| Air On The G String (from Orchestral Suite No. 3) Flute Quartet: 4 flutes [Score and Parts] - Intermediate Kendor Music Inc.
By Johann Sebastian Bach (1685-1750). Arranged by Greg Yasinitsky. For 4 Flutes ...(+)
By Johann Sebastian Bach (1685-1750). Arranged by Greg Yasinitsky. For 4 Flutes (optional Alto Flute substitute for 4th Flute). Grade 3. Score and parts. Published by Kendor Music Inc
$9.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Royal Coronation Dances Concert band - Intermediate Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 4:45. Published by Manhattan Beach Music (MH.1-59913-054-8). ISBN 9781599130545. Royal Coronation Dances is the first sequel to the Fanfare Ode & Festival, both being settings of dance music originally arranged by Gervaise in the mid 16th-century (the next sequel is The Renaissance Fair, which uses music of Susato and Praetorius). Fanfare Ode & Festival has been performed by many tens of thousands of students, both in high school and junior high school. I have heard that some of them are amazed that the music they are playing was first played and danced to over 400 years ago. Some students tend to think that music started with Handel and his Messiah to be followed by Beethoven and his Fifth Symphony, with naught in between or before of consequence. Although Royal Coronation Dances is derived from the same source as Fanfare Ode & Festival, they are treated in different ways. I envisioned this new suite programmatically -- hence the descriptive movement titles, which I imagined to be various dances actually used at some long-ago coronation. The first movement depicts the guests, both noble and common, flanked by flag and banner bearers, arriving at the palace to view the majestic event. They are festive, their flags swirling the air, their cloaks brightly colored. In the second movement, the queen in stately measure moves to take her place on the throne as leader and protector of the realm. In the third movement, the jesters of the court entertain the guests with wild games of sport. Musically, there are interesting sonorities to recreate. Very special attention should be given to the tambourine/tenor drum part in the first movement. Their lively rhythms give the movement its power. Therefore they should be played as distinctly and brilliantly as possible. The xylophone and glockenspiel add clarity, but must not be allowed to dominate. Observe especially the differing dynamics; the intent is to allow much buzzing bass to penetrate. The small drum (starting at meas. 29) should be played expressively, with attention to the notated articulations, with the brass light and detached, especially in a lively auditorium. It is of some further interest that the first dance is extremely modal. The original is clearly in G mixolydian mode (scale: G-A-B-C-D-E-F-G). However, other editors might put in F-sharps in many places (changing the piece almost to G major), in the belief that such ficta would have been automatically put in by the 16th-century performers as they played. I doubt it. I have not only eschewed these within the work, but even at the cadences. So this arrangement is most distinctly modal (listen to the F-naturals in meas. 22 and 23, for instance), with all the part-writing as Gervaise wrote it. In the second movement, be careful that things do not become too glued together. In the 16th century this music might have been played by a consort of recorders, instruments very light of touch and sensitive to articulation. Concert band can easily sound heavy, and although this movement has been scored for tutti band, it must not sound it. It is essential, therefore, that you hear all the instruments, with none predominating. Only when each timbre can be heard separately and simultaneously will the best blend occur, and consequently the greatest transparency. So aim for a transparent, spacious tutti sound in this movement. Especially have the flutes, who do this so well, articulate rather sharply, so as to produce a chiffing sound, and do not allow the quarter-notes to become too tied together in the entire band. The entrance of the drums (first tenor, then bass) are events and as such should be audible. Incidentally, this movement begins in F Major and ends in D Minor: They really didn't care so much about those things then. The third movement (one friend has remarked that it is the most Margolisian of the bunch, but actually I am just getting subtler, I hope) again relies upon the percussion (and the scoring) to make its points. Xylophone in this movement is meant to be distinctly audible. Therefore, be especially sure that the xylophone player is secure in the part, and also that the tambourine and toms sound good. This movement must fly or it will sink, so rev up the band and conduct it in 1 for this mixolydian jesting. I suppose the wildly unrelated keys (clarinets and then brass at the end) would be a good 16th-century joke, but to us, our put-up-the-chorus-a-half-step ears readily accept such shenanigans. Ensemble instrumentation: 1 Full Score, 1 Piccolo, 4 Flute 1, 4 Flute 2 & 3, 2 Oboe 1 & 2, 2 Bassoon 1 & 2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 1 Eb Contra Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 4 Horn in F 1 & 2, 2 Trombone 1, 4 Trombone 2 & 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 1 String Bass, 1 Timpani (optional), 2 Xylophone & Glockenspiel, 5 Percussion. $95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Ruders Listening Earth Score Book Orchestra Wilhelm Hansen
Orchestra SKU: HL.14027993 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra SKU: HL.14027993 Composed by Poul Ruders. Music Sales America. Classical. Score. Composed 2006. 164 pages. Edition Wilhelm Hansen #WH30602. Published by Edition Wilhelm Hansen (HL.14027993). ISBN 9788759811832. English. Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.
3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo 3 Oboes, 3rd also Cor Anglais in F 3 Clarinets in Bb, 3rd also Bass Clarinet in Bb 3 Bassoons, 3rd also Contra Bassoon
4 Horn in F 3 Trumpets in Bb 3 Trombones 1 Tuba
Timpani
4 Percussion, four players Player 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium) Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese Cymbal Player 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle Cymbal Player 4 - Bass Drum, Glockenspiel, Xylophone
1 Harp
1 Piano, also Celesta
Strings - 16/14/12/10/8
All transposing instruments are notated in their relevant transpositions. Any accidental apply only to the note that it immediately precedes, except tied notes. Naturals appear occasionally 'for safety'.
'LISTENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon. The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical. $131.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Portrait of a Clown Concert band [Score and Parts] - Easy Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert band. Suitable for middle school and high school bands. Level: Grade 2. Conductor score and set of parts. Duration 2:45. Published by Manhattan Beach Music.
(1)$95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Portrait of a Clown Concert band [Score] - Easy Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert band. Suitable for middle school and high school bands. Level: Grade 2. Conductor Full Score. Duration 2:45. Published by Manhattan Beach Music.
$16.50 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Roma Concert band [Study Score / Miniature] Theodore Presser Co.
(For Concert Band). By Valerie Coleman. Concert band. For Piccolo, 3 Flutes, 2 O...(+)
(For Concert Band). By Valerie Coleman. Concert band. For Piccolo, 3 Flutes, 2 Oboes, Clarinet in Eb, 3 Clarinets in Bb, Bass Clarinet in Bb/Contrabass Clarinet in Bb, 2 Bassoons, Contrabassoon, Soprano Saxophone, 2 Alto Saxophones, Tenor Saxophone, Baritone Saxophone, 3 Trumpets in Bb, 4 Horns in F, 3 Trombones. Contemporary. Full score (study). Standard notation. 40 pages. Duration 7 minutes. Published by Theodore Presser Company
$35.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Meditation for Concert Band Concert band [Score and Parts] - Intermediate Schirmer
Score and Parts. By Gunther Schuller. Woodwind Ensemble. Published by G. Schirme...(+)
Score and Parts. By Gunther Schuller. Woodwind Ensemble. Published by G. Schirmer (Associated Music Publishers).
$110.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Magnificat in G Carus Verlag
SATTB voices, 2 flutes, 2 violins, viola, basso continuo SKU: CA.2102311 ...(+)
SATTB voices, 2 flutes, 2 violins, viola, basso continuo SKU: CA.2102311 Composed by Marc-Antoine Charpentier. Edited by Gunther Massenkeil, Inge Forst. German title: Magnificat H 78. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Violin 1. Composed circa 1690. H 78. 4 pages. Duration 15 minutes. Carus Verlag #CV 21.023/11. Published by Carus Verlag (CA.2102311). ISBN 9790007198145. Key: G major. Language: Latin. Preceding Johann Sebastian Bach, Charpentier is the most important master who turned to setting the Hymn to the Virgin Mary, the Magnificat. No less than ten works, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. The work was composed around 1690 for the Jesuits in Paris. Score and part available separately - see item CA.2102300. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Magnificat in G Carus Verlag
SATTB voices, 2 flutes, 2 violins, viola, basso continuo SKU: CA.2102312 ...(+)
SATTB voices, 2 flutes, 2 violins, viola, basso continuo SKU: CA.2102312 Composed by Marc-Antoine Charpentier. Edited by Gunther Massenkeil, Inge Forst. German title: Magnificat H 78. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Violin 2. Composed circa 1690. H 78. 4 pages. Duration 15 minutes. Carus Verlag #CV 21.023/12. Published by Carus Verlag (CA.2102312). ISBN 9790007198152. Key: G major. Language: Latin. Preceding Johann Sebastian Bach, Charpentier is the most important master who turned to setting the Hymn to the Virgin Mary, the Magnificat. No less than ten works, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. The work was composed around 1690 for the Jesuits in Paris. Score and part available separately - see item CA.2102300. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 4 Ragtimes Zimmermann
4 flutes (and altoflute in G ad lib.) SKU: PR.ZM34040 By S. Joplin, Ch...(+)
4 flutes (and altoflute in G ad lib.) SKU: PR.ZM34040 By S. Joplin, Ch. L. Johnson und T. Turpin. With Standard notation. Zimmermann #ZM34040. Published by Zimmermann (PR.ZM34040). $28.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Magnificat in G Carus Verlag
SATTB voices, 2 flutes, 2 violins, viola, basso continuo SKU: CA.2102314 ...(+)
SATTB voices, 2 flutes, 2 violins, viola, basso continuo SKU: CA.2102314 Composed by Marc-Antoine Charpentier. Edited by Gunther Massenkeil, Inge Forst. German title: Magnificat H 78. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Cello/Double Bass. Composed circa 1690. H 78. 4 pages. Duration 15 minutes. Carus Verlag #CV 21.023/14. Published by Carus Verlag (CA.2102314). ISBN 9790007198176. Key: G major. Language: Latin. Preceding Johann Sebastian Bach, Charpentier is the most important master who turned to setting the Hymn to the Virgin Mary, the Magnificat. No less than ten works, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. The work was composed around 1690 for the Jesuits in Paris. Score and part available separately - see item CA.2102300. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Magnificat in G Carus Verlag
SATTB voices, 2 flutes, 2 violins, viola, basso continuo SKU: CA.2102313 ...(+)
SATTB voices, 2 flutes, 2 violins, viola, basso continuo SKU: CA.2102313 Composed by Marc-Antoine Charpentier. Edited by Gunther Massenkeil, Inge Forst. German title: Magnificat H 78. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Viola. Composed circa 1690. H 78. 4 pages. Duration 15 minutes. Carus Verlag #CV 21.023/13. Published by Carus Verlag (CA.2102313). ISBN 9790007198169. Key: G major. Language: Latin. Preceding Johann Sebastian Bach, Charpentier is the most important master who turned to setting the Hymn to the Virgin Mary, the Magnificat. No less than ten works, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. The work was composed around 1690 for the Jesuits in Paris. Score and part available separately - see item CA.2102300. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Serenata - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Cowbell,...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Cowbell, Euphonium, Euphonium T.C., Flute, Flute 2, Güiro, Horn, Mallet Percussion, Maracas, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Timpani, Trombone and more. - Grade 1.5 SKU: CF.FPS171 Composed by Joseph Compello. Set of Score and Parts. Carl Fischer Music #FPS171. Published by Carl Fischer Music (CF.FPS171). ISBN 9781491163573. UPC: 680160922369. Serenata is a first-year band piece with a Latin dance flavor. It is an excellent study in independent part-playing for young bands. Balance is crucial among the following parts:1. Percussion must be steady and not overpowering. The cowbell should be played with a mallet or stick that will prevent its sound from being dominant in the percussion section.2. The bass line will require a delicate staccato articulation.3. Clarinets and horns must play the ostinato beginning at m. 5 in two- or four-measure phrases. This line must always feel unbroken.4. Trumpets must also use a delicate staccato at m. 17. Straight mutes are a nice touch if the section is big enough. Cup mutes are even better. A small trumpet section may play open.5. Flutes and alto saxes should always play legato when carrying the melody.The contrasting middle section, beginning at m. 28, should be articulated smoothly by the whole band. The alternating melodic lines should have tonal contrast, but should be the same dynamically. The bass line should fade into the background at this point.A first-year band can play Serenata for their Spring Concert.Thank you for choosing this selection. I hope you and your students find it instructive and enjoyable. $58.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenata Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Cowbell,...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Cowbell, Euphonium, Euphonium T.C., Flute, Flute 2, Güiro, Horn, Mallet Percussion, Maracas, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Timpani, Trombone and more. SKU: CF.FPS171F Composed by Joseph Compello. Full score. 16 pages. Carl Fischer Music #FPS171F. Published by Carl Fischer Music (CF.FPS171F). ISBN 9781491163979. UPC: 680160922765. Serenata is a first-year band piece with a Latin dance flavor. It is an excellent study in independent part-playing for young bands. Balance is crucial among the following parts:1. Percussion must be steady and not overpowering. The cowbell should be played with a mallet or stick that will prevent its sound from being dominant in the percussion section.2. The bass line will require a delicate staccato articulation.3. Clarinets and horns must play the ostinato beginning at m. 5 in two- or four-measure phrases. This line must always feel unbroken.4. Trumpets must also use a delicate staccato at m. 17. Straight mutes are a nice touch if the section is big enough. Cup mutes are even better. A small trumpet section may play open.5. Flutes and alto saxes should always play legato when carrying the melody.The contrasting middle section, beginning at m. 28, should be articulated smoothly by the whole band. The alternating melodic lines should have tonal contrast, but should be the same dynamically. The bass line should fade into the background at this point.A first-year band can play Serenata for their Spring Concert.Thank you for choosing this selection. I hope you and your students find it instructive and enjoyable. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| FLASH! Theodore Presser Co.
Band 2 Bassoons, 2 Bb Clarinets, 2 Eb Alto Saxophones, 2 Flutes, 2 Oboes, 2 Trom...(+)
Band 2 Bassoons, 2 Bb Clarinets, 2 Eb Alto Saxophones, 2 Flutes, 2 Oboes, 2 Trombones, 3 Bb Trumpets, 3 Percussion, 4 F Horns, Bass Trombone, Bb Bass Clarinet, Bb Tenor Saxophone, Contrabassoon, Eb Baritone Saxophone, Eb Clarinet, Euphonium, Solo Piccolo, Tuba SKU: PR.11540204F For Piccolo and Band. Composed by Daniel Dorff. This edition: Band. Contemporary. Full score. With Standard notation. Composed 8-Oct. 60 pages. Duration 6:30. Theodore Presser Company #115-40204F. Published by Theodore Presser Company (PR.11540204F). UPC: 680160591237. Key: G major. Already a popular recital work for piccolo and piano, and winner of the 2009 International Piccolo Symposium biennial composition competition, Flash! is now available for solo piccolo with band accompaniment - fresh from the NFA premiere, featuring piccolo legend Walfrid Kujala. The East Coast premiere is scheduled for 11/18/10, featuring Boston Symphony piccoloist Linda Toote with the Boston University wind ensemble. By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo. In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete. Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010. More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention. By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo.In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete.Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010.More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Valley Forge Theodore Presser Co.
Orchestra 2 Basoons, 2 Clarinets in B flat, 2 Oboes, 2 Tenor Trombones, 3 Trumpe...(+)
Orchestra 2 Basoons, 2 Clarinets in B flat, 2 Oboes, 2 Tenor Trombones, 3 Trumpets in C, 3rd Flutes (2nd flute changes to Alto flute in G) (3rd flute changes to Piccolo), 4 Horns in F, Bass Clarinet, Bass Trombone, Contrabassoon, English Horn, Percus, Timpani, Tuba SKU: PR.47600144L Symphonic Poem. Composed by Boris Koutzen. This edition: Large Score. Contemporary. Large Score. With Standard notation. Duration 12 minutes. Theodore Presser Company #476-00144L. Published by Theodore Presser Company (PR.47600144L). UPC: 680160637188. 11x17 inches. The aim of this work is not to illustrate a sequence of historical events, but to convey the impressions of one visiting Valley Forge to-day. As the great panorama unfolds, majestic and serene, one's thoughts turn to the human drama of the past; to the unwavering fortitude shown in the face of every deprivation; to the slow return of spiritual strength which turned the tide of victory and culminated in renewed courage and great rejoicing. $105.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Valley Forge Theodore Presser Co.
Orchestra 2 Basoons, 2 Clarinets in B flat, 2 Oboes, 2 Tenor Trombones, 3 Trumpe...(+)
Orchestra 2 Basoons, 2 Clarinets in B flat, 2 Oboes, 2 Tenor Trombones, 3 Trumpets in C, 3rd Flutes (2nd flute changes to Alto flute in G) (3rd flute changes to Piccolo), 4 Horns in F, Bass Clarinet, Bass Trombone, Contrabassoon, English Horn, Percus, Timpani, Tuba SKU: PR.476001440 Symphonic Poem. Composed by Boris Koutzen. This edition: Small Score. Contemporary. Full score. With Standard notation. Duration 12 minutes. Theodore Presser Company #476-00144. Published by Theodore Presser Company (PR.476001440). UPC: 680160099665. 9x12 inches. The aim of this work is not to illustrate a sequence of historical events, but to convey the impressions of one visiting Valley Forge to-day. As the great panorama unfolds, majestic and serene, one's thoughts turn to the human drama of the past; to the unwavering fortitude shown in the face of every deprivation; to the slow return of spiritual strength which turned the tide of victory and culminated in renewed courage and great rejoicing. $50.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony in G Major, Opus 88, No. 8 Barenreiter
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horn, 2 trumpets, trombone-A, teno...(+)
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horn, 2 trumpets, trombone-A, tenor trombone, trombone-B, trombone, timpani (Flutes (2), Oboes (2), Clarinets (2), Bassoons (2), Horns (4), Trumpets (2), Alto trombone, Tenor trombone, Bass trombone, Tuba, Timpani) SKU: BA.BA10418-65 Composed by Antonin Dvorak. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Barenreiter Urtext. Set of wind parts. Opus 88. 12/12/10/8/12/12/12/12/8/8/7/7/7/7/4/4/4/4/7 pages. Baerenreiter Verlag #BA10418_65. Published by Baerenreiter Verlag (BA.BA10418-65). ISBN 9790006564705. 32.5 x 25.5 cm inches. Key: G major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$148.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Snowbreak Zimmermann
5 flutes (or 4 flutes and altoflute in G) SKU: PR.ZM34240 Composed by Pet...(+)
5 flutes (or 4 flutes and altoflute in G) SKU: PR.ZM34240 Composed by Peter Kuett. With Standard notation. Zimmermann #ZM34240. Published by Zimmermann (PR.ZM34240). $19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Itsuki-no-Komori-uta Zimmermann
1 altoflute in G, 2 bassflutes and double bassflute), flutesensemble (4 flutes i...(+)
1 altoflute in G, 2 bassflutes and double bassflute), flutesensemble (4 flutes in C SKU: PR.ZM33850 With Standard notation. Zimmermann #ZM33850. Published by Zimmermann (PR.ZM33850). $18.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classical Tunes for Two Violas, Volume 1 Viola Greenblatt and Seay
Arranged by Deborah Greenblatt. Viola Duet. For 2 violas. Tunes for Two. Classic...(+)
Arranged by Deborah Greenblatt. Viola Duet. For 2 violas. Tunes for Two. Classical. Tune book. Standard Notation. 68 pages. Published by Greenblatt & Seay
$15.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Arrival of the Queen of Sheba HWV 67 Zimmermann
Altoflute in G, bassflute and double bass ad lib), flute orchester (4 flutes ...(+)
Altoflute in G, bassflute and double bass ad lib), flute orchester (4 flutes SKU: PR.ZM32710 Sinfonia on the third act of the oratorio Solomon. Composed by George Frideric Handel. With Standard notation. HWV 67. Zimmermann #ZM32710. Published by Zimmermann (PR.ZM32710). $18.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O du angenehmer Schatz Carus Verlag
Solo alto voice, 2 flutes, bassoon (cello), basso continuo SKU: CA.3119709(+)
Solo alto voice, 2 flutes, bassoon (cello), basso continuo SKU: CA.3119709 Cantata for the 1st day of Christmas. Composed by Johann Sebastian Bach. Arranged by Diethard Hellmann. This edition: urtext. 1x 31.197/21 flute 1, 1x 31.197/22 flute 2, 1x 31.197/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Christmas, Wedding. Set of Orchestra Parts. Composed 1728. BWV 197a, 4. 12 pages. Duration 6 minutes. Carus Verlag #CV 31.197/09. Published by Carus Verlag (CA.3119709). ISBN 9790007050849. Key: G major. Language: German. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander). Only a fragment of the score survives of Bach's Christmas cantata Ehre sei Gott in der Hohe BWV 197a, composed to a text from the Picander cycle of 1728, insufficient to allow a reconstruction of the complete cantata. The fragment begins with the end section of an aria which Bach later transferred into his wedding cantata Gott ist unsre Zuversicht BWV 197. The movement, a lullaby of dreamlike beauty, has long been known as a particular jewel amongst Bach's cantatas. Starting with the surviving end section from the fragmentary score plus Bach's later revision, Diethard Hellmann has convincingly reconstructed the original version so that this aria can also be performed at Christmas. Bach's Wedding Cantata BWV 197 is available separately (Carus 31.197/50). Score and parts available separately - see item CA.3119700. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 2 Pieces on Canons by Guillaume de Machaut Peermusic Classical
Flute Trio and Alto Flute SKU: BT.PMC3274 3 flutes in C and alto flute...(+)
Flute Trio and Alto Flute SKU: BT.PMC3274 3 flutes in C and alto flute in G, score and 4 parts. Composed by Theo Loevendie. Set (Score & Parts). Peermusic Classical #PMC3274. Published by Peermusic Classical (BT.PMC3274). $16.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| O du angenehmer Schatz Carus Verlag
Solo alto voice, 2 flutes, bassoon (cello), basso continuo SKU: CA.3119711(+)
Solo alto voice, 2 flutes, bassoon (cello), basso continuo SKU: CA.3119711 Cantata for the 1st day of Christmas. Composed by Johann Sebastian Bach. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas, Christmas, Wedding. Single Part, Cello/Double Bass. Composed 1728. BWV 197a, 4. 2 pages. Duration 6 minutes. Carus Verlag #CV 31.197/11. Published by Carus Verlag (CA.3119711). ISBN 9790007050856. Key: G major. Language: German. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander). Only a fragment of the score survives of Bach's Christmas cantata Ehre sei Gott in der Hohe BWV 197a, composed to a text from the Picander cycle of 1728, insufficient to allow a reconstruction of the complete cantata. The fragment begins with the end section of an aria which Bach later transferred into his wedding cantata Gott ist unsre Zuversicht BWV 197. The movement, a lullaby of dreamlike beauty, has long been known as a particular jewel amongst Bach's cantatas. Starting with the surviving end section from the fragmentary score plus Bach's later revision, Diethard Hellmann has convincingly reconstructed the original version so that this aria can also be performed at Christmas. Bach's Wedding Cantata BWV 197 is available separately (Carus 31.197/50). Score and part available separately - see item CA.3119700. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Four Norwegian Dances Flute ensemble [Score and Parts] - Intermediate Forton Music
By Edvard Grieg (1843-1907). Arranged by Robert Rainford. For Flute Choir (picco...(+)
By Edvard Grieg (1843-1907). Arranged by Robert Rainford. For Flute Choir (piccolo, optional G treble flute, 4 flutes, alto flute, bass flute, optional contr'alto, optional contrabass and very optional subcontrabass). Grade 3. Score and parts. Published by Forton Music
$27.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| O du angenehmer Schatz Carus Verlag
Solo alto voice, 2 flutes, bassoon (cello), basso continuo SKU: CA.3119700(+)
Solo alto voice, 2 flutes, bassoon (cello), basso continuo SKU: CA.3119700 Cantata for the 1st day of Christmas. Composed by Johann Sebastian Bach. Arranged by Diethard Hellmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O du angenehmer Schatz. Sacred vocal music, Cantatas, Christmas, Wedding. Full score. Composed 1728. BWV 197a, 4. 16 pages. Duration 6 minutes. Carus Verlag #CV 31.197/00. Published by Carus Verlag (CA.3119700). ISBN 9790007050825. Key: G major. Language: German. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander). Only a fragment of the score survives of Bach's Christmas cantata Ehre sei Gott in der Hohe BWV 197a, composed to a text from the Picander cycle of 1728, insufficient to allow a reconstruction of the complete cantata. The fragment begins with the end section of an aria which Bach later transferred into his wedding cantata Gott ist unsre Zuversicht BWV 197. The movement, a lullaby of dreamlike beauty, has long been known as a particular jewel amongst Bach's cantatas. Starting with the surviving end section from the fragmentary score plus Bach's later revision, Diethard Hellmann has convincingly reconstructed the original version so that this aria can also be performed at Christmas. Bach's Wedding Cantata BWV 197 is available separately (Carus 31.197/50). $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Tambourin Zimmermann
4 flutes, 7 flutes and Tambourin (Piccolo, Tambourin), altoflute in G, bassflute...(+)
4 flutes, 7 flutes and Tambourin (Piccolo, Tambourin), altoflute in G, bassflute in C SKU: PR.ZM31320 Composed by Francois-Joseph Gossec. Floete. With Standard notation. 30 pages. Zimmermann #ZM31320. Published by Zimmermann (PR.ZM31320). $18.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Whispering Bamboo Zimmermann
5 flutes (5 flutes in C or 4 flutes and altoflute in G) SKU: PR.ZM33980 C...(+)
5 flutes (5 flutes in C or 4 flutes and altoflute in G) SKU: PR.ZM33980 Composed by Peter Kuett. With Standard notation. Zimmermann #ZM33980. Published by Zimmermann (PR.ZM33980). $15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Valse des Fleurs [Score and Parts] Forton Music
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Robert Rainford. For Flute ...(+)
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Robert Rainford. For Flute Ensemble and harp (optional) (piccolo, optional G treble flute, 4 flutes, alto flute, bass flute, optional contr'alto flute, contrabass flute, optional harp). Score and parts. Published by Forton Music
$24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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