| Spring in Dresden [Score] Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963S Composed by Chen Yi. Full score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963S. Published by Theodore Presser Company (PR.11641963S). UPC: 680160684472. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $35.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963SP Composed by Chen Yi. Part. 11 pages. Duration 20 minutes. Theodore Presser Company #116-41963SP. Published by Theodore Presser Company (PR.11641963SP). UPC: 680160684496. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $25.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963L Composed by Chen Yi. Large Score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963L. Published by Theodore Presser Company (PR.11641963L). UPC: 680160684489. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Music of the Night String Quartet: 2 violins, viola, cello [Score and Parts] - Intermediate De Haske Publications
String Quartet - intermediate SKU: BT.DHP-1185855-070 From The Phantom...(+)
String Quartet - intermediate SKU: BT.DHP-1185855-070 From The Phantom of the Opera. Composed by Andrew Lloyd Webber. Arranged by Nico Dezaire. De Haske Pops for String Quartet. TV-Film-Musical-Show. Set (Score & Parts). Composed 2018. 8 pages. De Haske Publications #DHP 1185855-070. Published by De Haske Publications (BT.DHP-1185855-070). ISBN 9789043153911. English-German-French-Dutch. The Phantom of the Opera is, without doubt, one of the great classics of our time. The stage production of this tale, exciting and mysterious in equal measure, has now captivated over a million theatre-goers. The phantom sings the song The Music of the Night to the beautiful Christine, who he has just kidnapped into his realm, as if entrancing her. This enchanting mood is so authentically recreated in Nico Dezaire’s sensitive arrangement for string quartet that it feels like listening to the singer perform the original version from the musical.
De musical The Phantom of the Opera is zonder twijfel een van de grote klassiekers van onze tijd. De theaterversie van dit spannende en tegelijk mysterieuze verhaal heeft in de loop der tijd al een miljoenenpubliek getrokken. Met het lied The Music of the Night brengt het spook de mooie Christine, die hij zojuist naar zijn rijk heeft ontvoerd, als het ware in trance. De betoverende sfeer wordt in dit gevoelige strijkkwartetarrangement van de hand van Nico Dezaire zo authentiek overgebracht, dat het voelt alsof je luistert naar de zanger in de originele versie uit de musical.
Das Phantom der Oper gehört zweifellos zu den ganz großen Musical-Klassikern unserer Zeit. Die Bühnenversion dieser ebenso spannenden wie mystischen Geschichte hat schon ein Millionenpublikum in seinen Bann gezogen. Mit dem Lied The Music of the Night singt das Phantom die schöne Christine, die er soeben in sein Reich entführt hat, gleichsam in Trance. Eben diese Stimmung lässt Nico Dezaire in seiner einfühlsamen Bearbeitung für Streichquartett so glaubwürdig wieder aufleben, dass es sich so anfühlt, als höre man dem Sänger der originalen Musical-Fassung zu.
Le Fantôme de l’Opéra est, sans aucun doute, l’un des grands classiques de notre époque. La représentation sur scène de cette histoire, la fois exaltante et mystérieuse, a déj captivé plus d’un million de spectateurs. Interprétée par le fantôme, la chanson « La Musique de la nuit » s’adresse la belle Christine, qu’il vient d’emprisonner dans son repaire, comme pour la subjuguer. Ce climat enchanteur est tellement bien recréé dans l’arrangement habile pour quatuor cordes de Nico Dezaire qu’on a l’impression d’entendre le chanteur de la version originale de cette comédie musicale. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| La Zebu Forte Overture [Score] Theodore Presser Co.
Orchestra Violin 1, Violin 2, Viola, Cello, Contrabass SKU: PR.416414510 ...(+)
Orchestra Violin 1, Violin 2, Viola, Cello, Contrabass SKU: PR.416414510 For String Orchestra. Composed by Roger Zare. Sws. Contemporary. Full score. With Standard notation. Composed 2008. 24 pages. Duration 9 minutes. Theodore Presser Company #416-41451. Published by Theodore Presser Company (PR.416414510). ISBN 9781598068191. UPC: 680160611379. 9x12 inches. The enigmatic title of Roger Zare’s overture is an anagram of Zauberflöte — the work is based on Mozart’s The Magic Flute, breaking down themes from the opera’s overture as well as the Queen of the Night aria, and spinning them out of control. Zare’s charming and clever work includes an “Overt Metrical Fugue,†(a serendipitous anagram of Magic Flute Overture) using a subject that mashes up all of the disassembled Mozart motives. After the fugue runs its course, Zare quotes small but recognizable parts of the overture almost verbatim, but only from the players farthest away from the conductor to create a disembodied sound. This work is based on Mozart’s overture to The Magic Flute, breaking down the themes and motives from that overture as well as the famous Queen of the Night aria, “Der Hölle Rache,†and spinning them out of control. While the title seems to be nonsense, it is actually an anagram of “Zauberflöte.†I’m sure that Mozart would have appreciated the humor in this work, even though the harmonic language is quite far removed from the Classical era. The piece opens with repeated E-flats, suggesting the beginning of the main theme of the Magic Flute overture, and it gradually expands outward chromatically, creating gritty dissonances. Other borrowed motives from Mozart creep their way in, as well as complex polyrhythms on the repeated notes. I imitate the structure of Mozart’s overture by writing a fugue (subtitled “Overt Metrical Fugue,†a serendipitous anagram of Magic Flute Overture) using a subject that mashes up all of the disassembled Mozart motives. Gradually, I work in references to the excessively high coloratura part of “Der Hölle Rache,†treating it as a second subject. After the fugue runs its course, I quote small but recognizable parts of the overture almost verbatim, but only from the players farthest away from the conductor tocreate a disembodied sound. $35.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Songs of Andrew Lloyd Webber (Cello) Cello Hal Leonard
Cello. Composed by Andrew Lloyd Webber. Instrumental Solo. Broadway. Softcover...(+)
Cello. Composed by Andrew
Lloyd Webber. Instrumental
Solo. Broadway. Softcover. 56
pages. Published by Hal
Leonard
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Night at the Opera Kevin Mayhew | | |
| Cello Fake Book Cello Schott
1-2 Cellos with Chords for Guitar/Piano Ad Lib. Composed by Various. Edited ...(+)
1-2 Cellos with Chords for
Guitar/Piano Ad Lib. Composed
by Various. Edited by Gabriel
Koeppen. String Ensemble.
Christmas, Classical, Jazz,
Opera, Ragtime, Swing.
Softcover. 156 pages. Schott
Music #ED23050. Published by
Schott Music
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Broadway Songs for Cello Cello Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Komment und Zauberflöte für Mezzosopran EMB (Editio Musica Budapest)
Chamber Ensemble and Vocal Solo SKU: BT.EMBZ14617 (ad lib.) Flöte, ...(+)
Chamber Ensemble and Vocal Solo SKU: BT.EMBZ14617 (ad lib.) Flöte, Violine, Cello und Klavier. Composed by Dinyes Daniel. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2008. 18 pages. Editio Musica Budapest #EMBZ14617. Published by Editio Musica Budapest (BT.EMBZ14617). English-Hungarian. The composer writes about his work: The piece was written for the 2006 Spring Festival. The wording of the commission requested me to try to express what a Mozart opera means to our era. It was as a banner rather than as an internal motto that I used this one sentence: Die Strahlen der Sonne vertreiben die Nacht, zernichten der Heuchler erschlichene Macht. ( The rays of the sun expel the night and annihilate the power of the Deceiver ). At that time and in our day too, only as his last utterance in the final act can Sarastro announce this to the people gathered around him.
Das Stück wurde für das Frühlingsfestival 2006 komponiert. Der Auftrag lautete, ich solle versuchen zu formulieren, was eine Mozart-Oper für unsere Zeit bedeutet. Eher als Transparent als ein inneres Motto nutzte ich den Satz: ’Die Strahlen der Sonne vertrieben die Nacht...’ Sarastro kann den um ihn Versammelten diesen Satz damals wie auch heute nur als letzten Satz des letzten Aktes verkünden.†(Dániel Dinyés). $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nuit Des Hommes, Kopi Music Sales
Cello, Mezzo-Soprano, Percussion, Viola, Violin, Tenor, Electronics SKU: HL.1...(+)
Cello, Mezzo-Soprano, Percussion, Viola, Violin, Tenor, Electronics SKU: HL.14023581 Composed by Per Norgard. Music Sales America. Classical. Book [Softcover]. Music Sales #KP00703. Published by Music Sales (HL.14023581). ISBN 9788759876817. Danish. Per Norgard NUIT DES HOMMESThe night of mankind - the night of men is a kind of opera in so far as it is about a stagework with sung accompanied by both acoustic and electronic instruments - a stagework in two acts and approx. 20 pictures. However if you by opera think of its dramatic type with people in one or more conflicts, mutual and with themselves - well, then Night of mankind probably has to reckon among another, not yet categories genre.It may well be two named person that perform (Alice and Vilhelm), but the opera does not deal with their possible mutual tensions, but instead of their common limitless intensity, which first make them in harmony walk the dangerous paths on which the enthusiasm lead them and afterwards divides them as now radically changed figures: from the individual woman to the war correspondent, in demagogic - ecstatic outburst of feelings - from the mans human to the soldiers unhuman everyday. A crash into the underground - without a return ticket.Per Norgard. $100.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Discover West End [Score and Parts] - Intermediate De Haske Publications
String Trio - intermediate SKU: BT.DHP-1196082-070 Arranged by Nico Dezai...(+)
String Trio - intermediate SKU: BT.DHP-1196082-070 Arranged by Nico Dezaire. De Haske Flexible String Trios. Set (Score & Parts). Composed 2019. De Haske Publications #DHP 1196082-070. Published by De Haske Publications (BT.DHP-1196082-070). ISBN 9789043157131. English-German-French-Dutch. For string ensembles that play in various instrumentations, the Flexible String Trios Series offers an ingenious solution: the score contains three parts, each of which can be played by violin, viola or cello. This means that the pieces can be played in any combination of string instruments. Discover West End is a collection of arrangements of five famous melodies from popular musicals like The Phantom of the Opera.
Voor strijkersensembles die in wisselende bezettingen spelen biedt de Flexible String Trios serie een uitgekiend concept. In de partituur worden drie stemmen aangegeven, waarbij iedere stem door zowel viool, altviool of cello kan worden ingevuld. Op deze manier kunnen de stukken in allerlei combinaties van strijkinstrumenten worden gespeeld. Discover West End is een collectie van vijf bekende nummers uit musicals zoals onder andere The Phantom of the Opera. De partijen zijn aantrekkelijk geschreven en blijven qua klank dicht bij het origineel. Discover West End bevat vijf uitdagende arrangementen heerlijk om te spelen en uitermate geschiktvoor uitvoeringen!
Für Streichensembles, die in wechselnden Besetzungen spielen, bietet die Serie De Haske Flexible String Trios ein ausgeklügeltes Konzept. Das Set enthält eine Partitur für drei Stimmen sowie neun Einzelstimmen für Violine, Viola und Violoncello. Auf diese Weise können allerlei Kombinationen von Streichinstrumenten gebildet werden, je nach verfügbaren Spielern. Discover West End präsentiert Bearbeitungen einiger berühmter Melodien aus populären Musicals wie etwa Das Phantom der Oper.
Pour les Ensembles Cordes qui jouent en instrumentation variable, la collection Flexible String Trios offre de multiples avantages : le set complet contient un conducteur trois voix et neuf parties séparées car chaque voix est déclinée pour chacun des trois instruments. Ceci signifie que toutes les combinaisons instrumentales pourront être envisagées. Discover West End regroupe des mélodies les plus marquantes extraites des comédies musicales populaires comme Le Fantôme de l’Opéra. Les arrangements sont attrayants tout en restant fidèles au style des pièces originales. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Komment Und Zauberfl Te For Mezzo-soprano Ad Lib. Flute Violin Violoncello And Piano EMB (Editio Musica Budapest)
Chamber Music with Voice (CHAMBER MUSI) SKU: HL.50511816 (ad lib.) Flo...(+)
Chamber Music with Voice (CHAMBER MUSI) SKU: HL.50511816 (ad lib.) Flote, Violine, Cello und Klavier. Composed by Daniel Dinyes. Contemporary Music. EMB. Contemporary Hungarian Works. Playing score. Editio Musica Budapest #Z14617. Published by Editio Musica Budapest (HL.50511816). ISBN 9790080146170. A/4 inches. Hungarian, English. Daniel Dinyes. The composer writes about his work: +The piece was written for the 2006 Spring Festival. The wording of the commission requested me to try to express what a Mozart opera means to our era. It was as a banner rather than as an internal motto that I used this one sentence: +Die Strahlen der Sonne vertreiben die Nacht, zernichten der Heuchler erschlichene Macht.- (+The rays of the sun expel the night and annihilate the power of the Deceiver-). At that time and in our day too, only as his last utterance in the final act can Sarastro announce this to the people gathered around him.+. $20.45 - See more - Buy online | | |
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