| A Thanksgiving Trilogy Choral SATB Shawnee Press
Arranged by Benjamin Harlan. For SATB choir and congregation (SATB). Shawnee Pre...(+)
Arranged by Benjamin Harlan. For SATB choir and congregation (SATB). Shawnee Press. Sacred, Thanksgiving. 16 pages. Shawnee Press #A8888. Published by Shawnee Press
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| Bruce Springsteen Easy Guitar Songbook Guitar notes and tablatures [Sheet music] - Easy Alfred Publishing
(Easy Guitar TAB). For Guitar. This edition: Guitar TAB Edition. Artist/Pers...(+)
(Easy Guitar TAB). For Guitar.
This edition: Guitar TAB
Edition. Artist/Personality;
Book; Guitar Personality;
Guitar TAB. Guitar Songbook.
104 pages. Published by Alfred
Music Publishing
$22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| On Life's Dividing Sea Choral SATB Stainer and Bell
SATB choir SKU: ST.CN20P Composed by Rhiannon Randle. This PRINTED versio...(+)
SATB choir SKU: ST.CN20P Composed by Rhiannon Randle. This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN20P. Published by Stainer & Bell Ltd. (ST.CN20P). ISBN 9790220224850. Greatly admiring the poetry of Christina Rossetti, and in particular the elegance and poignancy of her sonnet 'An Echo from Willow-Wood', the composer initially wrote this work as the second of a group of three anthems entitled Echoes from Willow Wood, exploring aspects of hope and despair in love. These are indeed powerful themes throughout Rossetti's oeuvre, and there was a strong creative tension here with another text selected for the collection, her much anthologised 'A Birthday', which is brimming with hope and joy at the prospect of love. By contrast, in On Life's Dividing Sea the poet tugs vainly at the heart-strings of hope and concludes in dejection. Taking its title from line 8 of the poem, the setting focuses on imagery of the sea, an emblem which inspired many of the textures of the central section. Cluster chords, more lyrical gestures, and suggestions of quasi-Purcellian cadences convey a message of youthful, innocent desire being torn apart, while maintaining Rossetti's poised Victorian turn of phrase. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Coventry Carol Carl Fischer
Choral TBB choir, piano SKU: CF.CM9711 Composed by English Carol. Arrange...(+)
Choral TBB choir, piano SKU: CF.CM9711 Composed by English Carol. Arranged by Noah Reese. 12 pages. Duration 2 minutes, 51 seconds. Carl Fischer Music #CM9711. Published by Carl Fischer Music (CF.CM9711). ISBN 9781491160060. UPC: 680160918669. Key: G minor. English. English Carol. Coventry Carol was first performed during the sixteenth century in Coventry, England as a part of the Pageant of the Shearman and Tailors. It was a lament by the mothers of children taken in the Biblical Slaughter of the Innocents. Robert Croo is credited with writing the lyrics in 1534, and the music was written by an unknown composer in 1591. The original manuscript of Robert Croo's poem lasted until a fire destroyed it in 1879. The underlying mixed meter feeling of this arrangement is meant to help the piece build momentum to the third verse to tell the tragic story depicted in the poem. The repeated motif is a descending chromatic scale and can be found throughout all three parts. Teaching a descending chromatic scale from G3 down to D3 will help the basses find their entrances throughout the chorus of the piece. The tenors have the same descending line up an octave in the cued notes starting at m. 49 and can sing in octaves with the basses for practice.  . Coventry Carol was first performed during the sixteenth Century in Coventry, England as a part of the Pageant of the Shearman and Tailors. It was a lament by the mothers of children taken in the Biblical Slaughter of the Innocents. Robert Croo is credited with writing the lyrics in 1534, and the music was written by an unknown composer in 1591. The original manuscript of Robert Croo's poem lasted until a fire destroyed it in 1879. The underlying mixed meter feeling of this arrangement is meant to help the piece build momentum to the third verse, helping to tell the tragic story depicted in the poem. The repeating motif is based around the altos' descending chromatic scale. The repeated motif is a descending chromatic scale and can be found throughout all three parts. Teaching a descending chromatic scale from G3 down to D3 will help the basses find their entrances throughout the chorus of the piece. The tenors have the same descending line up an octave in the cued notes starting at m. 49 and can sing in octaves with the basses for practice. Coventry Carol was first performed during the sixteenth Century in Coventry, England as a part of the Pageant of the Shearman and Tailors. It was a lament by the mothers of children taken in the Biblical Slaughter of the Innocents. Robert Croo is credited with writing the lyrics in 1534, and the music was written by an unknown composer in 1591. The original manuscript of Robert Croo's poem lasted until a fire destroyed it in 1879.The underlying mixed meter feeling of this arrangement is meant to help the piece build momentum to the third verse, helping to tell the tragic story depicted in the poem. The repeating motif is based around the altos' descending chromatic scale.The repeated motif is a descending chromatic scale and can be found throughout all three parts. Teaching a descending chromatic scale from G3 down to D3 will help the basses find their entrances throughout the chorus of the piece. The tenors have the same descending line up an octave in the cued notes starting at m. 49 and can sing in octaves with the basses for practice. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Once Upon a Night Choral SATB Shawnee Press
Composed by Pepper Choplin. Arranged by Brant Adams. Glory Sound. Obligato Instr...(+)
Composed by Pepper Choplin. Arranged by Brant Adams. Glory Sound. Obligato Instrument-Flute, Bass/Percussion, Advent, Christmas and Sacred. 12 pages. Glory Sound #A7132. Published by Glory Sound (HL.35016158).
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| 13 Canons Op. 113 Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5386 Urtext. Composed by Johannes Br...(+)
Chorus a cappella SKU: BR.CHB-5386 Urtext. Composed by Johannes Brahms. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Romantic. Sheet Music. Breitkopf and Haertel #CHB 5386. Published by Breitkopf and Haertel (BR.CHB-5386). ISBN 9790004413876. 7.5 x 10.5 inches. German. It is unknown when exactly Brahms wrote his 13 Kanons op. 113, a collection of 13 rounds for female voices. However, it is likely that the individual pieces were composed between 1859 and 1863 and for various occasions. In this period, Brahms did various counterpoint studies to which the rounds as one the strictest forms of counterpoint fit nicely. Another contributing factor around this time was Brahms' work with the newly founded Hamburger Frauenchor [Hamburg Female Choir]. Some of the rounds can be found in the part books of this ensemble. The innocent, small, amorous lines that should be sung lightly and joyfully by pretty girls were not published until 1891. For the whole set, Brahms received the formidable salary of 6000 marks. As well as using lines by famous writers, Brahms drew lyrics from folk songs, too.
For three, four and six female voices a cappella. $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 13 Canons Op. 113 Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5386-02 Urtext. Composed by Johannes...(+)
Chorus a cappella SKU: BR.CHB-5386-02 Urtext. Composed by Johannes Brahms. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Romantic. Sheet Music. 12 pages. Breitkopf and Haertel #ChB 5386-02. Published by Breitkopf and Haertel (BR.CHB-5386-02). ISBN 9790004413876. 7.5 x 10.5 inches. German. It is unknown when exactly Brahms wrote his 13 Kanons op. 113, a collection of 13 rounds for female voices. However, it is likely that the individual pieces were composed between 1859 and 1863 and for various occasions. In this period, Brahms did various counterpoint studies to which the rounds as one the strictest forms of counterpoint fit nicely. Another contributing factor around this time was Brahms' work with the newly founded Hamburger Frauenchor [Hamburg Female Choir]. Some of the rounds can be found in the part books of this ensemble. The innocent, small, amorous lines that should be sung lightly and joyfully by pretty girls were not published until 1891. For the whole set, Brahms received the formidable salary of 6000 marks. As well as using lines by famous writers, Brahms drew lyrics from folk songs, too.
For three, four and six female voices a cappella. $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Song of the Innocents Choral SATB - Beginner GIA Publications
SATB choir, voice solos, keyboard accompaniment, guitar - Beginning SKU: GI.G...(+)
SATB choir, voice solos, keyboard accompaniment, guitar - Beginning SKU: GI.G-5918 Composed by Francis Patrick O'brien. Christmastide. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #5918. Published by GIA Publications (GI.G-5918). English, Latin. Text Source: Matthew 2:16-18, Jeremiah 31:15. Text by Sylvia Dunstan. Scripture: Matthew 2:16–18, Jeremiah 31:15. Sylvia Dunstan’s pointed, unsettling words resound: “God, hear the blood crying out from the ground.†They find balance in O’Brien’s sensitive music for two solo voices and choir. The “miserere nobis†underpinning throughout provides a beautiful, comforting mantra. A good piece to consider not only for Christmastide but also for the unborn or the funeral of a child. Text by Sylvia Dunstan. $1.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Peter Maxwell Davies: Naxos Quartet No. 4 - Children's Games (Score) String Quartet: 2 violins, viola, cello Chester
String Quartet SKU: HL.14008374 Composed by Sir Peter Maxwell Davies. Mus...(+)
String Quartet SKU: HL.14008374 Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Score. Composed 2006. 24 pages. Chester Music #CH68629. Published by Chester Music (HL.14008374). ISBN 9781846096150. UPC: 884088435202. 8.25x11.75x0.105 inches. The Full Score for Peter Maxwell Davies' fourth in a series of ten string quartets commissioned by the Naxos Recording company, first performed by the Maggini Quartet on 20th August 2004 at the Chapel of the Royal Palace, Oslo, Norway, as part of the Olso Chamber Music Festival. Composer Note: The fourth Naxos quartet was written in January and February of 2004, with the intention of producing something lighter and much less fierce than its predecessor, an unpremeditated and spontaneous reaction to the illegal invasion of Iraq. I returned to the well-known Brueghel picture of children's games (1560, now in Vienna), which had been the inspiration for my sixth Strathclyde Concerto, for flute and orchestra. These illustrations liberated my musical imagination, but I feel it would limit the listener's perception to be too specific about which game relates to exactly which section of the work. Suffice it to say that there is vigorous play - leap-frog, bind the devil with a cord, truss, wrestling - alongside quieter pastimes - masks, guess whom I shall choose, courting, odds and evens. The single movement juxtaposes these activities as abruptly and intimately as they occur in Brueghel. Rather as the eye is taken into different perspectives and proportions of scale within the picture, taking liberties which would never be present in, for instance, Brunelleschi architectural drawings, so here, with a constant sequence of transformation processes, I have distorted the neat, precise implications of modal progression, expressed in the unison opening phrase (from F to B through A sharp/B flat), so that the ear is led, en route, into the sound equivalents of strange passageways and closed rooms: sicut exposition ludus. As work on the quartet progressed I became aware that I was reading into, and behind the games, adult motives and implications, concerning aggression and war, with their consequences. It was impossible to escape into innocent childhood fantasy. The nature of the F to B progression underlying the whole construction derives from a passage in the development of the first movement of Mahler's Third Symphony, and the opening of Schoenberg's Second String Quartet. However, unlike in these models, here a real - if temporary - sense of resolution occurs at the close of the quartet: as when the curtain falls on the reconciled Count and Countess in 'Figaro' one wonders how long the F/B truce will hold, and games break out again. The quartet is dedicated to Giuseppe Rebecchini, Roman architect, and friend since the nineteen-fifties. $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dream Theater: Awake Guitar notes and tablatures [Sheet music] - Intermediate Alfred Publishing
Performed by Dream Theater. Guitar tablature songbook for guitar and voice. 160 ...(+)
Performed by Dream Theater. Guitar tablature songbook for guitar and voice. 160 pages. Published by Alfred Publishing.
(2)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Arias from Oratorios by Women Composers of the Eighteenth Century ClarNan Editions
By Grazianini de Rossi; Maria Margharita Grimani. Edited by Barbara Jackson. Cha...(+)
By Grazianini de Rossi; Maria Margharita Grimani. Edited by Barbara Jackson. Chamber orchestra. For SA voices, orchestra and basso continuo. Arias. Arias From Oratorios By Women Composers Of The 18th Century, Volume 1. Arias from oratorios with instruments. Baroque. Adult. Sheet music. 74 pages. Published by ClarNan Editions
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| Spring/Introduction/Earth's answer Choral SSAATTBB SSAATTBB A Cappella Gehrmans Musikforlag
(from Songs of Innocence and of Experience). Composed by Sven-David Sandstrom. F...(+)
(from Songs of Innocence and of Experience). Composed by Sven-David Sandstrom. For SSAATTBB choir (a cappella). Language: English. 32 pages. Duration 12 minutes. Published by Gehrmans Musikforlag
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| O du liebes Jesu Kind Organ Carus Verlag
Solo voice or unison chorus, Organ SKU: CA.338810 Lied. Composed b...(+)
Solo voice or unison chorus, Organ SKU: CA.338810 Lied. Composed by Anton Bruckner. Carus digital: Extra digital products. Full Score. Composed 1845ca. WAB 145. Carus Verlag #338810. Published by Carus Verlag (CA.338810). ISBN 9790007303662. German. Composed around 1845 for the service on December 28 (the Day of the Innocent Children), this edition of the song is not only available in its original version for voice and organ, but also in an arrangement for four-part choir. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Little Innocent Lamb Choral SATB SATB [Octavo] Alfred Publishing
Arranged by Mark Hayes. For Choir. (SATB). Choral Octavo. Choral Designs. Spiri...(+)
Arranged by Mark Hayes. For Choir. (SATB). Choral Octavo. Choral Designs. Spiritual. Choral Octavo. 16 pages. Published by Alfred Publishing.
$2.95 $2.8025 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bert Appermont: In Memoriam: We Shall Rise Again Concert band [Score and Parts] - Intermediate Beriato Music
For Concert Band (Score/Parts). Composed by Bert Appermont. Beriato Music Con...(+)
For Concert Band
(Score/Parts). Composed by
Bert Appermont. Beriato
Music Concert Band Set.
Softcover. Beriato Music
#BMP17011667. Published by
Beriato Music
$105.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| La pastorella al prato, D.513 Carl Fischer
Choral TB chorus with Piano and optional Solos SKU: CF.CM9591 Composed by...(+)
Choral TB chorus with Piano and optional Solos SKU: CF.CM9591 Composed by Franz Schubert. Arranged by Susan Thrift. Fold. Performance Score. 8 pages. Duration 1 minute, 37 seconds. Carl Fischer Music #CM9591. Published by Carl Fischer Music (CF.CM9591). ISBN 9781491154137. UPC: 680160912636. 6.875 x 10.5 inches. Key: Bb major. Italian. Gedicht Goldoni. Original. There is not a lot written about the history of La Pastorella by Austrias classical composer, Franz Schubert (17971828). An extremely prolific writer, Schubert died before his thirty-second birthday. With lyrics from the libretto Il filosofo di campagna by Carlo Goldoni (17071793), this simple, charming part song about a little shepherd girl, was originally written for four-part male chorus and piano and is believed to have been written sometime between 1813 and 1817. Be careful not to sing with too much weight in the voice so that you dont get bogged down in the sixteenth note runs. I would suggest speaking the Italian words in rhythm many times before singing them in rhythm. Once youve learned it, youll find it very rewarding to sing. PHONETIC PRONUNCIATION La pastorella al prato contenta se ne va lah pah-stoh-REHL-lah ahl PRAH-toh kohn-TEHN-tah seh neh vah Collagnellino a lato Cantando in liberta kohl-ah-neh-LEE-noh ah LAH-toh kahn-TAHN-doh een lee-behr-TAH Se linnocente amore Gradisce il se lee-noh-CHEN-teh ah-MOH-re grah-DEE-sheh il suo pastore eel SOO-oh pah-STOH-reh La bella pastorella contenta ognor sara lah BEHL-lah pah-stoh-REHL-lah kohn-TEHN-tah oh-nor sah-RAH NOTE: All R's should be flipped, not rolled. There is not a lot written about the history of La Pastorella by Austriaas classical composer, Franz Schubert (1797a1828). An extremely prolific writer, Schubert died before his thirty-second birthday. With lyrics from the libretto Il filosofo di campagna by Carlo Goldoni (1707a1793), this simple, charming part song about a little shepherd girl, was originally written for four-part male chorus and piano and is believed to have been written sometime between 1813 and 1817. Be careful not to sing with too much weight in the voice so that you donat get bogged down in the sixteenth note runs. I would suggest speaking the Italian words in rhythm many times before singing them in rhythm. Once youave learned it, youall find it very rewarding to sing. PHONETIC PRONUNCIATION LaA A pastorellaA A A A A A A A A A A A A alA A A A pratoA A A A A contentaA A A A A A A A seA A neA A va lah pah-stoh-REHL-lah ahlA PRAH-toh kohn-TEHN-tah seh neh vah CollaagnellinoA A A A A A A A A A A aA A A A latoA A A A A A CantandoA A A A A A A A inA A A A libertA kohl-ah-A+-eh-LEE-nohA ah LAH-tohA A kahn-TAHN-doh een lee-behr-TAH Se lainnocente amore Gradisce il se lee-noh-CHEN-teh ah-MOH-re grah-DEE-sheh ilA A A A suoA A A A A A pastore eel SOO-ohA pah-STOH-reh LaA bellaA A A A A A A A pastorellaA A A A A A A A A A A A A contentaA A A A A A A A A ognorA A A sarA lah BEHL-lahA pah-stoh-REHL-lahA kohn-TEHN-tahA A oh-A+-or sah-RAH NOTE: All R's should be flipped, not rolled. There is not a lot written about the history of La Pastorella by Austria's classical composer, Franz Schubert (1797-1828). An extremely prolific writer, Schubert died before his thirty-second birthday. With lyrics from the libretto Il filosofo di campagna by Carlo Goldoni (1707-1793), this simple, charming part song about a little shepherd girl, was originally written for four-part male chorus and piano and is believed to have been written sometime between 1813 and 1817. Be careful not to sing with too much weight in the voice so that you don't get bogged down in the sixteenth note runs. I would suggest speaking the Italian words in rhythm many times before singing them in rhythm. Once you've learned it, you'll find it very rewarding to sing. PHONETIC PRONUNCIATION La pastorella al prato contenta se ne va lah pah-stoh-REHL-lah ahl PRAH-toh kohn-TEHN-tah seh neh vah Coll'agnellino a lato Cantando in liberta kohl-ah-neh-LEE-noh ah LAH-toh kahn-TAHN-doh een lee-behr-TAH Se l'innocente amore Gradisce il se lee-noh-CHEN-teh ah-MOH-re grah-DEE-sheh il suo pastore eel SOO-oh pah-STOH-reh La bella pastorella contenta ognor sara lah BEHL-lah pah-stoh-REHL-lah kohn-TEHN-tah oh-nor sah-RAH NOTE: All R's should be flipped, not rolled. There is not a lot written about the history of La Pastorella by Austria's classical composer, Franz Schubert (1797-1828). An extremely prolific writer, Schubert died before his thirty-second birthday. With lyrics from the libretto Il filosofo di campagna by Carlo Goldoni (1707-1793), this simple, charming part song about a little shepherd girl, was originally written for four-part male chorus and piano and is believed to have been written sometime between 1813 and 1817. Be careful not to sing with too much weight in the voice so that you don't get bogged down in the sixteenth note runs. I would suggest speaking the Italian words in rhythm many times before singing them in rhythm. Once you've learned it, you'll find it very rewarding to sing. PHONETIC PRONUNCIATION La pastorella al prato contenta se ne va lah pah-stoh-REHL-lah ahl PRAH-toh kohn-TEHN-tah seh neh vah Coll'agnellino a lato Cantando in liberta kohl-ah-neh-LEE-noh ah LAH-toh kahn-TAHN-doh een lee-behr-TAH Se l'innocente amore Gradisce il se lee-noh-CHEN-teh ah-MOH-re grah-DEE-sheh il suo pastore eel SOO-oh pah-STOH-reh La bella pastorella contenta ognor sara lah BEHL-lah pah-stoh-REHL-lah kohn-TEHN-tah oh-nor sah-RAH NOTE: All R's should be flipped, not rolled. There is not a lot written about the history of La Pastorella by Austria’s classical composer, Franz Schubert (1797–1828). An extremely prolific writer, Schubert died before his thirty-second birthday. With lyrics from the libretto Il filosofo di campagna by Carlo Goldoni (1707–1793), this simple, charming part song about a little shepherd girl, was originally written for four-part male chorus and piano and is believed to have been written sometime between 1813 and 1817.Be careful not to sing with too much weight in the voice so that you don’t get bogged down in the sixteenth note runs. I would suggest speaking the Italian words in rhythm many times before singing them in rhythm. Once you’ve learned it, you’ll find it very rewarding to sing.PHONETIC PRONUNCIATIONLa  pastorella             al    prato     contenta        se  ne  valah pah-stoh-REHL-lah ahl PRAH-toh kohn-TEHN-tah seh neh vahColl’agnellino           a    lato      Cantando        in    libertà kohl-ah-ñeh-LEE-noh ah LAH-toh  kahn-TAHN-doh een lee-behr-TAHSe l’innocente amore Gradisce ilse lee-noh-CHEN-teh ah-MOH-re grah-DEE-shehil    suo      pastoreeel SOO-oh pah-STOH-rehLa bella        pastorella             contenta         ognor   sarà lah BEHL-lah pah-stoh-REHL-lah kohn-TEHN-tah  oh-ñor sah-RAHNOTE: All R's should be flipped, not rolled. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Reeds of Innocence Choral SATB SATB Boosey and Hawkes
By Donna Gartman Schultz. (SATB). Conductor's Choice. Size 7x10.5 inches. 9 pag...(+)
By Donna Gartman Schultz. (SATB). Conductor's Choice. Size 7x10.5 inches. 9 pages. Published by Boosey & Hawkes.
$1.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Poul Ruders: glOrIA (Score) Music Sales
Brass Ensemble, Brass Instruments, SATB SKU: HL.14028037 Composed by Poul...(+)
Brass Ensemble, Brass Instruments, SATB SKU: HL.14028037 Composed by Poul Ruders. Music Sales America. 20th Century. Score. Music Sales #KP00435. Published by Music Sales (HL.14028037). ISBN 9788759871799. Ruders writes: gl0rIA is subtitled: a relique for large chorus and 12 brass-instruments. At the same time it is an exercise for chorus because only vowels do occur, or virtually no consonants are heard. The second part of the Missa Ordinarium, the Gloria in Exelcis Deo makes the literary basis of g10rIA, but I employ only the vowels, which in their full context form a non-language, - fragments of a tradition. A less dim vision of the severed body appears in the center of the piece, where the Domini Fili-section surfaces in its original shape. gl0rIA is a 20th century composer's hommage to the innocent faith of bygone days and a fanfare in honour of Claudio Monteverdi; thus the ever present elaborations of the introduction to the Vespro Della Beate Vergine. Superimposed on the torso of Latin, I wedge in a quotation from the Spanish renaissance poet Gonzalo de Berceo's Duelo de la Virgen, a surrealistic Lamento, in which the Jews, sent by Pilate to stand guard at the tomb of Christ, mock and ridicule Maria, Jesu mother. Thus a shadow has been cast over the jubilant religious appraisal of the past, which today's knowledge of atrocities and enormities engineered by Mankind, has - alas - made so hard to repeat. $79.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Viatonten Valssi Choral SATB Fennica Gehrman
Mixed choir SKU: FG.042-06600-3 Composed by Pekka Kostiainen. Published b...(+)
Mixed choir SKU: FG.042-06600-3 Composed by Pekka Kostiainen. Published by Fennica Gehrman (FG.042-06600-3). ISBN 979-0-042-06600-3. Viatonten valssi (The Waltz of the Innocents) is one of Kostiainen's most popular works for mixed choir. It is based on the ironic text by Aaro Hellaakoski in which miniature devils and angels meet and join in dance in the midst of a summer night. $6.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Passage innocent for 12 Voices (3 Sopranos, 3 Altos, 3 Tenors, 3 Basses) Barenreiter
Singing voice (Vocal) SKU: BA.BA09354 Composed by Charlotte Seither. Stap...(+)
Singing voice (Vocal) SKU: BA.BA09354 Composed by Charlotte Seither. Stapled. Score. Composed 2006. 29 pages. Duration 7 minutes. Baerenreiter Verlag #BA09354_00. Published by Baerenreiter Verlag (BA.BA09354). ISBN 9790006537266. 39 x 29.7 cm inches. Language: German. $43.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Missa sub titulo Sancti Leopoldi Carus Verlag
Soli SSA, Choir SSA, 2 Violins, Basso continuo, [2 Horns] SKU: CA.5483719 ...(+)
Soli SSA, Choir SSA, 2 Violins, Basso continuo, [2 Horns] SKU: CA.5483719 Composed by Michael Haydn. Edited by Armin Kircher. Arranged by Paul Horn. Missa Sti Leopoldi Mh 837. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1805. MH 837. Duration 20 minutes. Carus Verlag #CV 54.837/19. Published by Carus Verlag (CA.5483719). ISBN 9790007138455. Language: Latin. The Missa sub titulo Sti. Leopoldi pro festo Innocentium MH 837, written for the choir boys of the Salzburg Cathedral, was the last completed work of Johann Michael Haydn. Haydn composed more than thirty works to Latin and German settings for his beloved choir boys in a scoring for two or three treble voices. The composition of the Leopoldi-Mass was completed on 22 December 1805 and it corresponds entirely to the strength of the hopeful pupils. On New Year's Eve in 1805 Haydn, who had long been sick and who suffered under the consequences of the invasion of the French, wrote to his friend Father Weringand Rettensteiner: in spite of all the tragic circumstances, I still wrote a Mass for the children's festival, and I think they enjoyed it.. Score and parts available separately - see item CA.5483700. $157.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet in D minor Op. 42 String Quartet: 2 violins, viola, cello Eulenburg
String Quartet (Study Score) SKU: HL.49015905 Russisches / Jungfern-Qu...(+)
String Quartet (Study Score) SKU: HL.49015905 Russisches / Jungfern-Quartett Nr. 6. Composed by Franz Joseph Haydn. Edited by Wilhelm Altmann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Op. 42. 16 pages. Eulenburg Edition #ETP 154. Published by Eulenburg Edition (HL.49015905). ISBN 9790200201604. UPC: 884088061319. 5.25x7.5x0.07 inches. With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. $11.99 - See more - Buy online | | |
| This endris night Choral SATB [Vocal Score] Oxford University Press
Composed by Z. Randall Stroope. For SATB choir and piano/organ/orchestra (fl, ob...(+)
Composed by Z. Randall Stroope. For SATB choir and piano/organ/orchestra (fl, ob, bn, hn, str). Vocal score. Duration 3.5'. Published by Oxford University Press
$3.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dance Of The Death Music Sales | | |
| The Word Is Born - Music Collection Choral Unison GIA Publications
Choir SKU: GI.G-5907 Composed by Francis Patrick O'brien. Christmastide, ...(+)
Choir SKU: GI.G-5907 Composed by Francis Patrick O'brien. Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day, Epiphany, Baptism of the Lord. Sacred. Collection. GIA Publications #5907. Published by GIA Publications (GI.G-5907). English. Among the many liturgical composers who have shared their talents with us over the past few decades, Fran O'Brien consistently captures the wants, needs, and capacity of the Sunday morning choir beautifully! The Word Is Born is a marvelous collection of Christmas offerings, with ideal pieces for children's choir, ensemble, and of course, adult choir. Song after song is highly useable during the season, from Advent through the Baptism of the Lord. Filled with tastefully crafted and highly singable music for all types of choirs, The Word Is Born is sure to become a Christmas standard for years to come. Includes one of each of following octavos: Wood of the Cradle - All the Ends of the Earth - Epiphany Carol - God of Surprises - God’s Beloved One - God’s Delight at Bethlehem - Hodie Christus natus est - Journey On - Nova, Nova - Of Woman Born - Song of the Baptist - Song of the Innocents - The Word Is Born - Today Is Born Our Savior - ’Twas in the Noon of Wintertime - Welcome All . $18.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Lamb Boosey and Hawkes
(SSAATTBB choir) SKU: HL.48024952 SATB Divisi a cappella. Composed...(+)
(SSAATTBB choir) SKU: HL.48024952 SATB Divisi a cappella. Composed by Becky McGlade. Boosey & Hawkes Sacred Choral. Octavo. Boosey & Hawkes #M060137235. Published by Boosey & Hawkes (HL.48024952). ISBN 9781784545987. UPC: 840126947243. 6.75x10.5 inches. I was introduced to William Blake's poem The Lamb many years ago through John Tavener's famous setting and, when commissioned by York Minster to write a carol for their 2019 nine lessons and carols services, the idea of writing my own setting of this beautiful poem was hard to resist. For me, the biblical symbol of the lamb represents one of the most profound theological mysteries. That divine omnipotence as represented by the symbolic lamb speaks volumes of the humility and self-sacrificing nature of God; complexity illustrated in simplicity. The poet has seen within the vulnerability of the lamb, the profundity of God's self-sacrifice. I looked to convey the innocence of the lamb through the gentle opening of the piece with its simple melody and harmony. The harmonies gradually intensify as the questions of the text continue, and there is a stronger feel to the second verse as those questions begin to be answered and it is revealed that the Creator God is Himself the Lamb. A feeling of space should prevail, without the tempo dragging. The commas in bars 29, 33, 46, 51 and 52 imply there should be room to breathe, but not a whole quaver's worth of breath if possible. $4.95 - See more - Buy online | | |
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