| A Man's Destiny Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1195826-010 Yn Ieren en Si...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1195826-010 Yn Ieren en Sinen. Composed by Jan de Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2019. De Haske Publications #DHP 1195826-010. Published by De Haske Publications (BT.DHP-1195826-010). English-German-French-Dutch. A Man’s Destiny has the Frisian line ‘Yn Ieren en Sinen’ (‘with much conviction’) as its subtitle. The work was commissioned by CMV Harmonie Sneek (based in Friesland, The Netherlands) to acknowledge their 95th anniversary. The composer based this work on the life of a former member of the band, who played flugelhorn in the ensemble until the age of 86. Their favourite piece of music, ‘Canon’ by Thomas Tallis, provided a great deal of musical inspiration for this characteristic and versatile work.
A Man’s Destiny heeft als ondertitel de Friese regel ‘Yn Ieren en Sinen’ (vanuit volle overtuiging) meegekregen. Het werk is geschreven in opdracht van de CMV Harmonie Sneek ter gelegenheid van haar 95-jarig jubileum. De componist baseerde de compositie op het leven van een oud-lid van de vereniging een man die tot zijn 86e jaar de bugel bespeelde. Diens lievelingslied, ‘Tallis’ Canon’ van Thomas Tallis, is dan ook de muzikale inspiratiebron geweest voor dit karakteristieke en veelzijdige werk.
A Man’s Destiny hat den friesischen Ausspruch Yn Ieren en Sinen“ (mit großer Überzeugung) als Untertitel. Das Werk wurde von der CMV Harmonie Sneek (aus Friesland in den Niederlanden) anlässlich ihres 95-jährigen Bestehens in Auftrag gegeben. Der Komponist widmete sich in diesem Werk dem Leben eines ehemaligen Orchestermitglieds, das bis zum Alter von 86 Jahren in dem Ensemble Flügelhorn gespielt hat. Sein Lieblingsstück Canon“ von Thomas Tallis diente als wichtige musikalische Inspirationsquelle für diese charakteristische und vielseitige Komposition.
A Man’s Destiny est sous-titrée, en frison, « Yn Ieren en Sinen» (Avec une forte conviction). Cette œuvre est une commande de CMV Harmonie Sneek (un orchestre basé dans les Frisons, aux Pays-Bas) pour commémorer son 95e anniversaire. Le compositeur a fondé son œuvre sur la vie d’un ancien membre de l’orchestre qui y a joué du bugle jusqu’ l’ ge de 86 ans. Son œuvre préférée, le « Canon » de Thomas Tallis, a grandement inspiré cette pièce caractéristique et flexible. $184.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Man's Destiny Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1195826-140 Yn Ieren en Si...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1195826-140 Yn Ieren en Sinen. Composed by Jan de Haan. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2019. 43 pages. De Haske Publications #DHP 1195826-140. Published by De Haske Publications (BT.DHP-1195826-140). English-German-French-Dutch. A Man’s Destiny has the Frisian line ‘Yn Ieren en Sinen’ (‘with much conviction’) as its subtitle. The work was commissioned by CMV Harmonie Sneek (based in Friesland, The Netherlands) to acknowledge their 95th anniversary. The composer based this work on the life of a former member of the band, who played flugelhorn in the ensemble until the age of 86. Their favourite piece of music, ‘Canon’ by Thomas Tallis, provided a great deal of musical inspiration for this characteristic and versatile work.
A Man’s Destiny heeft als ondertitel de Friese regel ‘Yn Ieren en Sinen’ (vanuit volle overtuiging) meegekregen. Het werk is geschreven in opdracht van de CMV Harmonie Sneek ter gelegenheid van haar 95-jarig jubileum. De componist baseerde de compositie op het leven van een oud-lid van de vereniging een man die tot zijn 86e jaar de bugel bespeelde. Diens lievelingslied, ‘Tallis’ Canon’ van Thomas Tallis, is dan ook de muzikale inspiratiebron geweest voor dit karakteristieke en veelzijdige werk.
A Man’s Destiny hat den friesischen Ausspruch Yn Ieren en Sinen“ (mit großer Überzeugung) als Untertitel. Das Werk wurde von der CMV Harmonie Sneek (aus Friesland in den Niederlanden) anlässlich ihres 95-jährigen Bestehens in Auftrag gegeben. Der Komponist widmete sich in diesem Werk dem Leben eines ehemaligen Orchestermitglieds, das bis zum Alter von 86 Jahren in dem Ensemble Flügelhorn gespielt hat. Sein Lieblingsstück Canon“ von Thomas Tallis diente als wichtige musikalische Inspirationsquelle für diese charakteristische und vielseitige Komposition.
A Man’s Destiny est sous-titrée, en frison, « Yn Ieren en Sinen» (Avec une forte conviction). Cette œuvre est une commande de CMV Harmonie Sneek (un orchestre basé dans les Frisons, aux Pays-Bas) pour commémorer son 95e anniversaire. Le compositeur a fondé son œuvre sur la vie d’un ancien membre de l’orchestre qui y a joué du bugle jusqu’ l’ ge de 86 ans. Son œuvre préférée, le « Canon » de Thomas Tallis, a grandement inspiré cette pièce caractéristique et flexible. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Man's Destiny Concert band - Intermediate De Haske Publications
Concert Band (Score) - Grade 4 SKU: HL.4006683 Concert Band Score....(+)
Concert Band (Score) - Grade 4 SKU: HL.4006683 Concert Band Score. Composed by Jan de Haan. De Haske Concert Band. Classical, Concert. Softcover. 43 pages. Duration 660 seconds. De Haske Publications #1195826140. Published by De Haske Publications (HL.4006683). UPC: 840126928174. A Man's Destiny has the Frisian line 'Yn Ieren en Sinen' ('with much conviction') as its subtitle. The work was commissioned by CMV Harmonie Sneek (based in Friesland, The Netherlands) to acknowledge their 95th anniversary. The composer based this work on the lifeof a former member of the band, who played flugelhorn in the ensemble until the age of 86. Their favourite piece of music, 'Canon' by Thomas Tallis, provided a great deal of musical inspiration for this characteristic and versatile work in which the flugelhorn plays a significant role. $30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Man's Destiny Concert band - Intermediate De Haske Publications
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.4006682 (+)
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.4006682 Concert Band Score and Parts. Composed by Jan de Haan. De Haske Concert Band. Classical, Concert. Softcover. Duration 660 seconds. De Haske Publications #1195826010. Published by De Haske Publications (HL.4006682). ISBN 9781540096005. UPC: 840126928167. A Man's Destiny has the Frisian line 'Yn Ieren en Sinen' ('with much conviction') as its subtitle. The work was commissioned by CMV Harmonie Sneek (based in Friesland, The Netherlands) to acknowledge their 95th anniversary. The composer based this work on the lifeof a former member of the band, who played flugelhorn in the ensemble until the age of 86. Their favourite piece of music, 'Canon' by Thomas Tallis, provided a great deal of musical inspiration for this characteristic and versatile work in which the flugelhorn plays a significant role. $165.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Celtic Fake Book
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 256 pa...(+)
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 256 pages. Published by Hal Leonard.
(2)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cornerstone Choral Word Music
Composed by Marty Parks. Modern Christian: Sacred. Anthem (Preview). Published b...(+)
Composed by Marty Parks. Modern Christian: Sacred. Anthem (Preview). Published by Word Music (WD.080689250231).
$2.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Go, Tell It! - Bulk CD (10-pak) Word Music
SKU: WD.080689783722 Composed by Marty Parks. Choral, cantatas. Modern Ch...(+)
SKU: WD.080689783722 Composed by Marty Parks. Choral, cantatas. Modern Christian. Bulk CD (10-pak). Word Music #080689783722. Published by Word Music (WD.080689783722). UPC: 080689783722. Christmas is meant to be shared! Though it's a profoundly life-changing event, if we keep it to ourselves, we've lost the essence of Jesus' Great Commission. We need to take this ancient, beloved story and, with God's help, breathe into it fresh life and relevance. And that is exactly what Go, Tell It does. This exciting new Christmas musical for seniors from master arranger Marty Parks balances the power of its message with the ease of its preparation. (Large print! No repeats!) Marty has carefully selected and voiced the best of the traditional and contemporary songs of the season and woven them together with a convicting script for a single narrator. With its outreach focus, this musical is especially suited for a presentation in your community at a shopping mall, retirement home, or hospital. This year, don't just share the Christmas story, become part of it: Proclaim it! Sing and shout it! Go, Tell It! $69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cornerstone Orchestra [Set of Parts] Word Music
Composed by Marty Parks. Modern Christian: Sacred. Orchestration (Set of parts)....(+)
Composed by Marty Parks. Modern Christian: Sacred. Orchestration (Set of parts). Published by Word Music (WD.080689102080).
$79.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cornerstone - CD ChoralTrax Choral CD Word Music
SKU: WD.080689973321 Composed by Joshua Bryant Spacht. Choral. Sacred Ant...(+)
SKU: WD.080689973321 Composed by Joshua Bryant Spacht. Choral. Sacred Anthem, Christmas. CD choraltrax. Word Music #080689973321. Published by Word Music (WD.080689973321). UPC: 080689973321. Christmas is meant to be shared! Though it's a profoundly life-changing event, if we keep it to ourselves, we've lost the essence of Jesus' Great Commission. We need to take this ancient, beloved story and, with God's help, breathe into it fresh life and relevance. And that is exactly what Go, Tell It does. This exciting new Christmas musical for seniors from master arranger Marty Parks balances the power of its message with the ease of its preparation. (Large print! No repeats!) Marty has carefully selected and voiced the best of the traditional and contemporary songs of the season and woven them together with a convicting script for a single narrator. With its outreach focus, this musical is especially suited for a presentation in your community at a shopping mall, retirement home, or hospital. This year, don't just share the Christmas story, become part of it: Proclaim it! Sing and shout it! Go, Tell It! $29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Go, Tell It! - Listening CD Choral CD Word Music
SKU: WD.080689857225 Composed by Marty Parks. Choral, cantatas. Modern Ch...(+)
SKU: WD.080689857225 Composed by Marty Parks. Choral, cantatas. Modern Christian. Listening CD. Word Music #080689857225. Published by Word Music (WD.080689857225). UPC: 080689857225. Christmas is meant to be shared! Though it's a profoundly life-changing event, if we keep it to ourselves, we've lost the essence of Jesus' Great Commission. We need to take this ancient, beloved story and, with God's help, breathe into it fresh life and relevance. And that is exactly what Go, Tell It does. This exciting new Christmas musical for seniors from master arranger Marty Parks balances the power of its message with the ease of its preparation. (Large print! No repeats!) Marty has carefully selected and voiced the best of the traditional and contemporary songs of the season and woven them together with a convicting script for a single narrator. With its outreach focus, this musical is especially suited for a presentation in your community at a shopping mall, retirement home, or hospital. This year, don't just share the Christmas story, become part of it: Proclaim it! Sing and shout it! Go, Tell It! $16.98 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Go, Tell It! - Choral Book Word Music
Choir - Moderately Easy SKU: WD.080689483172 Composed by Marty Parks. Cho...(+)
Choir - Moderately Easy SKU: WD.080689483172 Composed by Marty Parks. Choral, cantatas. Christmas. Book. Word Music #080689483172. Published by Word Music (WD.080689483172). UPC: 080689483172. Christmas is meant to be shared! Though it’s a profoundly life-changing event, if we keep it to ourselves, we’ve lost the essence of Jesus’ Great Commission. We need to take this ancient, beloved story and, with God’s help, breathe into it fresh life and relevance. And that is exactly what Go, Tell It does. This exciting new Christmas musical for seniors from master arranger Marty Parks balances the power of its message with the ease of its preparation. (Large print! No repeats!) Marty has carefully selected and voiced the best of the traditional and contemporary songs of the season and woven them together with a convicting script for a single narrator. With its outreach focus, this musical is especially suited for a presentation in your community at a shopping mall, retirement home, or hospital. This year, don’t just share the Christmas story, become part of it: Proclaim it! Sing and shout it! Go, Tell It! $12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Go, Tell It! - CD Preview Pak Choral CD Word Music
SKU: WD.080689580369 Composed by Marty Parks. Choral, cantatas. Eastertid...(+)
SKU: WD.080689580369 Composed by Marty Parks. Choral, cantatas. Eastertide. CD preview pak. Word Music #080689580369. Published by Word Music (WD.080689580369). UPC: 080689580369. Christmas is meant to be shared! Though it's a profoundly life-changing event, if we keep it to ourselves, we've lost the essence of Jesus' Great Commission. We need to take this ancient, beloved story and, with God's help, breathe into it fresh life and relevance. And that is exactly what Go, Tell It does. This exciting new Christmas musical for seniors from master arranger Marty Parks balances the power of its message with the ease of its preparation. (Large print! No repeats!) Marty has carefully selected and voiced the best of the traditional and contemporary songs of the season and woven them together with a convicting script for a single narrator. With its outreach focus, this musical is especially suited for a presentation in your community at a shopping mall, retirement home, or hospital. This year, don't just share the Christmas story, become part of it: Proclaim it! Sing and shout it! Go, Tell It! $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Go, Tell It! - Accompaniment CD (Split) Choral CD Word Music
SKU: WD.080689889127 Composed by Marty Parks. Choral, cantatas. Eastertid...(+)
SKU: WD.080689889127 Composed by Marty Parks. Choral, cantatas. Eastertide. Accompaniment CD (split). Word Music #080689889127. Published by Word Music (WD.080689889127). UPC: 080689889127. Christmas is meant to be shared! Though it's a profoundly life-changing event, if we keep it to ourselves, we've lost the essence of Jesus' Great Commission. We need to take this ancient, beloved story and, with God's help, breathe into it fresh life and relevance. And that is exactly what Go, Tell It does. This exciting new Christmas musical for seniors from master arranger Marty Parks balances the power of its message with the ease of its preparation. (Large print! No repeats!) Marty has carefully selected and voiced the best of the traditional and contemporary songs of the season and woven them together with a convicting script for a single narrator. With its outreach focus, this musical is especially suited for a presentation in your community at a shopping mall, retirement home, or hospital. This year, don't just share the Christmas story, become part of it: Proclaim it! Sing and shout it! Go, Tell It! $99.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Go, Tell It! - Practice Trax Word Music
SKU: WD.080689693021 Composed by Marty Parks. Choral, cantatas. Christmas...(+)
SKU: WD.080689693021 Composed by Marty Parks. Choral, cantatas. Christmas. Practice trax. Word Music #080689693021. Published by Word Music (WD.080689693021). UPC: 080689693021. Christmas is meant to be shared! Though it's a profoundly life-changing event, if we keep it to ourselves, we've lost the essence of Jesus' Great Commission. We need to take this ancient, beloved story and, with God's help, breathe into it fresh life and relevance. And that is exactly what Go, Tell It does. This exciting new Christmas musical for seniors from master arranger Marty Parks balances the power of its message with the ease of its preparation. (Large print! No repeats!) Marty has carefully selected and voiced the best of the traditional and contemporary songs of the season and woven them together with a convicting script for a single narrator. With its outreach focus, this musical is especially suited for a presentation in your community at a shopping mall, retirement home, or hospital. This year, don't just share the Christmas story, become part of it: Proclaim it! Sing and shout it! Go, Tell It! $69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Voices I Hear GIA Publications
SKU: GI.G-10678 A Philosophical and Practical Approach to the Choral A...(+)
SKU: GI.G-10678 A Philosophical and Practical Approach to the Choral Art. Composed by Will Kesling. Music Education. 472 pages. GIA Publications #10678. Published by GIA Publications (GI.G-10678). ISBN 9781622776436. Drawing from his five decades of success as a conductor and educator in the choral field, Will Kesling has compiled a comprehensive choral methods resource that addresses every necessary fundamental for achieving artistry in the choral art. Written in clear and conversational language, this resource covers: Building a healthy and beautiful choral sound Dealing with vocal issues Selecting repertoire and programming concerts Developing score study skills and interpretive insights Understanding the characteristics of musical periods and composers Planning, preparing for, and running rehearsals The Voices I Hear also explores important but often overlooked topics, including a discussion of performing sacred music in secular education settings, techniques for performing choral-orchestral works, choral versus orchestral conducting, and how to become a true “maestro.†Individual chapters also function as standalone topics of study. A valuable read for emerging and seasoned conductors alike, The Voices I Hear is an expert study of the aesthetic, intellectual, and practical aspects of the choral art. Dr. Will Kesling is Professor of Choral and Orchestral Conducting at the University of Florida, where he has taught for two decades. He has conducted hundreds of choral ensembles and nearly fifty of the world’s finest symphony orchestras. His ensembles have received international attention for their excellence and musical expression.  Thank you, Dr. Kesling, for the decade you gave of yourself to write the most complete and comprehensive writing on the topics of choral techniques, methods, and conducting I have seen. It is in-depth yet practical, to the point of being a valuable resource for both the young conductors entering the choral field to the well-established professionals. You have given us a solid foundation in all significant areas of the choral art, including, among many others, the production of beautiful vocal tone, detailed physical vocal production, textual and physical components of English diction, repertoire programming, appropriate style, interpretation and phrasing, and a pathway to successful conducting of combined choral and orchestral forces. Your enormous and highly successful career, with worldwide performances and numerous awards and honors, has enabled you to bring validity and integrity to the entire writing. —Donald Neuen   Distinguished Professor Emeritus, UCLA   Former member of the Robert Shaw Chorale   Mr. Shaw’s Assistant Conductor with the Atlanta Symphony Orchestra and Choruses For more than 50 years, Dr. Will Kesling has been and continues to be a prominent figure and voice in the International and American choral profession. His new book, The Voices I Hear, is the distillation of his long and distinguished career as a conductor and choral music educator. The driving and consuming passion throughout Kesling’s life is the preparation and performance of the world’s rich and diverse choral and orchestral repertoire and the education, development, and growth of those who perform and conduct it. This book is a summation of a lifetime immersed in the choral art and all its many aspects. It overflows with insights into the choral art that will not only instruct the beginning conductor but also will enlighten and entertain the seasoned professional conductor and educator. It is filled with wit, wisdom, and practical advice to all practitioners of the choral arts. I enthusiastically recommend Kesling’s enlightening new book as an important addition to the choral pedagogy bibliography and for use as an invaluable new text for choral practicum classes for both graduate and undergraduate students. Dr. Kesling has brought to the choral profession significant new insights to all lovers of the choral art. —Craig Jessop   Professor of Music, University of Utah   Former Music Director of the Tabernacle Choir and Orchestra at Temple Square   and the United States Air Force Singing Sergeants Will Kesling’s book, The Voices I Hear, is practical and philosophical, useful and inspirational, focused and comprehensive. The observations and advice are based on his vast personal experiences on the podium with choirs and orchestras, and the book is a monumental resource for both the young conductor and the veteran. Containing a broad spectrum of musical styles, composers, and topics, Kesling’s direct and practical writing connects immediately with today’s choral musician. Keep The Voices I Hear nearby as there will be many times down the road where the information and opinions in Dr. Kesling’s book will answer the questions you have, as well as the ones you didn’t even know to ask! —Jerry Blackstone   Professor Emeritus of Music (conducting) and Director of Choirs (retired)   School of Music, Theatre & Dance, University of Michigan This is the textbook I wish had been available when I was beginning my studies. It is comprehensive in scope, practical and helpful in its suggestions, and, perhaps most surprising in a book from an academic, superbly written in clear and powerful English. Kesling speaks with conviction, clarity, and polish, and he finds colorful and memorable ways of making his points and presents the material from the perspective of one who has done all these things for decades at a highly professional level. I give this volume the highest possible recommendation. —Daniel Gawthrop   Composer & Conductor. $39.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Yn Ieren en Sinen Marching band [Score and Parts] - Easy De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1185826-020 'A Man's Destiny'. ...(+)
Fanfare Band - Grade 3 SKU: BT.DHP-1185826-020 'A Man's Destiny'. Composed by Jan de Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Set (Score & Parts). Composed 2018. De Haske Publications #DHP 1185826-020. Published by De Haske Publications (BT.DHP-1185826-020). English-German-French-Dutch. ‘Yn Ieren en Sinen’ (‘with much conviction’) was commissioned by CMV Harmonie Sneek (Friesland, The Netherlands) to mark their 95th anniversary. As requested by the commissioning party, the composer based this work on the life of a former member of the band, who played flugelhorn until the age of 86. Music was very important in the eventful life of the man in question. A passionate musician, he had a great love for chorale melodies, and his favourite piece, the famous Canon by the English composer Thomas Tallis (1505-1585) was the source of inspiration for this composition.
Yn Ieren en Sinen (vanuit volle overtuiging) is geschreven in opdracht van CMV Harmonie Sneek ter gelegenheid van het 95-jarig jubileum van dat orkest. Op verzoek van de opdrachtgever baseerde de componist het werk op het leven van een oud-lid van de vereniging een man die tot zijn 86e jaar de bugel bespeelde. Muziek was erg belangrijk in het veelbewogen leven van de man. Als fanatiek muzikant had hij een grote liefde voor koraalmelodieën. Zijn lievelingslied, Tallis’ Canon van de Engelse componist Thomas Tallis (1505-1585), is dan ook de inspiratiebron geweest voor deze compositie. $184.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Yn Ieren en Sinen Marching band [Score] - Easy De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1185826-120 'A Man's Destiny'. ...(+)
Fanfare Band - Grade 3 SKU: BT.DHP-1185826-120 'A Man's Destiny'. Composed by Jan de Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Score Only. Composed 2018. 43 pages. De Haske Publications #DHP 1185826-120. Published by De Haske Publications (BT.DHP-1185826-120). English-German-French-Dutch. ‘Yn Ieren en Sinen’ (‘with much conviction’) was commissioned by CMV Harmonie Sneek (Friesland, The Netherlands) to mark their 95th anniversary. As requested by the commissioning party, the composer based this work on the life of a former member of the band, who played flugelhorn until the age of 86. Music was very important in the eventful life of the man in question. A passionate musician, he had a great love for chorale melodies, and his favourite piece, the famous Canon by the English composer Thomas Tallis (1505-1585) was the source of inspiration for this composition.
Yn Ieren en Sinen (vanuit volle overtuiging) is geschreven in opdracht van CMV Harmonie Sneek ter gelegenheid van het 95-jarig jubileum van dat orkest. Op verzoek van de opdrachtgever baseerde de componist het werk op het leven van een oud-lid van de vereniging een man die tot zijn 86e jaar de bugel bespeelde. Muziek was erg belangrijk in het veelbewogen leven van de man. Als fanatiek muzikant had hij een grote liefde voor koraalmelodieën. Zijn lievelingslied, Tallis’ Canon van de Engelse componist Thomas Tallis (1505-1585), is dan ook de inspiratiebron geweest voor deze compositie. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bread and Games Marching band [Score] - Easy Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000803-120 Composed by William Vean. S...(+)
Fanfare Band - Grade 2 SKU: BT.GOB-000803-120 Composed by William Vean. Score Only. 20 pages. Gobelin Music Publications #GOB 000803-120. Published by Gobelin Music Publications (BT.GOB-000803-120). ‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody. There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.
In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music. 2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly. 3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.
‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden. Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één. Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.
William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum. 1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden. 2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood. 3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek. 4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats. $26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Bread and Games Concert band [Score] - Easy Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-140 Composed by Willia...(+)
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-140 Composed by William Vean. Score Only. 36 pages. Gobelin Music Publications #GOB 000756-140. Published by Gobelin Music Publications (BT.GOB-000756-140). ‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody. There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.
In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music. 2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly. 3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.
‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden. Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één. Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.
William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum. 1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden. 2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood. 3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek. 4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bread and Games Brass ensemble [Score] - Easy Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000804-130 Composed by William Vean. Sco...(+)
Brass Band - Grade 2 SKU: BT.GOB-000804-130 Composed by William Vean. Score Only. 32 pages. Gobelin Music Publications #GOB 000804-130. Published by Gobelin Music Publications (BT.GOB-000804-130). ‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody. There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.
In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music. 2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly. 3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.
‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden. Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één. Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.
William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum. 1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden. 2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood. 3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek. 4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats. $23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bread and Games Concert band [Score and Parts] - Easy Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-010 Composed by Willia...(+)
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000756-010 Composed by William Vean. Set (Score & Parts). 116 pages. Gobelin Music Publications #GOB 000756-010. Published by Gobelin Music Publications (BT.GOB-000756-010). ‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody. There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.
In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music. 2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly. 3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.
‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden. Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één. Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.
William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum. 1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden. 2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood. 3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek. 4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats. $110.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bread and Games Brass ensemble [Score and Parts] - Easy Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000804-030 Composed by William Vean. Set...(+)
Brass Band - Grade 2 SKU: BT.GOB-000804-030 Composed by William Vean. Set (Score & Parts). 62 pages. Gobelin Music Publications #GOB 000804-030. Published by Gobelin Music Publications (BT.GOB-000804-030). ‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody. There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.
In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music. 2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly. 3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.
‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden. Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één. Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.
William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum. 1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden. 2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood. 3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek. 4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats. $98.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bread and Games Marching band [Score and Parts] - Easy Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000803-020 Composed by William Vean. S...(+)
Fanfare Band - Grade 2 SKU: BT.GOB-000803-020 Composed by William Vean. Set (Score & Parts). 98 pages. Gobelin Music Publications #GOB 000803-020. Published by Gobelin Music Publications (BT.GOB-000803-020). ‘Panem et Circenses’, Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody. There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights.
In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music. 2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary, they were a matter of life and death and were fought accordingly. 3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one’s handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner’s due reward.
‘Panem et Circenses’, brood en (circus)spelen, essentieel in het Romeinse leven om de burgers in het gareel te houden. Het brood was vooral voor de allerarmsten bedoeld, maar de spelen, dat was volksvermaak nummer één. Erwaren verschillende soorten spelen, de Strijdwagen racen, vooral in trek bij de vrouwen, de dierengevechten of jachtpartijen, waar leeuwen, tijgers, buffels of beren tegen elkaar of tegen mensen opgehitst werden. Maar favoriet warentoch wel de gevechten der Gladiatoren.
William Vean beschrijft in ‘Bread and Games’ één van de vele gevechten in het aloude Colosseum. 1. Entrance of the Gladiators: Met krachtige (hoorn)signalen wordt de aandachtvan het volk gevraagd waarna de Gladiatoren op heldhaftige marsmuziek de Arena binnentreden. 2. Swordfight: Dat de gevechten geen kinderspel waren horen we in dit deel. Het gaat er hard aan toe, en de gevechten waren vaak op levenen dood. 3. Mercy of the Emperor: In enkele gevallen had een gewonde Gladiator geluk. Dit hing af van de stemming van het publiek. Wapperende zakdoeken betekende geluk, met de duim naar beneden wijzen betekende geen pardon.De Keizer had het laatste woord maar volgde meestal de stemming van het publiek. 4. Lap of Honour: Gladiatoren werden meestal uit slaven, veroordeelde misdadigers of krijgsgevangen geselecteerd. Winnen was daarom erg belangrijk.Dit betekende roem, eer en soms zelfs rijkdom. (vergelijkbaar met onze sporthelden) Een ereronde was dus wel op zijn plaats. $110.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Clamo a Ti CD GIA Publications
Cantor,SATB choir, assembly, organ accompaniment SKU: GI.G-012530 In T...(+)
Cantor,SATB choir, assembly, organ accompaniment SKU: GI.G-012530 In Times of Trouble. Composed by Donna Pena. Advent 4 Year C, advent 4 Year B, advent 3 Year A, advent 3 Year B. Sacred. GIA Publications #012530. Published by GIA Publications (GI.G-012530). English, Spanish, english or Spanish Bilingual. A bold collection of Latin-American folk and folk-inspired pieces. From new, originally composed songs to traditional and timeless Latin tunes, Donna Peña brings us an album that focuses on life's struggles and hardships. It is through her soul-moving voice that the listener leaves this album with a sense of hope and conviction. This album highlights a variety of styles including mariachi and other world flavors. Many will recognize the Beatles classic, Let It Be, creatively intertwined with the haunting Brazilian ballad, Romaria. $17.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
Next page 1 31 |