| Organ Symphony No. 2 Organ [Score] Zimbel Press
Organ SKU: SU.80101404 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ SKU: SU.80101404 For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101404. Published by Zimbel Press (SU.80101404). Organ Symphony No. 2 (2017) was written for and is dedicated to German organist Philip Hartmann. In all of my works that employ larger-scale forms (not just organ compositions), I am continually looking for different ways of providing the form and structure. My first organ symphony (2013) comprised three larger movements that charted a progression from dark to light. By contrast, this second organ symphony comprises 12 shorter movements that together build a larger structure out of varied emotional states. Although the movements are different in character, there are connections of harmony and motive across them. One goal behind this work is that it be suitable for effective performance on almost any organ, small or large. Most organ symphonies require a large instrument. By contrast, this piece can be played effectively on even a small organ with a limited number of stops (even a one manual organ with an octave pedal board). It can also be very effective on a large symphonic organ with many different colors and a huge tutti. Registration is left to the performer's discretion, and the organist is strongly encouraged to use the full extent of whatever resources are available. Instrumentation: Organ Duration: 34' Composed: 2017 Published by: Zimbel Press. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 6 - At the End of the Day Orchestra - Intermediate Wilhelm Hansen
Orchestra (Full Score) - Grade 4 SKU: HL.14032192 Full Score. Comp...(+)
Orchestra (Full Score) - Grade 4 SKU: HL.14032192 Full Score. Composed by Per Norgard. Music Sales America. 20Th Century, Classical. Softcover. 188 pages. Edition Wilhelm Hansen #KP00865. Published by Edition Wilhelm Hansen (HL.14032192). ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language). Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard. $125.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 4: Traveling Symphony String Quartet: 2 violins, viola, cello Lauren Keiser Music Publishing
Full Score SKU: HL.367873 Full Score. Composed by Donald Crockett....(+)
Full Score SKU: HL.367873 Full Score. Composed by Donald Crockett. LKM Music. Softcover. Lauren Keiser Music Publishing #X054076. Published by Lauren Keiser Music Publishing (HL.367873). ISBN 9781705140291. UPC: 840126966657. 9.0x12.0x0.655 inches. Commissioned by Caramoor Music Festival in New York and premiered July 14, 2017 by the Argus Quartet, this work is in no small part a response to this quartet's sense of adventure and expressive emotional range. Inspired by two end-of-civilization novels the composer was reading prior to composing the work, the quartet unfolds in a single movement, loosely based on plot lines in both novels. One of the novels includes a Traveling Symphony, an assortment of musicians and actors who travel the countryside for decades playing symphonies, jazz and orchestral arrangements of popular music alongside performances of Shakespeare plays, reminiscent of medieval troupes traveling the countryside in plague-ridden times. The work is written so that the quartet embodies the Traveling Symphony, not only playing music but also singing and 'stage whispering' fragments of King Lear and other text across the collection of nine scenes. $69.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| String Quartet No. 4: Traveling Symphony String Quartet: 2 violins, viola, cello Lauren Keiser Music Publishing
Score and Parts SKU: HL.367874 Score and Parts. Composed by Donald...(+)
Score and Parts SKU: HL.367874 Score and Parts. Composed by Donald Crockett. LKM Music. Softcover. Lauren Keiser Music Publishing #X504092. Published by Lauren Keiser Music Publishing (HL.367874). ISBN 9781705140307. UPC: 840126966664. 9.0x12.0x0.523 inches. Commissioned by Caramoor Music Festival in New York and premiered July 14, 2017 by the Argus Quartet, this work is in no small part a response to this quartet's sense of adventure and expressive emotional range. Inspired by two end-of-civilization novels the composer was reading prior to composing the work, the quartet unfolds in a single movement, loosely based on plot lines in both novels. One of the novels includes a Traveling Symphony, an assortment of musicians and actors who travel the countryside for decades playing symphonies, jazz and orchestral arrangements of popular music alongside performances of Shakespeare plays, reminiscent of medieval troupes traveling the countryside in plague-ridden times. The work is written so that the quartet embodies the Traveling Symphony, not only playing music but also singing and 'stage whispering' fragments of King Lear and other text across the collection of nine scenes. $130.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonatina Album - Book and Cd (Ed. Small)
Piano solo [CD] Alfred Publishing
Keyboard (Masterworks Book). Published by Alfred Publishing. (22529) ISBN 07390...(+)
Keyboard (Masterworks Book). Published by Alfred Publishing. (22529)
ISBN 073903698X. Originally compiled and edited by Louis Kohler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions. The Alfred Masterwork Library CD Editions conveniently combine each exceptional volume with a professionally recorded CD that is sure to inspire artistic performances.
(1)$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Christmas Symphony String Orchestra [Score and Parts] - Beginner FJH
By Traditional. Arranged by Elliot Del Borgo. Beginning String Orchestra. FJH Be...(+)
By Traditional. Arranged by Elliot Del Borgo. Beginning String Orchestra. FJH Beginning Strings. Score for this title: ST6092S. Extra part for this title: ST6092P. String Orchestra. Level: 1. Score and Set of Parts. Published by The FJH Music Company Inc.
$50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Anton Bruckner: Symphony No. 7 in E Major 1 Piano, 4 hands [Sheet music] Kalmus
Composed by Anton Bruckner (1824-1896). Duet or Duo; Masterworks; Piano Duet (1 ...(+)
Composed by Anton Bruckner (1824-1896). Duet or Duo; Masterworks; Piano Duet (1 Piano, 4 Hands); Solo Small Ensembles. Kalmus Edition. Masterwork; Romantic. Book. 84 pages. Kalmus Classic Edition #00-K02046. Published by Kalmus Classic Edition
(2)$11.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Symphony No. 40 Concert band [Score and Parts] - Intermediate C.L. Barnhouse
(1st Movement). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Scott Stanto...(+)
(1st Movement). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Scott Stanton. Concert band. Build-A-Band Series. Grade 3. Score and set of parts. Composed 2011. Duration 3 minutes, 4 seconds. Published by C.L. Barnhouse
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Symphony of Souls Concert band [Score and Parts] - Intermediate C.L. Barnhouse
By Robert W. Smith. Concert band. Spotlight Series. Audio recording available se...(+)
By Robert W. Smith. Concert band. Spotlight Series. Audio recording available separately (item CL.WFR349). Grade 3.5. Score and set of parts. Composed 2007. Duration 7 minutes, 5 seconds. Published by C.L. Barnhouse
$82.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Symphony of Souls Concert band [Score] - Easy Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3627-75 Composed by Robert W. Smith. Concert Band. Sp...(+)
Grade 3 SKU: CL.012-3627-75 Composed by Robert W. Smith. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR349). Oversized, spiral-bound score. Composed 2007. Duration 7 minutes, 5 seconds. Opus III Wind Orchestra Publications #012-3627-75. Published by Opus III Wind Orchestra Publications (CL.012-3627-75). This stunning composition by Robert W. Smith is actually a full symphony in smaller proportions. The piece was composed to commemorate the Battle of Bad Axe, the historic last Indian-American battle fought east of the Mississippi River. Written in four descriptive movements entitled Foreshadows, Warriors, Carnage, and Elegy, the piece evokes powerful sounds and imagery through contemporary scoring techniques while being technically accessible to most concert bands. Unique percussion effects combined with creative scoring provide an experience that your band and audience will not soon forget. About C.L. Barnhouse Spotlight Series The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gustav Mahler: Symphony No. 4 1 Piano, 4 hands [Sheet music] Kalmus
Composed by Gustav Mahler (1860-1911). Duet or Duo; Masterworks; Piano Duet (1 P...(+)
Composed by Gustav Mahler (1860-1911). Duet or Duo; Masterworks; Piano Duet (1 Piano, 4 Hands); Solo Small Ensembles. Kalmus Edition. Masterwork; Romantic. Book. 72 pages. Kalmus Classic Edition #00-K03673. Published by Kalmus Classic Edition
$14.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Gloria Hodie Choral SSAB a cappella Shawnee Press
By Antonin Dvorak. Arranged by Ruth Elaine Schram. For SSAB choir (optional cell...(+)
By Antonin Dvorak. Arranged by Ruth Elaine Schram. For SSAB choir (optional cello). Choral. Octavo. Published by Shawnee Press.
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hymn of Praise. Symphony cantata [Score] - Easy Carus Verlag
Orchestra Solo voices, SSAATB chorus, Fl, Ob, Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl,...(+)
Orchestra Solo voices, SSAATB chorus, Fl, Ob, Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb, [Org] - Grade 3 SKU: CA.4007650 Arrangement for chamber orchestra (arr. J. Linckelmann). Composed by Felix Bartholdy Mendelssohn. Arranged by Joachim Linckelmann. Carus digital: Extra digital products. Full Score. MWV A 18. Duration 62 minutes. Carus Verlag #4007650. Published by Carus Verlag (CA.4007650). ISBN 9790007293581. German/English. Mendelssohn described his 1840 work “Lobgesang†as “a symphony for chorus and orchestraâ€. It is now firmly established in the standard repertoire of the major oratorio choirs. For many choirs, Lobgesang remains on their wishlist of works they want to sing. But what can be done if the choir is to small, the budget is limited, and the performance space is tight?Here, the experienced arranger and orchestral musician Joachim Linckelmann offers an excellent tried-and-tested solution. In his arrangement for soloists, chorus, and chamber orchestra, he has reduced the wind instruments from the original 17 to just 7 single instruments. The string parts remain largely identical to the original, but can also be played by smaller numbers. And the vocal parts (soloists and choir) remain unaltered in this arrangement, so that they can be sung from the piano reductions and choral scores of the Carus Urtext edition.•,Major work which can now be performed by smaller choirs•,Wind and brass parts of the original version reduced to seven single instruments•,Vocal scores and choral scores from the original version can be used•,carus plus: the work (original version) is available in carus music, the Choir Coach, and in the Carus Choir Coach series (audio only). Score available separately - see item CA.4007600. $126.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 2 Concert band [Score] - Intermediate/advanced Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 6. Conductor Full Score. Duration 21:00. Published by Manhattan Beach Music.
$95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Symphony [No. 35] in D major K. 385 Breitkopf & Härtel
Basso (cello/double bass) (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5373-26...(+)
Basso (cello/double bass) (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5373-26 Hafner Music: Hafner Symphony with March in D major K. 408/2 (385a) - Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Dances/marches; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 5373-26. Published by Breitkopf and Haertel (BR.OB-5373-26). ISBN 9790004341032. 10 x 12.5 inches. Wolfgang Amadeus Mozart wrote his Hafner Symphony K. 385 in the summer of 1782 on the occasion of the elevation into the nobility of his friend and patron Sigmund Hafner. Next to the well-known movements, this version (A) also contained the March K. 408/2 (385a) and possibly a second, no longer extant minuet. Called Hafner=Musique by Mozart, the work was unquestionably a serenade at first. In early 1783 Mozart then reduced the Hafner Music for his subscription concert at the Vienna Burgtheater on 23 March 1783 to a four-movement symphony. This is the form in which the work was first printed in 1785 (Version B). For a further performance, Mozart added flute and clarinet parts to the symphony. In 1805, this version (C) was published by Andre in Offenbach, who thus began making it known.The primary sources of the present Breitkopf Urtext edition are the autographs to K. 385 and K. 408/2 (385a). It thus becomes possible for the first time to play all three versions of the Hafner Music, since the variants of Versions A and B can be easily discerned through indications in footnotes and notes in small print. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony [No. 35] in D major K. 385 Breitkopf & Härtel
Violin 2 (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5373-16 Hafner Mu...(+)
Violin 2 (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5373-16 Hafner Music: Hafner Symphony with March in D major K. 408/2 (385a) - Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Dances/marches; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 5373-16. Published by Breitkopf and Haertel (BR.OB-5373-16). ISBN 9790004341018. 10 x 12.5 inches. Wolfgang Amadeus Mozart wrote his Hafner Symphony K. 385 in the summer of 1782 on the occasion of the elevation into the nobility of his friend and patron Sigmund Hafner. Next to the well-known movements, this version (A) also contained the March K. 408/2 (385a) and possibly a second, no longer extant minuet. Called Hafner=Musique by Mozart, the work was unquestionably a serenade at first. In early 1783 Mozart then reduced the Hafner Music for his subscription concert at the Vienna Burgtheater on 23 March 1783 to a four-movement symphony. This is the form in which the work was first printed in 1785 (Version B). For a further performance, Mozart added flute and clarinet parts to the symphony. In 1805, this version (C) was published by Andre in Offenbach, who thus began making it known.The primary sources of the present Breitkopf Urtext edition are the autographs to K. 385 and K. 408/2 (385a). It thus becomes possible for the first time to play all three versions of the Hafner Music, since the variants of Versions A and B can be easily discerned through indications in footnotes and notes in small print. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony [No. 35] in D major K. 385 Breitkopf & Härtel
Viola (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5373-19 Hafner Music...(+)
Viola (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5373-19 Hafner Music: Hafner Symphony with March in D major K. 408/2 (385a) - Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Dances/marches; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 5373-19. Published by Breitkopf and Haertel (BR.OB-5373-19). ISBN 9790004341025. 10 x 12.5 inches. Wolfgang Amadeus Mozart wrote his Hafner Symphony K. 385 in the summer of 1782 on the occasion of the elevation into the nobility of his friend and patron Sigmund Hafner. Next to the well-known movements, this version (A) also contained the March K. 408/2 (385a) and possibly a second, no longer extant minuet. Called Hafner=Musique by Mozart, the work was unquestionably a serenade at first. In early 1783 Mozart then reduced the Hafner Music for his subscription concert at the Vienna Burgtheater on 23 March 1783 to a four-movement symphony. This is the form in which the work was first printed in 1785 (Version B). For a further performance, Mozart added flute and clarinet parts to the symphony. In 1805, this version (C) was published by Andre in Offenbach, who thus began making it known.The primary sources of the present Breitkopf Urtext edition are the autographs to K. 385 and K. 408/2 (385a). It thus becomes possible for the first time to play all three versions of the Hafner Music, since the variants of Versions A and B can be easily discerned through indications in footnotes and notes in small print. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony [No. 35] in D major K. 385 Breitkopf & Härtel
Violin 1 (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5373-15 Hafner Mu...(+)
Violin 1 (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5373-15 Hafner Music: Hafner Symphony with March in D major K. 408/2 (385a) - Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Dances/marches; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 5373-15. Published by Breitkopf and Haertel (BR.OB-5373-15). ISBN 9790004341001. 10 x 12.5 inches. Wolfgang Amadeus Mozart wrote his Hafner Symphony K. 385 in the summer of 1782 on the occasion of the elevation into the nobility of his friend and patron Sigmund Hafner. Next to the well-known movements, this version (A) also contained the March K. 408/2 (385a) and possibly a second, no longer extant minuet. Called Hafner=Musique by Mozart, the work was unquestionably a serenade at first. In early 1783 Mozart then reduced the Hafner Music for his subscription concert at the Vienna Burgtheater on 23 March 1783 to a four-movement symphony. This is the form in which the work was first printed in 1785 (Version B). For a further performance, Mozart added flute and clarinet parts to the symphony. In 1805, this version (C) was published by Andre in Offenbach, who thus began making it known.The primary sources of the present Breitkopf Urtext edition are the autographs to K. 385 and K. 408/2 (385a). It thus becomes possible for the first time to play all three versions of the Hafner Music, since the variants of Versions A and B can be easily discerned through indications in footnotes and notes in small print. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony [No. 35] in D major K. 385 Orchestra Breitkopf & Härtel
Orchestra (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5552-07 Hafner M...(+)
Orchestra (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5552-07 Hafner Music: Hafner Symphony with March in D major K. 408/2 (385a) - Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphony; Dances/marches; Classical. Study Score. 56 pages. Duration 20'. Breitkopf and Haertel #PB 5552-07. Published by Breitkopf and Haertel (BR.PB-5552-07). ISBN 9790004213629. 6.5 x 9 inches. Wolfgang Amadeus Mozart wrote his Hafner Symphony K. 385 in the summer of 1782 on the occasion of the elevation into the nobility of his friend and patron Sigmund Hafner. Next to the well-known movements, this version (A) also contained the March K. 408/2 (385a) and possibly a second, no longer extant minuet. Called Hafner=Musique by Mozart, the work was unquestionably a serenade at first. In early 1783 Mozart then reduced the Hafner Music for his subscription concert at the Vienna Burgtheater on 23 March 1783 to a four-movement symphony. This is the form in which the work was first printed in 1785 (Version B). For a further performance, Mozart added flute and clarinet parts to the symphony. In 1805, this version (C) was published by Andre in Offenbach, who thus began making it known.The primary sources of the present Breitkopf Urtext edition are the autographs to K. 385 and K. 408/2 (385a). It thus becomes possible for the first time to play all three versions of the Hafner Music, since the variants of Versions A and B can be easily discerned through indications in footnotes and notes in small print. $17.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony [No. 35] in D major K. 385 Orchestra [Score] Breitkopf & Härtel
Orchestra (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5373 Hafner Musi...(+)
Orchestra (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5373 Hafner Music: Hafner Symphony with March in D major K. 408/2 (385a) - Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphony; Dances/marches; Classical. Full score. 68 pages. Duration 20'. Breitkopf and Haertel #PB 5373. Published by Breitkopf and Haertel (BR.PB-5373). ISBN 9790004212417. 10 x 12.5 inches. Wolfgang Amadeus Mozart wrote his Hafner Symphony K. 385 in the summer of 1782 on the occasion of the elevation into the nobility of his friend and patron Sigmund Hafner. Next to the well-known movements, this version (A) also contained the March K. 408/2 (385a) and possibly a second, no longer extant minuet. Called Hafner=Musique by Mozart, the work was unquestionably a serenade at first. In early 1783 Mozart then reduced the Hafner Music for his subscription concert at the Vienna Burgtheater on 23 March 1783 to a four-movement symphony. This is the form in which the work was first printed in 1785 (Version B). For a further performance, Mozart added flute and clarinet parts to the symphony. In 1805, this version (C) was published by Andre in Offenbach, who thus began making it known.The primary sources of the present Breitkopf Urtext edition are the autographs to K. 385 and K. 408/2 (385a). It thus becomes possible for the first time to play all three versions of the Hafner Music, since the variants of Versions A and B can be easily discerned through indications in footnotes and notes in small print. $41.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony [No. 35] in D major K. 385 Breitkopf & Härtel
Woodwinds (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5373-30 Hafner M...(+)
Woodwinds (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.OB-5373-30 Hafner Music: Hafner Symphony with March in D major K. 408/2 (385a) - Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). Symphony; Dances/marches; Classical. Set of parts. 84 pages. Duration 20'. Breitkopf and Haertel #OB 5373-30. Published by Breitkopf and Haertel (BR.OB-5373-30). ISBN 9790004341049. 10 x 12.5 inches. Wolfgang Amadeus Mozart wrote his Hafner Symphony K. 385 in the summer of 1782 on the occasion of the elevation into the nobility of his friend and patron Sigmund Hafner. Next to the well-known movements, this version (A) also contained the March K. 408/2 (385a) and possibly a second, no longer extant minuet. Called Hafner=Musique by Mozart, the work was unquestionably a serenade at first. In early 1783 Mozart then reduced the Hafner Music for his subscription concert at the Vienna Burgtheater on 23 March 1783 to a four-movement symphony. This is the form in which the work was first printed in 1785 (Version B). For a further performance, Mozart added flute and clarinet parts to the symphony. In 1805, this version (C) was published by Andre in Offenbach, who thus began making it known.The primary sources of the present Breitkopf Urtext edition are the autographs to K. 385 and K. 408/2 (385a). It thus becomes possible for the first time to play all three versions of the Hafner Music, since the variants of Versions A and B can be easily discerned through indications in footnotes and notes in small print. $69.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| A Grateful Tail Orchestra Subito Music
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercurio. Vocal/Choral, Opera. CD (Audio). Subito Music Corporation #91580100. Published by Subito Music Corporation (SU.91580100). A Grateful Tail - Movement by Movement Siriusly, Dog Star Sirius, the brightest star in the night sky, has been used by travelers and navigators for thousands of years as a guiding star and so it is here as the opening movement for the symphony. Sirius, the cornerstone to the constellation Canis Maggiore or Big Dog sits at the foot of Orion, the hunter, leading the way. Highly cinematic, the movement evokes both a musical and visual sense of the mythological and mysterious elements of Sirius and its Dog Godstar secrets. From the clarion call of the opening, Sirius theme, the sound is buoyant and frisky emulating the nature of doggy playtime. Puppy pleasures abound as a doggy four-step, my turn on the traditional American two-step dance, is introduced. The movement transforms into an actual orchestrated frolic of small, large and medium dog barks beginning with the winds (smaller dogs) and ultimately, the big dog, brass. The movement climaxes with the coda or, Dog Park, where the winds and the brass bark and play together over the, doggy ostinato four-step rhythm, culminating with the final call of the Sirius theme. Let Sleeping Dogs Lie, Peacefully It's all in a dog's day and life. Tranquility presides over this supremely gentle, intermezzo-like movement. After a day of play, every dog needs rest. Let Sleeping Dogs Lie, is a lyrical andante inspired by the profound serenity and beauty of a dog at rest. The Last Will and Testament of Silverdene Emblem O'Neill Based on a powerful piece of prose written by the American playwright, Eugene O'Neill this text was intended as a consolation piece for Carlotta, his wife, who had become grief-stricken over the loss of their beloved dog, the Dalmatian known as Blemie.Written for a singing actor who personifies the role of Blemie, a dog at the end of his life, the movement plays like a one act, musical drama as we follow Blemie through a wonderfully three-dimensional, emotional and psychological journey writing his Last Will and Testament, for those who have loved him. Wagging the Tail: Ossia Fido's Lament A life-affirming rumba/samba using Blemie's final words from O'Neill's text, this final movement employs the most unique American musical invention, the gospel choir. In order to make the dances come alive, this movement also calls upon the colors of a rhythm section. Creating the spirit of an Irish Funeral, the movement is a joyful and revival-like celebration of a dog's life as its spirit lives on forever in the hearts and minds of dog lovers everywhere. Remember Me, remember me! My spirit is wagging a grateful tail. Published by: Subito Music Publishing Release Date: July 9, 2013. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Die Donau Orchestra Barenreiter
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by LeoÅ¡ Faltus and MiloÅ¡ Å tedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861). ISBN 9790260104211. 34.3 x 27 cm inches. LeoÅ¡ Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanovaâ€. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.
“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.†Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony†entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.
A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola†by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube†to the inconclusive ending.
To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forcesâ€. The third movement is said to characterise the city of Vienna in the form of a woman.
It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj†– and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpaniâ€, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.
One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of loveâ€.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$249.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 3 The Song of the Night Op. 27 [Score] PWM (Polskie Wydawnictwo Muzyczne)
Solo Vocal, Mixed Choir and Orchestra SKU: BT.PWM5363020 For Tenor Sol...(+)
Solo Vocal, Mixed Choir and Orchestra SKU: BT.PWM5363020 For Tenor Solo, Mixed Choir, Organ and Orchestra. Composed by Karol Szymanowski. Classical. Score Only. Composed 1985. 92 pages. Polskie Wydawnictwo Muzyczne #PWM5363020. Published by Polskie Wydawnictwo Muzyczne (BT.PWM5363020). The Third Symphony occupies an special place in the evolutionary process of Szymanowskis style. The Symphony The Song of the Night, Op. 27, is a setting of the poem of the same title, from the second divan of Mawlana Jalal-ad-din Rumi, for tenor solo, mixed choir and orchestra. It was completed in the summer 1916. Szymanowskis interest in oriental music at this period is not so much , as far as the Third Symphony is concerned, an attempt at some formal stylisation of eastern music, but rather an indication of his search for some mode of expression which would best reflect the conflicts of his aesthetic and artistic ideas. It was the direct contact made with the art of the Grecian and Arabic worlds during his travel to Sicily and North Africa in 1911 and 1914 that provided the external stimulus for this interest. The Third Symphony can be classed with those symphonies for chorus and solo voices so often favoured by the neo-romantic and expressionist composers. It is written in a free ternary form, the thematic material being the basic unifying structural element, which imparts a conciseness to the form, and retaining the function despite the significant changes that occur in the melodic character of the music. The texture is polymelodic, and a score reveals a masterly interweaving of the multiplicity of parts, melodic lines and patterns of sound. This symphony is consummation of all Szymanowskis mastery in instrumentation and colour, and a superb study of orchestral polyphony. Here, Szymanowski liberates himself from the rigid relations of the functional harmonic system. In the place of tonal progressions, he shifts chromatically from one sound lane to another, of which the smallest units are chords made up of tritones and seconds, using only a free intervallic structure, far more remote in Szymanowski from the dominant centralistic harmony then Debussy. In style, the Third Symphony belongs to the neo-romantic period, if this can be broadly defined as including modernistic and expressionistic trends, and to musical impressionism. (based on the Preface to the ''Works'' by Teresa Chyli ska, PWM 1985). $47.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Themes from Symphony No. 5 Concert band [Score] - Beginner G and M Brand Music Publishers
Concert band (1st Flute, 2nd Flute/Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd ...(+)
Concert band (1st Flute, 2nd Flute/Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Eb Alto Saxophone*, Bb Tenor Saxophone*, 1st F Horn, 2nd F Horn, 1st Bb Trumpet, 2nd Bb Trumpet, Trombone, Euphonium , (TC Baritone), Tuba, Timpani, Percussi) - grade 1.5 SKU: CN.S11169 2nd Movement. Composed by S. Johnson. Arranged by Stuart Johnson. Band Music. Score only. Duration 2:20. Published by G & M Brand Music Publishers (CN.S11169). Schubert's 5th Symphony is sunny, Viennese, scored originally for small classical orchestra and positively effervesces with ideas. Stuart Johnson has taken the theme from the 2nd movement - Andante con moto - and brought this gem within the reach of technically less advanced players without diminishing the musical quality.
Schubert's delightful 5th Symphony in Bb Major, written in 1816, is a miniature, perhaps consciously avoiding comparison with Beethoven's Fifth, written just 10 years earlier. Schubert's Great was to come later! The work is sunny, Viennese, scored originally for small classical orchestra and positively effervesces with ideas. Stuart Johnson has taken the theme from the 2nd movement - Andante con moto - and brought this gem within the reach of technically less advanced players without diminishing the musical quality. $7.50 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Themes from Symphony No. 5 Concert band [Score and Parts] - Beginner G and M Brand Music Publishers
Concert band (1st Flute, 2nd Flute/Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd ...(+)
Concert band (1st Flute, 2nd Flute/Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Eb Alto Saxophone*, Bb Tenor Saxophone*, 1st F Horn, 2nd F Horn, 1st Bb Trumpet, 2nd Bb Trumpet, Trombone, Euphonium , (TC Baritone), Tuba, Timpani, Percussi) - grade 1.5 SKU: CN.R10169 2nd Movement. Composed by S. Johnson. Arranged by Stuart Johnson. Band Music. Score and parts. Duration 2:20. Published by G & M Brand Music Publishers (CN.R10169). Schubert's 5th Symphony is sunny, Viennese, scored originally for small classical orchestra and positively effervesces with ideas. Stuart Johnson has taken the theme from the 2nd movement - Andante con moto - and brought this gem within the reach of technically less advanced players without diminishing the musical quality.
Schubert's delightful 5th Symphony in Bb Major, written in 1816, is a miniature, perhaps consciously avoiding comparison with Beethoven's Fifth, written just 10 years earlier. Schubert's Great was to come later! The work is sunny, Viennese, scored originally for small classical orchestra and positively effervesces with ideas. Stuart Johnson has taken the theme from the 2nd movement - Andante con moto - and brought this gem within the reach of technically less advanced players without diminishing the musical quality. $45.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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