(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Composed by Johann Sebastian Bach (1685-1750). Edited by David Dutkanicz. Arranged by David Dutkanicz. For piano. Masterworks; Piano Collection; Piano Supplemental. Dover Edition: My First Book. Baroque. Easy. Collection. Standard notation and fingerings. 48 pages. Published by Dover Publications

By Johann Sebastian Bach. Arranged by Richard Sayage. Solo. For Classical Guitar. Savage Classical Guitar Virtuouso Editions. The master of counterpoint at his best. Baroque. Level: Intermediate. Book. Standard. 48 pages. Published by Savage Classical Guitar Transcriptions.

Edited by Denes Agay. For piano. Format: piano solo book. With fingerings. Baroque, Classical Period and Romantic Period. 80 pages. 9x12 inches. Published by Yorktown Music Press. (MS.YK21376) A selected repertoire of classical pieces for the beginning pianist. Includes inventions, minuets, gavottes, and airs from such well-known composers as Bach, Handel, Schumann, Haydn, Mozart and Purcell.

(100 of the World's Most-Beloved Masterpieces In Two Volumes). Edited by E. L. Lancaster and Kenon D. Renfrow. For Piano. Book; Masterworks; Piano Collection. Masterwork; Recital. 196 pages. Published by Alfred Music Publishing

Arranged and Performed by Jerry Willard. Book and CD(s). Published by Music Sales. Since their introduction, Bach's Two-Part Inventions have been an essential resource for developing hand independence and ornamentation technique. Keyboard players have enjoyed these etudes for centuries and for the first time ever this body of work is available to guitarists. Presented in standard music notation and tablature with two specially-designed CDs: Disc One presents Bach's Inventions arranged for two guitars with Guitar One panned left and Guitar Two panned right, and Disc Two presents each Invention performed by one guitar at a time (with a count in). This provides the player with the opportunity to play along with the CD track or study each part individually. Bach Inventions for Guitar Duet is a must for every guitarist.

(14 Songs About Inventive, Interesting, and Innovative People (Teacher's Handbook)). By Sally K. Albrecht and Jay Althouse. This edition: Teacher's Handbook (100% Reproducible). Classroom/Pre-School; General Music and Classroom Publications; Reproducible. Book. 52 pages

A violin method for children age four and older. Composed by Egon Saßmannshaus and Kurt Sassmannshaus. Stapled. With a Chinese text booklet. Performance score. Baerenreiter Verlag #BA10753. Published by Baerenreiter Verlag

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

Piano

SKU: BT.YK21376

By Denes Agay. Joy Of. Classical. Book Only. Composed 1992. 80 pages. Yorktown Music Press #YK21376. Published by Yorktown Music Press (BT.YK21376).

ISBN 9780711911017.

Nothing can quite compare to the satisfaction, pleasure and joy of learning and playing the finest pieces of classical music and this terrific volume gives you the opportunity to do exactly that! Inside there are more than 60 easy pieces and Keyboard miniatures by master composers, selected and edited by Dennis Agay. All the pieces are printed in their original form though have had sensible expression marks and fingerings added. There is a wonderful range and diversity to these pieces with works by the likes of Bach, Haydn, Mozart and also lesser-known composers, set for Piano solo.

Piano SKU: HU.HN647 Composed by Isaac Albeniz. Edited by Norbert Gertsch. Piano Solo, Piano and Keyboard, Repertoire, Solos. Iberia - First Book. Classical, Romantic. Softcover Book. 52 pages. G. Henle #HN647. Published by G. Henle (HU.HN647). 12.2 x 9.3 x 0.2 inches. Spanish music with a universal touch: that is what Isaac Albeniz set out to compose, and he brought it off to perfection in this his Iberia Suite. Enjoy these pieces in the same manner as Debussy, who wrote of Iberia: "One closes ones eyes and is bedazzled by the sheer wealth of invention in this music!"? A quality Urtext edition edited by Gertsch.

Book (not sheet music). Book only. Size 6x9 inches. 144 pages. Published by Centerstream Publications.

Composed by Cameron Pearce. Method book and performance/accompaniment CD. Published by Sher Music Company (SR.MEST).