. English.
A holiday pops tune straight out of the Rat Pack era, co-written by Ol' Blue Eyes himself! This nostalgic mid-tempo swing arrangement starts with voices swapping the melody, then blossoms into sweet choral sonorities. Oh, by gosh, by golly, consider using the SoundTrax CD or SoundPax parts to take full advantage of Mark Hayes's snazzy, jazzy arrangement.
SKU: M7.DOHR-17672
ISBN 9790202036723.
Ein balladenartiges, ausdrucksstarkes Stück, welches vor allem durch eine schillernde Harmonik gekennzeichnet ist. Die schlichte alte französische Melodie, eindeutig in Moll, erscheint drei Mal, jeweils mit Mixturklängen unterschiedlicher harmonischer Provenienz begleitet. Die Liedzitate werden ritornellartig umrahmt und verbunden mit Abschnitten, die tonal schweifend sind und deren reizvolle Klänge zwischen Ganztönigkeit, Chromatik und modaler Harmonik changieren. (Albert Loritz).
SKU: M7.DOHR-13933
ISBN 9790202029336.
SKU: HP.C6421P
UPC: 763628264215. Mary McDonald.
Original Composition This touching original anthem is flowing and lyrical. Combined with the classic Amazing Grace, we are reminded of God's promise of grace, and that we will never thirst again.
SKU: BR.CHB-4713-02
In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised.
ISBN 9790004407936. 7.5 x 10.5 inches. German / French.
In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised. It is known that Bach reused the music of Cantata BWV 213 in his Christmas Oratorio and, as Hans Gruss convincingly explains, paid close attention to the preparation of the performance material in light of the repeated use of the new work. The final version of the cantata is recognizable in the parts of the Christmas Oratorio, states Gruss. The specifics of the later revision can thus be retraced. They have also entailed a number of editorial consequences which cast a new light on the Cantata BWV 213.
SKU: M7.DOHR-17680
ISBN 9790202036808.
SKU: HL.49000027
ISBN 9790001003629. UPC: 073999286281. 9.0x12.0x0.175 inches.
SKU: AP.31703S
UPC: 038081343655. English.
Heavy Metal has the right elements to get young players excited about band! With its driving rock beat, catchy hook, and infectious power chord rhythm, your students will beg you to rehearse it and be excited about performing it in concert. And what's more, this little gem features your band's own heavy metal section, the low brass (doubled for confidence), with prominent yet playable parts. (1:50).
SKU: BR.OB-3210-30
ISBN 9790004300749. 10 x 12.5 inches.
Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time.
SKU: HP.C6227
UPC: 763628162276. Michael W. Smith; Joanna Carlson.
Christmas anthem by Michael W. Smith & Joanna Carlson Based on the original Michael W. Smith Christmas song, this celebratory anthem is teeming with energy and joy. Arranger, Lloyd Larson, blends in Angels We Have Heard on High and offers and optional Children's or Unison Choir part providing the opportunity for this to be an intergenerational offering for Christmas worship or concert settings. A best-seller in SATB now available in SAB. The orchestration by Mark Kellner consists of a Conductor's Score and parts for: Flute, Oboe, Clarinet in B-flat, Horn in F, Trumpets I & II in B-flat, Trombones I & II, Percussion, Timpani, Violins I & II, Viola, Cello, and Bass.
SKU: HL.49006315
ISBN 9790001117968. 7.75x10.75x0.128 inches.
SKU: HL.49007346
ISBN 9790001079136. German.
Durch einen geheimnisvollen blauen Strahl eines Zauberers werden in einem kleinen franzosischen Dorf alle Erwachsenen in Schlaf versenkt. Die Kinder des Dorfes nehmen ihre Selbstversorgung und zugleich die Reorganisation des ziemlich verlotterten Gemeinwesens in die Hand, bis zum guten Schluss alles wieder ins Lot kommt. Diese Science-Fiction-Vorgabe dient als Folie fur klare padagogische Botschaften, die zum Zeitpunkt der Erstveroffentlichung der Romanvorlage sicher aktuell waren und von denen einige genannt seien:Ursache allen Ubels ist der Alkoholmissbrauch, denn er fuhrt zu Streit und Faulheit.Disziplin, Ordnung, Sauberkeit, Gruppenkonformes und normales Rollenverhalten (die Madchen sorgen fur die Harmonie und das Kochen, die Jungen konnen gut rechnen, sind handwerklich begabt und haben das Sagen) sind die besten Heilmittel gegen die Entgleisungen der Erwachsenenwelt und werden von den Kindern exemplarisch durchexerziert.Aber auch unter den Kindern gibt es Aussenseiter: sie kommen von ausserhalb des Dorfes, sind Fremde mit niederem sozialen Status (Kesselflicker), stehlen, sind aufsassig, wortbruchig, voll krimineller Energie und mussen im Sinne der Gruppe diszipliniert werden. Da dies jedoch nicht gelingt, bleibt nur die Ausweisung aus dem Dorf, abgemildert durch die Gabe einiger Brote, damit die Ausgewiesenen nicht hungern mussen.Die Musik des in seinen Absichten eindeutigen Stuckes ist recht jugendwirksam aufgemacht.
SKU: CA.3060809
ISBN 9790007040536. Language: German/English.
Score available separately - see item CA.3060800.
SKU: PR.114404070
UPC: 680160007363.
SKU: HL.49012394
ISBN 9790001103619.
Ernst Jandl ist ein Wiener Poet mit unnachahmlichen, mit Sprachelementen und Bedeutungen spielenden, rhythmisch pragnanten Gedichten. Bei der Urauffuhrung war er dabei, einverstanden mit der zusatzlichen Dimension musikalischer Gestaltung, die kontrapunktiert, akzentuiert und maskiert.
SKU: BR.OB-4949-30
ISBN 9790004326336. 10 x 12.5 inches.
For the composition of the Christmas Oratorio, Bach made use of the parody method - as he did in other large vocal works as well - that is, he drew upon previously written pieces (here primarily from the Congratulatory Cantatas BWV 213 and 214) and skilfully adapted them to the new text. It is likely that Bach began working on the music during the Advent period of 1734. Besides the first performance which took place during the Christmas season 1734/35, it seems quite probable that other performances were held during Bachs lifetime, since the original, partly autographic performance material discloses traces of frequent use.For the composition of the Christmas Oratorio, Bach made use of the parody method - as he did in other large vocal works as well - that is, he drew upon previously written pieces and skilfully adapted them to the new text.
SKU: BA.BA03251-22
ISBN 9790006536719. 29.5 x 21 cm inches.
SKU: HP.9128
UPC: 763628191283.
SKU: CA.1280400
ISBN 9790007089436. Key: C minor. Language: German. Text: Mohr, Christoph. Text: Christoph Mohr.
SKU: M7.AV-5957-31
ISBN 9790203918363.
SKU: AP.50191
UPC: 038081573618. English.
South African music producer Master KG took the world by storm when the Jerusalema dance challenge hit social media. This highly energetic a cappella arrangement employs layered poly-rhythms, articulate handclaps, and generous divisi to capture the essential character of the isiZulu original. A pronunciation guide is included in the publication, and two djembe parts are free online. An unforgettable concert work for advanced groups and honor choirs!
SKU: HP.C6392
UPC: 763628163921. Victor Johnson.
Original Anthem This original anthem is a lovely, poetic prayer - Lord, make my life a simple song, sincere, authentic, whole; attune my will to live for you, in body mind, and soul. Beautiful choral parts paired with a flowing accompaniment will make this a delightful addition to your worship.
SKU: PR.114413230
UPC: 680160583683.
Wernick's String Quartet No. 7 was given its world premiere by the esteemed Juilliard String Quartet in Philadelphia, PA, November 2008. These same performers then gave the New York premiere in April 2009 in the Alice Tully Hall, as part of their final New York appearance of the season. From the Juilliard press release: Mr. Wernick describes the format of the work: 'The Seventh String Quartet features a four-voice mensuration [measured] canon that spins out over a span of about ten minutes followed by a homophonic coda in which the proportional relationship is no longer from voice to voice, but from chord to chord..
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