| Sing to God a Joyful Song Choral SATB SATB, Organ - Easy GIA Publications
SATB choir, cantor, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet ...(+)
SATB choir, cantor, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2, timpani, suspended cymbal - Early intermediate SKU: GI.G-6920 Introit Hymn for Easter. Composed by Lynn M. Trapp and Robert Williams. Arranged by Lynn M. Trapp. Eastertide, Easter Day, Easter 5 A, Easter 5 B, Easter 5 C. Corpus Christi. Tune Name: Llanfair. Sacred. Octavo. 12 pages. GIA Publications #6920. Published by GIA Publications (GI.G-6920). UPC: 785147692003. English, Latin. Text Source: Ant., Delores Dufner, vv. Lectionary for Mass, Psalm 98:1&ndash,3, Doxology. Text by Delores Dufner. Scripture: Psalm 98:1–3. The assembly tune is the well-known Easter hymn llanfair, with a text based on the Easter introit. The choral verses—new composition—are drawn from Psalm 98:1–3 and give the choir truly substantive material. Add the brass, organ, and percussion, and you have a work that is worthy of this feast. For assembly with cantor or SATB voices. A work that is worthy of the Easter feast. $2.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sing to God a Joyful Song - Full Score and Parts Choral SATB SATB, Organ GIA Publications
SATB choir, cantor, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet ...(+)
SATB choir, cantor, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2, timpani, suspended cymbal SKU: GI.G-6920INST Introit Hymn for Easter. Composed by Lynn M. Trapp and Robert Williams. Arranged by Lynn M. Trapp. Eastertide, Easter Day:, Easter 5 A, Easter 5 B, Easter 5 C. Tune Name: Llanfair. Sacred. Full score and parts. 16 pages. GIA Publications #6920INST. Published by GIA Publications (GI.G-6920INST). UPC: 785147692096. English, Latin. Text Source: Ant., Delores Dufner, vv. Lectionary for Mass, Psalm 98:1–3, Doxology. Text by Delores Dufner. Scripture: Psalm 981–3. $33.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Accent on Performance Classical Collection Concert band Alfred Publishing
(22 Full Band Arrangements Correlated to Accent on Achievement (Trumpet 1)). Arr...(+)
(22 Full Band Arrangements Correlated to Accent on Achievement (Trumpet 1)). Arranged by John O'Reilly and Mark Williams. Concert Band. For Trumpet 1. Band Supplement; Book; Masterworks. Accent on Performance. Masterwork Arrangement. 24 pages. Published b
$6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Advent of Hope, the Birth of Peace - Orchestration Orchestra Lorenz Publishing Company
Full orchestra SKU: LO.30-1687L A Christmas Cantata for Choir/Congrega...(+)
Full orchestra SKU: LO.30-1687L A Christmas Cantata for Choir/Congregation Worship Leader. Composed by Robert Lau. Choral, cantatas. Christmas, Sacred. Orchestration. Lorenz Publishing Company #30/1687L. Published by Lorenz Publishing Company (LO.30-1687L). UPC: 000308057782. Christmas is that wonderful time of the year when we sing, come, thou long-expected Jesus even though we know he has already come, and 'joy to the world' even though we know the world is not yet completely joyful. ôThese are the opening words of this thoughtful and expressive cantata-a beautiful combination of the meditative, as well as the joyful, feelings that remembering the events of Christmas brings. The congregation is asked to join in the singing of familiar carols, and the choir is given the opportunity to sing beautifully crafted, but never difficult, new music for the season. Performance time: 25-30 minutes. Flute 1 and 2, B-flat Clarinet, Horn in F, Trumpet 1, 2 and 3, Trombone 1, 2 and 3, Timpani, Percussion, Opt. Harp, Violin 1 and 2, Viola, Cello, Contrabass. $349.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Canadian Brass - 15 Favorite Hymns - Trumpet 1
Brass ensemble [Part] - Easy Hal Leonard
Easy Arrangements for Brass Quartet, Quintet or Sextet. Arranged by Larry Moore....(+)
Easy Arrangements for Brass Quartet, Quintet or Sextet. Arranged by Larry Moore. Brass Ensemble. Size 9x12 inches. 16 pages. Published by Hal Leonard.
(2)$8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Young Band Christmas Collection Concert band Curnow Music Trumpet 1. Curnow Concert
Band Full Set. 16 pages.
Published by Curnow
Music.
$3.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Mass of the Sun of Justice / Misa Sol de Justicia Choral SATB SATB, Piano - Easy GIA Publications
SATB choir, cantor, assembly, keyboard accompaniment, flute, trumpet 1 in B-flat...(+)
SATB choir, cantor, assembly, keyboard accompaniment, flute, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone, violin 1, violin 2, cello, guitar - Early intermediate SKU: GI.G-10297 Composed by Peter M. Kolar. Mass. Sacred. Octavo. With guitar chord names. 64 pages. GIA Publications #10297. Published by GIA Publications (GI.G-10297). UPC: 785147029717. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass. Misal Romano, tercera edición A versatile Mass setting for use throughout the liturgical year, Mass of the Sun of Justice / Misa Sol de Justicia is fully bilingual, singable entirely in English or in Spanish, or any pastoral combination of both languages. At its core, this setting is built on assembly-minded melodies. Much of the choral writing is two-part, albeit spelled out in four voices, whereby the basses frequently double the soprano melody, and the alto and tenor lines essentially share a single harmony in their respective ranges, splitting only at cadence points for a fuller effect. Optional descants and divisi further expand the voicing possibilities. The additional instrumentation is particularly spirited, further enhancing these sung texts for solemn occasions. “Sun of justice†is a term used to reference Christ with respect to his second coming, as found in the ancient “O†antiphons. This title appears in the Lectionary among the Alleluia options for the common of the Blessed Virgin Mary, and is, in fact, assigned to the feast of Our Lady of Guadalupe, celebrated within the Advent season. As such, the music is “Advent-like†in nature—joyful and filled with hope. ~~~~~ Una Misa versátil para usar durante todo el año litúrgico, Mass of the Son of Justice / Misa Sol de Justicia es completamente bilingüe, se puede cantar completamente en inglés o en español, o en cualquier combinación pastoral de ambos idiomas. En esencia, este arreglo se basa en melodÃas para la asamblea. Gran parte de la escritura coral es de dos partes, aunque escrito para cuatro voces, por lo que los bajos con frecuencia duplican la melodÃa de soprano, y las lÃneas de alto y tenor comparten esencialmente una sola armonÃa en sus respectivos rangos, dividiéndose solo en los puntos de cadencia para una melodÃa más completa. Los discante y divisi opcionales amplÃan aún más las posibilidades de sonorización. La instrumentación adicional es particularmente animada, mejorando aún más estos textos cantados para ocasiones solemnes. Sol de justicia es un término que se usa para referirse a Cristo con respecto a su segunda venida, como se encuentra en las antÃfonas O antiguas. Este tÃtulo aparece en el Leccionario entre las opciones de Aleluya para el común de la SantÃsima Virgen MarÃa y, de hecho, está asignado a la fiesta de Nuestra Señora de Guadalupe, celebrada dentro del tiempo de Adviento. Como tal, la música es en esencia de adviento—alegre y llena de esperanza. ~~~~~ Preview select songs from this mass setting in the video below:. $7.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Testimony of Life Shawnee Press
Consort (CD-ROM) Choral (Instrumental Consort) SKU: HL.35029297 A Serv...(+)
Consort (CD-ROM) Choral (Instrumental Consort) SKU: HL.35029297 A Service of Lessons and Carols Celebrating the Life of Christ Chamber Orchestration. Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Sacred. CD-ROM. Duration 2400 seconds. Published by Shawnee Press (HL.35029297). UPC: 884088951801. 5.0x5.0x0.19 inches. Chamber Orchestration CD-ROM: Written in a traditional style and inspired by the celebrated lessons and carols format, Testimony of Life presents the life, death and resurrection of Jesus Christ. Comprised of choral anthems, Scripture and congregational songs, the work also divides easily into three sections, enabling directors to present the work progressively through Lent and Easter. Choirs of any size will enjoy the thoughtful part writing and the easily learned melodies. From joyful celebrations of Christ's early ministry to the deep sadness of His suffering and crucifixion, from the shadowed whispers of Gethsemane to the brilliant alleluias of Easter, Testimony of Life is a thoughtful mix of artistry and ministry. A full line of support products is available to enhance your performance. Songs include: Prologue * I Will Sing the Wondrous Story * The Story Begins * A Day of Rejoicing and Praise * Hosanna, Loud Hosanna * Banquet of Mercy * Into the Garden * When I Survey the Wondrous Cross * A Day Bright with Joy * I Know that My Redeemer Lives. Instrumentation: (1 Player per Part) Score and parts for flute, oboe clarinet, bassoon (sub. Bass clarinet), trumpet, percussion, harp, piano (play from vocal score), violin 1&2, viola, cello, double bass. Can work with woodwinds only or with strings only. $175.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Accent on Performance Classical Collection Concert band Alfred Publishing
(22 Full Band Arrangements Correlated to Accent on Achievement (Trumpet 2)). Arr...(+)
(22 Full Band Arrangements Correlated to Accent on Achievement (Trumpet 2)). Arranged by John O'Reilly and Mark Williams. Concert Band. For Trumpet 2. Band Supplement; Book; Masterworks. Accent on Performance. Masterwork Arrangement. 24 pages. Published b
$6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Song of the Spirit Mass - Choral / Accompaniment edition Choral 3-part SAB - Easy GIA Publications
SAB choir, cantor, priest, assembly, piano accompaniment, guitar, 2 C instrument...(+)
SAB choir, cantor, priest, assembly, piano accompaniment, guitar, 2 C instruments, B-flat instrument 1, B-flat instrument 2 - Early intermediate SKU: GI.G-10841 Composed by Tony Alonso S.J. This edition: Choral / Accompaniment edition. Eastertide, Pentecost. Mass. Sacred. With guitar chord names. 80 pages. GIA Publications #10841. Published by GIA Publications (GI.G-10841). English, Greek, Latin. Text Source: Revised Order of Mass 2010, Lectionary for Mass From a simple, joyful Gospel Acclamation based on the tune LAMBILLOTTE (Alleluia, Song of the Spirit) comes this full Mass setting where all the sung portions are based on that tune. While featuring a driving, rhythmic piano part, there is also an alternate accompaniment with more intentional melodic support that is suitable for organ. Optional instrumental parts are intended for trumpet and flute but may be played by any combination of C or B-flat treble instruments. With the joyful exuberance of the tune at its core, this Mass setting is especially well-suited to Easter and Ordinary Time. $8.35 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| One (Anthem Orchestration) Choral SATB Lillenas Publishing Co.
SATB choir and accompaniment (soprano sax, trumpet 1, trumpet 2 & 3, horn 1 & 2,...(+)
SATB choir and accompaniment (soprano sax, trumpet 1, trumpet 2 & 3, horn 1 & 2, trombone 1 & 2, trombone 3, percussion, rhythm, guitar, violin 1 & 2, viola, cello/bassoon) SKU: LP.765762182806 Composed by Dave Clark. Arranged by Dave Williamson. Anthems. Contemporary and Sacred. CD-ROM Anthem Orchestration. Published by Lillenas Publishing Company (LP.765762182806). UPC: 765762182806. This upbeat and joyful song from Dave Clark and Dave Williamson with just a touch of international flavor celebrates the worldwide body of Christ as one family. Easy-to-learn melody and accessible vocal harmonies make this a good choice for choirs of any size and experience level. DVD accompaniment is available. $74.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| God, and God Alone Choral SATB SATB, Organ [Octavo] Hope Publishing Company
By Joel Raney. For SATB choir with optional Organ, Handbells and Brass. Choral m...(+)
By Joel Raney. For SATB choir with optional Organ, Handbells and Brass. Choral music. General, Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company
$2.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Deo Gratias GIA Publications
SKU: GI.G-CD-992 Sacred. CD. GIA Publications #992. Published by GIA Publ...(+)
SKU: GI.G-CD-992 Sacred. CD. GIA Publications #992. Published by GIA Publications (GI.G-CD-992). For many years, GIA has published some of the finest arrangements for brass ensembles. Deo Gratias offers quartets, antiphonal trumpet duos, trumpets with handbells, and other configurations—and for a variety of seasons and occasions. Whether it’s a transcription of a Renaissance motet, a fantasie on a beloved German hymn, or something triumphant for Christmas or Easter, if you’re in need of a piece for your group, you just might find what you’re looking for here. Of course, the performances on Deo Gratias make it a great choice as a gift for anyone—including yourself! CONTENTS: Lift High the Cross, TUCKER (G-6572) • Two Renaissance Motets, Vol. 1, trans. EVANS (G-6796) • Two Renaissance Motets, Vol. 1, trans. EVANS (G-6796) • O Come, O Come Emmanuel, arr. TUCKER (G-6568) • People Look East, arr. TUCKER (G-6570) • Chorale from Christmas Oratorio, arr. TUCKER (G-6516) • Two Renaissance Motets, Vol. 2, trans. and ed. EVANS (G-6797) • Two Renaissance Motets, Vol. 2, arr. EVANS (G-6797) • This Joyful Eastertide, arr. EVANS (G-6798) • Immortal , Invisible, God Only Wise, arr. KELLERMEYER (G-7928) • Fantasie on “Ein’ Feste Burg,†arr. EVANS (G-6799) • Sing a New Song to the Lord, arr. HENDERSON (G-5676) • Psallite II: Two Dances, arr. HYSLOP (G-5743) • Deo Gratias, Fantasy on the Plainchant, PROULX (G-6869) • Antiphony, PROULX (G-4457) • All Hail the Power of Jesus’ Name, arr. EVANOVICH (G-8077). $16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Yamaha Band Student, Book 2 [Score] Alfred Publishing
By Sandy Feldstein And John Oreilly. For Conductors Score. Band Method. Yamaha B...(+)
By Sandy Feldstein And John Oreilly. For Conductors Score. Band Method. Yamaha Band Method. Conductor Score. 176 pages. Published by Alfred Publishing.
$34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Future of Tomorrow - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3 SKU: CF.CPS245 Composed by Benjamin Yeo. Folio. Cps. Set of Score and Parts. 8+2+8+8+2+4+4+4+4+2+4+4+4+4+6+6+4+4+8+2+2+1+4+1+2+24 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CPS245. Published by Carl Fischer Music (CF.CPS245). ISBN 9781491158128. UPC: 680160916726. 9 x 12 inches. ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this anew ideaa needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo. ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this 'new idea' needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo. ABOUT THE MUSICFuture of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang.Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work.EDUCATIONAL NOTESKey: Eb MajorSECTIONBARSEVENT / SCORING / SUGGESTIONSIntroduction1-4Opens in Eb major with dotted rhythm motif.1st Strain5-20Take note of melodic phrasing above the (light) oom-pah ostinato;melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this ‘new idea’ needs to be heard clearly for contrast with the previous statement.2nd Strain21-36C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29.Trio37-56Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps.Break Strain57-62Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain.Final Strain63-82Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79.NOTE TO THE CONDUCTORThis march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece.This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets.I wish you the best in the performance of this work.- Benjamin Yeo. $85.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Future of Tomorrow - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3 SKU: CF.CPS245F Composed by Benjamin Yeo. Sws. Cps. Full score. 24 pages. Carl Fischer Music #CPS245F. Published by Carl Fischer Music (CF.CPS245F). ISBN 9781491158135. UPC: 680160916733. 9 x 12 inches. ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this anew ideaa needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo. ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this 'new idea' needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo. ABOUT THE MUSICFuture of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang.Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work.EDUCATIONAL NOTESKey: Eb MajorSECTIONBARSEVENT / SCORING / SUGGESTIONSIntroduction1-4Opens in Eb major with dotted rhythm motif.1st Strain5-20Take note of melodic phrasing above the (light) oom-pah ostinato;melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this ‘new idea’ needs to be heard clearly for contrast with the previous statement.2nd Strain21-36C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29.Trio37-56Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps.Break Strain57-62Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain.Final Strain63-82Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79.NOTE TO THE CONDUCTORThis march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece.This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets.I wish you the best in the performance of this work.- Benjamin Yeo. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 100 Classic Melodies for Saxophone Saxophone [Sheet music] - Intermediate Kevin Mayhew
arranged by Simon Lasky. For Saxophone (All). solos. Kevin Mayhew Ltd. Classic. ...(+)
arranged by Simon Lasky. For Saxophone (All). solos. Kevin Mayhew Ltd. Classic. Level: Intermediate. Book. Size 9x12. 40 pages. Published by Kevin Mayhew Ltd.
$15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Introits and Benedictions Choral CD Hope Publishing Company
B-Flat Instrument, Trumpet SKU: HP.C6033C Arranged by Hal H. Hopson. Pian...(+)
B-Flat Instrument, Trumpet SKU: HP.C6033C Arranged by Hal H. Hopson. Piano with Optional B-flat Trumpet, Tambourine & Maracas (Included). General Worship, Benediction, Introit, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C6033C. Published by Hope Publishing Company (HP.C6033C). UPC: 763628960339. Psalms 150, Psalms 100, Romans 15:13, John 14:27, Ephesians 2:14, Ephesians 2:15, Ephesians 2:16, Ephesians 2:17, Ephesians 2:18. Original introits and benedictions This includes two introits and two benedictions all from the pen of Hal Hopson. The first introit, Praise the Lord! is based on Psalm 150, the second, Come and Be Joyful features a text based on Psalm 100:1, 2, 5 and music from Vivaldi. Song of Hope is a benediction based on an Argentine folk medley with words by Alvin Schutmaat and optional parts for trumpet, tambourine & Maracas. The final benediction is a setting of Dona Nobis Pacem. $29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Introits and Benedictions Choral SATB [Octavo] Hope Publishing Company
Arranged by Hal H. Hopson. Benediction, Introit, General Worship, Sacred. Oct...(+)
Arranged by Hal H. Hopson. Benediction, Introit, General Worship, Sacred. Octavo. 16 pages. Published by Hope Publishing Company (HP.C6033).
$3.25 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
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