| The Real Little Classical Fake Book - 2nd Edition Piano solo - Intermediate Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard
$27.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easy Classical Themes Instrumental Solos (Tenor Sax) Tenor Saxophone [Sheet music + CD] - Beginner Alfred Publishing
Tenor Sax. Arranged by Various. Instrumental Series; Play-Along; Solo. Instru...(+)
Tenor Sax. Arranged by
Various. Instrumental Series;
Play-Along; Solo.
Instrumental Solos Series.
Masterwork Arrangement. Book;
CD. 40 pages. Alfred Music
#00-47053. Published by
Alfred Music
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easy Classical Themes Instrumental Solos (Alto Sax) Alto Saxophone [Sheet music + CD] - Beginner Alfred Publishing
Alto Sax. Arranged by Various. Instrumental Series; Play-Along; Solo. Instrum...(+)
Alto Sax. Arranged by
Various. Instrumental Series;
Play-Along; Solo.
Instrumental Solos Series.
Masterwork Arrangement. Book;
CD. 40 pages. Alfred Music
#00-47050. Published by
Alfred Music
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Baroque Era - Intermediate to Advanced Piano Solo Piano solo - Intermediate/advanced Hal Leonard
The World's Great Classical Music. By Various. World's Greatest Classical Music....(+)
The World's Great Classical Music. By Various. World's Greatest Classical Music. Size 9x12 inches. 232 pages. Published by Hal Leonard.
(2)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonatina String Orchestra - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F). ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major. IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Classical Themes Instrumental Solos for Strings (Cello) Cello [Sheet music + CD] - Beginner Alfred Publishing
Cello. Arranged by Various. Play-Along; Solo; String Series. Instrumental Solo...(+)
Cello. Arranged by Various.
Play-Along; Solo; String
Series. Instrumental Solos
Series. Masterwork
Arrangement. Book; CD. 40
pages. Alfred Music #00-
47071. Published by Alfred
Music
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Classical Themes Instrumental Solos for Strings (Violin) Violin [Sheet music + CD] - Beginner Alfred Publishing
Violin. Arranged by Various. Play-Along; Solo; String Series. Instrumental Sol...(+)
Violin. Arranged by Various.
Play-Along; Solo; String
Series. Instrumental Solos
Series. Masterwork
Arrangement. Book; CD. 40
pages. Alfred Music #00-
47065. Published by Alfred
Music
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 100 Classics Arranged for Piano Piano solo - Intermediate Alfred Publishing
(pending). For Piano. Book; Masterworks; Piano Collection. Masterwork; Recital. ...(+)
(pending). For Piano. Book; Masterworks; Piano Collection. Masterwork; Recital. 356 pages. Published by Alfred Music Publishing
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Giant Book of Classical Piano Sheet Music Piano solo - Easy Alfred Publishing
(Easy Piano). For Piano. This edition: Easy Piano. Book; Masterworks; Piano - Ea...(+)
(Easy Piano). For Piano. This edition: Easy Piano. Book; Masterworks; Piano - Easy Piano Collection. The Giant Book of Sheet Music. Masterwork Arrangement; Recital. Easy Piano. 296 pages. Published by Alfred Music
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easy Classical Themes Instrumental Solos for Strings (Viola) Viola [Sheet music + CD] - Beginner Alfred Publishing
Viola. Arranged by Various. Play-Along; Solo; String Series. Instrumental So...(+)
Viola. Arranged by Various.
Play-Along; Solo; String
Series. Instrumental Solos
Series. Masterwork
Arrangement. Book; CD. 40
pages. Alfred Music #00-
47068. Published by Alfred
Music
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Classical Themes Instrumental Solos (Clarinet) Clarinet [Sheet music + CD] - Beginner Alfred Publishing
Clarinet. Arranged by Various. Instrumental Series; Play-Along; Solo. Instrument...(+)
Clarinet. Arranged by Various. Instrumental Series; Play-Along; Solo. Instrumental Solos Series. Masterwork Arrangement. Book; CD. 40 pages. Alfred Music #00-47047. Published by Alfred Music
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Classical Themes Instrumental Solos (trombone) Trombone [Sheet music + CD] - Beginner Alfred Publishing
Trombone. Arranged by Various. Instrumental Series; Play-Along; Solo. Inst...(+)
Trombone. Arranged by
Various. Instrumental Series;
Play-Along; Solo.
Instrumental Solos Series.
Masterwork Arrangement. Book;
CD. 40 pages. Alfred Music
#00-47062. Published by
Alfred Music
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easy Classical Themes Instrumental Solos Flute [Sheet music + CD] - Beginner Alfred Publishing
Flute. Arranged by Various. Book; CD; Instrumental Series; Play-Along; So...(+)
Flute. Arranged by Various. Book; CD; Instrumental Series; Play-Along; Solo. Instrumental Solos Series. Masterwork Arrangement. 40 pages. Published by Alfred Music (AP.47044).
$12.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Easy Classical Themes Instrumental Solos (Horn in F) French horn [Sheet music + CD] - Beginner Alfred Publishing
Horn in F. Arranged by Various. Instrumental Series; Play-Along; Solo. Instru...(+)
Horn in F. Arranged by
Various. Instrumental Series;
Play-Along; Solo.
Instrumental Solos Series.
Masterwork Arrangement. Book;
CD. 40 pages. Alfred Music
#00-47059. Published by
Alfred Music
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 100 Classic Melodies for Saxophone Saxophone [Sheet music] - Intermediate Kevin Mayhew
arranged by Simon Lasky. For Saxophone (All). solos. Kevin Mayhew Ltd. Classic. ...(+)
arranged by Simon Lasky. For Saxophone (All). solos. Kevin Mayhew Ltd. Classic. Level: Intermediate. Book. Size 9x12. 40 pages. Published by Kevin Mayhew Ltd.
$15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 100 Classic Melodies for Descant Recorder Descant (Soprano) Recorder [Sheet music] - Intermediate Kevin Mayhew
Arranged by Simon Lasky. Recorder. Book. Published by Kevin Mayhew Publishers (U...(+)
Arranged by Simon Lasky. Recorder. Book. Published by Kevin Mayhew Publishers (U.K. Import). Level: Intermediate.
$12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Easy Classical Themes Instrumental Solos (Trumpet) Trumpet [Sheet music + CD] - Beginner Alfred Publishing
Trumpet. Arranged by Various. Instrumental Series; Play- Along; Solo. Instrum...(+)
Trumpet. Arranged by Various.
Instrumental Series; Play-
Along; Solo. Instrumental
Solos Series. Masterwork
Arrangement. Book; CD. 40
pages. Alfred Music #00-
47056. Published by Alfred
Music
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Inspirations Piano solo [Sheet music] FJH
Arranged by Rick Parks. For piano. The FJH Classical Organ Library (Sacred). Sac...(+)
Arranged by Rick Parks. For piano. The FJH Classical Organ Library (Sacred). Sacred. Early Advanced. Book
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 101 Classical Themes for Cello Cello [Sheet music] Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by ...(+)
Composed by Various.
Instrumental Solo.
Softcover. 88 pages.
Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Madrigal Pavane / Timburibá Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4287 Composed by Francisco Braga. Arran...(+)
Guitar solo - Advanced SKU: DZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. Les Productions d'OZ #DZ 4287. Published by Les Productions d'OZ (DZ.DZ-4287). ISBN 9782898522048. Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others. In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre. Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez. Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin). In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions. In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro. Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro. The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.
Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres. En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre. De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez. Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne). En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes. En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro. Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro. La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ». Envoyer des commentaires Panneaux latéraux Historique Enregistrées. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Clarinet Solos, Duets, Ensembles, Methods & Studies for: The Ultimate Collection Clarinet CD Sheet Music
SKU: SU.00220629 Woodwinds, Clarinet. USB (PDF Scores). CD Sheet Music #0...(+)
SKU: SU.00220629 Woodwinds, Clarinet. USB (PDF Scores). CD Sheet Music #00220629. Published by CD Sheet Music (SU.00220629). This CD Sheet Music collection on USB Flash Drive contains 2 complete CDSM titles: The Clarinet Solos & Duos collection makes available a wealth of music for solo clarinet including sonatas, concertos, and solo works by 28 composers from the 18th, 19th and early 20th centuries. Also included are two complete volumes of collected works: Easy Duets and Album of Short Solos by Various Composers. Works include: Baermann, C. (Duo Concertante); Baermann, H. (Adagio); Beethoven (3 Duos for Clarinet and Bassoon); Berg (4 Pieces for Clarinet & Piano); Brahms (Sonata Nos. 1 & 2); Busoni (Elegie for Clarinet & Piano); Cavallini (30 Caprices for Clarinet); Debussy (Première Rhapsodie); Fauré (Berceuse); Gade (4 Fantasy Pieces); Glazunov (Saxophone Concerto [for clarinet & piano]); Jeanjean (Variations on Au Clair de la Lune); Klosé )Souvenir); Mason (Sonata for Clarinet & Piano); Mendelssohn (Concert Piece for 2 Clarinets & Piano); Mozart, L. (Concerto in Bb major); Mozart, W.A. (3 Duets for 2 Clarinets); Paganini (14 Caprices); Pierné (Pièce in G minor); Prokofiev (Visions Fugitives); Reger (Sonata Nos. 1 & 2); Reinecke (Sonata, Undine); Saint-Saëns (Sonata in Eb major); Schumann (Fantasy Pieces, 3 Romances); Spohr (Concerto Nos. 1-4); Stravinsky (3 Pieces for Clarinet Solo); Wagner (Adagio for Clarinet & Strings); Weber (Fantasia & Rondo, Grand Duo Concertante) Easy Duets Book 1: works by Fodor, Pleyel, Volckmar, Wanhal; Book 2: works by Mazas, Bruni, Campagnoli, Gebauer, Geminiani, Haydn, Pleyal, Viotti Album of Short Solos by Various Composers: 30 familiar works arranged for clarinet, including Brahms (Cradle Song), Dvorák (Humoreske), Fibich (Poéme), Handel (Largo), Giordani (Caro mio bien), Richter (Seppl-Polka), Schubert (Ave Maria), Schumann (Träumerei), Weber (Bauernwalzer), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1200+ pages The Clarinet Methods, Studies & Ensembles collection makes available eight essential clarinet methods, studies and exercises, as well as over 30 works for clarinet with instruments including duos, trios and quartets by 20 familiar and lesser-known composers from the 18th, 19th and early 20th centuries. Scores and parts are included for many ensemble works. Methods, Studies & Exercises include: Baermann (Complete Method for Clarinet, Op. 63); Klosé (Conservatory Method, 25 Daily Exercises, 30 Studies after Aument); Langenus (Complete Method for Clarinet); Rose (32 Etudes for Clarinet) Ensembles include: Amberg (Fantasiestücke, Suite for Flute, Oboe, Clarinet & Piano); Beethoven (Quintet for Piano and Winds); Brahms (Quintet for Clarinet & Strings, Trio for Clarinet, Cello & Piano); Bruch (8 Piece for Clarinet, Cello & Piano); Cavallini (Rêverie Russe for Flute, Clarinet, and Piano); d'Indy (Trio for Piano, Clarinet, and Cello); Fibich (Quintet for Clarinet, Violin, Cello, Horn, & Piano); Glinka (Trio Pathétique, for Clarinet, Cello, & Piano); Hummel (Serenade No. 1 for Flute, Clarinet, Viola, & Cello); Liadov (8 Russian Folk Dances); Mozart (Twelve Minuets for 2 Clarinets or Basset Horns, Five Divertimenti for 2 Clarinets & Bassoon), Quintet for Clarinet & Strings, Quintet for Piano & Winds, Trio for Clarinet, Viola & Piano); Ravel (Intruduction & Allegro); Reger (Quintet for Clarinet & Strings); Rimsky-Korsakov (Quintet for Piano & Winds); Saint-Saëns (Tarantella for Flute, Clarinet & Piano); Schubert (Der Hirt auf dem Felsen); Schumann (Märchenerzählungen, for Clarinet, Viola & Piano); Spohr (Fantasy & Variations); Titl (Serenade for Violin, Clarinet & Piano); Zemlinsky (Trio for Clarinet, Violin & Cello) Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2100+ pages Published by: CD Sheet Music. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Disclosures Piano solo Peermusic Classical
Piano (Piano Solo) SKU: HL.354338 For Solo Piano. Composed by Rich...(+)
Piano (Piano Solo) SKU: HL.354338 For Solo Piano. Composed by Richard Wilson. Peermusic Classical. Classical. Softcover. Duration 600 seconds. Peermusic Classical #70303-501. Published by Peermusic Classical (HL.354338). ISBN 9781705107669. UPC: 840126936964. 9.0x12.0x0.109 inches. Richard Wilson was born in Cleveland on May 15, 1941. He studied piano with Roslyn Pettibone, Egbert Fischer, and Leonard Shure, andcello with Robert Ripley and Ernst Silberstein. After beginning composition studies with Roslyn Pettibone and Howard Whittaker, he went on in 1959 to Harvard, studying with Randall Thompson, G.W. Woodworth, and principally with Robert Moevs, and graduating in 1963 magna cum laude. Awarded the Frank Huntington Beebe Award for study abroad, he continued studying piano with Friedrich Wührer in Munich, and composition, again with Moevs, in Rome, where he also gave piano recitals. Wilson joined the faculty of Vassar College in 1966. He was appointed to the Mary Conover Mellon Professorship of Music there in 1988, and he has served three times as chairman of the Department of Music. Wilson has been commissioned by the San Francisco Symphony, the American Symphony, the New Juilliard Ensemble, the Koussevitzky Foundation, the Fromm Foundation, Chamber Music America, the Chicago Chamber Musicians, the Walter W. Naumburg Foundation, and the Library of Congress. His works have been heard in such American musical centers as New York, Philadelphia, Washington, Boston, Cleveland, and Los Angeles and at the Aspen Music Festival, but also in London, Berlin, Frankfurt, Zurich, Milan, Amsterdam, Graz, Leningrad, Stockholm, Tokyo, Bogota, and a number of Australian cities. The recipient in 1992 of a Guggenheim Fellowship, he was awarded the Elise L. Stoeger Prize of the Chamber Music Society of Lincoln Center in 1994, the Academy Award from the American Academy of Arts and Letters in 2004, and has served as composer in residence with the American Symphony Orchestra since 1992. Wilson has been praised by 21st Century Music as a “splendidly talented and highly accomplished composer whose music rewards seeking out†and by the New York Sun as “possessed of a hard-won idiom that has grown and developed over the years into a probing blend of wit, classic form, modern harmony, and impressionistic color.†Writing in the New Yorker, Andrew Porter called his String Quartet No. 3 a “richly wrought and unusual composition,†while the New York Times called it “a work of substance and expressivity ... [that] merits a place in the active repertory.â€. $17.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The G. Schirmer Cello Anthology Cello, Piano Schirmer
(12 Works from the 20th Century Cello and Piano and Solo Cello). Composed by Var...(+)
(12 Works from the 20th Century Cello and Piano and Solo Cello). Composed by Various. For Cello, Piano Accompaniment. String Solo. Softcover. 72 pages. G. Schirmer #ED 4550. Published by G. Schirmer
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Air on G - String Cello, Piano SonArt Edition
Cello and piano SKU: M7.SAE-2-01 Composed by Johann Sebastian Bach. Arran...(+)
Cello and piano SKU: M7.SAE-2-01 Composed by Johann Sebastian Bach. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 2-01. Published by SonArt Edition (M7.SAE-2-01). ISBN 9790707665299. This is a unique arrangement for cello and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events. $18.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Double Concerto in A Minor, Op. 102 Piano Trio: piano, violin, cello G. Henle
(Piano Trio). Composed by Johannes Brahms (1833-1897). Edited by Johannes Umbrei...(+)
(Piano Trio). Composed by Johannes Brahms (1833-1897). Edited by Johannes Umbreit, Michael Struck, Frank Peter Zimmermann, and Heinrich Schiff. For Piano Trio. Henle Music Folios. Softcover. G. Henle #HN715. Published by G. Henle
$57.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lonestar - Beginner Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5 SKU: CF.FAS92 Composed by Carl Strommen. First-Plus String Orchestra (FAS). Set of Score and Parts. With Standard notation. 8+2+8+5+5+5+2+8 pages. Duration 2 minutes, 54 seconds. Carl Fischer Music #FAS92. Published by Carl Fischer Music (CF.FAS92). ISBN 9781491142967. UPC: 680160900466. 9x12 inches. Key: G major. This lovely original ballad for strings sounds like it was based on a traditional folk song. Carl Strommen has a way of writing memorable melodies and lush harmonies. Lonestar sounds like an American cowboy song, and will stretch the musicianship of your young students. The plaintive opening in Violin 1 (optional solo) then joined with Violin 2 (optional solo) at m. 9 suggests an early morning sunrise on the vast Western prairie. With each new section, the sun slowly emerges and rises in full glory at m. 41. The performance of Lonestar will be most effective when played broadly, with expression, observing all dynamics and tempo changes. To present this musical portrait more clearly, the conductor is encouraged to take advantage of the interpretive opportunities that Lonestar provides. For more information, please visit carlstrommen.com. $53.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Violin Concerto in C major Hob VIIa:1 Cello, Orchestra Breitkopf & Härtel
Violin and orchestra (solo: vl - str - bc) SKU: BR.PB-5297 Composed by Fr...(+)
Violin and orchestra (solo: vl - str - bc) SKU: BR.PB-5297 Composed by Franz Joseph Haydn. Edited by Walter Heinz Bernstein. Orchestra; stapled. Partitur-Bibliothek (Score Library). Haydn's C major Concerto now in a new, up-to-date edition EB 8634 (edition for violin and piano) with cadenzas by Thomas Zehetmair Solo concerto; Classical. Full score. 24 pages. Duration 24'. Breitkopf and Haertel #PB 5297. Published by Breitkopf and Haertel (BR.PB-5297). ISBN 9790004211755. 10 x 12.5 inches. Haydn's Violin Concerto in C major has always been closely linked to Breitkopf & Hartel, which began selling copies of the work back in 1769. The first edition came out in 1909 and helped secure the work a broad dissemination and lasting popularity. Strangely enough, this first edition is one of the most important sources today, since its own source a copy of Haydn's autograph, perhaps the autograph itself was lost at the end of World War II. Although other copies from Haydn's time were made, they are textually less reliable. Walter Heinz Bernstein has created an easily playable and pleasant-sounding piano score on the basis of the first edition, whereby he has respected the early classical continuo practice. As he did earlier in the G major Concerto (EB 8606), Thomas Zehetmair has once again accepted the challenging task of embellishing the solo part with stylistically accurate cadenzas and flourishes. This delightful concerto is thus now available in a modern edition.The piano-harpsichord part by Walter Heinz Bernstein features a continuo part in keeping with the late Baroque performing tradition and offers a much cleaner, unfettered realization.(Stringendo)
Haydn's C major Concerto now in a new, up-to-date edition. $26.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
Next page 1 |