SKU: FZ.50531
ISBN 9790049505314. 22.00 x 30.00 cm inches.
This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Edition : s. d. =1687. Presentation by Marie Demeilliez : Biography - Le second livre de clavecin - Bibliography (Description of conserved editions) - Manuscript versions and Concordances table - Table od contents. This facsimile reproduces the copy in the British Library, the only complete exemplar. A modern edition, already dated, is based on the incomplete copy from the Bibliotheque Nationale de France. This second book of harpsichord pieces is interesting for several reasons: the very typical pieces of the suite are classical models most of them are of limited difficulty and therefore playable by young pupils these pieces date from a key period during which both pre-classical ornamentation (see the book of motets by Lebegue) and the emerging classical ornamentation were used. The preface by M. D. is remarkably well documented. The engraving is very clear. Anne Fuzeau Productions have published all the period editions of Lebegue's works: 3 organ books, 2 harpsichord books, one book of motets. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.8611
11 x 30 cm inches.
Anne Fuzeau Classique propose books on music. Ce petit aide memoire n'est en aucun cas une methode d'apprentissage de la theorie musicale elementaire. Son seul objectif est de fournir un outil pratique au jeune apprenti musicien. C'est donc apres avoir etudie certains points precis de theorie dans une classe de solfege ou dans un manuel specialise, que ce petit outil de travail devient utile. Celui-ci contient un jeu de fiches destinees a etre glissees dans une reglette de base. Les autres fiches, non amovibles, reprennent tout une serie de points de theorie comme les termes de mouvement, les modes d'attaque, les signes de dynamiques, les cles, la notation rythmique, le chiffrage des accords, etc. Il suffit de placer le bas de la case inferieure coloree d'une des fiches sur un des sons de la reglette principale pour connaitre les constituants des echelles, des intervalles et des accords proposes. Il est donc facile de jouer/chanter et bien sur de transposer les composantes des echelles, intervalles et accords. La reglette qui accueille ces differentes fiches reprend tous les sons de l'echelle chromatique ainsi que leurs enharmonies. Par la simplicite de sa conception et de son maniement, cette reglette est a la fois un pense-bete de donnees theoriques communes mais egalement un outil qui permet de verifier, d'ecouter et de pratiquer.
SKU: FZ.5859
ISBN 9790230658591. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in three books. Hector BERLIOZ (1-2) - Jacques MARTINN (1-2) - August Mathieu PANSERON - Joseph VIMEUX. Table of contents: Martinn Jacques: Nouvelle methode d'alto - 1826. Martinn Jacques: Nouvelle methode d'alto pour apprendre sans maitre - 1835. Berlioz Hector: Grand Traite d'instrumentation - 1844. Panseron August Mathieu: Solfege du violoniste - 1845. Vimeux Joseph: Methode d'alto - 1851. Berlioz Hector: Lettre a M. Humbert Ferrand - 1865. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - National Library of Paris (France). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the viola.
SKU: FZ.5935
ISBN 9790230659352. 23.50 x 31.50 cm inches.
This facsimile of an original by Francesco Maria Veracini is part of our Dominantes collection. A facsimile of the first Dresden edition. Presentation by Nicolas Fromageot: Bibliography of the work - Appreciations - Hints about the score - Summary bibliography. The first work by one of the most remarkable violinists of his time. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5818
ISBN 9790230658188. 24.00 x 33.00 cm inches.
This facsimile of an original by Louis-Gabriel Guillemain is part of our French classical music collection. The combination of flute, violin, viola da gamba and continuo bass is typically French. The viola da gamba may however be replaced by a viola. Preface by the students of the CeFEdeM-Ile-de-France: Guillemain's life - Guillemain at the Concert Spirituel summary catalogue of Guillemain's chamber music works - terminology - ornamentation. Four separate instrumental parts: flute, violin, viol, continuo. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.50500
ISBN 9790049505000. 21.00 x 29.70 cm inches.
This facsimile of an original by Jacques Christophe Naudot is part of our French classical music collection. Oeuvre XI. Edition : L'Auteur, Boivin, Le Clerc, s. d. (= c. 1737). These were the first flute concertos to be published in France. A particular advantage of this fine music of Italian inspiration is that it requires only seven musicians. The solo flute has a true soloist part. The first violin part is also interesting. Presentation by Mi-Sung Kim and Emilie Stahl (CeFEdeM ile-de-France) : Vie et oeuvre de Naudot. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Nationale Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5830
ISBN 9790230658300. 24.00 x 33.00 cm inches.
This facsimile of an original by Jean-Baptiste Quentin is part of our French classical music collection. Edition : Paris, l'Auteur, Boivin, Leclerc, c. 1742. Preface by the students of the CeFEdeM-Ile-de-France: biographical elements - hints about the score (terminology, time signatures, ornamentation, phrasing, continuo bass, distribution). Three separate instrumental parts sonata IV is a quartet (two instruments for the continuo bass). These remarkably well written chamber music pieces deserve to be brought to light. The quartet sonata for 2 violins, viola da gamba and continuo bass is a particularly fine work. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Berlin - Preuffischer Kulturbesitz Musikabteilung mit Mendelssohn-Archiv (Germany). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.50527
ISBN 9790049505277. 22.00 x 30.00 cm inches.
This facsimile of an original by Simon Le Duc is part of our French classical music collection. Second livre de sonates pour le violon (avec basse continue) - Oeuvre IV. Edition : Paris, Le Duc, s. d. (=c. 1771). Presentation: Saskia Salembier - Departement de musique ancienne Conservatoire National Superieur de Musique et de Danse de Paris. This book contains some of the most beautiful sonatas for violin and continuo from the end of the XVIIIth century. All violinists should be familiar with them. In addition, they are excellent for the study of late XVIIIth century ornamentation. Quality engraving, very legible. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5857
ISBN 9790230658577. 23.50 x 31.50 cm inches.
This facsimile of an original by Michel Pignolet de Monteclair is part of our French classical music collection. Edition : Paris, C. Ballard, 1697. Preface by the Early music department of the CNSMDP, class of Irene Ginger and Jean Saint-Arroman: dance and music - composition and instrumentation - notation - time signatures - terminology - continuo. Three separate instrumental parts: premier dessus, second dessus, continuo bass. The precise instrumentation is usually mentioned. According to Monteclair these pieces are suitable for dancing. They are written either for a melody instrument and bass or a trio. The simple, clear writing makes them ideal dance music. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5557
ISBN 9790230655576. 24.00 x 33.00 cm inches.
This facsimile of an original by Francois Andre Danican Philidor is part of our French classical music collection. Edition : 1755. The solo parts of these quartets may be played on the oboe, flute or violin. This meticulously written work calls for three melodic instruments and a continuo bass, and mingles Italian, German and French styles. A work of quality, it is the only purely instrumental composition by one of the creator of the French opera-comique. Preface by the students of the CeFEdeM-Ile-de-France: terminology - phrasing - forms - ornamentation - instrumentation - the figures of the continuo bass. Four separate instrumental parts. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5999
ISBN 9790230659994. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in six books. ANONYME - BEMETZRIEDER Antoine - CORRETTE Michel - FROESTLER B. - GOURNAY B. C. - LANGLE Honore-Francois-Marie - RODOLPHE Jean-Joseph - ROUSSIER Pierre-Joseph. Table of contents: Roussier Pierre-Joseph: L'harmonie pratique - 1775. Corrette Michel: Prototipes contenant des lecons d'accompagnement - 1775. Anonyme: Abrege des regles de composition - 1777. Bemetzrieder Antoine: Nouvelles lecons de clavecin ou instructions generales - 1782. Rodolphe Jean-Joseph: Theorie d'accompagnement - c. 1785. Gournay B. C. : Lettre a M. l'abbe Roussier - 1785. Langle Honore-Francois-Marie: Traite de la basse sous le chant - 1797. Froestler B. : Traite d'harmonie et de modulation - 1800. Anonyme: Principes de l'accompagnement - s. d. Anonyme: Regles d'accompagnement - s. d. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (England). - Nederlands Muziek Instituut of The Hague (Netherlands). - Municipal Library of Grenoble (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the continuo.
SKU: FZ.5940
ISBN 9790230659406. 24.00 x 33.00 cm inches.
This facsimile of an original by Benigne de Bacilly is part of our French classical music collection. Editeur : Paris, R. Ballard, 1665. These songs may be transposed for all voices. In the preface, Irene Ginger's students propose suitable choreographies for some of them. Introduction by the early music department of the CNSMDP (class of Irene Ginger): choreography for certain pieces. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Sainte-Genevieve Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5937
ISBN 9790230659376. 24.00 x 33.00 cm inches.
This facsimile of an original by Francois Devienne is part of our French classical music collection. Edition : Paris, Le Duc, 1785. Preface by the students of the CeFEdeM-Ile-de-France: the ornamentation of the three sonatas. Two separate instrumental parts: fortepiano, flute. The preface examines the ornamentation of the three sonatas, typical of the turning point between the eighteenth and nineteenth centuries. Like the flute part, the piano part contains almost no phrase marks: some research into the subject is therefore necessary it should be based on Devienne's own flute tutor. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.2057
ISBN 9790230620574. 24.00 x 33.00 cm inches.
This facsimile of an original by Giovanni Battista Somis is part of our Dominantes collection. Sonate da Camera a violino solo, e violoncello, o Cembalo. Opera seconda. Edition : Turin, l'auteur, 1723. Presentation by Nicolas Fromageot : Summary catalogue of the works of J. B. Somis - the Piedmontese violin school - Opinions - Suggestions. Facsimile of op. 2 by Somis, leader of the Piedmontese school, who taught J. M. Leclair, Guignon, Guillemain and Pugnani. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5887
ISBN 9790230658874. 24.00 x 33.00 cm inches.
This facsimile of an original by Ignace Pleyel is part of our French classical music collection. Edition : Paris, Sieber, 1788. Preface by students of the CeFEdeM-Ile-de-France: Pleyel's biography the works of Ignace Pleyel - Pleyel the music publisher - Pleyel the piano builder - the Salle Pleyel in rue Rochechouart - hints about the score. Three separate instrumental parts: piano - flute or violin - cello. The composer, publisher, and piano maker, Ignace Pleyel, holds an important place at the cusp of the 18th and 19th centuries. The quality of the compositions produced by this student of Haydn makes their republishing worthwhile. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
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