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| Rheinberger: Chamber music III, Complete Edition Vol. 31
Carus Verlag
SKU: CA.5023100 Composed by Josef Gabriel Rheinberger. Edited by Han Thei...(+)
SKU: CA.5023100 Composed by Josef Gabriel Rheinberger. Edited by Han Theill. This edition: Complete edition, linen cover. Josef Gabriel Rheinberger - Complete Works. German title: Klavierquartett, -Quintett, -Sextet. Josef Gabriel Rheinberger. Complete Works. Full score (complete edition / selected edition). Carus Verlag #CV 50.231/00. Published by Carus Verlag (CA.5023100). ISBN 9790007090319. Volume 31 contains, among other works, the Piano Quartet, which was enthusiastically received by the critics in Rheinberger's time: The themes are noble, with significant content, the motivic development is rich and interesting, above all free from anything resembling a mould ... and such a healthy musical wind blows through the entire work that I believe I am not mistaken if I forsee for this work a great success. This is how a contemporary critic reviewed the work. Indeed, op. 38 proceeded to become the most successful of Rheinberger's chamber music works during his lifetime. The Sextet op. 191b is an effective arrangement of his Piano Trio No. 4 op. 191, for flute, oboe, clarinet, bassoon, horn and piano. All works are also available in separate editions. $233.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Aignish on the Machair
Clarinet Quartet: 4 clarinets
Advance Music
4 Clarinets SKU: AP.1-ADV8415 Folksong from The Hebrides (for Clarinet...(+)
4 Clarinets SKU: AP.1-ADV8415 Folksong from The Hebrides (for Clarinet Quartet). Arranged by Frank Reinshagen. Quartet; Solo Small Ensembles; Woodwind - Clarinet Quartet. Advance Music. Form: Variations. Folk; Traditional. Score and Part(s). Advance Music #01-ADV8415. Published by Advance Music (AP.1-ADV8415). UPC: 805095084153. English. Traditional. In writing these arrangements for clarinet quartet, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are---in a direct or wider sense---of Celtic origin. In other words, they have been borrowed from the Irish, Scottish, and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation, and especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts.
Annotation on Aignish on the Machair: The arrangement of Aignish on the Machair, Folksong from The Hebrides, illustrates, above all, the melancholic character inherent in the harmonies of the original tune. A short rubato passage is followed by several variations over the flowing melody in 3/4-time. The short triplet passages embedded in these variations are quite demanding from the technical point of view; considering the key they are written in, however, these passages are not too difficult to play. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Aignish on the Machair
Saxophone Quartet: 4 saxophones
Advance Music
4 Saxophones AATBar SKU: AP.1-ADV7621 Folksongs from the Hebrides (for...(+)
4 Saxophones AATBar SKU: AP.1-ADV7621 Folksongs from the Hebrides (for AATB Saxophone Quartet). Arranged by Frank Reinshagen. Quartet; Solo Small Ensembles; Woodwind - Saxophone Quartet. Advance Music. Folk. Score and Part(s). Advance Music #01-ADV7621. Published by Advance Music (AP.1-ADV7621). UPC: 805095076219. English. Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are---in a direct or wider sense---of Celtic origin, in other words, they have been borrowed from the Irish, Scottish and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts.
Annotation on Aignish on the Machair. The arrangement of Aignish on the Machair illustrates, above all, the melancholic character inherent in the harmonies of the original tune. A short rubato passage is followed by several variations over the flowing melody in 3/4- time. The short triplet passages embedded in these variations are quite demanding from the technical point of view; considering the key they are written in, however, these passages are not too difficult to play. $19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| A Purcell Collection for Recorder Consort
Recorder Quartet
Boosey and Hawkes
Fifty Solo, Duets, Trios and Quartets. By Henry Purcell. Arranged by Arnold Free...(+)
Fifty Solo, Duets, Trios and Quartets. By Henry Purcell. Arranged by Arnold Freed. (Recorder). Boosey and Hawkes Chamber Music. Size 9x12 inches. 46 pages. Published by Boosey and Hawkes.
$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Aignish on the Machair
Advance Music
4 Brass Instruments SKU: AP.1-ADV20402 Folksong from the Hebrides (for...(+)
4 Brass Instruments SKU: AP.1-ADV20402 Folksong from the Hebrides (for Brass Quartet). Arranged by Frank Reinshagen. Brass Ensemble - Quartet; Quartet; Solo Small Ensembles. Advance Music. Folk. Score and Part(s). Advance Music #01-ADV20402. Published by Advance Music (AP.1-ADV20402). UPC: 805095204025. English. Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are---in a direct or wider sense---of Celtic origin. In other words, they have been borrowed from the Irish, Scottish, and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts.
Annotation on Aignish on the Machair: The arrangement of Aignish on the Machair illustrates, above all, the melancholic character inherent in the harmonies of the original tune. A short rubato passage is followed by several variations over the flowing melody in 3/4-time. The short triplet passages embedded in these variations are quite demanding from the technical point of view; considering the key they are written in, however, these passages are not too difficult to play. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| 60 Warm-Up Chorales for Concert Band (Harmonie)
Concert band
Hal Leonard
Concert Band (Score & Parts) SKU: HL.4008643 Score and Parts. Comp...(+)
Concert Band (Score & Parts) SKU: HL.4008643 Score and Parts. Composed by Franco Cesarini. Arranged by Franco Cesarini. Editions Franco Cesarini. Concert Band, Tuning, Warm-Up. Softcover. Hal Leonard #EFC003-CBHA. Published by Hal Leonard (HL.4008643). ISBN 9798350114997. UPC: 196288189664. During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless “punishing†exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians’awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything withoutputting the musical aspect in the foreground. $206.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| 60 Warm-Up Chorales for Concert Band (Harmonie)
Concert band
Hal Leonard
Concert Band (Full Score) SKU: HL.4007483 Score. Composed by Franc...(+)
Concert Band (Full Score) SKU: HL.4007483 Score. Composed by Franco Cesarini. Arranged by Franco Cesarini. Editions Franco Cesarini. Concert Band, Tuning, Warm-Up. Softcover. Hal Leonard #EFC003-SC. Published by Hal Leonard (HL.4007483). UPC: 196288058175. During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless “punishing†exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians’awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything withoutputting the musical aspect in the foreground. $62.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Encounters VI
Theodore Presser Co.
Chamber Music Percussion, Percussion 1, Percussion 2, Percussion 3, Percussion 4...(+)
Chamber Music Percussion, Percussion 1, Percussion 2, Percussion 3, Percussion 4 SKU: PR.114409860 Concertino for Roto Toms and Percussion Quartet. Composed by William Kraft. Encounters. Contemporary. Set of Score and Parts. With Standard notation. Composed 1976. 27+12+10+10+10+10 pages. Duration 10 minutes. Theodore Presser Company #114-40986. Published by Theodore Presser Company (PR.114409860). UPC: 680160014644. Here I have adapted a standard musical form to a contemporary medium. The concertino is a small concerto: a one-movement work that draws upon the basic principles of the concerto form - two bodies of sound which at times compete, contrast, or act together. The piece explores the musical possibilities of Roto-toms. The sound of these drums is a cross between a tom-tom and a timpani, and their pitch is changed by rotating the drum. During the course of the work, the various effects used include pitch and fingernail glissandi; playing on the rims; and playing on the heads with fingers, brushes, timpani sticks, wood mallets or rattan. Harmonics on the octave and the fourth above the fundamental pitch are produced by the drums when weights (in this case, small pitched cymbales called crotales) are placed in the center of the drum heads. In return the drum itself acts a resonator for the crotales, which also have a fundamental pitch when played on the face and a partial a fifth above when played on the center dome. The opening section of the concertino introduces a motive, played by the soloist, while the ensemble sustains a bowed chord on the vibraphone. Following this cadenza-like introduction, the piece gradually moves into a bright 6/8 tempo that is characterized by constant sixteenth notes in all parts. After a brief period of interaction, the ensemble continues its sixteenth notes patterns and the soloist plays and improvised solo. Next, an interlude is presented by the ensemble which leads to a dramatic recapitulation by the soloist of the motivic material. A thematically-derived coda concludes the work. Encounters VI, commissioned by Remo Belli, is dedicated to Jennifer Kraft, the composer's daughter. The premiere performance took place in 1976 at the MENC National Convention in Atlantic City, New Jersey, and was performed by the Temple University Percussion Ensemble conducted by Glenn Steele. --William Kraft. $46.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Now We Join in Celebration (Choral Score)
Choral SATB - Intermediate
MorningStar Music Publishers
Composed by Michael D. Costello. Ordination/Installation, 21st Century, Commu...(+)
Composed by Michael D.
Costello.
Ordination/Installation,
21st Century, Communion.
Choral score. MorningStar
Music Publishers #60-7026.
Published by MorningStar
Music Publishers
$2.85 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| A New Approach to Altissimo Trumpet Playing
Trumpet
C.L. Barnhouse
A New Approach to Altissimo Trumpet Playing by John H. Lynch. For flute quartet....(+)
A New Approach to Altissimo Trumpet Playing by John H. Lynch. For flute quartet. Method/Study book. Method/study book. Composed 1984. Published by C.L. Barnhouse
$11.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Majestic Preludes for Organ and Brass Quartet, Volume 1
Trombone, Organ, B-Flat Trumpet
Majestic Music Publication
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| 50 Essential Bebop Licks You Must Know DVD
Guitar [DVD]
EMedia
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| Ave Maria - Intermediate
De Haske Publications
Clarinet Quintet - intermediate SKU: BT.DHP-1064015-070 Composed by Charl...(+)
Clarinet Quintet - intermediate SKU: BT.DHP-1064015-070 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Lorenzo Bocci. Music Box. Set (Score & Parts). Composed 2006. 12 pages. De Haske Publications #DHP 1064015-070. Published by De Haske Publications (BT.DHP-1064015-070). 9x12 inches. English-German-French-Dutch. Over the course of time, many composers have honoured the mother of Jesus with a musical Ave Maria (a Hail Mary). One of the most well-known is that of the French composer Charles François Gounod (1818-1893), who added a melody to the first prelude from Das Wohltemperierte Klavier by the German master-composer Johann Sebastian Bach (1685-1750). The result is a long, lyrical melody line with a wonderfully built-up curve of tension, floating above a softly sparkling accompaniment. Lorenzo Bocci has arranged the Ave Maria by Bach/Gounod for clarinet ensemble.
Veel componisten hebben in de loop der tijden de moeder van Jezus geëerd met een muzikaal Ave Maria (een Weesgegroet). Een van de bekendste is dat van de Franse componist Charles François Gounod (1818-1893), die de melodie toevoegdeaan de eerste prelude uit Das wohltemperierte Klavier van de Duitse meestercomponist Johann Sebastian Bach (1685-1750). Het resultaat is een lange, lyrische melodielijn met een prachtig opgebouwde spanningsboog over eenzacht sprankelende basis. Lorenzo Bocci bewerkte het Ave Maria van Bach/Gounod voor klarinetensemble.
Das Ave Maria ist von Komponisten aller Epochen vertont worden. Eine der berühmtesten Vertonungen stammt von Charles Gounod. Dieser legte seine Melodie über die Musik zum 1. Präludium aus dem Wohltemperierten Klavier von Johann Sebastian Bach, weshalb das Werk als Ave Maria von Bach-Gounod in die Musikgeschichte einging. Lorenzo Bocci bearbeitete die schöne Musik für Klarinettenquartett.
Nombreux sont les compositeurs qui ont au fil du temps glorifié la mère de Jésus en mettant en musique un Ave Maria (Je vous salue, Marie). L’un des plus célèbres est celui du compositeur français Charles-François Gounod (1818-1893) qui a composé une Méditation sur le premier prélude extrait du Clavier bien Tempéré (Das wohltemperierte Klavier) du maître allemand Jean-Sébastien Bach (1685-1750).
L’Ave Maria è stata scritta da compositori di tutte le epoche. Una delle più famose è senza dubbio quella di Charles Gounod che sovrappose la sua melodia alla musica del primo preludio da il Clavicembalo Ben Temperato di Johann Sebastian Bach. Per questa ragione il brano entrò nella storia della musica come Ave Maria di Bach-Gounod. L’arrangiamento per quartetto di clarinetti è firmato Lorenzo Bocci. $23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Hosanna
Handbells [Score] - Easy
Hope Publishing Company
By Gregor, Christian. Arranged by Garee, Betty. For 2nd Handbell Choir, Brass, C...(+)
By Gregor, Christian. Arranged by Garee, Betty. For 2nd Handbell Choir, Brass, Choir, Handbells, Handchimes, Keyboard, Organ, Voices. Sacred. Level: Grade 2. Print Music Single (For Two 3-5 octaves with optional SATB, organ or brass). 6 pages. Published by Hope Publishing Company.
$5.75 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
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