By Johann Christian Heinrich Rinck. Arranged by Riffel. For SATB Choir a cappella

By Gottfried August Homilius. Edited by Uwe Wolf. For SATB/SATB Choir. Score. Language: German. 12 pages. Duration 5 min

SATB choir, piano - Level 3

SKU: CA.4028210

Composed by Franz Joseph Haydn. Edited by Gunter Graulich. German title: Abendlied zu Gott. Lieder for choir, Secular choral music, Morning, midday, evening. Full score. Hob. XXVc:9. 8 pages. Duration 6 minutes. Carus Verlag #CV 40.282/10. Published by Carus Verlag (CA.4028210).

ISBN 9790007066314. Key: E major. Language: German. Text: Gellert, Christian Furchtegott. Text: Christian Furchtegott Gellert.

Mixed Chorus (SATB) with Piano. By Franz Joseph Haydn. Arranged by John C. Dewitt. Text: G.F. Gellert. SATB chorus and keyboard. For Soprano, Alto, Tenor, Bass, Piano. Choral. Piano/Vocal Score. 16 pages. Published by Theodore Presser Company.

By Melchior Vulpius. For SSAB Choir. Sacred, Motets. Score. Language: German. 4 pages

By Ralph Allwood (Editor). For SATB Choir. Romantic, Sacred, Choral. Sheet Music. 148 pages. Published by Novello and Co Ltd.

By Various. Edited by Mailander, Richard / Bonig, Winfried / Schuhenn, Reiner / Kohlhaas, Emmanuela. This edition: paperbound. Sacred, Hymns, Magnificat, Motets, Psalms, German; Occasions: Peace and Justice, Praise and thanks, Our Father; Use during church year: Advent, Easter and Eastertide, Pentecost, Christmas. Choral collection. 216 pages

(Easter Monday). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo. German title: Bleib bei uns, denn es will Abend w. 6. Cantatas, Easter and Eastertide, Morning, midday, evening. Level 3. Organ part. Language: German/English. Composed 1725. BWV 6. 28 pages. Duration 26 minutes. Published by Carus Verlag

By Albert Becker. For SATB choir. Choral score. Language: German. Opus 55. Published by Berliner Chormusik Verlag

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100609

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.006/21 oboe 1, 1x 31.006/22 oboe 2, 1x 31.006/23 oboe da caccia. German title: Bleib bei uns, denn es will Abend werden 3. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Set of Orchestra Parts. Composed 1725. BWV 6. 14 pages. Duration 26 minutes. Carus Verlag #CV 31.006/09. Published by Carus Verlag (CA.3100609).

ISBN 9790007041724. Key: C minor / g minor. Language: German/English.

Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.

SATB vocal soli, SATB choir, 2 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3104214

Cantata for Quasimodogeniti Sunday. Composed by Johann Sebastian Bach. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas, Easter and Eastertide. Single Part, Cello/Double Bass. Composed 1725. BWV 42. 12 pages. Duration 28 minutes. Carus Verlag #CV 31.042/14. Published by Carus Verlag (CA.3104214).

ISBN 9790007205874. Language: German/English.

Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score and part available separately - see item CA.3104200.