Arranged by Lloyd Conley. Brass Quintet. For 2 trumpet, horn in F, trombone and tuba. Level: Grade 3-4. Score and set of parts. Published by Kendor Music Inc.

By Traditional. Arranged by Villanueva. Brass Quintet. Published by Music Express.

By Paul Edwards. Quintet for Saxophone Ensemble. Level: 5. Published by River Song Productions.

Composed by Michael McCarthy. For SATB choir divisi (SSAATBB), optional congregation, brass quintet, organ, optional percussion. National Songs, 2013 Inauguration. Medium. Choral score. Published by MorningStar Music Publishers

Brass Quintet - Advanced

SKU: CY.CC3049

Composed by John Philip Sousa. Arranged by Dan Ogren. Classical. Score and Parts. Cherry Classics #CC3049. Published by Cherry Classics (CY.CC3049).

ISBN 9790530110249. 8.5 x 11 in inches.

Sousa's most famous march The Stars and Stripes Forever is now beautifully arranged for Brass Quintet by Dan Ogren. It was composed on Christmas Day in 1896 and following an Act of Congress in 1987, it was officially adopted as the national march of the United States of America. Instrumentation is for Piccolo Trumpet, B-flat Trumpet, Horn, Trombone and Tuba. The music is appropriate for advanced performers and is sure to entertain your audience.

By Gordon Schuster. For Brass Ensemble. Quintet for Brass Ensemble. Patriotic. Level: 3.5. Published by Majestic Music Publications.

By Paul Edwards. For Trombone. Quintet for Trombone. Patriotic. Grade 5. Published by River Song Productions

Ensemble (Score)

SKU: HL.287423

Ensemble Score. Composed by Hans Abrahamsen. Music Sales America. Classical. Softcover. 200 pages. Duration 1080 seconds. Edition Wilhelm Hansen #WH31089. Published by Edition Wilhelm Hansen (HL.287423).

Wald for Ensemble was composed by Hans Abrahamsen in 2008-09. Co-commission by the Schonberg Ensemble and BBC for Birmingham Contemporary Music Group. Programme Note Wald is, in a way, a series of variations from the beginning of my woodwind quintet Walden (1978). This thematical idea is very simple - a rising call of a fourth and the response in other voices. This idea is repeated several times, but because the call has aslower pulse than the responses, the process leads to them changing order. In Walden I borrowed the title from the American philosopher Henry David Thoreau, who, in the middle of the eighteenth century, in alittle wooden hermit house at the bank of the lake Walden pond, wrote the book Walden of his life and time in the forests. Here he experimented living for two years in order to come closer to nature and to see if it was possible to live simply without all the unnecessary needs created by society. The book is filled with poetry, but is also cutting and critical of society. In my piece Walden, I tried to search for the same simplicity, handling the most simple material, but at the same time trying not to lose the poetry. Wald is a twin piece to Walden, but also to my former piece Schnee. Robert Schumann wrote in 1848-49 a wonderful piano piece, Waldszenen. He wrote this collection of short pieces with beautiful titles.