| Know Before You Blow - Jazz Modes for Alto Saxophone Alto Saxophone [Sheet music + CD] Santorella Publications
Know Before You Blow - Jazz Modes for Alto Sax with CD composed by Chris Tedesco...(+)
Know Before You Blow - Jazz Modes for Alto Sax with CD composed by Chris Tedesco. For alto sax. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications
(1)$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| New Concert Studies Saxophone Only Alto Saxophone De Haske Publications
Alto Saxophone - intermediate-adv SKU: HL.44006608 De Haske Play-Along Bo...(+)
Alto Saxophone - intermediate-adv SKU: HL.44006608 De Haske Play-Along Book. Tuition. Book and CD. Composed 2004. De Haske Publications #1043659. Published by De Haske Publications (HL.44006608). ISBN 9789043120210. UPC: 884088130633. English-German-French-Dutch. Saxophone study material that is aimed at musical expression and sound, instead of virtuosity is always in short supply. Most existing study books offer too little opportunity to apply the learned technique for its actual purpose - making music. These New Concert Studies meet the demand for teaching the art of making music. The book contains fifteen studies that put emphasis on interpretation and performance. The pieces have been written by a number of leading composers and their various approaches make practising these studies a good way to widen your musical horizons. The books comes with a demo CD featuring Nobuya Sugawa showing exactly how it should be done.
Steeds weer blijkt de behoefte aan studiemateriaal voor saxofoon dat zich richt op muzikale expressie en klank in plaats van virtuositeit. New Concert Studies voorziet in deze behoefte met vijftien etudes waarin de nadruk ligtop interpretatie en voordracht. Ze zijn gemaakt door topcomponisten. Hun diverse invalshoeken maken het studeren van deze etudes tot een uitstekende manier om je muzikale horizon te verbreden. Op de bijgevoegde cd staat van elkeetude steeds een interpretatie - van topsaxofonist Nobuya Sugawa.
Der Schwerpunkt dieser Etuden liegt nicht auf Virtuositat, sondern auf dem eigentlichen Zweck des Musizierens: musikalischem Ausdruck und Klang. Alle funfzehn in diesem Band versammelten Etuden stammen aus der Feder von ausgezeichneten Komponisten und erweitern in ihrer Vielfalt den musikalischen Horizont des Saxophonisten. Die beiliegende CD wurde vom japanischen Saxophonvirtuosen Nobuya Sugawa eingespielt.
New Concert Studies contient quinze etudes de concert axees sur l'expression et l'interpretation. La grande diversite des pieces est ideale pour elargir son horizon musical. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Habits of a Successful Musician: Clarinet Clarinet GIA Publications
(A Comprehensive Curriculum for Use During Fundamentals Time). By Scott Rush and...(+)
(A Comprehensive Curriculum for Use During Fundamentals Time). By Scott Rush and Rich Moon. For clarinet. High school and middle school bands. Music Education - Band Method. Method book. 68 pages. Published by GIA Publications
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Habits of a Successful Musician: French Horn French horn GIA Publications
(A Comprehensive Curriculum for use during Fundementals Time). By Scott Rush / R...(+)
(A Comprehensive Curriculum for use during Fundementals Time). By Scott Rush / Rich Moon. For french horn. Band method. High school and middle school bands. Published by GIA Publications
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Maritime Overture Concert band [Score and Parts] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, 1st Bassoon, 2n...(+)
Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, 1st Bassoon, 2nd Bassoon, Solo Bb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Bb Contra Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barito) - grade 5 SKU: CN.R10011 Composed by John Ireland. Band Music. Score and parts. Duration 10:00. Published by G & M Brand Music Publishers (CN.R10011). Cast your self into a storm at sea with this fantastic piece from John Ireland. Turbulent rhythmic motives launch the work to blend into a more lyrical melody contrasting the opening. Don't be fooled though; the first rhythmic motive provides the underlay, a reminder that the calm surface of the sea is only masking the swirling water underneath!
A Maritime Overture was written in 1944 and published in 1946. This edition was published in 1988. The score was prepared from the composer's full draft by Norman Richardson, and uses the same material as Tritons - a Symphonic Prelude for orchestra dating from the early 1900s. The development of the material however is different in each piece. The work is conceived in F major - but it is 24 bars before Ireland establishes this tonality. Fortissimo chords of B-flat major open the work, and the Overture hovers between G minor and B-flat as a restless rhythmic motif is introduced. As soon as F major is finally established it is contradicted as the music fragments, but the key is allowed a further 4 bars to consolidate before more lyrical interplay leads to a second idea, introduced by flutes and oboes in C major. Marked 'espressivo e ben cantando' this is a complete contrast to the opening, although the first rhythmic motif provides the underlay - a reminder after the opening storms that the calm surface of the sea is only masking the swirling water underneath. A Maritime Overture has a freer approach to form than say the first movement of a symphony might allow, enabling Ireland to introduce a totally new central section marked 'poco meno mosso' in F minor. A bold cornet (not trumpet) heralds this new idea, in a passage marked 'with freedom' and perhaps for the only time there is a true tranquility in the sextuplet accompaniment. Thus the restlessness is suspended, but not for long, as the opening storm returns and a recapitulation allows the F major theme and the second theme - this time in the sub-dominant (B-flat) - to reassert themselves. $115.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Girl Talk Big band [Score and Parts] Handelsware
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpe...(+)
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-4, Trumpet 5 (opt.), Trombone 1-3, Bass Trombone 4 (opt.), Bass Trombone 5, Piano, Bass, Drums) - advanced SKU: M7.SMP-587 Swing. Composed by Neal Hefti. Arranged by Stanley Newcomb Kenton. Sheet music. Slow Swing. Score and parts. Handelsware #SMP 587. Published by Handelsware (M7.SMP-587). English. Stan Kenton had a certain touch in his arranging that stood out. He took a simple, slow-swinging approach to this great Neal Hefti tune, and it was one of the most popular charts played by the band in the 1970's. Piano takes the melody, while the trombones set the harmonic and rhythmic groove. This is a wonderful piece to program, becasue it is so different than most charts. 5-5-5-3. $91.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 1-2-3 Fingerstyle Guitar DVD Guitar notes and tablatures [DVD] EMedia
For Guitar. 1-2-3 Fingerstyle Guitar is designed for intermediate to advanced fl...(+)
For Guitar. 1-2-3 Fingerstyle Guitar is designed for intermediate to advanced flat-pick players who are ready to throw down that pick for a while to finally get a handle on fingerstyle. That's the secret ingredient of this study program -- its a beginning fingerstyle. DVD. Published by eMedia Music
$24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Teaching Instrumental Music (Second Edition) GIA Publications
SKU: GI.G-10377 Developing the Complete Band Program. Composed by ...(+)
SKU: GI.G-10377 Developing the Complete Band Program. Composed by Shelley Jagow. Music Education. GIA Publications #10377. Published by GIA Publications (GI.G-10377). ISBN 9781574635324. A unique resource for both novice and experienced band directors gathering effective teaching tools from the best in the field including more than 40 chapters dealing with every aspect of teaching instrumental music from curriculum to valuable websites. This best-selling and highly praised text has become the method of choice for university methods courses throughout the United States and Canada. What's New in the Revised Edition? Curriculum—updated to 2014 National Music Education Standards, including relevant learning theories, modalities, and music instruction theories. Resources—for concert band, marching band, pep band, jazz ensemble, and chamber groups School Law—learn more about the teacher’s Code of Ethics, music copyright law, and examine common ethical teaching scenarios. Anatomy of Music-Making—presents effective methods for teaching tone quality, balance, blend, intonation, pulse, rhythm, technique, style, articulation, phrasing, interpretation, and expression. STEPS© Method—for creating rehearsal plans and providing a theoretical approach to understanding the ensemble to improve score study and objective assessment. Motivation—surveys current intrinsic and extrinsic methods, and explores the development of leadership and character in the instrumental program, including Social Emotional Learning (SEL). Job Readiness—new teacher assessment and certification requirements, as well as valuable information guiding the new teacher throughout the music practicum and the job interview. Intonation—expanded tools for training the ear in both the individual student and full ensemble. Program Administration— the “nuts and bolts†of managing the instrumental program have been updated with topics on assessment, evaluation, rehearsal planning, score study, repertoire selection, programming, rehearsal facilities, auditions, seating, recruiting and retention, budget planning, music library management, basic instrument repair, booster groups, advocacy, time management, practicing tips, and classroom management and discipline. Mind Your P’s and Q’s—considers the implications and relationships of Professional Growth, Personal Growth, Intelligence Quotient, and Emotional Quotient. Supplementary Website—numerous charts, figures, templates, a balanced instrumentation calculator, teaching tools, recruiting materials, assessment rubrics, various learning activities. Learn more about this new resouce in this short video below: Click here to download Lesson Plan Forms.  A wonderful resource for all music educators! Dr. Jagow’s book is comprehensive and impressive in scope. An excellent book! Bravo! —Frank L. Battisti Finally, an exceptional text that offers the depth of understanding our students need in critically important topic areas. Bravo! —Don Harris So many important facets are uncovered and solutions revealed. It’s a must for the library of any serious music educator. —H. Robert Reynolds There are a growing number of fine books dealing with different aspects of the wind band and ensemble, none cover so many essential aspects in so much detail. —Tim Reynish Dr. Jagow's book is a fantastic resource for instrumental conductors, both the young and the more experienced! —George Edge . . . a book which contains a wonderfully diverse wealth of knowledge that is 'hands on' for the informed music educator. . . . an excellent resource for both beginning teachers and veteran music educators. —Dr. Linda R. Moorhouse From creating artistic musical experiences to establishing a first-class organization blueprint, there is no stone left unturned. This is not a book to be recommended, but a book to be REQUIRED. —Tim Lautzenheiser. $49.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Holst's Suite for Band 1 & 2, NSB Special Edition Concert band [Score and Parts] - Easy Yamaha
Wind Band - Grade 3 SKU: YM.GTW01090407 Composed by Gustav Holst. Concert...(+)
Wind Band - Grade 3 SKU: YM.GTW01090407 Composed by Gustav Holst. Concert Band. New Sounds in Brass (NSB). Arranged Classics. Score & Parts. Yamaha Music Media #GTW01090407. Published by Yamaha Music Media (YM.GTW01090407). ISBN 9784636904079. New Sounds in Concert Band Series (NSB). New approach to a standard work. Enjoy Holst on soul music style! Duration: approx.4'55 Arranged by Hideaki Miura
Enjoy the most famous windband works arranged in soul music style. Xiang Shou Zhu Ming Guan Le Dui Zuo Pin De Ling Hun Le Bian Pei Ban . $68.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lights Out Concert band [Score and Parts] - Intermediate Hal Leonard
Composed by Alex Shapiro (1962-). For Concert Band (Score and Parts). Activist M...(+)
Composed by Alex Shapiro (1962-). For Concert Band (Score and Parts). Activist Music. Grade 4. Softcover. Published by Hal Leonard
$80.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| New Concert Studies (JP) Alto Saxophone [Sheet music + CD] - Intermediate De Haske Publications
Alto Saxophone - late intermediate SKU: BT.1336-06-400-DHI Nobuya Sugawa ...(+)
Alto Saxophone - late intermediate SKU: BT.1336-06-400-DHI Nobuya Sugawa Presents. Studies & Exercises. Book with CD. Composed 2006. 36 pages. De Haske International #1336-06-400 DHI. Published by De Haske International (BT.1336-06-400-DHI). ISBN 9789043124584. 9x12 inches. Japanese. Saxophone study material that is aimed at musical expression and sound, instead of virtuosity is always in short supply. Most existing study books offer too little opportunity to apply the learned technique for its actual purpose - making music. These New Concert Studies meet the demand for teaching the art of making music. The book contains fifteen studies that put emphasis on interpretation and performance. The pieces have been written by a number of leading composers and their various approaches make practising these studies a good way to widen your musical horizons. The books comes with a demo CD featuring Nobuya Sugawa showing exactly how it should be done.
Der Schwerpunkt dieser Etüden liegt nicht auf Virtuosität, sondern auf dem eigentlichen Zweck des Musizierens: musikalischem Ausdruck und Klang. Alle fünfzehn in diesem Bandversammelten Etüden stammen aus der Feder von ausgezeichneten Komponisten und erweitern in ihrer Vielfalt den musikalischen Horizont des Saxophonisten. Die beiliegende CD wurde vom japanischen Saxophonvirtuosen Nobuya Sugawa eingespielt. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sunan Dances Concert band - Intermediate Alfred Publishing
Arranged by Dorothy Chang. Arr. Dorothy Chang. For Concert Band. Concert Band. D...(+)
Arranged by Dorothy Chang. Arr. Dorothy Chang. For Concert Band. Concert Band. Donald Hunsberger Wind Library. Level: Medium to Medium Advanced (grade IV-V). Conductor Score and Parts. Duration 9:09. Published by Alfred Publishing.
$150.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| They are Coming Marching band [Score] - Easy Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000529-120 Composed by John Emerson Bl...(+)
Fanfare Band - Grade 2 SKU: BT.GOB-000529-120 Composed by John Emerson Blackstone. Score Only. 10 pages. Gobelin Music Publications #GOB 000529-120. Published by Gobelin Music Publications (BT.GOB-000529-120). There are people who are capable of planning well. They live their lives in a well-structured manner and know exactly what they have to do. On the other hand, there are also people who are the exact opposite: they want to do too many things at once and are often somewhat absent-minded, which occasionally results in frantic situations. The outcome of one such situation is ‘They are coming’. John Emerson Blackstone had been working on a new composition for some time when he received a telephone call from his editor, who told him that the deadline was approaching rapidly, even worse, that it would expire at the end of that same day and that he would drop by in person to fetch thecomposition! Blackstone set to work in a frenzy and completed the last details. When his editor arrived, the piece was finished ..... and got its definitive title: ‘They are coming’.
Er zijn mensen die goed kunnen plannen. Ze leven zeer gestructureerd en weten precies wat ze moeten doen. Er zijn er ook die dat niet kunnen. Ze doen vaak vijf dingen tegelijkertijd, zijn niet zelden enigszins verstrooid met als gevolgdat er af en toe gespannen situaties ontstaan. Het resultaat van zo’n situatie is ‘They are coming’. John Emerson Blackstone was al een poosje bezig met een nieuwe compositie toen de hij zijn uitgever aan de telefoon kreeg.De deadline kwam met rasse schreden in zicht, sterker nog, het einde van die bewuste dag was de deadline en zou de uitgever het materiaal bij de componist ophalen. Blackstone is als een razende Roeland aan het werk gegaanen heeft de laatste puntjes op de i gezet. Toen de uitgever arriveerde was het stuk klaar... en kreeg haar definitieve titel: ‘They are coming’. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are Coming Concert band [Score and Parts] - Easy Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000554-010 Composed by John E...(+)
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000554-010 Composed by John Emerson Blackstone. Set (Score & Parts). 60 pages. Gobelin Music Publications #GOB 000554-010. Published by Gobelin Music Publications (BT.GOB-000554-010). There are people who are capable of planning well. They live their lives in a well-structured manner and know exactly what they have to do. On the other hand, there are also people who are the exact opposite: they want to do too many things at once and are often somewhat absent-minded, which occasionally results in frantic situations. The outcome of one such situation is ‘They are coming’. John Emerson Blackstone had been working on a new composition for some time when he received a telephone call from his editor, who told him that the deadline was approaching rapidly, even worse, that it would expire at the end of that same day and that he would drop by in person to fetch thecomposition! Blackstone set to work in a frenzy and completed the last details. When his editor arrived, the piece was finished ..... and got its definitive title: ‘They are coming’.
Er zijn mensen die goed kunnen plannen. Ze leven zeer gestructureerd en weten precies wat ze moeten doen. Er zijn er ook die dat niet kunnen. Ze doen vaak vijf dingen tegelijkertijd, zijn niet zelden enigszins verstrooid met als gevolgdat er af en toe gespannen situaties ontstaan. Het resultaat van zo’n situatie is ‘They are coming’. John Emerson Blackstone was al een poosje bezig met een nieuwe compositie toen de hij zijn uitgever aan de telefoon kreeg.De deadline kwam met rasse schreden in zicht, sterker nog, het einde van die bewuste dag was de deadline en zou de uitgever het materiaal bij de componist ophalen. Blackstone is als een razende Roeland aan het werk gegaanen heeft de laatste puntjes op de i gezet. Toen de uitgever arriveerde was het stuk klaar... en kreeg haar definitieve titel: ‘They are coming’. $78.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are Coming Concert band [Score] - Easy Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000554-140 Composed by John E...(+)
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000554-140 Composed by John Emerson Blackstone. Score Only. Gobelin Music Publications #GOB 000554-140. Published by Gobelin Music Publications (BT.GOB-000554-140). There are people who are capable of planning well. They live their lives in a well-structured manner and know exactly what they have to do. On the other hand, there are also people who are the exact opposite: they want to do too many things at once and are often somewhat absent-minded, which occasionally results in frantic situations. The outcome of one such situation is ‘They are coming’. John Emerson Blackstone had been working on a new composition for some time when he received a telephone call from his editor, who told him that the deadline was approaching rapidly, even worse, that it would expire at the end of that same day and that he would drop by in person to fetch thecomposition! Blackstone set to work in a frenzy and completed the last details. When his editor arrived, the piece was finished ..... and got its definitive title: ‘They are coming’.
Er zijn mensen die goed kunnen plannen. Ze leven zeer gestructureerd en weten precies wat ze moeten doen. Er zijn er ook die dat niet kunnen. Ze doen vaak vijf dingen tegelijkertijd, zijn niet zelden enigszins verstrooid met als gevolgdat er af en toe gespannen situaties ontstaan. Het resultaat van zo’n situatie is ‘They are coming’. John Emerson Blackstone was al een poosje bezig met een nieuwe compositie toen de hij zijn uitgever aan de telefoon kreeg.De deadline kwam met rasse schreden in zicht, sterker nog, het einde van die bewuste dag was de deadline en zou de uitgever het materiaal bij de componist ophalen. Blackstone is als een razende Roeland aan het werk gegaanen heeft de laatste puntjes op de i gezet. Toen de uitgever arriveerde was het stuk klaar... en kreeg haar definitieve titel: ‘They are coming’. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are Coming Marching band [Score and Parts] - Easy Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000529-020 Composed by John Emerson Bl...(+)
Fanfare Band - Grade 2 SKU: BT.GOB-000529-020 Composed by John Emerson Blackstone. Set (Score & Parts). 51 pages. Gobelin Music Publications #GOB 000529-020. Published by Gobelin Music Publications (BT.GOB-000529-020). There are people who are capable of planning well. They live their lives in a well-structured manner and know exactly what they have to do. On the other hand, there are also people who are the exact opposite: they want to do too many things at once and are often somewhat absent-minded, which occasionally results in frantic situations. The outcome of one such situation is ‘They are coming’. John Emerson Blackstone had been working on a new composition for some time when he received a telephone call from his editor, who told him that the deadline was approaching rapidly, even worse, that it would expire at the end of that same day and that he would drop by in person to fetch thecomposition! Blackstone set to work in a frenzy and completed the last details. When his editor arrived, the piece was finished ..... and got its definitive title: ‘They are coming’.
Er zijn mensen die goed kunnen plannen. Ze leven zeer gestructureerd en weten precies wat ze moeten doen. Er zijn er ook die dat niet kunnen. Ze doen vaak vijf dingen tegelijkertijd, zijn niet zelden enigszins verstrooid met als gevolgdat er af en toe gespannen situaties ontstaan. Het resultaat van zo’n situatie is ‘They are coming’. John Emerson Blackstone was al een poosje bezig met een nieuwe compositie toen de hij zijn uitgever aan de telefoon kreeg.De deadline kwam met rasse schreden in zicht, sterker nog, het einde van die bewuste dag was de deadline en zou de uitgever het materiaal bij de componist ophalen. Blackstone is als een razende Roeland aan het werk gegaanen heeft de laatste puntjes op de i gezet. Toen de uitgever arriveerde was het stuk klaar... en kreeg haar definitieve titel: ‘They are coming’. $78.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Star Spangled Banner Concert band [Score and Parts] - Easy C.L. Barnhouse
(A Symphonic Portrait). Arranged by James Swearingen. Patriotic. Concert Band. G...(+)
(A Symphonic Portrait). Arranged by James Swearingen. Patriotic. Concert Band. Grade 2. Score and set of parts. Composed 2005. Duration 0:01:50
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy to Love Big band [Score and Parts] Handelsware
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpe...(+)
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1, Flugelhorn/Trumpet 2-5, Trombone 1-3, Bass Trombone 4-5, Piano, Bass, Drums) - advanced SKU: M7.SMP-1151 Ballad. Composed by Cole Porter and Stanley Newcomb Kenton. Arranged by Lennie Niehaus. Sheet music. Score and parts. Handelsware #SMP 1151. Published by Handelsware (M7.SMP-1151). English. This is a beautiful, lush, straight-eighth ballad on the popular Cole Porter tune Easy To Love. Arranged by Lennie Niehaus, this short (and quite dancable) chart exemplifies the Kenton-esque warm and rich ensemble sound we all love. There is solo space for piano (written out) and for alto saxophone. Originally recorded by the Stan Kenton Orchestra on their album Sophisticated Approach, this popular tune out of the Great American Songbook will put a smile on any audience's face. 5-5-5-3. $83.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Volume 123 - Now's the Time - Standards with the Joey DeFrancesco Trio B Flat, E Flat, C and Bass clef Instruments [Sheet music + CD] Jamey Aebersold Jazz
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Alo...(+)
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jazz Play-A-Long For All Musicians. Book with CD. Published by Jamey Aebersold Jazz.
$17.90 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fantasy Triptych Concert band [Score and Parts] G and M Brand Music Publishers
Concert band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, B...(+)
Concert band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2/3, Bb Trumpet 1/2, Horn in F ) - grade 5.5 SKU: CN.R10193 Composed by Derek Bourgeois. Band Music. Score and parts. Duration 17:40. Published by G & M Brand Music Publishers (CN.R10193). With inspiration taken from composers Maurice Ravel, Arthur Benjamin and Charles Ives, Bourgeois take s a tongue-in-cheek approach to this challenging 3-movement work. While the work is infused with humor throughout, it still showcases his mastery of the wind band idiom.
In 1972, I wrote a Sonata for Two Pianos for two friends who were piano teachers at Wellington College. When in 1995 I was asked to write a work for wind band, I returned to this Sonata and have re-arranged and in the new version renamed it Fantasy Triptych. There are three movements: 1. Le Tombeau d'Arthur Benjamin Ravel wrote 'Le Tombeau de Couperin,' Arthur Benjamin wrote 'Le Tombeau de Ravel' and so the temptation to write 'Le Tombeau d'Arthur Benjamin' was overwhelming. At the end of the movement there is an oblique reference to Benjamin's own 'Jamaican Rumba' which accompanies a quote from an old Spanish folk song 'Loro, enciende el hervidor de agua.' 2. Mr. Bolt goes for a ride in his motor car, and Monsieur Ravel turns in his grave. The movement is dedicated to an old friend, Geoffrey Bolt, who adores the music of Ravel. but at the time of writing was learning to drive. He always described his vehicle as a motor car. To describe him as an impatient motorist would be a gross understatement. The refined suavity of Ravel's music was in complete contrast to these early manifestations of road rage, hence the central angry outburst. 3. The War March of the Ostriches The music of Charles Ives was fascinating me at the time of writing this movement and some of the influence has rubbed off in this rondo-like march. At the end there is a quote from the very beginning of the first movement. The title was inspired by the amusing antics of a group of ostriches during a visit to Bristol Zoo. $180.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Fantasy Triptych Concert band [Score] G and M Brand Music Publishers
Concert band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, B...(+)
Concert band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2/3, Bb Trumpet 1/2, Horn in F ) - grade 5.5 SKU: CN.S11193 Composed by Derek Bourgeois. Band Music. Score only. Duration 17:40. Published by G & M Brand Music Publishers (CN.S11193). With inspiration taken from composers Maurice Ravel, Arthur Benjamin and Charles Ives, Bourgeois take s a tongue-in-cheek approach to this challenging 3-movement work. While the work is infused with humor throughout, it still showcases his mastery of the wind band idiom.
In 1972, I wrote a Sonata for Two Pianos for two friends who were piano teachers at Wellington College. When in 1995 I was asked to write a work for wind band, I returned to this Sonata and have re-arranged and in the new version renamed it Fantasy Triptych. There are three movements: 1. Le Tombeau d'Arthur Benjamin Ravel wrote 'Le Tombeau de Couperin,' Arthur Benjamin wrote 'Le Tombeau de Ravel' and so the temptation to write 'Le Tombeau d'Arthur Benjamin' was overwhelming. At the end of the movement there is an oblique reference to Benjamin's own 'Jamaican Rumba' which accompanies a quote from an old Spanish folk song 'Loro, enciende el hervidor de agua.' 2. Mr. Bolt goes for a ride in his motor car, and Monsieur Ravel turns in his grave. The movement is dedicated to an old friend, Geoffrey Bolt, who adores the music of Ravel. but at the time of writing was learning to drive. He always described his vehicle as a motor car. To describe him as an impatient motorist would be a gross understatement. The refined suavity of Ravel's music was in complete contrast to these early manifestations of road rage, hence the central angry outburst. 3. The War March of the Ostriches The music of Charles Ives was fascinating me at the time of writing this movement and some of the influence has rubbed off in this rondo-like march. At the end there is a quote from the very beginning of the first movement. The title was inspired by the amusing antics of a group of ostriches during a visit to Bristol Zoo. $60.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Traditional Approach to New Orleans - DVD Drums [DVD] Carl Fischer | | |
| Promising Skies Concert band [Score and Parts] - Intermediate Opus III Wind Orchestra Publications
Composed by Robert W. Smith. Concert Band. Opus III Series. Audio recording avai...(+)
Composed by Robert W. Smith. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR368). Score and parts. Composed 2010. Duration 14 minutes, 53 seconds. Published by Opus III Wind Orchestra Publications
$150.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Promising Skies Concert band [Score] Opus III Wind Orchestra Publications
Composed by Robert W. Smith. Concert Band. Opus III Series. Audio recording avai...(+)
Composed by Robert W. Smith. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR368). Oversized spiral-bound score. Composed 2010. Duration 14 minutes, 53 seconds. Published by Opus III Wind Orchestra Publications
$30.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hope Remains Within [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 2.5 SKU: CF.YPS217F Composed by Zachary Cairns. Sws. Yps. Full score. 24 pages. Duration 4 minutes, 48 seconds. Carl Fischer Music #YPS217F. Published by Carl Fischer Music (CF.YPS217F). ISBN 9781491156551. UPC: 680160915095. 9 x 12 inches. Hope Remains Within was commissioned by and composed for the Mount Nittany Middle School 7th and 8th Grade Concert Bands. Having heard the students of Mount Nittany perform another work of mine, I was very excited when their director, Johanna Steinbacher, approached me about writing a piece specifically for them. I knew right away that I wanted to write something that would tie in with their non-music curriculum in some way, but I wasn't exactly sure how, or what. Johanna talked to some of her students and learned that, in 7th grade, the students spend a good deal of time studying mythology in their English class. In particular, two clarinet students mentioned how much they enjoyed the story of Pandora. As such, I decided to use that story as the basis of this composition. Hope Remains Within doesn't attempt to re-tell the story, event by event, in musical terms. Instead, my goal was to address what seems to be one of the central issues of the Pandora myth. Though there are some variations, we probably all know the basics as told by the ancient Greek poet Hesiod. Zeus decides to punish Prometheus for stealing fire from heaven and giving it to humans. He and the other gods create Pandora, a beautiful and deceitful woman, and they give her to Prometheus's brother Epimetheus as a bride. Pandora is herself given a jar (according to many sources, jar seems to be a more accurate translation for what we commonly call Pandora's box) which contained numerous evils, diseases, and other pains. Out of curiosity, Pandora opens the jar and releases all of these evils into the world. But one thing remains in the jar: hope. The issue of hope seems to be one of the big interpretive questions of the Pandora myth. Why does hope remain within the jar? Why doesn't it come out of the jar to help humanity? Is hope being held on a pedestal of some sort? Is hope deliberately withheld from humanity? Why was hope in the jar with all those evils in the first place? I'm not enough of a mythological scholar to claim to have definitive answers to those questions, but these are the questions that I've tried to engage from a musical perspective in Hope Remains Within. I encourage the students and listeners to consider their own ideas of what hope is, and where you can find your own hope when needed. Musically, Hope Remains Within draws one of its main themes from the Prometheus Symphony by Alexander Skryabin (Scriabin). The note sequence F-D-Gb -F, heard near Hope's beginning played by alto saxophones and chimes, comes from the opening measures of Skyrabin's work. Given the important role that Prometheus plays in the Pandora myth, this seemed like an appropriate musical gesture to quote. This Prometheus motive is varied throughout the course of the piece, and even provides closure at the end, recast in a major key. Additionally, I have tried to involve a manageable amount of chromaticism in this piece. I have worked from the key of Bb major, no doubt familiar to every student who has ever played an instrument in a band. But I have added three extra notes: Db, Gb, and Ab, which are drawn from the key of Bb minor. During the piece's slow opening, I have allowed these minor key pitches to mingle freely within the Bb major tonality, adding extra color and (I hope!) beauty. As the piece progresses, though, the tempo increases, and we lose sense of the Bb major key entirely, and these extra notes play a more important role. But finally, Bb major returns triumphantly and all the extra notes are gone, except for a brief memory near the very end. (Ok, there are a couple of E-naturals that sneak in there along the way. I couldn't resist.). Hope Remains Within was commissioned by and composed for the Mount Nittany Middle School 7th and 8th Grade Concert Bands. Having heard the students of Mount Nittany perform another work of mine, I was very excited when their director, Johanna Steinbacher, approached me about writing a piece specifically for them. I knew right away that I wanted to write something that would tie in with their non-music curriculum in some way, but I wasn’t exactly sure how, or what. Johanna talked to some of her students and learned that, in 7th grade, the students spend a good deal of time studying mythology in their English class. In particular, two clarinet students mentioned how much they enjoyed the story of Pandora.As such, I decided to use that story as the basis of this composition. Hope Remains Within doesn’t attempt to re-tell the story, event by event, in musical terms. Instead, my goal was to address what seems to be one of the central issues of the Pandora myth. Though there are some variations, we probably all know the basics as told by the ancient Greek poet Hesiod. Zeus decides to punish Prometheus for stealing fire from heaven and giving it to humans. He and the other gods create Pandora, a beautiful and deceitful woman, and they give her to Prometheus’s brother Epimetheus as a bride. Pandora is herself given a jar (according to many sources, “jar†seems to be a more accurate translation for what we commonly call “Pandora’s boxâ€) which contained numerous evils, diseases, and other pains. Out of curiosity, Pandora opens the jar and releases all of these evils into the world. But one thing remains in the jar: hope.The issue of hope seems to be one of the big interpretive questions of the Pandora myth. Why does hope remain within the jar? Why doesn’t it come out of the jar to help humanity? Is hope being held on a pedestal of some sort? Is hope deliberately withheld from humanity? Why was hope in the jar with all those evils in the first place?I’m not enough of a mythological scholar to claim to have definitive answers to those questions, but these are the questions that I’ve tried to engage from a musical perspective in Hope Remains Within. I encourage the students and listeners to consider their own ideas of what hope is, and where you can find your own hope when needed.Musically, Hope Remains Within draws one of its main themes from the Prometheus Symphony by Alexander Skryabin (Scriabin). The note sequence F-D-Gb -F, heard near Hope’s beginning played by alto saxophones and chimes, comes from the opening measures of Skyrabin’s work. Given the important role that Prometheus plays in the Pandora myth, this seemed like an appropriate musical gesture to quote. This Prometheus motive is varied throughout the course of the piece, and even provides closure at the end, recast in a major key.Additionally, I have tried to involve a manageable amount of chromaticism in this piece. I have worked from the key of Bb major, no doubt familiar to every student who has ever played an instrument in a band. But I have added three extra notes: Db, Gb, and Ab, which are drawn from the key of Bb minor. During the piece’s slow opening, I have allowed these minor key pitches to mingle freely within the Bb major tonality, adding extra color and (I hope!) beauty. As the piece progresses, though, the tempo increases, and we lose sense of the Bb major key entirely, and these extra notes play a more important role. But finally, Bb major returns triumphantly and all the extra notes are gone, except for a brief memory near the very end. (Ok, there are a couple of E-naturals that sneak in there along the way. I couldn’t resist.). $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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