Composed by Elliot Del Borgo. Arranged by Nathan Daughtrey. For String Orchestra (violin I, violin II, viola, cello, contrabass, rehearsal piano). Orchestra Music. Grade 2.5. Score and parts. Duration 7:00. Published by C. Alan Publications

By Nathan Daughtrey. Percussion Ensemble. Percussion Music. Score and set of parts. Published by C. Alan Publications.

The Celtic Collection for Solo Piano by Various. For Piano Solo. Music Sales America. Irish, Celtic. Softcover. 96 pages. Ossian Publications #OMB162. Published by Ossian Publications

Music for younger players by well known composers such as Rob Romeyn, Matt Conaway, James Swearingen, David Shaffer, Larry Neeck, Robert W. Smith, Steven Reineke, Ed Huckeby, Ben Hawkins, Benjamin Yeo, Amanda Harberg and John Edmondson. Exceptional recordings by The Washington Winds provides students with a wonderful model of tone production, balance and style

For C Instruments. Folk, Celtic. Sheet Music. 80 pages. Published by Music Sales.

SATB choir, voice solo, piano accompaniment, cello - Early intermediate

SKU: GI.G-10931

Composed by Alan Wiseman. Emmanuel College. Sacred. Octavo. 12 pages. GIA Publications #10931. Published by GIA Publications (GI.G-10931).

UPC: 785147093114. English. Text Source: Trad. Celtic prayer and Isaiah 6:3. Scripture: Isaiah 6:3.

Flute duo

SKU: P2.10021

Composed by Cornelius Boots. Chamber music, 20th century. Published by Potenza Music (P2.10021).

The second part of the Chthonic Flute Suite commissioned by Areon Flutes in 2012. This suite has two main inspirations: ideologically it draws guidance from the book The Dream and the Underworld (1979) by James Hillman (1926-2011) and musically it explores the textural possibilities of a flute ensemble within the context of the heavy chamber music style I have developed with Edmund Welles: the bass clarinet quartet since 1996. This style draws virtuosic precision from the classical realm; innovation and texture from jazz; and power, rhythm and overall perspective from rock and metal. The term chthonic [thon-ik] generally means underworld. However, Hillman thoroughly elaborates that its true meaning extends below the earth and beyond it into invisible, non-physical and far distant psychic realms: the deeper mysteries of the invisible. The duo is divided into two sections: Nekyia and Hypnoia. Each of these is a Greek myth-nerd term for some key aspect of an archetypal descent into the underworld. In fact, nekyia is a term that specifically means archetypal descent as one finds in myths across the ages from Dante to the Greeks and beyond. Hillman sees a lack of sufficient nekyia myths in our modern culture, yet our popular heroes in films and music are shady underworld characters. Dante's underworld was our culture's last, and it was imagined even before the Renaissance had properly begun. Our ethnic roots reach back to great underworld configurations: the Celtic Dagda or Cerunos, the Germanic Hel, and the Biblical Sheol. All have faded... (p.64) Hyponoia is a more subtle term used by Plato that refers to an undersense or a deeper meaning. The search for undersense is what we express in common speech as the desire to understand. We want to get below what is going on and see its basis, its fundamentals, how and where it is grounded. (p. 137) This deeper understanding is one of the motivations and constant characteristics of the underworld descent: but the discoveries made and experiences experienced are not always as they seem to be. Hillman recommends over and over that we see and see into each thing for what it is, and not force a dayworld perspective onto dream images and occurrences. As a duo movement, the term enantiodromia (counter enantio, and running dromia) is particularly appropriate as it is a grounding principle by which Jung understands the regulative function of opposites. As Hillman tends to turn things on their metaphorical heads, he fleshes out dualism and oppositionalism in such a way that in the underworld this actually becomes a unifying principle: If you go far enough with any one movement, a countermovement will set in...The way up and the way down are one and the same: the manifestation of one power by opposite forces. (p. 76) This implies a union of the two opposites, a conjunction as contrasted with an opposition. There are two voices but they are both flutes; there are two contrasting halves to the piece, yet they balance each other even in their differences.

Concert Band - Grade 2

SKU: AP.48179

Arranged by Douglas E. Wagner. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Young Band. Folk; Traditional. Score and Part(s). 124 pages. Duration 3:00. Belwin Music #00-48179. Published by Belwin Music (AP.48179).

UPC: 038081554570. English. Traditional Irish Folk Song.

Based on the Celtic music of Ireland and Scotland, often modal in tonality and simply stated melodically, this piece presents a richly woven tapestry of local culture, history, folklore, and deeply personal experiences. The free-flowing, lyrical melodic style of this well-known Irish tune enhances dynamic balance, breath support, phrasing, and stylistic nuances. (3:00) This title is available in MakeMusic Cloud.