SKU: HL.49015482
ISBN 9783795754631. 9.0x12.0x0.42 inches. German.
Vol. 3 of 'Die frohliche Violine' pursues the same musical and technical goals as the first two volumes. It contains a detailed introduction to the flat keys, C major key as well as the 2nd and 3rd positions. The last chapter takes up the subject matter of the first chapters again in a more demanding form and with longer charming pieces, giving an insight into 'virtuoso' violin technique.
SKU: HL.49033068
ISBN 9783795756000. 9.0x12.0x0.664 inches. German.
Whoever pursues piano playing as a hobby mostly focusses on two things: playing from music, with as wide a range of works from classical, pop and jazz music as possible, and playing without the book, i.e. the ability to accompany melodies with chords, play songs by ear and improvise freely. In this volume, both topics are dealt with thoroughly and systematically. Whereas most piano methods prefer either classical or popular music, both kinds of music are well-balanced herein.Clearly structured chapters cover a variety of interesting topics: the Baroque, Classical and Romantic eras, popular piano styles (e.g. ragtime, boogie, rock 'n' roll, pop ballad), the blues and the genres of opera, operetta and ballet.
SKU: HL.49033176
ISBN 9783795756321. 7.5x11.0x0.138 inches. German. Karin Schliehe.
Hasn't every recorder player dreamed of playing the most celebrated classical melodies as a soloist? Here you will find the finest pieces in arrangements for one or two descant recorders, with a CD to play along with. On a musical journey of discovery you will encounter many famous compositions, from Eine kleine Nachtmusik and Beethoven's Ode to Joy to the Birdcatcher's song from the Magic Flute and La donna e mobile from Verdi's Rigoletto. So that you can really enjoy making music the arrangements have been recorded in two versions on the CD: with and without recorders.
SKU: M7.VHR-3562
ISBN 9783864340574. German.
Von 'Eine kleine Nachtmusik' über 'Morning Has Broken', 'Salut d'amour' und 'Probier's mal mit Gemütlichkeit' bis zu 'He's A Pirate'. Die Bearbeitungen aller Werke bewegen sich im Fünftonraum. Zusätzlich gibt es zu jedem Stück eine Begleitstimme.
SKU: HL.14014895
ISBN 9783920127507. 9.0x12.0x0.11 inches.
The great composers in a festive mood. Easy and attractive arrangements for piano.
SKU: HL.48185728
UPC: 888680832025. 9x12 inches.
“French pianist, arranger, composer and conductor, Jean-Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass, In the Style of Vivaldi, composed in 2002 for Trombone and Piano, being no exception. With a typical performance lasting about four minutes, Defaye's In the Style of Vivaldi reflects the compositional techniques of Antonio Vivaldi by use of contrapuntal textures, modulations to related keys, long and even quaver and semiquaver melodic passages, syncopation and contrasts in dynamics. Defaye's passion to explore a variety of preceding composers is clear with In the Style of Vivaldi being a part of a series which explores the music of many great composers. For all aspiring trombonists wishing to vary and expand their repertoire, In the Style of Vivaldi by Jean-Michel Defaye is essential.&rdquo.
SKU: PR.114418820
ISBN 9781491113998. UPC: 680160667697.
Composed by Telemann as a double concerto for recorder and transverse flute, Zart Dombourian-Eby’s new edition is prepared for piccolo, flute, and piano — remaining compatible with available orchestral editions, and respectfully faithful to Telemann’s detailed nuances. Cast in the slow-fast, slow-fast four-movement mold typical of Baroque concert works, the CONCERTO IN E MINOR is at once among the most beautiful and exhilarating works of Telemann’s formidable output.______________________________________Text from the scanned back cover:ZART DOMBOURIAN-EBY is the Principal Piccoloist of the SeattleSymphony and is regularly featured as both a soloist and clinician in Seattle and across the world. Her performances consistently receive highest praise from both critics and audiences. A native of New Orleans, she received B.A. and M.M. degrees from Louisiana State University. After a year of study with Albert Tipton she attended Northwestern University earning a Doctor of Music degree under the tutelage of Walfrid Kujala. She has been a member of the New Orleans Pops, Baton Rouge Symphony, Colorado Philharmonic, and the Civic Orchestra of Chicago. She has performed with the Chicago Symphony and served on the faculties of the University of Washington and Pacific Lutheran University. She was the founding editor of Flute Talk and ison the Editorial Board for The Flutist Quarterly. Zart is the immediate past president of the National Flute Association, and been a featured soloist and presenter at numerous NFA conventions. Zart has commissioned numerous works, including two for piccolo and piano by Martin Amlin, sonatas by Gary Schocker and Levente Gyongyosi, and a chamber work by Ken Benshoof. She can be heard in over 100 recordings by the Seattle Symphony, and her solo CD, in shadow, light, is available on Crystal Records. Her award-winning edition of the three Vivaldi piccolo concertos is published by Theodore Presser.A native of Seattle, VALERIE SHIELDS received her B.M. summa cum laude in organ and violin from St. Olaf College. While completing her M.M. from Northwestern University, she became increasingly interested and skilled in the art of improvisation. She served as Director of Music at St. Luke’s Lutheran Church in Park Ridge, Illinois, where she developed a music program involving over 150 participants in choirs and chamber music groups.Upon her return to Seattle, she served for 12 years as director of adivision of the Northwest Girlchoir. She became organist and developed a vibrant Youth Choir at Phinney Ridge Lutheran Church, where she served for over 30 years, as well as enjoying a 20-year tenure as Music Director and Composer-in-Residence of Temple De Hirsch Sinai. Valerie’s work with children’s choirs,churches, and synagogues has inspired over 100 published compositions.When I was invited to perform a Vivaldi piccolo concerto in Italy a few years ago, my host, Luisa Sello, wrote that Carol Wincenc was going to be on the same concert, and was there any piece that we could play together? I looked and asked around, and my colleague Joanna Bassett recommended the Telemann Concerto in E Minor for Traverso and Recorder. I didn’t know the piece, but as I listened to a recording of it, I immediately loved it and could easily envision how beautifully it could work, with a few “adjustments,†for flute and piccolo. I got to work, and the current publication is the result. I have performed it many times, and enjoy it even more every time. It fits a unique place in our repertoire, and works equally well with piano as with the string orchestra setting.According to Steven D. Zohn, pre-eminent Telemann scholar, and author of Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s Instrumental Works, much is unknown about the concerto itself; it likely dates from the 1720s, soon after Telemann moved to Hamburg. Only an eighteenth-century copyist’s set of parts is extant, that of Johann Samuel Endler, who was engaged at the Darmstadt court as a singer and violinist, later becoming Vice-Kapellmeister and Kapellmeister, and who had a large collection of Telemann’s works.As in my Vivaldi concertos edition (Presser 414-41190), I have added virtually all of the articulations and dynamics that appear here, and have inserted quite a bit of ornamentation. Unlike the Vivaldi edition, I have not included any indication of the original Telemann in those passages, nor have I included any pedagogical markings, such as fingerings.Finally, I would like to acknowledge, with gratitude, Joanna Bassett, Daniel Dorff, Benton Gordon, Evan Pengra-Sult, Sandra Saathoff, Valerie Shields, Carol Wincenc, and Steven Zohn, for the various roles they played in the making of this publication.— Zart Dombourian-EbyJune 2018.
SKU: HL.50488608
UPC: 073999886085. 8.25x11.75x0.215 inches.
Contents: Theme from Concerto, Op. 10, No. 4 (Vivaldi) * Theme from Divertimento No. 5 (Bononcini) * Theme from Essercizi Musici (Telemann) * Theme from Flute Sonata in B Flat (Marcello) * Theme from Flute Sonata in G (Locatelli) * Theme from Flute Sonata in G (Marcello) * Theme from Flute Sonata in F (Handel) * Theme from Flute Sonata in G (Platti) * Theme from Recorder Sonata in F (Telemann) * Theme from Sonata, Op. 4, No. 9 (Loeillet) * Themes from Concerto, Op. 10, No. 5 (Vivaldi) * Themes from Divertimento No. 2 in D (Bononcini) * Themes from Flute Sonata in G (Handel) * Themes from Flute Sonata in C (Bach) * Themes from Flute Suite in B Minor (Bach) * Themes from Sonata, Op. 1, No. 2 (Loeillet) * Themes from Sonata, Op. 27 (Boismortier).
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