(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

102 Selections from Symphonies, Ballets, Operas, and Piano Literature for Piano Solo. By Various. World's Greatest Classical Music. Size 9x12 inches. 256 pages. Published by Hal Leonard.

By Heller. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Edited by Denes Agay. For piano. Format: piano solo book. With fingerings, introductory text, biographical sketches of composers and glossary of musical terms. Romantic period. 244 pages. 9x12 inches. Published by Yorktown Music Press.

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

(Schirmer's Library of Musical Classics). Composed by Various. For Piano. Piano Collection. Softcover. 208 pages. G. Schirmer #LB2110. Published by G. Schirmer

Schirmer's Library of Musical Classics. Composed by Various. Piano Collection. Softcover. 160 pages. Published by G. Schirmer

Album Leaf No. Iii [op. 99, No. 6] Composed by Robert Schumann Arabeske [op. 18] Composed by Robert Schumann Chopin [op. 9, No. 13] Composed by Robert Schumann Drei Stücklein Iii [op. 99, No. 3] Composed by Robert Schumann Grillen [op. 12, No. 4] Additional credits Robert Schubert Impromptu [op. 124, No. 1] Composed by Robert Schumann Ländler [op. 124, No. 7] Composed by Robert Schumann Larghetto [op. 15] Additional credits Clara Wieck-schumann Mazurka [op. 6, No. 3] Additional credits Clara Wieck Perfect Happiness [op. 15, No. 5] Composed by Robert Schumann Präludium Und Fuga [op. 16, No. 2] Additional credits Clara Wieck-schumann Romance [op. 5, No. 3] Additional credits Clara Wieck Scherzino [op. 124, No. 3] Composed by Robert Schumann Toccatina [op. 6, No. 1] Additional credits Clara Wieck Träumerei [op. 15, No. 7] Composed by Robert Schumann Variations On A Theme Of Robert Schumann [op. 20] Additional credits Clara Wieck-schumann Warum? [op. 12, No. 3] Composed by Robert Schumann At the Piano with Robert and Clara Schumann by Robert Schumann. Edited by Maurice Hinson. For Piano. Masterworks; Piano Collection. At the Piano. Masterwork; Romantic. Advanced; Early Advanced; Intermediate; Late Intermediate. Book. 64 pages. Published by Alfred Music Publishing

By Robert Schumann. Keyboard. Level: Early Intermediate/Late Intermediate (3/4/5/6). Published by Alfred Publishing.

At the Piano with Liszt by Franz Liszt (1811-1886). Edited by Maurice Hinson. For Piano. Masterworks; Piano Collection. At the Piano. Masterwork; Romantic. Early Advanced; Intermediate; Late Intermediate. Book. 64 pages. Published by Alfred Music Publishing

The World's Great Classical Music. By Various. Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 232 pages. Published by Hal Leonard.

Piano

SKU: BT.EMBZ14505A

Suppl. 10. By Adrienne Kaczmarczyk_Ágnes Sas. By Franz Liszt. EMB New Listz Edition. Book Hardcover. Composed 2014. 224 pages. Editio Musica Budapest #EMBZ14505A. Published by Editio Musica Budapest (BT.EMBZ14505A).

English-German-Hungarian.

Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.

Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.

Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.

For piano. Format: piano solo book. Baroque, Classical Period and Romantic Period. 208 pages. 9x12 inches. Published by Schirmer.

85 Early / Late Intermediate Selections in Their Original Form - Baroque to Modern. Edited by Maurice Hinson. For Piano. Piano Collection. Essential Keyboard Repertoire. Masterwork. Level: Early Intermediate / Late Intermediate. Book. 128 pages. Published by Alfred Publishing.